Cary Grant’s Black Tie in To Catch a Thief

Cary Grant as John Robie in To Catch a Thief (1955)

Cary Grant as John Robie in To Catch a Thief (1955)

26 years ago today – November 29, 1986 – Cary Grant passed away. To pay tribute to this screen legend, here he is as he would have wanted to be remembered: in a sharp tuxedo as a lovable rogue charming the gems off of Grace Kelly.

Vitals

Cary Grant as John Robie, retired cat burglar and jewel thief

Cannes, French Riviera, Summer 1954

Film: To Catch a Thief
Release Date: August 5, 1955
Director: Alfred Hitchcock
Costume Designer: Edith Head

Background

In the early 1950s, Cary Grant cited his growing age (he was almost 50) and the rise of method acting (Marlon Brando existed) as the primary reasons for his retirement from acting. However, in a tradition ranging from Grover Cleveland to Frank Sinatra to Brett Favre, this retirement was short-lived.

Grant, who was a favorite of Alfred Hitchcock and referred to by the latter as “the only actor I ever loved in my whole life”, was convinced to come back for To Catch a Thief. It’s lucky for the world that he did or else films such as An Affair to RememberCharade, and – of course – North by Northwest would not have been the same.

Showing some business savvy, Grant used his star status to go independent of the studio system, choose his own movies, and negotiating his own shares of the gross revenue. Thus, Grant received 10% of To Catch a Thief‘s gross, with his $700,000 overshadowing the $50,000 Hitchcock received to direct and produce.

Not only notable for kickstarting the second half of Grant’s film career, To Catch a Thief also marked the end of Grace Kelly’s. It was her last film before meeting Prince Ranier of Monaco, whom she would marry after the completion of her last film, High Society, in 1956.

So to honor Cary Grant on the 26th anniversary of his passing…

What’d He Wear?

Although many men in the 1950s were springing for more festive dinner jackets for some occasions at home – typically of a plaid variety – the French Riviera was still a place for traditional black tie in the evenings. And who better to wear it than Cary Grant?

After spending the first portion of the film in a casual long-sleeve jumper and neckerchief, John Robie is next seen dining alone in a Riviera restaurant. He slyly follows his potential bait to the casino and, after finally making their acquaintance and joining them for post-prandial cocktails, walks both ladies up to their rooms.

Alfred Hitchcock’s cameo in this film was as a sconce on the hotel wall. Well done, makeup department.

The midnight blue dinner jacket is ventless with a single link-button closure in the front that he always wears fastened. In addition, it has straight jetted hip pockets and an open breast pocket for his neatly rakish white pocketsquare. The shawl lapels are faced with black grosgrain with a buttonhole left unadorned on the left lapel. There are three buttons on each cuff.

Cary Grant, auditioning for the role of James Bond eight years before the first Bond film was even made.

Grant’s waistcoat has a low V-shaped opening. It is also single-breasted and grosgrain-faced to match the lapels.

Underneath, Grant wears a white shirt with a 1/2″-pleated front bib, complete with two diamond studs. Matching diamond cuff links adorn the shirt’s French cuffs. Diamonds are appropriate for his profession (ex-profession, I guess) as a jewel thief. The wide bow tie is black grosgrain.

Cary Grant discovers electricity!

Cary Grant discovers electricity!

His midnight blue formal trousers are forward-pleated with an extended closure tab and side adjusters to ensure a correct fit. Naturally, there is a single satin stripe down each leg. The two rear pockets are jetted and close with a button.

Grant wears the traditional black leather oxfords and black dress socks. Whether or not they’re appropriate for this cat burglar to be scaling roofs remains in question, but they’re certainly more than appropriate for his fine dinner suit.

Go Big or Go Home

When it comes to dating, there’s no harm in living by the John Robie code of etiquette. If he’s a world class criminal and still has fine manners, what’s your excuse?

Go out for drinks with the woman and her mother.

