Leslie Odom Jr. as Sam Cooke, “King of Soul”
Miami, February 25, 1964
Film: One Night in Miami
Release Date: December 25, 2020
Director: Regina King
Costume Designer: Francine Jamison-Tanchuck
Soul legend Sam Cooke was born 90 years ago today, on January 22, 1931. Although Cooke died young, shot at a Beverly Hills motel just over a month before his 34th birthday, his smooth voice endures as the pioneering “King of Soul” who not only wrote and recorded scores of classic hits but also supported, produced, and influenced some of the most talented musicians of the day.
A week ago today, One Night in Miami was released to stream on Amazon Prime Video, adapted by Kemp Powers from his own one-act play. The night in question is February 25, 1964, the night that Cassius Clay won the world heavyweight boxing championship in a surprise victory over Sonny Liston. Powers brings Clay together to celebrate his victory with Cooke, Malcolm X, and Jim Brown on a night that proves to be pivotal for all four icons. Continue reading
Humphrey Bogart as Roy “Mad Dog” Earle, professional armed robber on parole
Sierra Nevada Mountains, California, Spring 1940
Film: High Sierra
Release Date: January 21, 1941
Director: Raoul Walsh
Wardrobe Credit: Leah Rhodes
WARNING! Spoilers ahead!
Tomorrow marks the 80th anniversary of the release of High Sierra, arguably the movie that launched Humphrey Bogart from a Warner Bros. background player in the ’30s to superstardom in the ’40s. A violent criminal with an earnest streak, Roy Earle was the ideal role for Bogie to transition from the secondary sniveling bastard in movies like The Petrified Forest and The Roaring Twenties to the tilted-hat heroes we love in The Maltese Falcon, Casablanca, and more.
Spencer Tracy as John J. Macreedy, one-armed war veteran
Black Rock, California, Fall 1945
Film: Bad Day at Black Rock
Release Date: January 7, 1955
Director: John Sturges
WARNING! Spoilers ahead!
Bad Day at Black Rock may have been one of the most requested movies I’ve been asked to write about, so when I saw that the Criterion Channel had added it to their streaming collection in December, I wasted no time in finally watching this swift and spectacular thriller that had been recommended by so many of you.
Based on Howard Breslin’s short story “Bad Time at Honda”, the account begins in the sprawling desert of eastern California, specifically the isolated berg of Black Rock, where no train has stopped in four years—the duration of American participation in World War II—until this particular day in late 1945, when the one-armed John J. Macreedy (Spencer Tracy) requests a stop.
Conductor: Man, they look woebegone and far away.
Macreedy: Oh, I’ll only be here 24 hours.
Conductor: In a place like this, it could be a lifetime.
Nicolas Cage as Rick Santoro, flashy homicide detective and compulsive gambler
Atlantic City, September 1998
Film: Snake Eyes
Release Date: August 7, 1998
Director: Brian De Palma
Costume Designer: Odette Gadoury
Folks, today is Nicolas Cage’s birthday so we’re going to celebrate in style by taking a look at the film that won Cage the esteemed Blockbuster Entertainment Award in the category of Favorite Actor (Suspense).
Has anyone been asking to read about the threads Nic Cage wore in the 1998 box office bomb Snake Eyes? No. Is that going to stop me after the absolutely insane year that we’ve just had? Also no.
William Powell as Nick Charles, retired private detective
San Francisco, New Year’s Eve 1936
Film: After the Thin Man
Release Date: December 25, 1936
Director: W.S. Van Dyke
Wardrobe Credit: Dolly Tree
Happy New Year! Dashiell Hammett and “One-Take Woody” Van Dyke continued the runaway success of The Thin Man by reuniting William Powell and Myrna Loy as crime-solving power couple Nick and Nora Charles, coming home to San Francisco after solving the famous “Thin Man” case during their holiday in New York. The three-day train ride returns Nick and Nora to the City by the Bay just in time for New Year’s Eve, where they find their home commandeered by revelers that have already kicked off their celebrations.
Gene Hackman as Reverend Frank Scott, fiery, independent-minded minister
aboard the S.S. Poseidon en route Athens, New Year’s Eve 1972
Film: The Poseidon Adventure
Release Date: December 12, 1972
Director: Ronald Neame
Costume Designer: Paul Zastupnevich
Happy New Year’s Eve… and #TurtleneckThursday? After this disaster of a year, I can’t think of a better movie to bid good riddance to 2020 than one of the most famous disaster movies of the ’70s.
Produced by “Master of Disaster” Irwin Allen, The Poseidon Adventure followed the Airport template of a star-studded cast fighting to survive a perilous disaster while tackling their own personal issues. While Airport had originated the disaster film boom of the ’70s, The Poseidon Adventure proved its enduring box office power, recouping more than 25 times its initial budget and paving the way for a decade’s worth of similar stories set amidst tropical storms, within fire-prone skyscrapers, and even aboard a famous airship.
Unlike the ill-fated Titanic which sank during its maiden voyage in 1912, the fictional S.S. Poseidon—partially filmed aboard the decommissioned Cunard liner RMS Queen Mary—is making one last run before it will be scrapped in Athens. The cautious Captain Harrison (Leslie Nielsen) finds his authority challenged by the ship’s aggressive owner Linarcos (Fred Sadoff), establishing the dangers of hubris that would remain a consistent theme throughout the disaster sub-genre.
Down in the ship’s elegant dining room, the Poseidon‘s glamorous passengers are celebrating New Year’s Eve amidst their own personal dramas or crises of faith. Seated at the captain’s table are New York detective Mike Rogo (Ernest Borgnine), his ex-prostitute wife Linda (Stella Stevens), and Reverend Frank Scott (Gene Hackman), a controversial cleric yet popular passenger who had captivated a congregation earlier that day with his religious philosophy said to be based on director Ronald Neame’s own hybrid of Christian, Buddhist, and New Age spiritualist beliefs.
