Category: Sport Coat & Slacks

The Godfather, Part II: Michael Corleone’s Navy Jacket and Cravats

Al Pacino as Michael Corleone in The Godfather Part II (1974)

Al Pacino as Michael Corleone in The Godfather Part II (1974)

Vitals

Al Pacino as Michael Corleone, calculating Mafia boss

Havana, December 1958, and Lake Tahoe, Spring 1959

Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle

WARNING! Spoilers ahead!

Background

When “gangster style” comes to mind, you may think first of the silk suits from Goodfellas or tracksuits of The Sopranos, but Michael Corleone established an aristocratic sense of style as he grew into his leadership role in accordance with his reserved nature. Continue reading

Chadwick Boseman in Ma Rainey’s Black Bottom

Chadwick Boseman in Ma Rainey's Black Bottom (2020). Photo by David Lee/Netflix.

Chadwick Boseman in Ma Rainey’s Black Bottom (2020). Photo by David Lee/Netflix.

Vitals

Chadwick Boseman as Levee Green, ambitious blues cornetist

Chicago, Summer 1927

Film: Ma Rainey’s Black Bottom
Release Date: November 25, 2020
Director: George C. Wolfe
Costume Designer: Ann Roth

Background

The late Chadwick Boseman was being named as an Oscar contender for his performance in Ma Rainey’s Black Bottom, based on the August Wilson play of the same name, even before it came out. We’re still two months away from the Academy Award nominations being announced, but Boseman has already received posthumous Best Actor wins from the Chicago Film Critics Association, Alliance of Women Film Journalists, and Music City Film Critics’ Association for what turned out to be his final screen role.

The praise is well-deserved as the actor delivered a powerhouse performance as the hotheaded horn-blower Levee Green, an ambitious (and fictional) member of a four-piece band backing Ma Rainey (Viola Davis), the Mother of the Blues herself. The North Side neighborhood in my hometown of Pittsburgh was transformed to resemble roaring ’20s Chicago when production came to the Steel City two summers ago; Ma Rainey’s Black Bottom is the only one of the ten plays in the Hill District-born Wilson’s “Century Cycle” not actually set in Pittsburgh.

Chadwick Boseman had been diagnosed with stage III colon cancer in 2016, never speaking publicly about his illness all the while delivering some of his most iconic performances in MarshallBlack Panther, and the two Avengers films to follow. Indeed, Boseman’s vigorous performance in Ma Rainey’s Black Bottom belies his health at the time, and his fellow cast members remained unaware of his ongoing treatment for the cancer that would progress to stage IV before it ended his life at the age of 42 on August 28, 2020. Continue reading

White Christmas: Bing’s Gray Flannel Blazer

Bing Crosby as Bob Wallace in White Christmas (1954)

Bing Crosby as Bob Wallace in White Christmas (1954)

Vitals

Bing Crosby as Bob Wallace, Broadway crooner and World War II veteran

Pine Tree, Vermont, December 1954

Film: White Christmas
Release Date: October 14, 1954
Director: Michael Curtiz
Costume Designer: Edith Head

Background

Merry Christmas to all BAMF Style readers who celebrate! After a turbulent year, I know I’ve found comfort in the warm familiarity of the 1954 holiday classic White Christmas starring Bing Crosby and Danny Kaye as a pair of war buddies-turned-producers who stage yet another “yuletide clambake” to support their popular general (Dean Jagger)… as if you hadn’t already seen it!

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The Irishman: De Niro’s Burgundy Christmas Blazer

Robert De Niro flanked by co-star Stephanie Kurtzuba and director Martin Scorsese on the set of The Irishman (2019)

Robert De Niro flanked by co-star Stephanie Kurtzuba and director Martin Scorsese on the set of The Irishman (2019)

Vitals

Robert De Niro as Frank “the Irishman” Sheeran, tough Mafia enforcer

Philadelphia, Christmas 1960

Film: The Irishman
Release Date: November 1, 2019
Director: Martin Scorsese
Costume Design: Sandy Powell & Christopher Peterson

Background

Last year’s holiday season, there was plenty of buzz around The Irishman, Martin Scorsese’s latest mob epic which had been released to Netflix following a brief limited theatrical run. At 209 minutes, The Irishman clocked in as Scorsese’s longest movie to date, following real-life enforcer Frank Sheeran (Robert de Niro) through his connections to the mob via Philadelphia boss Russell Bufalino (Joe Pesci) and his friendship with outspoken labor leader Jimmy Hoffa (Al Pacino).

Everything seems to change for the boys after the Kennedy administration puts the mob in the government’s crosshairs, but they get one final moment of peace at Christmas 1960, just less than a month before JFK would take office. Frank and Russell gather with their families for an intimate holiday celebration where the only real tension is Frank’s 11-year-old daughter Peggy withholding her affection for the Bufalino patriarch, refusing to see him as a benevolent “Uncle Russell” despite his Christmas gift of skates lined with a C-note.

On #MafiaMonday with just a week until Christmas, let’s look a little deeper at Frank Sheeran’s seasonal style during this brief holiday scene. Continue reading

Richard Burton’s Brown Tweed Jacket in The Sandpiper

Elizabeth Taylor and Richard Burton during production of The Sandpiper (1965)

Elizabeth Taylor and Richard Burton during production of The Sandpiper (1965)

Vitals

Richard Burton as Dr. Edward Hewitt, boarding school headmaster

Big Sur, California, Spring 1965

Film: The Sandpiper
Release Date: June 23, 1965
Director: Vincente Minnelli
Costume Designer: Irene Sharaff

Background

Today would have been the 95th birthday of Richard Burton, the Welsh actor born November 10, 1925 perhaps best known for his Shakespearean talent and his back-to-back marriages with frequent co-star Elizabeth Taylor.

