Category: Sport Coat & Slacks
Rod Taylor in The V.I.P.s.
Rod Taylor and Maggie Smith in The V.I.P.s (1963)
Vitals
Rod Taylor as Les Mangrum, gregarious Australian tractor manufacturing mogul
Heathrow Airport, London, Winter 1963
Film: The V.I.P.s
(also released as Hotel International)
Release Date: September 19, 1963
Director: Anthony Asquith
Costume Designer: Pierre Cardin (uncredited)
Background
A generation after Grand Hotel (1932) established the subgenre of the ensemble drama with a packed cast of international stars, Anthony Asquith updated the pattern for the jet age with the genteel director’s penultimate film, The V.I.P.s, which—appropriately enough, given its spiritual predecessor—had also been released as Hotel International. Continue reading
Bogart’s Nautical Blazer and Cap in To Have and Have Not
Humphrey Bogart and Lauren Bacall in To Have and Have Not (1944)
Vitals
Humphrey Bogart as Harry Morgan, cynical fishing boat captain
Fort-de-France, Martinique, Summer 1940
Film: To Have and Have Not
Release Date: October 11, 1944
Director: Howard Hawks
WARNING! Spoilers ahead!
Background
Today is the 75th anniversary of the release of To Have and Have Not, the romantic adventure directed by Howard Hawks and adapted from Ernest Hemingway’s novel that staged the first meeting of iconic classic Hollywood couple Humphrey Bogart and Lauren Bacall.
The Graduate: Dustin Hoffman’s Corduroy Sports Coat
Dustin Hoffman as Benjamin Braddock in The Graduate (1967)
Vitals
Dustin Hoffman as Benjamin Braddock, nervous and aimless college graduate
Los Angeles, Summer through Fall 1967
Film: The Graduate
Release Date: December 22, 1967
Director: Mike Nichols
Costume Designer: Patricia Zipprodt
Background
Dustin Hoffman’s Ivy style mastery in The Graduate has been a frequent request from BAMF Style readers including Kyle, Ryan, Zubair, and more, so—in the spirit of the “back to school” season—let’s take a look at one of the most iconic outfits that Hoffman wore as the listless Benjamin Braddock.
Benjamin is getting tired of his wordless, emotionless trysts with Mrs. Robinson (Anne Bancroft), the sultry and troubled wife of his father’s law partner. One night in their usual room at the Taft Hotel, Benjamin suggests that the two talk more. In the words of Simon and Garfunkel, “We’d like to know a little bit about you for our files / We’d like to help you learn to help yourself…”
The Lady Eve: Henry Fonda’s White Sports Coat
Henry Fonda and Barbara Stanwyck in The Lady Eve (1941)
Vitals
Henry Fonda as Charles “Hopsie” Pike, brewery heir and ophidiologist
SS Southern Queen, sailing north from South America,
August 1940
Film: The Lady Eve
Release Date: February 25, 1941
Director: Preston Sturges
Costume Designer: Edith Head
Men’s Wardrobe: Richard Bachler
Background
Last year on my girlfriend’s birthday, my commemorative BAMF Style post explored Henry Fonda’s summer-friendly formal wear in The Lady Eve, the romantic screwball comedy that I first discovered with her family. I’ve thus chosen to dive back into this classic directed by Preston Sturges (who would have turned 121 years old yesterday!) with another look at Fonda’s attire, this time a more casual ensemble as his character Charles “Hopsie” Pike romances Barbara Stanwyck at sea: “You have the darndest way of bumping a fellow down and bouncing him up again.” Continue reading
Sidney Poitier’s Navy Jacket in To Sir, with Love
Sidney Poitier as Mark Thackeray in To Sir, with Love (1967)
Vitals
Sidney Poitier as Mark Thackeray, novice high school teacher
London, June 1966
Film: To Sir, with Love
Release Date: June 14, 1967
Director: James Clavell
Wardrobe Supervisor: John Wilson Apperson
Background
As many students are returning back to school at the end of August, BAMF Style takes a look at Sidney Poitier’s scholarly style as the patient teacher in To Sir, with Love, based on E.R. Braithwaite’s autobiographical novel from 1959. The film was produced, directed, and adapted for the screen by James Clavell, the prolific writer whose works include “the Asian Saga” (including Shōgun) and the screenplay for The Great Escape.
Sidney Poitier stars as Mark Thackeray, the determined teacher who takes his first appointment (or “job,” as he is politely corrected) instructing a senior class of troubled—and often troubling—high school students at the North Quay Secondary School in London’s East End just a few weeks before the students were scheduled to graduate.
