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Bullitt’s Navy Suit

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Vitals

Steve McQueen as Bullitt (1968).Vitals

Steve McQueen as Lt. Frank Bullitt, maverick SFPD inspector

San Francisco, Spring 1968

Film: Bullitt
Release Date: October 17, 1968
Director: Peter Yates
Costume Designer: Theadora Van Runkle
Tailor: Douglas Hayward

Background

There is little dispute among both film and automobile fans that 1968’s Bullitt features the best car chase scene in movie history. Steve McQueen faces off in a fastback Mustang GT against two hitmen in a black Charger. By now, diehard fans of the film know that the Charger legendarily overtook and outpowered the Mustang during the actual filming, although it was still edited to have McQueen’s driving emerge victorious as the Charger ended up, sadly, in a ball of flame.

Although he actually wears his casual attire of a brown shooting jacket, dark blue rollneck, and charcoal slacks for the car chase, BAMF Style has yet to cover the first outfit McQueen wears as Bullitt, a relatively conservative navy blue suit… until today.

What’d He Wear?

Bullitt’s suit was tailored by Douglas Hayward, the legendary British designer who also suited Roger Moore, Sean Connery, and Michael Caine for various films.

The dark navy suit is traditional, strong, and would be as appropriate to wear in 2013 as it was in 1968. Although he is the younger, hipper character, Bullitt avoids the very fashion-forward (but now dated) look that Chalmers dons with his gray three-piece.

Bullitt’s jacket is cut like the typical men’s business suit, with slim notch lapels, a single-breasted 2-button front, and a single vent in the rear. A breast pocket remains unadorned and two flapped pockets are positioned straight across each hip.

Vaughn’s character may be more fashion-forward for 1968, but his waistcoat will very soon make the look dated. McQueen, on the other hand, looks just as right in 2013 as he would have then.
(Also, Pete Campbell wore a gray suit nearly identical to the one worn by Vaughn here on last night’s Mad Men so…)

The trousers of Bullitt’s suit are flat front with plain hems and are worn with a black leather belt, fastened in the front by a dull brass squared clasp. There is a pocket on each side of the pants and, given the traditional look, it can be assumed that there are two jetted pockets on the pant rear as well.

Under his suit, Bullitt wears a pale blue shirt with a moderate spread collar, white buttons down a front placket, and buttoned barrel cuffs.

The tie has a dark olive green ground and a red-and-blue floral pattern over it. It is tied in a small and tight four-in-hand knot, loosely fastened around Bullitt’s neck. He is evidently not a man to wear ties and avoids them whenever possible. This is definitely a character trait rather than a McQueen trait, as he looks sharp in a necktie whenever he has to (if The Thomas Crown Affair is any indication).

Bullitt’s footwear is a simple pair of leather plain-toe oxford shoes with black socks.

His overcoat is the same raincoat worn in some of the later scenes at the airport, a beltless khaki raincoat with five buttons down the front and one button on each cuff. There is an open slash pocket on each hip and a deep single vent in the rear. Visible when Bullitt is talking to Cathy, the raincoat has a dark plaid lining on a tan ground.

Bullitt completes his look with his field watch, identified as a civilian Benrus Series #3061 with a round polished steel case and black dial, fastened around his right wrist with a well-worn brown leather strap. Save for the thin gold necklace with the St. Christopher medallion worn under his shirt, this is his only accessory worn in the film.

McQueen was way ahead of time on identifying a common social issue.

The suit is Bullitt’s most conservative look. As we learn from his after-work activities, a late night date at a beatnik coffee shop with his artistic British girlfriend, Bullitt is not the typical cop.

How to Get the Look

Bullitt injects some flavor into the traditional suit he wears as a plainclothes detective.

Do Yourself a Favor and…

Check out the movie and, if you can, get your hands on a ’68 Mustang GT-390 fastback.

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