Tagged: Overcoat
In Bruges: Colin Farrell as Ray
Colin Farrell as Ray in In Bruges (2008)
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Colin Farrell as Ray, conflicted contract killer
Bruges, Belgium, Winter 2007
Film: In Bruges
Release Date: February 8, 2008
Director: Martin McDonagh
Costume Designer: Jany Temime
WARNING! Spoilers ahead!
Background
Shortly thereafter, the instructions came through: “Get the fook out of London youse dumb fucks. Get to Bruges.” I didn’t even know where Bruges fuckin’ was. It’s in Belgium.
Despite it being directly up my alley, I somehow went 15 years without seeing In Bruges, Martin McDonagh’s critically acclaimed hit that opened the 2008 Sundance Film Festival. For his performance as the exiled hitman Ray, Colin Farrell received his first Golden Globe Award for In Bruges, fifteen years before winning his second this year for his performance in The Banshees of Inisherin, which re-teamed him with McDonagh and co-star Brendan Gleeson and also landed Farrell his first Academy Award nomination as announced this morning.
Following a botched first job in which he assassinates a priest and, tragically, a young boy in the path of one of his bullets, the inexperienced and irritable Ray is sent with his good-natured and literal partner-in-crime Ken (Brendn Gleeson) to Bruges, where they’re to lay low and await further instructions from their profane boss Harry Waters (Ralph Fiennes). Continue reading
The Holiday: Jude Law’s Brown Plaid Jacket and Tie
Jude Law in The Holiday (2006)
Vitals
Jude Law as Graham Simpkins, charming book editor and widowed father
Surrey, England, Christmas 2005
Film: The Holiday
Release Date: December 8, 2006
Director: Nancy Meyers
Costume Designer: Marlene Stewart
Background
Happy 50th birthday, Jude Law! The London-born actor has been frequently featured on BAMF Style before but today’s post offers a more practical look for those of us who aren’t regularly jaunting off the Italian coast or solving crimes in Victorian England.
In recognition of Law’s December 29th birthday landing directly between Christmas and New Year’s Day, it feels most appropriate on his milestone birthday to review his scarf-positive performance in Nancy Meyers’ yuletide romantic comedy The Holiday, which was incorrectly rumored this month to be receiving a sequel 17 years after its initial release. Continue reading
Elf: James Caan in Camelhair for Christmas
James Caan as Walter Hobbs in Elf (2003)
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James Caan as Walter Hobbs, workaholic children’s book publisher
New York City, December 2003
Film: Elf
Release Date: November 7, 2003
Director: Jon Favreau
Costume Designer: Laura Jean Shannon
Background
Happy December!
The late James Caan effectively subverted his screen image when he starred in Elf, a family-friendly comedy that’s already established as a modern holiday classic. Of course, as one of the big screen’s most famous tough guys, Caan’s Walter Hobbs begins the story on Santa Claus’ notorious “naughty list” as a children’s book publisher too focused on his bottom line to care about his family or even the minutae of his job, overlooking the last two pages of his latest book that leave the fate of a beloved puppy and pigeon too ambiguous for its young readers. Continue reading
Steve Martin in Planes, Trains & Automobiles
Steve Martin as Neal Page in Planes, Trains & Automobiles (1987)
Vitals
Steve Martin as Neal Page, advertising executive and family man
New York City to Chicago… via Kansas and Missouri, Fall 1987
Film: Planes, Trains & Automobiles
Release Date: November 25, 1987
Director: John Hughes
Costume Designer: April Ferry
Steve Martin’s Costumer: Dennis Schoonderwoerd
Background
It’s two days to Thanksgiving! If you’re an ad man in New York for a creative presentation with an indecisive client, that should give you just enough time to unsuccessfully race Kevin Bacon for a taxi and join up with a talkative shower curtain ring salesman—excuse me, shower curtain ring sales director—for a series of transportation-related hijinks to make it home to Chicago just as that stuffed bird is ready to come out of the oven on Thursday.
Planes, Trains & Automobiles remains one of the few bona fide classic Thanksgiving comedies, released 35 years ago this week as commemorated today with an all-new 4K home video release that includes more than an hour of deleted and extended footage. The movie arguably succeeds best thanks to the comedic chemistry between Steve Martin and John Candy, balancing humor and heart as both the banal Neal and garrulous Del are humanized beyond initial stereotypes in what both actors described as a career-favorite film. Continue reading
Justified: Raylan’s Wool Coat and Double Denim
Timothy Olyphant as Deputy U.S. Marshal Raylan Givens on Justified (Episode 6.11: “Fugitive Number One”). Photo by Prashant Gupta/FX.
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Timothy Olyphant as Raylan Givens, old-fashioned Deputy U.S. Marshal
Harlan County, Kentucky, Spring 2010 to Fall 2014
Series: Justified
Creator: Graham Yost
Costume Designers: Ane Crabtree (Season 1) & Patia Prouty (Seasons 2-6)
WARNING! Spoilers ahead!
Background
Justified is one of my favorite fall shows (despite the fact that each season originally aired in the spring), and I always like to revisit the tangled, moonshine-soaked underworld of Harlan County every autumn.
The first episode established the series-long conflict between Raylan Givens (Timothy Olyphant) and Boyd Crowder (Walton Goggins), who dug coal together in the mines of eastern Kentucky before their diverging career paths as Raylan rose through the ranks of the U.S. Marshals Service tracking down criminals like Boyd, who started the series as the explosives-loving leader of a gang of bank-robbing white supremacists.
