Category: Sport Coat & Slacks

Rod Taylor in The V.I.P.s.

Rod Taylor and Maggie Smith in The V.I.P.s (1963)

Rod Taylor and Maggie Smith in The V.I.P.s (1963)

Vitals

Rod Taylor as Les Mangrum, gregarious Australian tractor manufacturing mogul

Heathrow Airport, London, Winter 1963

Film: The V.I.P.s
(also released as Hotel International)
Release Date: September 19, 1963
Director: Anthony Asquith
Costume Designer: Pierre Cardin (uncredited)

Background

A generation after Grand Hotel (1932) established the subgenre of the ensemble drama with a packed cast of international stars, Anthony Asquith updated the pattern for the jet age with the genteel director’s penultimate film, The V.I.P.s, which—appropriately enough, given its spiritual predecessor—had also been released as Hotel International. Continue reading

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Bogart’s Nautical Blazer and Cap in To Have and Have Not

Humphrey Bogart and Lauren Bacall in To Have and Have Not (1944)

Humphrey Bogart and Lauren Bacall in To Have and Have Not (1944)

Vitals

Humphrey Bogart as Harry Morgan, cynical fishing boat captain

Fort-de-France, Martinique, Summer 1940

Film: To Have and Have Not
Release Date: October 11, 1944
Director: Howard Hawks

WARNING! Spoilers ahead!

Background

Today is the 75th anniversary of the release of To Have and Have Not, the romantic adventure directed by Howard Hawks and adapted from Ernest Hemingway’s novel that staged the first meeting of iconic classic Hollywood couple Humphrey Bogart and Lauren Bacall.

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The Graduate: Dustin Hoffman’s Corduroy Sports Coat

Dustin Hoffman as Benjamin Braddock in The Graduate (1967)

Dustin Hoffman as Benjamin Braddock in The Graduate (1967)

Vitals

Dustin Hoffman as Benjamin Braddock, nervous and aimless college graduate

Los Angeles, Summer through Fall 1967

Film: The Graduate
Release Date: December 22, 1967
Director: Mike Nichols
Costume Designer: Patricia Zipprodt

Background

Dustin Hoffman’s Ivy style mastery in The Graduate has been a frequent request from BAMF Style readers including Kyle, Ryan, Zubair, and more, so⁠—in the spirit of the “back to school” season⁠—let’s take a look at one of the most iconic outfits that Hoffman wore as the listless Benjamin Braddock.

Benjamin is getting tired of his wordless, emotionless trysts with Mrs. Robinson (Anne Bancroft), the sultry and troubled wife of his father’s law partner. One night in their usual room at the Taft Hotel, Benjamin suggests that the two talk more. In the words of Simon and Garfunkel, “We’d like to know a little bit about you for our files / We’d like to help you learn to help yourself…”

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The Lady Eve: Henry Fonda’s White Sports Coat

Henry Fonda and Barbara Stanwyck in The Lady Eve (1941)

Henry Fonda and Barbara Stanwyck in The Lady Eve (1941)

Vitals

Henry Fonda as Charles “Hopsie” Pike, brewery heir and ophidiologist

SS Southern Queen, sailing north from South America,
August 1940

Film: The Lady Eve
Release Date: February 25, 1941
Director: Preston Sturges
Costume Designer: Edith Head
Men’s Wardrobe: Richard Bachler

Background

Last year on my girlfriend’s birthday, my commemorative BAMF Style post explored Henry Fonda’s summer-friendly formal wear in The Lady Eve, the romantic screwball comedy that I first discovered with her family. I’ve thus chosen to dive back into this classic directed by Preston Sturges (who would have turned 121 years old yesterday!) with another look at Fonda’s attire, this time a more casual ensemble as his character Charles “Hopsie” Pike romances Barbara Stanwyck at sea: “You have the darndest way of bumping a fellow down and bouncing him up again.” Continue reading

Sidney Poitier’s Navy Jacket in To Sir, with Love

Sidney Poitier as Mark Thackeray in To Sir, with Love (1967)

Sidney Poitier as Mark Thackeray in To Sir, with Love (1967)

Vitals

Sidney Poitier as Mark Thackeray, novice high school teacher

London, June 1966

Film: To Sir, with Love
Release Date: June 14, 1967
Director: James Clavell
Wardrobe Supervisor: John Wilson Apperson

Background

As many students are returning back to school at the end of August, BAMF Style takes a look at Sidney Poitier’s scholarly style as the patient teacher in To Sir, with Love, based on E.R. Braithwaite’s autobiographical novel from 1959. The film was produced, directed, and adapted for the screen by James Clavell, the prolific writer whose works include “the Asian Saga” (including Shōgun) and the screenplay for The Great Escape.

Sidney Poitier stars as Mark Thackeray, the determined teacher who takes his first appointment (or “job,” as he is politely corrected) instructing a senior class of troubled—and often troubling—high school students at the North Quay Secondary School in London’s East End just a few weeks before the students were scheduled to graduate.

