Lee Marvin as Walker, revenge-driven armed robber
Santa Monica, Summer 1967
Film: Point Blank
Release Date: August 30, 1967
Director: John Boorman
Costume Designer: Margo Weintz
With the first day of autumn only a day away, we’re looking ahead to fall fashion from a tough guy. In John Boorman’s 1967 neo-noir Point Blank, Lee Marvin starred as Walker, the unsmiling thief out for revenge after he was left for dead on Alcatraz Island by his one-time partner Mal Reese (John Vernon).
Having patched up his wounds, Walker seeks out the help of his sister-in-law Chris (Angie Dickinson), who agrees to lend her own particular brand of charm to assist Walker in retrieving the $93,000 he believes he is rightfully owed. Continue reading
James Garner as Philip Marlowe, cynical private detective
Los Angeles, Spring 1969
Release Date: October 22, 1969
Director: Paul Bogart
Costume Design: Florence Hackett & James Taylor
Save for a single season of a loosely adapted ABC TV series, he character of Philip Marlowe had gone more than two decades without a cinematic portrayal at the time Marlowe was released in 1969. Directed by the appropriately named Paul Bogart (no relation), this adaptation of Raymond Chandler’s 1949 pulp novel The Little Sister updated the setting to contemporary Los Angeles.
James Garner took some criticism for his take on the famous private eye, but I think the likable actor’s vulnerable sincerity works for his interpretation of Chandler’s anti-hero. Continue reading
James Stewart as Rupert Cadell, cerebral publisher and former prep school headmaster
New York City, Spring 1948
Release Date: September 25, 1948
Director: Alfred Hitchcock
WARNING! Spoilers ahead!
Labor Day often signifies the changing of the seasons from the hot summer months into the cooler autumn, a time when the linen suits are shifted toward the back of the closet as flannels and tweeds return to the forefront. As we look ahead to the warmer clothes of the approaching season, I take inspiration from a real-life BAMF who had plenty of style both on and off the big screen, Jimmy Stewart.
Just over 70 years ago on August 26, 1948, Rope premiered in New York City, nearly a month before it was released to screens around the country. Continue reading
To commemorate the 39th anniversary of the legendary John Wayne’s passing on June 11, 1979, please enjoy this submission from the estimable pen of BAMF Style reader and contributor “W.T. Hatch.”
John Wayne as John Bernard Books, aging gunfighter
Carson City, Nevada, January 1901
Film: The Shootist
Release Date: August 20, 1976
Director: Don Siegel
Wardrobe Credit: Luster Bayless
I won’t be wronged, I won’t be insulted, and I won’t be laid a hand on. I don’t do these things to other people, and I require the same from them.
The Shootist was John Wayne’s final movie role and no actor, before or since, had a more fitting last appearance on the silver screen. Wayne plays John Bernard “J.B.” Books, the most “celebrated shootist extant,” in turn-of-the-century Carson City, Nevada. The film opens with a montage from the Duke’s earlier pictures providing Books’ background as a gunman and occasional lawman in the Old West. Now the last of his kind, Books travels to Carson City seeking assistance from his physician in what may be his final battle against cancer. This deeply compelling story is revealed as Books confronts the consequences of both his life and his own pending mortality. Continue reading
Lee Marvin as Charlie Strom, professional mob hitman
Los Angeles, Fall 1963
Film: The Killers
Release Date: July 7, 1964
Director: Don Siegel
Costume Designer: Helen Colvig
WARNING! Spoilers ahead!
Happy first day of March! The observance of St. Patrick’s Day this month means plenty of focus on the “luck o’ the Irish”, so today’s post explores a suit sporting the “clover lapel”, a soft type of notch lapel named for its semblance to two leaves of a clover plant.
One character who took advantage of this unique but subtle type of lapel was Charlie Strom, the paid assassin who subverts “movie hitman” tropes by letting his curiosity get the better of him… why did Johnny North give up so easily? Bothered by this incongruity, Charlie and his partner Lee (Clu Gulager) set out to find the truth. Continue reading
Jack Lemmon as Stanley Ford, comic strip artist and dedicated bachelor
New York City, Summer 1964
Film: How to Murder Your Wife
Release Date: September 20, 1965
Director: Richard Quine
Wardrobe: Izzy Berne & Marie Osborne
Happy birthday to Jack Lemmon, a class act and one of my all-time favorite actors.
One of the first Jack Lemmon movies I had ever seen was the problematically titled How to Murder Your Wife, a VHS tape belonging to my grandma that she had I must have watched a dozen times during my childhood. Lemmon played Stanley Ford, an artist dedicated to two things: his espionage comic strip Bash Brannigan and remaining an unattached bachelor. The latter ambition is quelled during a drunken stag party when he meets and immediately marries a beautiful blonde stripper (Virna Lisi) who, as luck would have it, doesn’t know a word of English. Continue reading
Gene Hackman as Jimmy “Popeye” Doyle, gruff NYPD narcotics detective
New York City, December 1970
Film: The French Connection
Release Date: October 9, 1971
Director: William Friedkin
Costume Designer: Joseph Fretwell III
Happy birthday to Gene Hackman, born this day in 1930! This year’s Academy Award nominations were announced last week, so today’s post explores the birthday boy’s first Oscar-winning performance as NYPD narc “Popeye” Doyle in The French Connection.
Eddie Egan was a real detective with the NYPD who, with his partner Sonny Grosso, was instrumental in a 1961 investigation that dissolved a massive heroin ring. The case would form the basis of a 1969 non-fiction book by Robin Moore that was swiftly adapted into the fictionalized film The French Connection. Gene Hackman, who by now had two Oscar nominations to his credit, was tapped for the role of “Popeye” Doyle, the profane detective modeled after Egan, while Egan himself would serve as technical advisor and play the smaller role of Walt Simonson, Doyle’s supervisor. Continue reading