Category: Casual
Terence Stamp’s Layered Neutrals in Teorema
Terence Stamp in Teorema (1968)
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Terence Stamp as “The Visitor”, enigmatic young seducer
Milan, Italy, Spring 1968
Film: Teorema
(English title: Theorem)
Release Date: September 7, 1968
Director: Pier Paolo Pasolini
Costume Designer: Roberto Capucci (credited for Silvana Mangano’s clothes)
WARNING! Spoilers ahead!
Background
After Terence Stamp’s death last year, I realized how little of the actor’s filmography I had seen, particularly from early in his career when he and his then-roommate Michael Caine were the toasts of swinging London. Naturally, the first place I turned was the Criterion Channel, which included Teorema—a surrealist psychological drama that was director Pier Paolo Pasolini’s first film to feature primarily professional actors.
Stamp stars as a mysterious man known only as “the visitor”, whose seduction of every member of a bourgeois household forces the family to confront difficult truths about themselves—and whose eventual departure leaves an existential void in each person’s soul.
Translated to “Theorem”, as it was known in some English-speaking countries, Teorema premiered 58 years ago yesterday on September 4, 1968 during the 29th Venice International Film Festival, where it received a special award from the International Catholic Film Office—only for the award to be swiftly withdrawn after the Vatican criticized the film’s sexual content. It was widely released three days later. Continue reading
Tim Curry’s Safari Style in Congo
Tim Curry as Herkermer Homolka in Congo (1995)
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Tim Curry as Herkermer Homolka, desperate Romanian treasure-hunter
Central Africa, Fall 1994
Film: Congo
Release Date: June 9, 1995
Director: Frank Marshall
Costume Designer: Marilyn Matthews
WARNING! Spoilers ahead!
Background
After last week’s back-to-back losses of Dolly Parton and Tim Curry, my Letterboxd has been ablaze with fans rewatching 9 to 5, Clue, Steel Magnolias, and The Rocky Horror Picture Show. While I’ve seen all but the latter (which seems best experienced among a knowing theater audience), I wanted to tackle my own blind spots in these legends’ filmographies… which led me to the Razzie-nominated Congo, adapted from Michael Crichton’s novel of the same name.
A characteristic survival adventure from director Frank Marshall, Congo follows an expedition led by a talking gorilla (“I know it’s not Mr. Ed”) into the Congolian rainforest in search of a communications team who disappeared near the “Lost City of Zinj”. The movie likely deserved many of its negative reviews at the time of its release, with at least some admitting its goofy camp makes it a fun watch. And with a cast that includes Laura Linney, Ernie Hudson, Joe Don Baker, Bruce Campbell, Adewale Akinnuoye-Agbaje, Delroy Lindo, Joey Pants, Jimmy Buffett, and Tim Curry… of course it does.
Curry delightfully chews the scenery (and sesame cake) as Herkermer Homolka, “formerly of Romania, free from the chains of Ceaușescu, traveling the world and doing good.” This last bit of his introduction rightly comes into question until Hudson’s Errol Flynn-esque guide Monroe Kelly clarifies that “he is a Romanian and he has done a lot of good… but mostly for Mr. Homolka.” Continue reading
Burt Reynolds in Double Denim as Gator McKlusky
Burt Reynolds in Gator (1976)
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Burt Reynolds as Bobby “Gator” McKlusky, paroled moonshine runner
Okefanokee Swamp, Summer 1975
Film: Gator
Release Date: August 25, 1976
Director: Burt Reynolds
Costume Designer: Norman Salling
Background
Burt Reynolds followed up his sweaty 1973 “hick flick” White Lightning with his self-directed sequel Gator, widely released 50 years ago today on August 25, 1976. The three-year gap had been kind to Reynolds, who had since grown his stardom… and that trademark mustache. (Unlike Sterling Archer, I prefer White Lightning over its lighter-hearted sequel.)
Reynolds reprises his role as moonshiner Bobby “Gator” McKlusky, recently released after serving 26 months in a Georgia state prison where he proudly learned how to make “quality license plates”. As in White Lightning, Gator is called back into government service, this time to help nab his one-time pal “Bama” McCall (Jerry Reed), now a ruthless crime boss in the fictional Dunston County. Of course, the government has to catch Gator first, kicking things off with a raucous speedboat chase through the Okefanokee Swamp. Continue reading
Gary Cole’s Brown-and-Green Leisure Suit in A Very Brady Sequel
Gary Cole as Mike Brady in A Very Brady Sequel (1996)
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Gary Cole as Mike Brady, architect and family man
Los Angeles, Summer 1996
Film: A Very Brady Sequel
Release Date: August 23, 1996
Director: Arlene Sanford
Costume Designer: Rosanna Norton
WARNING! Spoilers ahead!