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Jimmy Stewart’s Brown Tweed Sports Coat in Vertigo

James Stewart and Kim Novak in Vertigo (1958)

James Stewart and Kim Novak in Vertigo (1958)

Vitals

James Stewart as John “Scottie” Ferguson, former San Francisco detective

San Juan Bautista, California, Fall 1957

Film: Vertigo
Release Date: May 9, 1958
Director: Alfred Hitchcock
Costume Designer: Edith Head

WARNING! Spoilers ahead!

Background

Let’s wrap up this week’s commemoration of Alfred Hitchcock’s 120th birthday with another exploration of the style in Vertigo, now considered one of the Master of Suspense’s masterpieces though it may have been overlooked during his lifetime and resulted in the end of his successful collaborations with James Stewart.

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The Band Wagon: Fred Astaire Dances in Beige and Yellow

Fred Astaire and Cyd Charisse in The Band Wagon (1953)

Fred Astaire and Cyd Charisse in The Band Wagon (1953)

Vitals

Fred Astaire as Tony Hunter, musical comedy star

New York, Spring 1953

Film: The Band Wagon
Release Date: August 7, 1953
Director: Vincente Minnelli
Costume Designer: Mary Ann Nyberg

Background

On National Dance Day (July 27), who better to feature on BAMF Style than that most elegant, sophisticated, and talented of dancers, Fred Astaire. In particular, let’s look at an iconic dance sequence in The Band Wagon, that most homaged and visually spectacular of Astaire’s prolific filmography.

We encounter song and dance man Tony Hunter as he gets out his aggression about the Faustian creative direction of what was supposed to be his latest lighthearted musical comedy as well as his contentious relationship with his co-star, virtuoso ballerina Gabrielle Gerard (Cyd Charisse). Continue reading

First Man: Neil Armstrong’s Gun Club Check and Omega

Ryan Gosling as Neil Armstrong in First Man (2018)

Ryan Gosling as Neil Armstrong in First Man (2018)

Vitals

Ryan Gosling as Neil Armstrong, NASA astronaut and former U.S. Navy pilot

Houston, Texas, August 1962 through March 1966

Film: First Man
Release Date: October 12, 2018
Director: Damien Chazelle
Costume Designer: Mary Zophres

Background

In addition to being my 30th birthday, today is also the 50th anniversary of when Neil Armstrong became the first person to step onto the surface of the Moon at 02:56:15 UTC on July 21, 1969, six hours after he and Buzz Aldrin landed the Apollo Lunar Module Eagle as part of the Apollo 11 spaceflight, a mission also manned by command module pilot Michael Collins.

Last year, Damien Chazelle directed Ryan Gosling in First Man, a biopic focused on Neil Armstrong’s life and career through the 1960s from the tragic death of his young daughter Karen to his triumphant first steps on the Moon… “one small step for man, one giant leap for mankind.” Continue reading

Cary Grant’s Beige Summer Jacket and Citroën in That Touch of Mink

Cary Grant and Doris Day in That Touch of Mink (1962)

Cary Grant and Doris Day in That Touch of Mink (1962)

Vitals

Cary Grant as Philip Shayne, smooth, sophisticated, and suave investment executive and “perfect gentleman”

Bermuda, Spring 1962

Film: That Touch of Mink
Release Date: June 14, 1962
Director: Delbert Mann
Tailor: Cardinal Clothes (credited “for Cary Grant’s suits”)

Background

After being first splashed, then swept, off her feet by the charming tycoon Philip Shayne (Cary Grant), unemployed Manhattanite Cathy Timerblake (Doris Day) finds herself accepting his impromptu invitation to join her for a summery respite in Bermuda. “Nowhere else in the world an you see beaches with pink sand,” Philip promises.

Having purchased every seat on a Pan Am passenger jet to Bermuda, Philip is there to meet her as she deplanes, chauffeuring her in his 1961 Citroën roadster to their luxurious suite at the Victoria Hotel, which is doubled on screen by the Fairmont Miramar Hotel in Santa Monica. Continue reading

Grand Prix: James Garner’s Burgundy Blazer and Shelby GT350H

James Garner as Pete Aron in Grand Prix (1966)

James Garner as Pete Aron in Grand Prix (1966)

Vitals

James Garner as Pete Aron, determined Formula One driver

Clermont-Ferrand, France, Summer 1966

Film: Grand Prix
Release Date: December 21, 1966
Director: John Frankenheimer
Costume Supervisor: Sydney Guilaroff

Background

#CarWeek continues with Grand Prix, the action-packed, globe-trotting racing epic that director John Frankenheimer made in the tradition of Grand Hotel with a talented international cast including James Garner, Eva Marie Saint (who celebrated her 95th birthday yesterday), Yves Montand, Toshiro Mifune, Jessica Walter, Brian Bedford, and Thunderball villain Adolfo Celi. As a talented driver in his own right, Garner looks natural behind the wheel as Pete Aron, the Formula One driver hoping to salvage his career after gaining a reckless reputation, and the unique racing cinematography—in part credited to “visual consultant” Saul Bass—make the film a must for fans of the racing genre and earned the film its well-deserved Academy Awards for Best Sound Effects (Gordon Daniel), Best Film Editing, and Best Sound (Franklin Milton).

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