While the champagne pops and auld acquaintances be forgot, the crew learns of a massive undersea earthquake that results in a rare wave that strikes the ship broadside, capsizing the S.S. Poseidon and quite literally turning the lives of its passengers upside down.
We’re floating upside-down… we’ve gotta climb up.
James Shigeta as Joe Takagi, Nakatomi Corporation executive
Los Angeles, Christmas 1987
Film: Die Hard
Release Date: July 15, 1988
Director: John McTiernan
Costume Designer: Marilyn Vance
WARNING! Spoilers ahead!
My latest post focused on yet another chaotic Christmas party on The Office, though the drama of Dunder Mifflin’s holiday celebrations pale in comparison to how the employees of the Nakatomi Corporation are forced to spend Christmas Eve in Die Hard.
James Shigeta kicked off #Noirvember last month when I focused on his style in The Crimson Kimono so, in the spirit of the yuletide season, let’s revisit the actor via his arguably most memorable role as the stylish, unflappable, and ultimately doomed head of the Nakatomi Corporation.
Joseph Yoshinobu Takagi, born Kyoto, 1937. Family emigrated to San Pedro, California, 1939. Interned, Manzanar, 1942 to ’43. Scholarship student, University of California, 1955. Law degree, Stanford, 1962. MBA, Harvard, 1970. President, Nakatomi Trading. Vice Chairman, Nakatomi Investment Group… and father of five.
Sammy Davis Jr. as Josh Howard, casino heister, sanitation worker, and World War II veteran
Las Vegas, January 1960
Film: Ocean’s Eleven
Release Date: August 10, 1960
Director: Lewis Milestone
Costume Designer: Howard Shoup
Tailor: Sy Devore
WARNING! Spoilers ahead!
Sammy Davis Jr. was born 95 years ago today in Harlem. Nicknamed “Mr. Show Business” in recognition of his vast talents, Davis had gotten an early start to performing when he joined his father and uncle to create the Will Mastin Trio, named after his uncle. Following his service in World War II, Davis cultivated his career as a singer, dancer, actor, and comedian.
Davis’ natural talent, stage presence, and quick wit brought him into the orbit of pallies Frank Sinatra and Dean Martin, who were forming the seeds of what would become immortalized as the Rat Pack. (Sinatra wisely followed Davis’ suggestion that the group not call themselves “the Clan”, instead referring to themselves as “the Summit.”)
1960 was the high watermark for the Summit, when they pulled together an ensemble cast to make Ocean’s 11, a stylish heist film set in Las Vegas. Continue reading
Robert Mitchum as Philip Marlowe, sharp-tongued private investigator
Los Angeles, Summer 1941
Film: Farewell, My Lovely
Release Date: August 8, 1975
Director: Dick Richards
Men’s Wardrobe Credit: G. Tony Scarano
WARNING! Spoilers ahead!
Robert Mitchum had been credentialed in film noir for more than a generation (as explored in Saturday’s #Noirvember post) before the actor first took on the role of Raymond Chandler’s iconic private eye, Philip Marlowe. Based on an Edgar Allen Poe Award-winning screenplay by David Zulag Goodman, Dick Richards’ adaptation of Chandler’s 1940 novel Farewell, My Lovely premiered just two days after Mitchum’s 58th birthday, making the actor almost double the age of the character he portrayed… but his grizzled presence is just right as he navigates his way through the sordid City of Angels on the eve of the second world war:
This past spring was the first that I’d felt tired and realized I was growing old. Maybe it was the rotten weather we’d had in L.A., maybe it was the rotten case I’d had, mostly chasing a few missing husbands… and then chasing their wives once I found them in order to get paid. Or maybe it was just the plain fact that I am tired and growing old.
We find Mitchum’s Marlowe in media res “holed up in a dingy hotel, ducking the police,” staring under the brim of his ubiquitous hat through the neon and Philip Morris cigarette smoke. Continue reading
James Shigeta as Joe Kojaku, LAPD homicide detective
Los Angeles, Summer 1959
Film: The Crimson Kimono
Release Date: October 1959
Director: Samuel Fuller
Costume Supervisor: Bernice Pontrelli
Are you among the many movie buffs who observe #Noirvember, the month-long celebration of shadowy cinema often set in worlds populated by gumshoes, gunsels, and femmes fatale. Defining film noir is often as murky as the outlines of the shadows in some of its seminal works, though even applying the infamous Potter Stewart rule yields at least dozens of crime dramas produced within and beyond the United States during the 1940s and ’50s.
Earlier this year, the Criterion Channel again showcased a collection of noir from Columbia Pictures, the erstwhile Poverty Row studio that churned out some of the most quintessential high-talent noir in including Gilda (1946), The Lady from Shanghai (1947), and In a Lonely Place (1950) as well as an array of criminally underseen B-movies that balanced their low budgets with high quality. One of my favorites from the collection was The Crimson Kimono (1959), directed by former crime reporter and World War II veteran Samuel Fuller.
Modern audiences may recognize James Shigeta as the patient and ultimately doomed Nakatomi executive in Die Hard. Here, a considerably younger Shigeta plays the charismatic Joe Kojaku, an apple-munching, piano-playing Japanese-American homicide detective called in with his partner Charlie Bancroft (Glenn Corbett) to investigate the murder of burlesque dancer Sugar Torch (Gloria Pall) on L.A.’s” Main Street” one brightly lit, jazz-filled night in August 1959. Continue reading