Don Cheadle as Buck Swope, porn actor and aspiring electronics store owner
San Fernando Valley, Summer 1977
Film: Boogie Nights
Release Date: October 10, 1997
Director: Paul Thomas Anderson
Costume Designer: Mark Bridges
In the mood for some midweek summer leisure looks, I was inspired by the parade of ’70s style in Boogie Nights. As with so many period productions set during the disco era, Boogie Nights features plenty of the big collars, flashy jewelry, and polyester we’ve come to associate with that decade, and its focus on the porn industry—despite Jack Horner’s insistence that his “pictures” may be a higher art than the era’s run-of-the-mill smut—takes us through the tackier side of a decade already oft reviled for its sartorial excess.
Among the sprawling ensemble cast, I’ve always enjoyed Don Cheadle’s performance as Buck Swope, the conflicted actor in Horner’s troupe constantly wrangling with his identity. Continue reading
Mel Gibson as Dale “Mac” McKussic, retired drug dealer
Los Angeles, Summer 1988
Film: Tequila Sunrise
Release Date: December 2, 1988
Director: Robert Towne
Costume Designer: Julie Weiss
Following his success as a screenwriter—credited and uncredited—on some of the most memorable movies of the ’70s, Robert Towne intended for his sophomore directorial film, Tequila Sunrise, to be something of a spiritual follow-up to Chinatown, which… it isn’t.
Don’t get me wrong, I did get some enjoyment out of Tequila Sunrise and there’s no denying that it’s refreshingly original—almost to a questionable degree—but I would argue it’s not even close to the same league as Chinatown, let alone Bonnie & Clyde, The Godfather, The Last Detail, Marathon Man, or the other excellent films that benefited from Towne’s contributions.
Several had recommended Tequila Sunrise to me for its style, and I’ll admit the name intrigued me, so I mentally scheduled to watch it and write about it in time for #NationalTequilaDay, celebrated annually on July 24… so happy National Tequila Day!
Me, evidently a fan of amusement parks
Pittsburgh, Summer 1987
Release Date: April 3, 2009
Director: Greg Mottola
Costume Designer: Melissa Toth
As today is my 32nd birthday (a day I share with Ernest Hemingway, Robin Williams, and Cat Stevens, to name a few) I’m going to exercise my blogger’s right to shift direction a bit and focus on… me!
In case my blog about style in the movies didn’t give it away, I’ve always been a fan of movies. While I never harbored dreams of stardom, there had always been a part of me that got a kick out of seeing myself on screen—which my fiancée attributes to my Leo ascendant—and I spent many a weekend in high school cajoling my patient friends into starring in some amateur production of mine, typically a half-baked story driven by gangsters, guns, and Goodwill-purchased suits.
It wasn’t until I entered college that I considered actually being part of an actual production, tossing my proverbial hat into the ring by registering as an extra with a local casting agency that has worked on several major productions filmed in Pittsburgh including The Dark Knight Rises, Jack Reacher, and The Perks of Being a Wallflower. Just two months into my freshman year at Pitt, the agency announced that extras of all ages would be needed for a day spent filming at Kennywood, the amusement park that had been the setting of many fond memories since early childhood. The park was being transformed back in time two decades for the 1980s-set comedy Adventureland, which would star Jesse Eisenberg and Kristen Stewart as college students spending their summer working at an amusement park. Continue reading
Alexander Skarsgård as Gadi Becker, aka “Peter”, mysterious Mossad agent
Naxos, Greece, Spring 1979
Series: The Little Drummer Girl (Episode 1)
Air Date: October 28, 2018
Director: Park Chan-wook
Costume Design: Sheena Napier & Steven Noble
Today marks the start of my beach vacation, an annual getaway that finds me clad almost exclusively in tropical-printed or terry cloth shirts as I laze about in the sun and sand with tequila in hand, trying not to think about the hundreds of emails amassing to greet me when I open my inbox exactly one week from now.
And then there are those lucky enough who actually get to do this for a living, particularly the globe-trotting super-spies penned by the likes of Ian Fleming and John le Carré, whose 1983 novel The Little Drummer Girl was recently re-adapted for the screen via a stylish six-part miniseries starring Florence Pugh and Alexander Skarsgård. Continue reading
Michael Fassbender as Erik Lehnsherr, relentless mutant Nazi hunter to be christened Magneto
Villa Gesell, Argentina, Fall 1962
Film: X-Men: First Class
Release Date: June 1, 2011
Director: Matthew Vaughn
Costume Designer: Sammy Sheldon
While I’m not traditionally a fan of superhero movies (at least as not as big a fan as some people!), I’ve appreciated how the recent stretch of Marvel movies have stretched across genres in its multi-billion-dollar appeal to varying audiences. For me, it’s been the entries rooted in history—like the MCU’s Captain America: The First Avenger and Fox’s X-Men: First Class, both released in 2011—that have had the most appeal of those I’ve seen. The latter, released ten years ago this summer, had been a subject of multiple requests since BAMF Style’s early years, so I hope I’m not too late in finally paying tribute to a briefly seen but timelessly stylish outfit from this Cold War-set adventure.