Background
Earlier this summer, my corner of Twitter was briefly ablaze with people celebrating the adaptations of The Brady Bunch that hit big screens back to back in the ’90s, specifically the breakfast scene in A Very Brady Sequel where the insecure middle-child Jan (Jennifer Elise Cox) conceptualizes her made-up boyfriend over blueberry pancakes, only for her older sister Marcia (Christine Taylor) to shut it down with “that’s funny, I’ve never heard of a George Glass at our schœl,” as parents Mike (Gary Cole) and Carol (Shelley Long) look on—the latter pouring an approximate gallon of sugar into her coffee.
The conceit of both The Brady Bunch Movie and the subsequent A Very Brady Sequel maintains the family’s groovy ’70s style, but transplants them—and their MCM home with its astroturfed lawn—directly into the ’90s, where they couldn’t be more obliviously out of place. Released thirty years ago this week on August 23, 1996, A Very Brady Sequel revived a few second-season subplots—including George Glass, the home’s horse statue, and a trip to Hawaii—while also lampshading the fact that the series never addressed the fate of Carol’s first husband by introducing him as the conniving Roy Martin (Tim Matheson). Continue reading
Robert Redford in All is Lost
Robert Redford in All is Lost (2013)
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Robert Redford as “Our Man”, a resourceful aging sailor
Indian Ocean, July 2012
Film: All Is Lost
Release Date: October 25, 2013
Director: J.C. Chandor
Costume Designer: Van Broughton Ramsey
WARNING! Spoilers ahead!
Background
Robert Redford was born 90 years ago today on August 18, 1936, making this the first observance of the late actor’s birthday since his death in September 2025 at age 89. One of the prolific actor’s strongest performances from the later period of his career was J.C. Chandor’s survival-at-sea thriller All is Lost, which premiered at the 66th Cannes Film Festival in May 2013 before its wider release that October.
The 76-year-old Redford is the sole actor who appears on screen—unnamed but credited as “Our Man”, a resilient and robust mariner who was sailing solo through the Indian Ocean when a shipping container crashed into his starboard side of his CAL 39, the Virginia Jean. The collision immediately destroyed the Virginia Jean‘s power and external communications, leaving Our Man completely isolated to solve the compounding problems himself without the ability to call for assistance. “All is lost here, except for soul and body, that is, what’s left of them,” Redford’s character narrates. Continue reading
Taxi Driver: De Niro’s Date-ready Maroon Corduroy Jacket as Travis Bickle
Robert De Niro as Travis Bickle in Taxi Driver (1976)
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Robert De Niro as Travis Bickle, disturbed taxi driver and Vietnam War veteran
New York City, Spring 1976
Film: Taxi Driver
Release Date: February 9, 1976
Director: Martin Scorsese
Costume Designer: Ruth Morley
WARNING! Spoilers ahead!
Background
Ahead of Robert De Niro’s birthday tomorrow, let’s celebrate Taxi Driver‘s 50th anniversary this year by seeing how well Travis Bickle cleans himself up for a date. Paul Schrader’s screenplay indicates the importance of Travis making a good impression on the more sophisticated campaign volunteer Betsy (Cybill Shepherd) by describing his approach:
TRAVIS, dressed to the teeth, walks brightly down the sidewalk. His face is freshly shaved, his hair combed, his tie straightened.
Of course, while Travis may know enough to look the part, he hasn’t quite grasped the concept of taking his first date literally anywhere but a porn palace. Continue reading
Manhunter: William Petersen’s Dark Sport Jackets as Will Graham
William Petersen as Will Graham in Manhunter (1986)
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William Petersen as Will Graham, tortured FBI criminal profiler
Across the United States, Fall 1986
Film: Manhunter
Release Date: August 15, 1986
Director: Michael Mann
Costume Designer: Colleen Atwood
WARNING! Spoilers ahead!
Background
While the Oscar-winning The Silence of the Lambs is a deservedly great movie that brought Thomas Harris’ fictional killer psychiatrist Hannibal Lecter to widespread public attention, the cannibalistic murderer had actually made his cinematic debut a half-decade earlier when Brian Cox portrayed the renamed Dr. Lecktor in Manhunter. Adapted by writer/director Michael Mann from Harris’ 1981 novel Red Dragon (with its title changed by producer Dino De Laurentiis), Manhunter was released 40 years ago this week on August 15, 1986.
Cox starred opposite William Petersen as FBI agent Will Graham, establishing the characters’ antagonistically layered screen dynamic that would be repeated in the 2002 remake Red Dragon and the NBC TV adaptation Hannibal. Continue reading
The Killer Inside Me: Casey Affleck as Texas Deputy Lou Ford
Casey Affleck in a promotional image for The Killer Inside Me (2010)
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Casey Affleck as Lou Ford, diabolical deputy sheriff and sadistic sociopath
West Texas, Summer 1952
Film: The Killer Inside Me
Release Date: June 18, 2010
Director: Michael Winterbottom
Costume Designer: Lynette Meyer
WARNING! Spoilers ahead!
