Tagged: Tweed Jacket

Dial M for Murder

Ray Milland, Robert Cummings, and John Williams in Dial M for Murder (1954)

Ray Milland, Robert Cummings, and John Williams in Dial M for Murder (1954)

Vitals

  • Ray Milland as Tony Wendice, conniving former tennis pro
  • Robert Cummings as Mark Halliday, romantic American crime writer
  • Anthony Dawson as C.A. Swann, opportunistic con man
  • John Williams as Chief Inspector Hubbard, clever Scotland Yard detective

London, Fall 1953 and Spring 1954

Film: Dial M for Murder
Release Date: May 29, 1954
Director: Alfred Hitchcock
Wardrobe Credits: Moss Mabry & Jack Delaney

WARNING! Spoilers ahead! Continue reading

Bond Style – Dark Herringbone Tweed in Diamonds are Forever

Sean Connery as James Bond in Diamonds are Forever (1971)

Sean Connery as James Bond in Diamonds are Forever (1971)

Vitals

Sean Connery as James Bond, British government agent

South America, Spring 1971

Film: Diamonds are Forever
Release Date: December 17, 1971
Director: Guy Hamilton
Wardrobe Master: Ray Beck
Tailor: Anthony Sinclair

Background

Making mud pies, 007?

Did you know that today, August 19, is National Potato Day? In Diamonds are Forever, James Bond’s hunt for vengeance after the events of On Her Majesty’s Secret Service leads him to an undisclosed location in search of his enemy, Ernst Stavro Blofeld, who has taken to cloning himself in order to form a group of decoy doubles to distract 007. Part of the pre-operation procedure consists of a volunteer decoy resting in an 80°F mud bath (while armed with a revolver, for some reason), and that’s where National Potato Day comes in. Continue reading

Ryan Reynolds’ Tweed Jacket in Mississippi Grind

Ryan Reynolds as Curtis Vonn in Mississippi Grind (2015)

Vitals

Ryan Reynolds as Curtis Vonn, charismatic drifter and gambler

Iowa to New Orleans, March 2014

Film: Mississippi Grind
Release Date: January 24, 2015
Director: Anna Boden & Ryan Fleck
Costume Designer: Abby O’Sullivan

Background

I was honored to correspond with Abby O’Sullivan, the talented costume designer who worked on Mississippi Grind, to learn firsthand insight about the inspiration, concept, and execution of the costumes that gave the film its distinctive look.

Abby recalls Mississippi Grind as “a special film” that stands out on her impressive resume due to the talents of the creative team, particularly directors Anna Boden and Ryan Fleck and cinematographer Andrij Parekh, who all contributed to developing the “distinctive 1970s Americana road movie” attitude that radiates off the screen like neon bar lights through Marlboro smoke. Continue reading

McQ’s Striped Tweed Sportcoat

John Wayne as Det.-Lt. Lon “McQ” McHugh in McQ (1974)

Vitals

John Wayne as Lon “McQ” McHugh, taciturn Seattle PD lieutenant

Seattle, Fall 1973

Film: McQ
Release Date: February 6, 1974
Director: John Sturges
Wardrobe Credit: Luster Bayless

WARNING! Spoilers ahead!

Background

What do you get when you mix Dirty Harry’s attitude with Bullitt’s cinematic style and a twist of neo-noir influence? Why, you get McQ, the 1974 crime drama that marked one of Wayne’s few non-Western and non-war movies in his storied career. Continue reading

Michael Caine as Alfie – Brown Tweed Sportcoat

Michael

Michael Caine as Alfie Elkins in Alfie (1966).

Vitals

Michael Caine as Alfie Elkins, caddish Cockney car service driver

London, Fall 1962 through Spring 1965

Film: Alfie
Release Date: March 24, 1966
Director: Lewis Gilbert
Wardrobe Supervisor: Jean Fairlie
Tailor: Douglas Hayward

Background

Brown tweed is a great look for fall, so BAMF Style is focused on this outfit sported by Michael Caine in Alfie (as suggested by frequent blog commentor Ryan Hall) for this early October post.

Caine wears this outfit in several major scenes in Alfie: during an argument with Gilda (Julia Foster) following the birth of their son and when he meets the vivacious Ruby (Shelley Winters) while out hocking photographs on the streets of London. Continue reading

Harrison Ford’s Tweed Jacket in The Fugitive

Harrison Ford as Dr. Richard Kimble in The Fugitive (1993).

Harrison Ford as Dr. Richard Kimble in The Fugitive (1993).

Vitals

Harrison Ford as Dr. Richard Kimble, fugitive and former doctor trying to clear his name

Chicago, Spring 1993

Film: The Fugitive
Release Date: August 6, 1993
Director: Andrew Davis
Costume Designer: Aggie Guerard Rodgers

WARNING! Spoilers ahead!

Background

In addition to being one of the best modern thrillers, The Fugitive is also one of the best TV-to-movie adaptations, seamlessly updating the characters and story to transform four seasons of a 1960s TV show into a compelling and suspenseful 1990s action flick. Continue reading

Philip Lombard’s Tweed Herringbone Jacket

Maeve Dermody and Aidan Turner as Vera Claythorne and Philip Lombard in And Then There Were None (2015).

Maeve Dermody and Aidan Turner as Vera Claythorne and Philip Lombard in And Then There Were None (2015).

Vitals

Aidan Turner as Philip Lombard, adventurer and ex-mercenary

Devon, England, August 1939

Series Title: And Then There Were None
Air Date: December 26-28, 2015
Director: Craig Viveiros
Costume Designer: Lindsay Pugh

WARNING! Spoilers ahead!

Background

Agatha Christie’s And Then There Were None has been one of my favorite books since my sister first innocuously tossed me a copy in fifth grade. She had been reading it for a high school English class and correctly deduced that I would like it. What followed was a night-long reading experience that deluged me into such a state of overwhelming psychological horror that I have been trying desperately to duplicate ever since. It set off a course of events that caused me to eagerly consume as much of Christie’s work as I could, although few works of fiction have ever been able to deliver quite the same effect.

I eagerly sought out a filmed adaptation and discovered – back in the pre-DVD days of the internet’s infancy – that a relatively straightforward English version had been released in 1945, truer to the source than the many remakes in the following decades. I immediately scooped it up and enjoyed the classic flick with its lighthearted gallows humor and romanticized ending that Christie herself had penned for the play adaptation, but I still yearned for the sense of hopeless dread that pervaded the original novel. Continue reading