Jimmy Stewart’s Brown Tweed Sports Coat in Vertigo
James Stewart and Kim Novak in Vertigo (1958)
Vitals
James Stewart as John “Scottie” Ferguson, former San Francisco detective
San Juan Bautista, California, Fall 1957
Film: Vertigo
Release Date: May 9, 1958
Director: Alfred Hitchcock
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
Let’s wrap up this week’s commemoration of Alfred Hitchcock’s 120th birthday with another exploration of the style in Vertigo, now considered one of the Master of Suspense’s masterpieces though it may have been overlooked during his lifetime and resulted in the end of his successful collaborations with James Stewart.
The Band Wagon: Fred Astaire Dances in Beige and Yellow
Fred Astaire and Cyd Charisse in The Band Wagon (1953)
Vitals
Fred Astaire as Tony Hunter, musical comedy star
New York, Spring 1953
Film: The Band Wagon
Release Date: August 7, 1953
Director: Vincente Minnelli
Costume Designer: Mary Ann Nyberg
Background
On National Dance Day (July 27), who better to feature on BAMF Style than that most elegant, sophisticated, and talented of dancers, Fred Astaire. In particular, let’s look at an iconic dance sequence in The Band Wagon, that most homaged and visually spectacular of Astaire’s prolific filmography.
We encounter song and dance man Tony Hunter as he gets out his aggression about the Faustian creative direction of what was supposed to be his latest lighthearted musical comedy as well as his contentious relationship with his co-star, virtuoso ballerina Gabrielle Gerard (Cyd Charisse). Continue reading
First Man: Neil Armstrong’s Gun Club Check and Omega
Ryan Gosling as Neil Armstrong in First Man (2018)
Vitals
Ryan Gosling as Neil Armstrong, NASA astronaut and former U.S. Navy pilot
Houston, Texas, August 1962 through March 1966
Film: First Man
Release Date: October 12, 2018
Director: Damien Chazelle
Costume Designer: Mary Zophres
Background
In addition to being my 30th birthday, today is also the 50th anniversary of when Neil Armstrong became the first person to step onto the surface of the Moon at 02:56:15 UTC on July 21, 1969, six hours after he and Buzz Aldrin landed the Apollo Lunar Module Eagle as part of the Apollo 11 spaceflight, a mission also manned by command module pilot Michael Collins.
Last year, Damien Chazelle directed Ryan Gosling in First Man, a biopic focused on Neil Armstrong’s life and career through the 1960s from the tragic death of his young daughter Karen to his triumphant first steps on the Moon… “one small step for man, one giant leap for mankind.” Continue reading
Cary Grant’s Beige Summer Jacket and Citroën in That Touch of Mink
Cary Grant and Doris Day in That Touch of Mink (1962)
Vitals
Cary Grant as Philip Shayne, smooth, sophisticated, and suave investment executive and “perfect gentleman”
Bermuda, Spring 1962
Film: That Touch of Mink
Release Date: June 14, 1962
Director: Delbert Mann
Tailor: Cardinal Clothes (credited “for Cary Grant’s suits”)
Background
After being first splashed, then swept, off her feet by the charming tycoon Philip Shayne (Cary Grant), unemployed Manhattanite Cathy Timerblake (Doris Day) finds herself accepting his impromptu invitation to join her for a summery respite in Bermuda. “Nowhere else in the world an you see beaches with pink sand,” Philip promises.
Having purchased every seat on a Pan Am passenger jet to Bermuda, Philip is there to meet her as she deplanes, chauffeuring her in his 1961 Citroën roadster to their luxurious suite at the Victoria Hotel, which is doubled on screen by the Fairmont Miramar Hotel in Santa Monica. Continue reading
Grand Prix: James Garner’s Burgundy Blazer and Shelby GT350H
James Garner as Pete Aron in Grand Prix (1966)
Vitals
James Garner as Pete Aron, determined Formula One driver
Clermont-Ferrand, France, Summer 1966
Film: Grand Prix
Release Date: December 21, 1966
Director: John Frankenheimer
Costume Supervisor: Sydney Guilaroff
Background
#CarWeek continues with Grand Prix, the action-packed, globe-trotting racing epic that director John Frankenheimer made in the tradition of Grand Hotel with a talented international cast including James Garner, Eva Marie Saint (who celebrated her 95th birthday yesterday), Yves Montand, Toshiro Mifune, Jessica Walter, Brian Bedford, and Thunderball villain Adolfo Celi. As a talented driver in his own right, Garner looks natural behind the wheel as Pete Aron, the Formula One driver hoping to salvage his career after gaining a reckless reputation, and the unique racing cinematography—in part credited to “visual consultant” Saul Bass—make the film a must for fans of the racing genre and earned the film its well-deserved Academy Awards for Best Sound Effects (Gordon Daniel), Best Film Editing, and Best Sound (Franklin Milton).
