Tagged: Necktie
Brad Pitt’s Beige Summer Suit in Allied
Brad Pitt as Max Vatan in Allied (2016)
Vitals
Brad Pitt as Max Vatan, Royal Canadian Air Force intelligence officer
Casablanca, Morocco, Fall 1942
Film: Allied
Release Date: November 23, 2016
Director: Robert Zemeckis
Costume Designer: Joanna Johnston
Background
On the eve of D-Day, when Allied forces landed on the beaches of France 74 years ago to turn the tide of World War II, I’m taking a look at a stylish wartime thriller that received plenty of attention for its sartorial sapience.
Allied begins as Wing Commander Max Vatan (Brad Pitt), an intelligence officer with the Royal Canadian Air Force, parachutes into Morocco. The first step in his mission to assassinate a German ambassador is to make contact with a French Resistance agent, Marianne Beauséjour (Marion Cotillard), who will be posing as his wife. After changing out of his khaki field jacket and into a snazzy suit befitting his cover and his warm surroundings, Max strolls into a nightclub to the tune of a boozy, contemporary take on “The Sheik of Araby” and meets his pseudo-wife. Continue reading
Sweet Smell of Success – Tony Curtis’ Striped Flannel Suit
Tony Curtis as Sidney Falco in Sweet Smell of Success (1957)
Vitals
Tony Curtis as Sidney Falco, unscrupulous publicity agent
New York City, Fall 1956
Film: Sweet Smell of Success
Release Date: June 27, 1957
Director: Alexander Mackendrick
Costume Designer: Mary Grant
Background
Happy birthday to Tony Curtis, born 93 years ago today on June 3, 1925. The actor will always hold a special place for me as one of my earliest brushes with a known celebrity.
It occurred in the summer of 1998, during a vacation with my family to Las Vegas. We were approaching the exit to the MGM Grand as we came face-to-face with another entourage striding through the entrance. Flanked by two tall, voluptuous blondes at the front of the formation was a tuxedoed man with messy gray hair, considerably energetic for his age.
“That was Tony Curtis!” my family began murmuring to each other. Being only 9 years old at the time, I was concerned about feeling left out of the gossip until my grandma leaned in and explained to me that this was “Josephine” from Some Like It Hot, one of our favorite movies to watch together at the time.
Some Like It Hot will always have a place on my personal cinematic Mount Rushmore, but my favorite Tony Curtis performance is likely in Alexander Mackendrick’s atmospheric 1957 noir Sweet Smell of Success. Curtis stars as a Manhattan publicity agent oozing with opportunistic sleaze.
Lee Marvin’s Beige Suit in Prime Cut
Lee Marvin and Sissy Spacek in Prime Cut (1972)
Vitals
Lee Marvin as Nick Devlin, mob enforcer
Kansas City (and Chicago), summer 1972
Film: Prime Cut
Release Date: June 28, 1972
Director: Michael Ritchie
Costume Designer: Patricia Norris
WARNING! Spoilers ahead!
Background
The beginning of Prime Cut follows a mysteriously packed package of meat as it journeys from Kansas City to Chicago, where it is received by Jake (Eddie Egan), the head of the Windy City’s Irish mob. The delivery’s significance is not lost on Jake, who promptly seeks out and recruits enforcer Nick Devlin (Lee Marvin) to head to Kansas and set things straight.
Jimmy Stewart’s Blue Suit in Vertigo
James Stewart as John “Scottie” Ferguson in Vertigo (1958)
Vitals
James Stewart as John “Scottie” Ferguson, former San Francisco detective
San Francisco, Fall 1957
Film: Vertigo
Release Date: May 9, 1958
Director: Alfred Hitchcock
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
Today is the 60th anniversary of the release of Vertigo, Hitchcock’s noir-esque thriller and the last of his collaborations with James Stewart. Hitch blamed Jim for the film’s lack of success at the box office, but history would give Jim the last laugh as a 2012 reevaluation for BFI’s Sight & Sound led to a poll of critics choosing Vertigo as the greatest film of all time, beating out long-standing #1 choice Citizen Kane. Continue reading
Live and Let Die: Roger Moore Arrives in NYC
Roger Moore as James Bond in Live and Let Die (1973)
Vitals
Roger Moore as James Bond, debonair British secret agent
New York City, Spring 1973
Film: Live and Let Die
Release Date: June 27, 1973
Director: Guy Hamilton
Costume Designer: Julie Harris
Tailor: Cyril Castle
Background
Happy 00-7th of May! This month’s focus is on Sir Roger Moore’s debut as James Bond in Live and Let Die.
After a brief sequence that finds Bond briefed at his flat by M and Miss Moneypenny, we are treated to the standard “airport arrival” sequence established in Dr. No and From Russia with Love, creating a sense of continuity with the character if intentionally breaking from the prior characterization.
Casino – De Niro’s Light Blue Plaid Suit
Robert De Niro as Sam “Ace” Rothstein in Casino (1995)
Vitals
Robert De Niro as Sam “Ace” Rothstein, Vegas casino executive and mob associate
Las Vegas, Spring 1977
Film: Casino
Release Date: November 22, 1995
Director: Martin Scorsese
Costume Design: Rita Ryack & John A. Dunn
Background
It’s been quite a while – a few weeks shy of a year, in fact – since I last explored the bold wardrobe of Robert De Niro in Casino, but the onset of warmer weather had me thinking more colorfully for this #MafiaMonday.
Ray: Jamie Foxx in a Windowpane Fleck Jacket
Jamie Foxx as Ray Charles in Ray (2004)
Vitals
Jamie Foxx as Ray Charles, groundbreaking R&B musician
Houston, Summer 1953
Film: Ray
Release Date: October 29, 2004
Director: Taylor Hackford
Costume Designer: Sharen Davis
Background
Jamie Foxx became only the second actor in history to receive a Academy Award for Best Actor, BAFTA, Critics’ Choice award, Golden Globe, and Screen Actors Guild award for a single performance when he played Ray Charles. Though it was released five months after the real Ray Charles died of liver disease at age 73, Ray had the blessing of the real Ray Charles who had received – and approved – a braille version of the original shooting script.
Fresh off the success of his first hit for Atlantic Records, the exciting “Mess Around”, we see Ray Charles’ career shooting skyward. He endorses a group called the Cecil Shaw Singers while on-air at a Houston radio station, resulting in a lunch date with the group’s tenor, Della Bea (Kerry Washington), who is amazed that he was able to pick out her voice. Continue reading