Background
The trouble with growin’ up in a small town is everybody thinks they know who you are…
…begins Casey Affleck’s narration as West Texas deputy sheriff Lou Ford in The Killer Inside Me, Michael Winterbottom’s 2010 adaptation of Jim Thompson’s 1952 novel of the same name. Ford exemplifies a favorite Thompson trope: the amoral Southern lawman who masks his murderous, psychopathic personality behind a dim, folksy exterior; imagine Barney Fife was secretly Ted Bundy, and you’ve got Thompson’s novels like The Killer Inside Me and, my personal favorite, the darkly comic Pop. 1280.
The cinematic possibilties of this rich plot naturally brought Hollywood calling, beginning with 20th Century Fox optioning The Killer Inside Me shortly after its publication with Marlon Brando, Elizabeth Taylor, and Marilyn Monroe to star. Despite this dream cast, setbacks kept The Killer Inside Me out of production for two decades. It finally arrived on screen in 1976, just six months before Thompson’s death, with Stacy Keach now playing Deputy Ford and the action transferred to 1970s Montana.
But Burt Kennedy’s 1976 adaptation wasn’t enough. Quentin Tarantino and Dominic Sena showed interest in directing, with rumors of Leonardo DiCaprio and Brad Pitt to star. When a more faithful adaptation of The Killer Inside Me finally premirered at Sundance in January 2010, it starred Casey Affleck—born 51 years ago today on August 12, 1975—as Lou Ford. Continue reading
Evil Under the Sun: Roddy McDowall’s Nautical Breton Stripes
Roddy McDowall in Evil Under the Sun (1982)
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Roddy McDowall as Rex Brewster, flamboyant gossip columnist
Adriatic Sea, Summer 1939
Film: Evil Under the Sun
Release Date: March 5, 1982
Director: Guy Hamilton
Costume Designer: Anthony Powell
WARNING! Spoilers ahead!
Background
Having returned from my own beach vacation this weekend, today’s post draws from a summery classic that was some of the earliest inspiration on my interest in men’s style: Guy Hamilton’s 1982 adaptation of the Agatha Christie mystery Evil Under the Sun.
This was the third Christie adaptation produced by John Brabourne and Richard Goodwin for EMI Films in less than a decade, beginning with Murder on the Orient Express (1974) which starred Albert Finney as eccentric Belgian detective Hercule Poirot. Death on the Nile (1978) was the first to star Peter Ustinov, who became the first actor since Austin Trevor (in the 1930s) to play Poirot multiple times on screen when he first reprised the role in Evil Under the Sun. This movie feels considerably lighter than its predecessors in its tone and sun-baked setting, transferred from the novel’s provincial English coast to an exotic fictional island in the Adriatic Sea but filmed on Mallorca.
Principal characters like Poirot, the Redferns, and the Marshall family remained mostly unchanged in Anthony Shaffer’s screenplay, while others were either composited, jettisoned, or reimagined; for instance, the athletic spinster Emily Brewster from the novel was transformed into the extravagant Rex Brewster (Roddy McDowall), a gossip columnist writing an unauthorized tell-all biography of scandalous—and recently married—Broadway diva Arlena Stuart Marshall (Diana Rigg). Continue reading
Frankie Avalon’s Red Paisley Party Shirt in Beach Party
Frankie Avalon in Beach Party (1963)
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Frankie Avalon as Frankie, lovestruck surfer
Malibu, California, Summer 1963
Film: Beach Party
Release Date: August 7, 1963
Director: William Asher
Costume Design: Marjorie Corso & Renié
WARNING! Spoilers ahead!
Background
Four years after Gidget launched the beach party subgenre, the formula was refined with less morals and more midriffs in the simply titled Beach Party. Released 63 years ago today on August 7, 1963, Beach Party was the first of about a dozen similar movies released by American International Pictures that occasionally veered from the beach into ski country or the race track but almost always featured pop singers Frankie Avalon and Annette Funicello in leading roles.
Filmed across the beaches of Southern California over three weeks in the spring of 1963, Beach Party established a blueprint that most of its successors would follow: a score by exotica stalwart Les Baxter supplemented by the surf rock stylings of Dick Dale and his Del-Tones; a supporting cast of older, most established stars—like Bob Cummings, Dorothy Malone, and Morey Amsterdam in this first film; and the easy chemistry between Frankie and Annette.
Frankie and Annette played essentially the same teen lovers driven apart by an easily explained misunderstanding that is invariably resolved by the close of each approximately 90-minute runtime. In Beach Party, it’s Dolores’ hesitation that drives Frankie away—straight into the arms of the buxom “Hungarian goulash” Ava (Eva Six), one of the women whom he serenades with “Don’t Stop Now” during the raucous party at Big Daddy’s. Continue reading
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