Tagged: Button Cuff Shirt

The Godfather, Part II: Vito’s Brown Suit for Revenge

Robert De Niro as Vito Corleone in The Godfather, Part II (1974)

Robert De Niro as Vito Corleone in The Godfather, Part II (1974)

Vitals

Robert De Niro as Vito Corleone, née Andolini, Sicilian-born gangster

Corleone, Sicily, Summer 1922

Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle

WARNING! Spoilers ahead!

Background

Today’s #MafiaMonday post explores a much requested outfit – indeed, I’ve received at least three separate asks for it in the last 12 months alone – from The Godfather, Part II, often considered one of the greatest films of all time. In a mostly Italian-speaking performance that won him the Academy Award for Best Supporting Actor, Robert De Niro reprised the role of Vito Corleone that had been originated by Marlon Brando in The Godfather two years earlier.

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Mitchum as Marlowe: Striped Summer Suit in The Big Sleep

Robert Mitchum as Philip Marlowe in The Big Sleep (1978)

Robert Mitchum as Philip Marlowe in The Big Sleep (1978)

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Robert Mitchum as Philip Marlowe, American private investigator

London, September 1977

Film: The Big Sleep
Release Date: March 13, 1978
Director: Michael Winner
Costume Designer: Ron Beck

WARNING! Spoilers ahead!

Background

Raymond Chandler’s birthday was 130 years ago today (July 23, 1888), so I’m celebrating the hard-boiled author’s big day with a look at a cinematic portrayal of one of his most enduring creations, cynical private eye Philip Marlowe, as played by Robert Mitchum in this 1978 update of The Big Sleep.

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Bring Me the Head of Alfredo Garcia

Warren Oates as Bennie in Bring Me the Head of Alfredo Garcia (1974)

Warren Oates as Bennie in Bring Me the Head of Alfredo Garcia (1974)

Vitals

Warren Oates as Bennie Benjamin, piano-playing bounty hunter

Mexico, May 1973

Film: Bring Me the Head of Alfredo Garcia
Release Date: August 14, 1974
Director: Sam Peckinpah
Wardrobe Credit: Adolfo Ramírez

WARNING! Spoilers ahead!

Background

Today would have been the 90th birthday of Warren Oates, the grizzled Kentucky-born actor celebrated on BAMF Style for his depiction of John Dillinger in 1973’s Dillinger and also his collaborations with director Sam Peckinpah including The Wild Bunch (1969) and Bring Me the Head of Alfredo Garcia (1974). It was this latter film that the iconoclastic director deemed the only one from his three-decade career that matched his original vision.

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Cool Hand Luke

Paul Newman in Cool Hand Luke (1967)

Paul Newman in Cool Hand Luke (1967)

Vitals

Paul Newman as Lucas “Luke” Jackson, chain gang inmate, war veteran, and “natural-born world-shaker”

Florida Road Prison 36, summer, early 1950s

Film: Cool Hand Luke
Release Date: November 1, 1967
Director: Stuart Rosenberg
Costume Designer: Howard Shoup

Background

What we’ve got here is… failure to communicate. Some men you just can’t reach.

The iconic “failure to communicate” line in Cool Hand Luke is first uttered by Strother Martin as the stern, insensitive captain in charge of Road Prison 36 where most of the film is set. Lucas “Luke” Jackson (Paul Newman), recently sentenced to the facility after a drunken night of vandalizing parking meters, is proud to be one of the men that the captain can’t reach.

Just in time for the stifling midsummer heat, I’m focusing on Cool Hand Luke, voted one of the sweatiest movies of all time by the patrons of Cheers… in addition to various other accolades.

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Viva Las Vegas: Elvis’ Beige Collarless Suit

Elvis Presley and Ann-Margret in Viva Las Vegas (1964)

Elvis Presley and Ann-Margret in Viva Las Vegas (1964)

Vitals

Elvis Presley as “Lucky” Jackson, mechanic and aspiring race car driver

Las Vegas, Summer 1964

Film: Viva Las Vegas
Release Date: May 20, 1964
Director: George Sidney
Costume Designer: Donfeld (Donald Lee Feld)

Background

Regarded as one of the better movies of Elvis Presley’s acting career, Viva Las Vegas stars the singer opposite Ann-Margret, and it’s reported that the very real chemistry between the two was indicative of their off-screen friendship that briefly grew into romance.

On screen, however, Elvis played “Lucky” Jackson, a mechanic who wins – then literally loses – the money he had hoped to use to finance his own race car. To raise the money back, he takes a part-time gig in the Fabulous Flamingo casino in Las Vegas, where he meets sultry swimming instructor Rusty Martin (Ann-Margret, of course).

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The Good Place: Michael’s Navy Piped Blazer

Ted Danson as Michael on The Good Place. (Episode 1.02: “Flying”)

Vitals

Ted Danson as Michael, afterlife “architect”

The Good Place, present day

Series: The Good Place
Episode: “Flying” (Episode 1.02)
Air Date: September 19, 2016
Director: Michael McDonald
Creator: Michael Schur
Costume Designer: Kirston Mann

Background

This weekend, my focus returns to NBC’s The Good Place, where Ted Danson’s architect Michael struts some of the snappiest style this side of the afterlife.

I recently researched and wrote about the classic boldly striped boating blazer for an exploration of Alain Delon’s style in Purple Noon (Plein soleil), but that’s only one type of boating blazer. Another variation is a solid-colored blazer with wide piping along the edges.

Though not quite as distinctive as a true rowing blazer, the piped blazer that Michael wears for a conversation about exploding turkey carcasses and coffee cups at the end of The Good Place‘s second episode finds itself worthy of discussion for today’s #NiceDay post.

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Havana – Robert Redford’s Cream Linen Jacket

Robert Redford as Jack Weil in Havana (1990)

Robert Redford as Jack Weil in Havana (1990)

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Robert Redford as Jack Weil, smooth gambler and U.S. Navy veteran

Havana, December 1958

Film: Havana
Release Date: December 14, 1990
Director: Sydney Pollack
Costume Designer: Bernie Pollack

Background

As Memorial Day is often considered the start of the American summer fashion season, today’s post explores an example of timeless warm-weather apparel sported by Robert Redford in Havana.

Havana, Sydney Pollack’s 1990 ode to Casablanca, stars Redford as a cynical American gambler who finds romance in the Cuban capital on the eve of the country’s revolution. The object of his affection is Roberta “Bobby” Duran (Lena Olin), a revolutionary sympathizer who is forced to determine if her heart remains with her husband and the revolution or the chance of a life in America with Redford’s Jack Weil. Continue reading