Tagged: Necktie

Spectre – Bond’s Black Suit and Aston Martin in Rome

Daniel Craig as James Bond, exiting an Aston Martin DB10 prototype in Spectre (2015)

Daniel Craig as James Bond, exiting an Aston Martin DB10 prototype in Spectre (2015)

Vitals

Daniel Craig as James Bond, British government agent

Rome, November 2015

Film: Spectre
Release Date: October 25, 2015
Director: Sam Mendes
Costume Designer: Jany Temime

WARNING! Spoilers ahead!

Background

Spectre, Daniel Craig’s latest outing as James Bond, featured the globe-trotting agent once again battling the international terrorist organization SPECTRE and confronting the evil megalomaniac at its head, Ernst Stavro Blofeld (Christoph Waltz).

One of the most requested outfits from BAMF Style readers is the black three-piece Tom Ford suit that 007 wears when he arrives in style to a gangster’s funeral in Rome with his prototype Aston Martin.  Continue reading

Yesterday, Today and Tomorrow: Renzo and the Rolls

Marcello Mastroianni as Renzo with a 1963 Rolls-Royce in Yesterday, Today and Tomorrow (Ieri, oggi, domani) (1963)

Marcello Mastroianni as Renzo with a 1963 Rolls-Royce in Yesterday, Today and Tomorrow (Ieri, oggi, domani) (1963)

Vitals

Marcello Mastroianni as Renzo, Italian writer

Milan, Italy, October 1963

Film: Yesterday, Today and Tomorrow
(Italian title: Ieri, oggi, domani)
Release Date:
 December 19, 1963
Director: Vittorio De Sica
Costume Designer: Piero Tosi

Background

Car Week continues with a focus on a classic Italian comedy released 55 years ago this month.

After four movies together in the 1950s, Marcello Mastroianni and Sophia Loren reteamed in 1963 for Vittorio De Sica’s Yesterday, Today and Tomorrow – released in Italy as Ieri, oggi, domani – a stylish anthology about life and love. The film is split into three segments that each star Loren and Mastroianni as a different couple.

The second segment, “Anna”, is the shortest of the three and stars Loren as an industrialist’s glamorous wife – dressed to the nines in Christian Dior – as she is forced to choose between her husband’s Rolls-Royce and her unassuming lover Renzo (Mastroianni).

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Vertigo: Jimmy Stewart’s Brown Suit and White DeSoto

James Stewart as John "Scottie" Ferguson with his white DeSoto in Vertigo (1958)

James Stewart as John “Scottie” Ferguson with his white DeSoto in Vertigo (1958)

Vitals

James Stewart as John “Scottie” Ferguson, former San Francisco detective

San Francisco, Fall 1957

Film: Vertigo
Release Date: May 9, 1958
Director: Alfred Hitchcock
Costume Designer: Edith Head

WARNING! Spoilers ahead!

Background

Let’s kick off the winter edition of BAMF Style’s semi-annual (or is that bi-annual) Car Week where I take an additional look at what these well-dressed characters are driving.

Vertigo, Alfred Hitchcock’s noir-esque 1958 thriller and the last of his four collaborations with James Stewart, finds the actor behind the wheel of a white DeSoto coupe as he follows Kim Novak’s character around San Francisco from her Nob Hill apartment and the Podesta Baldocchi flower shop to Mission Dolores and their fateful meeting at Fort Point on the southern end of the Golden Gate Bridge. Continue reading

The V.I.P.s: Louis Jourdan’s Tweed Jacket

Louis Jourdan and Elizabeth Taylor in The V.I.P.s (1963)

Louis Jourdan and Elizabeth Taylor in The V.I.P.s (1963)

Vitals

Louis Jourdan as Marc Champselle, “a gigolo… a buffoon… a professional diner-outer… a notorious sponger!”

Heathrow Airport, London, Winter 1963

Film: The V.I.P.s
(also released as Hotel International)
Release Date: September 19, 1963
Director: Anthony Asquith
Costume Designer: Pierre Cardin (uncredited)

Background

Happy December! For the first month of winter in the Northern Hemisphere, we look to the stylish 1963 film The V.I.P.s, a cinematic celebration of jet-age luxury starring an impressive international cast as a group of travelers stranded at London’s Heathrow Airport and the neighboring Hotel International for a cold but passionate January night.

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Don Draper’s Brown Striped Suit for Thanksgiving 1960

Jon Hamm as Don Draper in "The Wheel", Episode 1.13 of Mad Men.

Jon Hamm as Don Draper in “The Wheel”, Episode 1.13 of Mad Men.

Vitals

Jon Hamm as Don Draper, mysterious advertising creative director

New York City, Spring to Fall 1960

Series: Mad Men
Episodes:
– “Ladies Room” (Episode 1.02), dir. Alan Taylor, aired 7/26/2007
– “New Amsterdam” (Episode 1.04), dir. Tim Hunter, aired 8/9/2007
– “Shoot” (Episode 1.09), dir. Paul Feig, aired 9/13/2007
– “The Wheel” (Episode 1.13), dir. Matthew Weiner, aired 10/18/2007
Creator:
 Matthew Weiner
Costume Designer: Janie Bryant

Background

This particular suit makes sporadic appearances across the masterful debut season of Mad Men, AMC’s much-acclaimed drama set in the world of American advertising in the 1960s.

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Arabesque – Gregory Peck’s Windowpane Sport Jacket

Gregory Peck and Sophia Loren in Arabesque (1966)

Gregory Peck and Sophia Loren in Arabesque (1966)

Vitals

Gregory Peck as David Pollock, American hieroglyphics professor

Oxford to London, Wednesday, June 16, 1965

Film: Arabesque
Release Date: May 5, 1966
Director: Stanley Donen
Tailor: H. Huntsman & Sons, London

WARNING! Spoilers ahead!

Background

Three years after helming “the best Hitchcock movie that Hitchcock never made,” director Stanley Donen again returned to the romantic world of lighthearted espionage with Arabesque, based on Alex Gordon’s 1961 novel The Cypher. Like Charade before it, Donen brought two glamorous and popular stars together for a lighthearted and stylish spy story against a European backdrop.

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Michael Corleone’s Corduroy Jacket in The Godfather

Al Pacino as Michael Corleone in The Godfather (1972)

Al Pacino as Michael Corleone in The Godfather (1972)

Vitals

Al Pacino as Michael Corleone, war hero and Mafia son

New York City, December 1945

Film: The Godfather
Release Date: March 15, 1972
Director: Francis Ford Coppola
Costume Designer: Anna Hill Johnstone

Background

As we get closer to the holidays, today’s #MafiaMonday look from The Godfather is a fall-friendly approach to dressing for cooler weather and grayer days.

And the days are indeed gray for the Corleone family, particularly the recently returned Michael (Al Pacino). Continue reading