Category: Sport Coat & Slacks
Gregory Peck’s Tweed in The Snows of Kilimanjaro
Gregory Peck as Harry Street in Ernest Hemingway’s The Snows of Kilimanjaro (1952)
Vitals
Gregory Peck as Harry Street, adventurous American expatriate writer and former newspaper reporter
Paris, Spring 1925
Film: The Snows of Kilimanjaro
Release Date: September 17, 1952
Director: Henry King
Wardrobe Supervisor: Charles Le Maire
Background
The snowy month of January—and my shared half-birthday with Ernest Hemingway on the 21st—makes today a perfect time to look at Gregory Peck’s style in The Snows of Kilimanjaro, the first of Henry King’s two adaptations of Papa’s work that would star Ava Gardner and Peck’s second go at playing a Hemingway protagonist.
Sammy Davis Jr.’s Gray Jacket in Ocean’s 11
Sammy Davis Jr. and his Ocean’s Eleven (1960) cast mates Frank Sinatra, Dean Martin, Peter Lawford, and Joey Bishop. (Photo by Sid Avery)
Vitals
Sammy Davis Jr. as Josh Howard, sanitation worker and World War II veteran
Beverly Hills, December 1959
Film: Ocean’s Eleven
Release Date: August 10, 1960
Director: Lewis Milestone
Costume Designer: Howard Shoup
Tailor: Sy Devore
Background
The days between Christmas and New Year’s Eve are an ideal week for reunions. In the Rat Pack’s arguably most famous film, Danny Ocean (Frank Sinatra) organizes a reunion of eleven men from his 82nd Airborne unit for a heist to ring in the new year.
After deciding not to attempt the life of “a one-eyed third baseman in Mobile,” former paratrooper Josh Howard (Sammy Davis Jr.) took a job in sanitation. “Trash is where you find it,” Josh explains. “You gotta follow the fleet!” Continue reading
Frank Sinatra’s Navy Blazer for the Holidays
Frank Sinatra trims the tree during the opening of “Happy Holidays with Bing & Frank,” the 1957 Christmas special episode of The Frank Sinatra Show.
Vitals
Frank Sinatra, multi-talented entertainer
Hollywood, December 1957
Series: The Frank Sinatra Show
Episode: “Happy Holidays with Bing & Frank” (Episode 1.10)
Air Date: December 20, 1957
Director: Frank Sinatra
Wardrobe Credit: Morris Brown
Tailor: Sy Devore
Background
Happy birthday, Frank Sinatra! To celebrate the 103rd anniversary of Ol’ Blue Eyes entering the world in a Hoboken tenement, let’s look back at a time when Frankie was sittin’ on top of the world: the late 1950s.
After the low point of his life and the prospect of his career in ruins, Sinatra bounced back with an Academy Award-winning performance in From Here to Eternity (1953) and a seven-year recording contract with Capitol Records that yielded an impressive string of concept albums that remain among the best popular music ever recorded.
Sinatra was one of the biggest stars of the world in 1957 when ABC signed him to a $3 million contract for The Frank Sinatra Show, a variety and drama series for which Sinatra would have almost total artistic freedom.
As the Chairman of the Board was a lifelong Christmas fanatic, it was unquestioned that the series would feature a special holiday episode, which Sinatra himself stepped up to direct, though he knew the show would need a guest worthy of the season he loved. Continue reading
The V.I.P.s: Louis Jourdan’s Tweed Jacket
Louis Jourdan and Elizabeth Taylor in The V.I.P.s (1963)
Vitals
Louis Jourdan as Marc Champselle, “a gigolo… a buffoon… a professional diner-outer… a notorious sponger!”
Heathrow Airport, London, Winter 1963
Film: The V.I.P.s
(also released as Hotel International)
Release Date: September 19, 1963
Director: Anthony Asquith
Costume Designer: Pierre Cardin (uncredited)
Background
Happy December! For the first month of winter in the Northern Hemisphere, we look to the stylish 1963 film The V.I.P.s, a cinematic celebration of jet-age luxury starring an impressive international cast as a group of travelers stranded at London’s Heathrow Airport and the neighboring Hotel International for a cold but passionate January night.
Arabesque – Gregory Peck’s Windowpane Sport Jacket
Gregory Peck and Sophia Loren in Arabesque (1966)
Vitals
Gregory Peck as David Pollock, American hieroglyphics professor
Oxford to London, Wednesday, June 16, 1965
Film: Arabesque
Release Date: May 5, 1966
Director: Stanley Donen
Tailor: H. Huntsman & Sons, London
WARNING! Spoilers ahead!
Background
Three years after helming “the best Hitchcock movie that Hitchcock never made,” director Stanley Donen again returned to the romantic world of lighthearted espionage with Arabesque, based on Alex Gordon’s 1961 novel The Cypher. Like Charade before it, Donen brought two glamorous and popular stars together for a lighthearted and stylish spy story against a European backdrop.
Michael Corleone’s Corduroy Jacket in The Godfather
Al Pacino as Michael Corleone in The Godfather (1972)
Vitals
Al Pacino as Michael Corleone, war hero and Mafia son
New York City, December 1945
Film: The Godfather
Release Date: March 15, 1972
Director: Francis Ford Coppola
Costume Designer: Anna Hill Johnstone
Background
As we get closer to the holidays, today’s #MafiaMonday look from The Godfather is a fall-friendly approach to dressing for cooler weather and grayer days.
And the days are indeed gray for the Corleone family, particularly the recently returned Michael (Al Pacino). Continue reading
Steve McQueen’s Corduroy Sport Jacket as The Cincinnati Kid
Steve McQueen and Tuesday Weld in The Cincinnati Kid (1965)
Vitals
Steve McQueen as Eric “the Kid” Stoner, hotshot poker player
Louisiana, Fall 1936
Film: The Cincinnati Kid
Release Date: October 15, 1965
Director: Norman Jewison
Costume Designer: Donfeld (Donald Lee Feld)
Background
The Cincinnati Kid was released today in 1965 with Steve McQueen in the title role as the actor was paving his way to stardom through the decade with a string of iconic movie including The Great Escape (1963), The Sand Pebbles (1966), and finally Bullitt and The Thomas Crown Affair in his banner year of 1968.
McQueen’s timeless sense of cool adds an era-defying quality to his performance as poker prodigy Eric “the Kid” Stoner. The Kid’s simple, functional wardrobe was hip enough to be contemporary to the 1960s while also reflective of the film’s 1930s setting. Continue reading