After engaging in an affair during the course of their first two films, Cleopatra (1963) and The V.I.P.s (1963), Liz and Dick finally tyed the knot—for the first time—on March 15, 1964, shortly before production commenced on their third film together, The Sandpiper. Continue reading

Scorpio: Alain Delon’s Black Blazers

Alain Delon as Jean Laurier in Scorpio (1973)

Alain Delon as Jean Laurier in Scorpio (1973)

Vitals

Alain Delon as Jean Laurier, aka “Scorpio”, dangerous freelance assassin, former French paratrooper, and cat lover

Washington, D.C., and Vienna, Spring 1973

Film: Scorpio
Release Date: April 19, 1973
Director: Michael Winner
Wardrobe Master: Philippe Pickford

WARNING! Spoilers ahead!

Background

Happy 85th birthday to French cinema icon Alain Delon, whose November 8, 1935 birthday makes him a Scorpio and thus a fitting choice for the title role in Michael Winner’s 1973 espionage thriller Scorpio. (Interestingly, Delon was re-teamed with The Leopard co-star Burt Lancaster, whose November 2, 1913 birthday makes him a Scorpio as well!) The astrological overtones sneak into the script as well as a CIA officer suggests to Delon’s character Jean Laurier that his codename “Scorpio” suits him:

We named you well, you’re a perfect Scorpio! You have a penchant for intrigue, violence…

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Targets: Boris Karloff in Tweed

Boris Karloff as Byron Orlok in Targets (1968)

Boris Karloff as Byron Orlok in Targets (1968)

Vitals

Boris Karloff as Byron Orlok, aging horror actor

Los Angeles, Summer 1967

Film: Targets
Release Date: August 15, 1968
Director: Peter Bogdanovich
Production and Costume Design: Polly Platt

WARNING! Spoilers ahead!

Background

“Everybody’s dead… I feel like a dinosaur,” former horror icon Byron Orlok describes himself in a candid moment with Sammy Michaels (Peter Bogdanovich), an ambitious director and screenwriter played by Targets‘ own director and co-writer himself. Bogdanovich had written Orlok as a thinly disguised version of Boris Karloff, the elder statesman of horror cinema who was pushing 80 at the time of the film’s production. An embittered Byron shares with Sammy that his old-fashioned cinematic monsters—i.e. Frankenstein’s monster—are hardly the stuff to scare contemporary audiences as the local news horrifying enough with tales of senseless murder and random violence.

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Death Wish: Charles Bronson’s Herringbone Sport Jacket

Charles Bronson as Paul Kersey in Death Wish (1974)

Charles Bronson as Paul Kersey in Death Wish (1974)

Vitals

Charles Bronson as Paul Kersey, architect and soon-to-be vigilante

Tucson, Arizona, and New York City, Winter 1974

Film: Death Wish
Release Date: July 24, 1974
Director: Michael Winner
Costume Designer: Joseph G. Aulisi

WARNING! Spoilers ahead!

Background

After a wave of films celebrating outlaws during the counterculture era of the late ’60s (i.e. Bonnie and Clyde and Butch Cassidy and the Sundance Kid), an opposing wave crashed through American cinema at the start of the following decade, centered around a philosophy of vigilantism. The trend arguably kicked into high gear with Clint Eastwood’s renegade detective in Dirty Harry who despised the proverbial red tape preventing him from bringing deadly criminals to justice with his famed .44 Magnum. Within five years, Martin Scorsese had already evolved the focus from an endorsement of vigilantism into a cautionary tale with the release of Taxi Driver. Before the troubled Travis Bickle took it upon himself to “wash all this scum off the streets” of New York City, there was Paul Kersey.

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Mad Men, 1970 Style – Sterling’s Sporty Turtleneck

John Slattery as Roger Sterling on Mad Men (Episode 7.14: "Person to Person")

John Slattery as Roger Sterling on Mad Men (Episode 7.14: “Person to Person”)

Vitals

John Slattery as Roger Sterling, aging ad man

New York City, Fall 1970

Series: Mad Men
Episode: “Person to Person” (Episode 7.14)
Air Date: May 17, 2015
Director: Matthew Weiner
Creator: Matthew Weiner
Costume Designer: Janie Bryant

WARNING! Spoilers ahead!

Background

Mad Men style typically evokes thoughts of men in sleek, ’60s-cut business suits, raising a glass of whiskey behind a veil of Lucky Strike smoke while juggling accounts and affairs. Of course, even a Madison Avenue man dresses down on the weekends.

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Robert Forster’s Sport Jacket and Cherry Red Polo in Jackie Brown

Robert Forster as Max Cherry in Jackie Brown (1997)

Robert Forster as Max Cherry in Jackie Brown (1997)

Vitals

Robert Forster as Max Cherry, reliable bail bondsman

Los Angeles, Summer 1995

Film: Jackie Brown
Release Date: December 25, 1997
Director: Quentin Tarantino
Costume Designer: Mary Claire Hannan

WARNING! Spoilers ahead!

Background

One year ago today, the great Robert Forster died at the age of 78 after more than a half-century in movies and TV, perhaps best known for his roles in Medium Cool, Jackie BrownMulholland Drive, and most recently as taciturn “disappearer” Ed on Breaking Bad.

Though he’d been acting for three decades, it wasn’t until Jackie Brown that Forster gained widespread recognition with his Academy Award-nominated performance, establishing both Forster and Max Cherry as the latest beneficiaries of the “Tarantino effect” that had renewed the careers of actors like Harvey Keitel and John Travolta after their turns in QT-directed films.

Jackie Brown remains the rare Tarantino joint adapted from another writer’s source material, in this case the novel Rum Punch by prolific crime author Elmore Leonard, who was born 95 years ago today on October 11, 1925.

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