Don’t worry about any potential awkwardness when her mother seems to be paying more attention to you than her. This even applies if her mother will play your mother five years from now (North by Northwest).

Always wait for the woman you just met to kiss you rather than forcing yourself upon her.

If you’re Cary Grant, chances are you won’t have to wait too long.

Even Cary Grant is dumbstruck after a kiss from Grace Kelly.

What to Imbibe

Not unexpectedly, Cary Grant enjoys quite a few drinks throughout the course of the film. Although not getting sloppy on a whole bottle of bourbon as per North by Northwest, he enjoys a respectable amount of champagne while sitting with Mrs. Stevens and her daughter after a night of gambling. The following evening, during a date in Miss Stevens’ hotel room, he asks for – and enjoys – a snifter of brandy.

Wearing a midnight blue tuxedo and drinking a snifter of brandy will certainly make you look this cool.

Cary Grant as John Robie in To Catch a Thief (1955)

Cary Grant as John Robie in To Catch a Thief (1955)

How to Get the Look

As mentioned, it is supposed that Grant wore his own clothes for the filming. Do you have these items in your closet?

  • Midnight blue dinner suit, consisting of:
    • Single-breasted ventless dinner jacket with a single link button, straight jetted hip pockets, open breast pocket, 3-button cuffs, and black grosgrain-faced shawl lapels (with a buttonhole in the left lapel)
    • Pleated trousers with a satin stripe down each leg, side adjusters, an extended front tab, and button-close jetted rear pockets
  • White formal shirt with a 1/2″-pleated front bib, two diamond studs, and double/French cuffs
  • Diamond cuff links
  • Black grosgrain bow tie
  • Black formal single-breasted V-shaped waistcoat
  • Black leather oxford shoes
  • Black thin silk dress socks
  • White silk pocket square

Do Yourself a Favor and…

Check out the movie.

The Quote

You know, I have about the same interest in jewels as I have in politics, horse racing, modern poetry, or women who need weird excitement: none.

Until you find yourself in these circumstances, anytime your girlfriend says you took her on the perfect date, she is lying.

Footnote

According to the film’s dialogue, all of his clothes have French labels. Although I had heard that Grant wore his own clothing for the film, the venerable Edith Head is responsible for the costumes.

14 comments

    • luckystrike721

      Always a pleasure to hear from you! I’ve never been to the French Riviera, but I like to think of it as a mythical place where gentlemen can go to casinos in black tie and drink champagne with women like Grace.
      Interesting note about Jessie Royce Landis! At least in To Catch a Thief, the age similarity is noted. She must have been a very good sport for North by Northwest, especially with the great performance she turned in for both.
      “You’re not REALLY trying to kill my son, are you?”

    • luckystrike721

      Also, I haven’t forgotten about your Charade request! I have a copy, but it is from probably around 2002 and the DVD master wasn’t very good. Perhaps I’ll get a Criterion Collection DVD of it for Christmas? If so, expect the first Charade post around CG’s birthday…

  1. Anonymous

    True. Grant always wore his own clothing in his films and had the cost worked into his contract. Most directors trusted Grant to know what to wear, and they were right….

  2. Anonymous

    Funny thing is that Jessie Royce Landis plays the mother in this film, as she did in N by NW….She is actually younger than CG…..

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  6. Corinth

    I never knew it was a rule to only wear the shawl collar jacket with a cummerbund. I’ve been wearing shawl collared dinner jackets (black and ivory) with a waistcoat for years. It looks fine on me, and never suspected that it wasn’t “right” or “ballsy”.

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  10. Aesop

    Fabulous write-up. Grant’s fashion sense was flawless, on screen and off.

    One quibble: Hitchcock’s actual cameo in To Catch A Thief was as a plainly visible passenger on the public bus John Robie (Grant) uses to escape les flics, where he is seen sitting in the back row next to Grant and staring straight ahead, which you usually don’t get to see in TV letterbox pan-and-scan, and probably always missed.

    A full capture widescreen shows the scene as it was originally shown.

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