Harry Dean Stanton as “Lucky”, grizzled desert-dwelling nonagenarian
Piru, California, Summer 2016
Release Date: March 11, 2017
Director: John Carroll Lynch
Costume Designer: Lisa Norcia
Today’s post celebrates the great Harry Dean Stanton, the craggy and unapologetically authentic character actor born 95 years ago on July 14, 1926. Stanton’s prolific filmography included few leading roles, aside from a memorable turn in Wim Wenders’ 1984 masterpiece Paris, Texas, and his final movie, Lucky.
Logan Sparks and Drago Sumonja collaborated on the screenplay that would result in a cinematic love letter to Harry Dean Stanton, for whom Sparks had served as personal assistant for more than 16 years. Described by Movie Talk as “a poignant meditation on mortality”, Lucky provides a fitting swan song for the actor’s career, incorporating biographical details like Stanton’s Kentucky birthplace and service in the U.S. Navy, reuniting him with previous collaborators like David Lynch and Tom Skeritt, and even scored by harmonica riffs on “Red River Valley”, a song associated with his roles in Dillinger (1973) and Twin Peaks: The Return (2017), not to exclude the overall motif of roaming the southwestern desert that echoes his starring role in Paris, Texas.
The man at the heart of it all is “Lucky”, a cantankerous but not unkind 90-year-old who loves cigarettes, crossword puzzles, and coffee with plenty of cream and sugar. A man of routine, Lucky begins each day with a Natural American Spirit cigarette, his calisthenics (“five yoga exercises every day, 21 repetitions each”), and a glass of cold milk, before he slips into one of his identical shirts, jackets, and jeans to greet another day in the small desert town of Piru, California.
Robert Redford as Hubbell Gardiner, Hollywood screenwriter
Los Angeles, September 1947
Film: The Way We Were
Release Date: October 19, 1973
Director: Sydney Pollack
Costume Design: Dorothy Jeakins & Moss Mabry
Tomorrow will be the final day of the 2021 Wimbledon tennis championships, which—due to COVID-19—were canceled last year for the first time since World War II. In the spirit of the oldest tennis tournament in the world, I wanted to highlight the classic tennis garb worn by Robert Redford for a brief scene in The Way We Were.
More than a decade after the popular athlete Hubbell Gardiner and passionate activist Katie Morosky (Barbra Streisand) kindled their mutual attraction in college, the two have reunited and have moved out to southern California, where the carefree Hubbell is all too comfortable turning his successful novel into a much tamer screenplay, aimed for mainstream audiences.
Roger Moore as James Bond, British government agent
Spain, Spring 1981
Film: For Your Eyes Only
Release Date: June 24, 1981
Director: John Glen
Costume Designer: Elizabeth Waller
During the 40th anniversary year of For Your Eyes Only, the 00-7th of July feels like the appropriate time to examine the clothes and cars of Mr. Bond himself, after previously exploring the fits of one of his allies and one of his enemies. (This may be a little late for #CarWeek, but isn’t it always a good day for a drive in the country?)
Tom Cruise as Brian Flanagan, ambitious tropical bartender
Ocho RIos, Jamaica, Spring 1988
Release Date: July 29, 1988
Director: Roger Donaldson
Costume Designer: Ellen Mirojnick
I will admit that I’m not the biggest fan of Cocktail, but I’ve been in a tropical mood lately so this colorful, super-’80s yarn of bartending and bonking felt like a perfect summertime post in advance of Tom Cruise’s birthday tomorrow.
By all accounts, this winner of two Razzies should have been better, and author Heywood Gould has voiced considerable disappointment that his more serious source novel underwent such commercialization that the end product was primarily a vapid celebration of Tom Cruise using the daiquiri recipe he learned at TGI Friday’s to try to get laid as much as he could.
Paul Newman as Hud Bannon, arrogant rancher’s son
Texas Panhandle, Summer 1962
Release Date: May 29, 1963
Director: Martin Ritt
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Let’s complete this #CarWeek installment by looking at the third of the “Big Three” Detroit automakers: General Motors, specifically its high-end Cadillac division that has offered luxurious American autos for nearly 120 years.
A few years before Paul Newman caught the racing bug while training for Winning at the end of the decade, the car most associated with his screen image was arguably the pink Cadillac convertible he drove as the eponymous cowboy in Hud.