Cillian Murphy as Thomas “Tommy” Shelby, cunning Peaky Blinders gang leader and jaded WWI veteran
Birmingham, England, February 1924
Series: Peaky Blinders
Episode: Episode 3.01
Air Date: May 5, 2016
Director: Tim Mielants
Creator: Steven Knight
Costume Designer: Alexandra Caulfield
WARNING! Spoilers ahead!
Today’s Week of Weddings post focuses on the sadly short-lived union of Tommy Shelby and Grace Burgess that kicked off the third season of Peaky Blinders.
This is the second Peaky Blinders wedding to be featured on BAMF Style after the first season nuptials of John Shelby and Esme Lee. While that first wedding was considerably spontaneous (at least for the groom), this union had been in the fire since Tommy and Grace first laid eyes on each other across the Garrison in 1919. Five years and one dead Irish investigator later, the two are finally tying the knot.
Grace’s family is comprised of several members of the “King’s Irish” cavalrymen that nearly abandoned the Peaky Blinders on the battlefield a decade earlier, so Tommy is forced to lay down some relatively unorthodox rules for a wedding:
No cocaine. No sport. No telling fortunes. No racing. No fucking sucking petrol out of their fucking cars… But the main thing is, you bunch of fuckers, despite the provocation from the cavalry, no fighting!
Jamie Foxx as Ray Charles, groundbreaking R&B musician
Indianapolis, Fall 1961
Release Date: October 29, 2004
Director: Taylor Hackford
Costume Designer: Sharen Davis
On a suggestion from a great reader of this blog, I revisited Jamie Foxx’s Academy Award-winning performance as Ray Charles in 2004’s Ray and noticed the abundance of excellent period costumes that Foxx wears as the titular virtuoso.
In addition to Foxx’s Oscar for acting, the 2005 Academy Awards also gave a well-deserved nod to costume designer Sharen Davis, who beautifully recreated the era through Ray’s natty attire both on and off the stage. One outfit that particularly stood out was the black satin-trimmed stage suit in blue flecked silk that Ray wears during a couple of early 1960s gigs across the Midwest. Continue reading
Mahershala Ali as Cornell “Cottonmouth” Stokes, mob boss and nightclub owner
Harlem, November 2015
Series: Luke Cage
Episodes: “Suckas Need Bodyguards” (Episode 1.06) & “Manifest” (Episode 1.07)
Streaming Date: September 30, 2016
Directors: Sam Miller (Episode 1.06) & Andy Goddard (Episode 1.07)
Costume Designer: Stephanie Maslansky
Key Tailor: Cherie Cunningham
WARNING! Spoilers ahead!
The chilly weather here in the Northern Hemisphere as we look toward the official start of winter this week is a fine time to explore options for layering against the cold. Continue reading
Kevin Spacey as Frank Underwood, ruthless and calculating U.S. President
Atlanta, July 2016
Series: House of Cards
Episode: “Chapter 48” (Episode 4.09)
Streaming Date: March 4, 2016
Director: Robin Wright
Costume Designer: Johanna Argan
WARNING! Spoilers ahead!
Tomorrow is Election Day here in the U.S. and hopefully the end of one of the ugliest campaign seasons in modern American politics.
In the political world of House of Cards, voters tomorrow would be choosing between Democratic incumbent Frank Underwood and Republican candidate Will Conway (Joel Kinnaman). In Chapter 48 of the series, Underwood notes about his opponent:
You’re a New York Republican. That’s an attractive fiction, isn’t it?
Chapter 48 spans the first three days of the Democratic National Convention in Atlanta from Monday, July 25 through Wednesday, July 27. (The actual 2016 DNC was held in Philadelphia, in case you’d forgotten, and was quite dramatic in itself… which I’m sure you hadn’t forgotten.) President Underwood’s team seemingly makes a play for Secretary of State Catherine Durant (Jayne Atkinson) to be chosen as his running mate while secretly working behind the scenes to secure the spot for the First Lady, Claire Underwood (Robin Wright, who also directed this installment.)
One of the episode’s more outstanding scenes finds the unlikely situation of both candidates meeting alone, sifting through the heavy haze of dirty politics permeating the air while channeling their opposition into a discussion of video games. Continue reading
Daniel Craig as James Bond, British government agent
Mexico City, November 2015
Release Date: October 25, 2015
Director: Sam Mendes
Costume Designer: Jany Temime
Día de Muertos (Day of the Dead) is a Mexican public holiday to remember and support the spiritual journey of deceased friends and family. This year, as it did last year when Bond “attended”, the multi-day celebration begins on November 1 and ends tomorrow, November 2.
I’ve received several requests to cover the outfit that James Bond wears during the Día de Muertos celebration in Mexico City, and I would like to also direct readers to the excellent analysis of this suit featured at Matt Spaiser’s site The Suits of James Bond, where Matt also developed an excellent digital reconstruction of the suiting that can’t be missed. Continue reading
Robert De Niro as Sam “Ace” Rothstein, Vegas casino executive and mob associate
Las Vegas, Spring 1973
Release Date: November 22, 1995
Director: Martin Scorsese
Costume Design: Rita Ryack & John A. Dunn
It does absolutely nothing to advance the plot and it’s unnecessary to establish the traits an already well-established character, but the sequence of Ace Rothstein’s brand of justice for two men caught cheating at blackjack under his watch in the Tangiers casino is one of the most entertaining and memorable in the film. Continue reading
Charles Dance as Lawrence Wargrave, retired judge
Devon, England, August 1939
Series Title: And Then There Were None
Air Date: December 26-28, 2015
Director: Craig Viveiros
Costume Designer: Lindsay Pugh
WARNING! Spoilers ahead! (Seriously.)
Agatha Christie often regarded And Then There Were None to be her best work, and with 100 million sales to date and a classic plot that still builds nail-biting suspense nearly eight decades later, it’s no wonder that this timeless thriller has the reputation that it does.
Born 126 years ago today, on September 15, 1890, Agatha Christie has been listed by the Guinness Book of World Records as the best-selling novelist of all time, no doubt due to her classics like Murder on the Orient Express, Death on the Nile, The Murder of Roger Ackroyd, and – of course – And Then There Were None. I have a personal connection to this book, as I outlined to exhaustion in my post about Aidan Turner’s attire as Philip Lombard in what I consider the definitive adaptation of her finest work.
After more than a dozen adaptations for the stage and screen, Christie’s greatest novel finally received the adaptation it deserved in 2015 when Sarah Phelps was tasked with writing a three-part miniseries for BBC. Craig Viveiros’ direction, Phelps’ writing, and Lindsay Pugh’s costuming all came together with chilling cinematography and a talented cast to deliver this masterpiece. Continue reading