Both Raylan and Boyd have frequently been the subjects of requests from fans of the series as the series costume designers neatly established each man’s signature style: Boyd, somewhat fussy for a country criminal, with his layered sport jackets, waistcoats with dangling pocket watch chains, and shirts buttoned to the neck; and Raylan, who blends old-fashioned cowboy aesthetics into his modern business apparel. Continue reading
Humphrey Bogart in The Maltese Falcon
Humphrey Bogart as Sam Spade in The Maltese Falcon (1941)
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Humphrey Bogart as Sam Spade, smooth private detective and “a chap worth knowing”
San Francisco, Spring 1941
Film: The Maltese Falcon
Release Date: October 3, 1941
Director: John Huston
Costume Designer: Orry-Kelly (credited for gowns)
Background
Now considered a seminal film noir, The Maltese Falcon celebrated its 80th anniversary last month. Dashiell Hammett’s excellent 1930 detective novel had already been adapted twice for the screen—once as a “lewd” pre-Code thriller and recycled as a zanier mid-’30s vehicle for Bette Davis—before Warner Bros. finally got it right.
The Maltese Falcon was the directorial debut for John Huston, who had faithfully adapted Hammett’s source material for his sharp script and demonstrated his sense of methodical efficiency, resulting in a masterpiece that benefited from the formula of director of photography Arthur Edelson’s low-key cinematography and a perfect cast led by Humphrey Bogart as the wisecracking gumshoe who “don’t mind a reasonable amount of trouble.” Continue reading
Death Wish: Charles Bronson’s Reversible Herringbone Coat
Charles Bronson as Paul Kersey in Death Wish (1974)
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Charles Bronson as Paul Kersey, vigilante family man
New York City, Winter 1974
Film: Death Wish
Release Date: July 24, 1974
Director: Michael Winner
Costume Designer: Joseph G. Aulisi
WARNING! Spoilers ahead!
Background
Today would have been the 100th birthday of Charles Bronson, one of the most legendary cinematic ass-kickers perhaps best known for his starring role as family man-turned-street vigilante Paul Kersey in the 1974 revenge thriller Death Wish.
The Awful Truth: Cary Grant’s White Tie and Tails
Cary Grant and Irene Dunne in The Awful Truth (1937)
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Cary Grant as Jerry Warriner, witty divorcee
New York, Fall 1937
Film: The Awful Truth
Release Date: October 21, 1937
Director: Leo McCarey
Costume Designer: Robert Kalloch
WARNING! Spoilers ahead!
Background
Archibald Leach was born 117 years ago today on January 18, 1904. Though he’d established his now-iconic stage name just before his film debut in This is the Night (1932), I consider Leo McCarey’s 1937 screwball comedy The Awful Truth to be the symbolic start of Cary Grant’s screen persona as a stylish yet self-deprecating gentleman with a remarkable penchant for physical comedy as well as wit. Continue reading
Chris Evans’ Famous Fisherman’s Sweater in Knives Out
Chris Evans as Hugh “Ransom” Drysdale in Knives Out (2019)
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Chris Evans as Hugh “Ransom” Drysdale, arrogant “trust fund prick”
Massachusetts, November 2018
Film: Knives Out
Release Date: November 27, 2019
Director: Rian Johnson
Costume Designer: Jenny Eagan
Background
Released a year ago this week, Knives Out offered a fresh spin on the classic “whodunit” genre, complete with an idiosyncratic detective—in this case, Daniel Craig as the observant Benoit Blanc—and a dysfunctional family plunged into a murder mystery at their palatial country estate. It’s that dysfunctional family element that inspired me to write about Knives Out today, on the eve of a Thanksgiving that’s sure to look different than usual for most households.
The last member of the Thrombey household to be introduced on screen is Ransom Drysdale—or Hugh to “the help”—the spoiled grandson of the late mystery writer Harlan Thrombey (Christopher Plummer). Even before Knives Out reached theaters, the internet was ablaze with preview images of Chris Evans lounging in Ransom’s moth-eaten fisherman’s sweater, reintroducing the classic Aran knitting technique to a new generation.
Gun Crazy: John Dall’s Tweed Jacket
John Dall as Bart Tare in Gun Crazy (1950)
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John Dall as Bart Tare, armed robber on the run
San Lorenzo Valley, California, Fall 1949, to Albuquerque, New Mexico, Spring 1950
Film: Gun Crazy
(also released as Deadly is the Female)
Release Date: January 20, 1950
Director: Joseph H. Lewis
Costume Designer: Norma Koch (credited with Peggy Cummins’ costumes only)
Background
Fifteen years after armed robbers Clyde Barrow and Bonnie Parker were ambushed and killed on a rural Louisiana road, one of the first attempts to adapt their story for the silver screen arrived in theaters. Sure, there had been Fritz Lang’s sympathetic melodrama You Only Live Once (1937) and the FBI-endorsed propaganda Persons in Hiding (1939), but Gun Crazy—released exactly 70 years ago today—most effectively latched onto the intrigue of a gun-toting couple on the run, and, “more than any other, emphasizes the powerful attraction of weaponry in the growing legend of Bonnie and Clyde,” according to John Treherne, author of The Strange History of Bonnie and Clyde.
Gun Crazy‘s telling original title of Deadly is the Female reflects the narrative leaning into the noir-esque premise of a dominating femme fatale, an expert in firearms who seduces her lovestruck fella into a life of crime… an inverse of the generally accepted reality of the relationship between violent manipulator Clyde Barrow and the vulnerable and troubled Bonnie Parker.
A year after his chilling turn as the calculating, Loeb-like murderer in Hitchcock’s Rope, John Dall stars as the malleable Bart Tare, who finds himself fatefully—and fatally—drawn to the voluptuous carnival sharpshooter Annie Laurie Starr (Peggy Cummins), “the darling of London, England,” though it’s a toss-up whether it’s her tight pants, knowing wink, or dueling pistols that sink the hook into the already doomed Bart. Continue reading