Lee Marvin as Jack Osborne, American fur importer
Stockholm, April 1983
Film: Gorky Park
Release Date: December 15, 1983
Director: Michael Apted
Costume Designer: Richard Bruno
WARNING! Spoilers ahead!
As winter rages on, you’d think I would be looking for escape via light movies set in tropical locations… but instead, I recently rewatched Gorky Park, adapted from Martin Cruz Smith’s 1981 novel that begins with three disfigured corpses found in the snow outside a Moscow ice rink. (And I wonder why I get depressed!)
Our ostensible hero is Militsiya officer Arkady Renko (William Hurt), whose investigation of the grisly murders leads him to the sophisticated yet sinister sable importer Jack Osborne (Lee Marvin). Continue reading
Chris Evans as Hugh “Ransom” Drysdale, arrogant “trust fund prick”
Massachusetts, November 2018
Film: Knives Out
Release Date: November 27, 2019
Director: Rian Johnson
Costume Designer: Jenny Eagan
Released a year ago this week, Knives Out offered a fresh spin on the classic “whodunit” genre, complete with an idiosyncratic detective—in this case, Daniel Craig as the observant Benoit Blanc—and a dysfunctional family plunged into a murder mystery at their palatial country estate. It’s that dysfunctional family element that inspired me to write about Knives Out today, on the eve of a Thanksgiving that’s sure to look different than usual for most households.
The last member of the Thrombey household to be introduced on screen is Ransom Drysdale—or Hugh to “the help”—the spoiled grandson of the late mystery writer Harlan Thrombey (Christopher Plummer). Even before Knives Out reached theaters, the internet was ablaze with preview images of Chris Evans lounging in Ransom’s moth-eaten fisherman’s sweater, reintroducing the classic Aran knitting technique to a new generation.
Rod Taylor as Mitchell “Mitch” Brenner, smooth defense lawyer
Bodega Bay, California, Summer 1963
Film: The Birds
Release Date: March 28, 1963
Director: Alfred Hitchcock
Wardrobe Supervisor: Rita Riggs
WARNING! Spoilers ahead!
After the massive success of Psycho in 1960, Alfred Hitchcock knew his next thriller had to go above and beyond to meet the public’s expectations from the Master of Suspense. Inspiration fell from the skies the following summer when the California town of Capitola was besieged one August day by hundreds of sooty shearwaters slamming into their rooftops and littering the streets with bird corpses. Hitch, who vacationed in nearby Santa Cruz, saw the storytelling potential in this unique type of fear and immediately set to work developing a story with screenwriter Evan Hunter, adapting Daphne du Maurier’s novella The Birds from its postwar English setting to contemporary coastal California.