Dennis Morgan as Jefferson Jones, U.S. Navy Chief Quartermaster and war hero
Connecticut, Christmas 1944
Film: Christmas in Connecticut
Release Date: August 11, 1945
Director: Peter Godfrey
Something about a naval uniform always reminds me of the holidays. Maybe it’s the happy homecoming of the heroic Commander Harry Bailey in It’s a Wonderful Life, or maybe it’s the charming naval hero in Christmas in Connecticut who finds himself instantly falling for Barbara Stanwyck (relatable enough) after he arrives on her doorstep to spend a memorable holiday in New England. Continue reading
James Stewart as George Bailey, newlywed banker
Bedford Falls, NY, fall 1932 through spring 1934
Film: It’s a Wonderful Life
Release Date: December 20, 1946
Director: Frank Capra
Costume Designer: Edward Stevenson
Although the film takes place over the course of one man’s whole life, It’s a Wonderful Life has earned a comfortable home among nostalgic holiday cinema. The man in question, George Bailey (James Stewart), spends a depressing Christmas Eve questioning his existence… prompting a visit from his guardian angel to remind him of the titular wonderful life that he has led.
Daniel Craig as James Bond, British government agent
Rome, November 2015
Release Date: October 25, 2015
Director: Sam Mendes
Costume Designer: Jany Temime
WARNING! Spoilers ahead!
Spectre, Daniel Craig’s latest outing as James Bond, featured the globe-trotting agent once again battling the international terrorist organization SPECTRE and confronting the evil megalomaniac at its head, Ernst Stavro Blofeld (Christoph Waltz).
One of the most requested outfits from BAMF Style readers is the black three-piece Tom Ford suit that 007 wears when he arrives in style to a gangster’s funeral in Rome with his prototype Aston Martin. Continue reading
Louis Jourdan as Marc Champselle, “a gigolo… a buffoon… a professional diner-outer… a notorious sponger!”
Heathrow Airport, London, Winter 1963
Film: The V.I.P.s
(also released as Hotel International)
Release Date: September 19, 1963
Director: Anthony Asquith
Costume Designer: Pierre Cardin (uncredited)
Happy December! For the first month of winter in the Northern Hemisphere, we look to the stylish 1963 film The V.I.P.s, a cinematic celebration of jet-age luxury starring an impressive international cast as a group of travelers stranded at London’s Heathrow Airport and the neighboring Hotel International for a cold but passionate January night.
Al Pacino as Michael Corleone, war hero and Mafia son
New York City, December 1945
Film: The Godfather
Release Date: March 15, 1972
Director: Francis Ford Coppola
Costume Designer: Anna Hill Johnstone
As we get closer to the holidays, today’s #MafiaMonday look from The Godfather is a fall-friendly approach to dressing for cooler weather and grayer days.
And the days are indeed gray for the Corleone family, particularly the recently returned Michael (Al Pacino). Continue reading
Sam Neill as Sidney Reilly, shrewd British agent and anti-Bolshevik
St. Petersburg, Russia, October 1910, and
London, November 1918
Series: Reilly: Ace of Spies
– “Dreadnoughts and Doublecrosses” (Episode 6), dir. Jim Goddard, aired 10/5/1983
– “After Moscow”(Episode 9), dir. Martin Campbell, aired 10/26/1983
Costume Designer: Elizabeth Waller
Reilly: Ace of Spies fictionalizes the exploits of Russian-born spy Sidney Reilly, often cited as a real-life basis for Ian Fleming’s James Bond. While the showrunners must have been cognizant of the need to place their suave British secret agent in a tuxedo, the series’ narrative also coincided with the rise of the dinner jacket over the first quarter of the 20th century.
Roger Moore as James Bond, debonair British secret agent
New York City, Spring 1973
Film: Live and Let Die
Release Date: June 27, 1973
Director: Guy Hamilton
Costume Designer: Julie Harris
Tailor: Cyril Castle
Happy 00-7th of May! This month’s focus is on Sir Roger Moore’s debut as James Bond in Live and Let Die.
After a brief sequence that finds Bond briefed at his flat by M and Miss Moneypenny, we are treated to the standard “airport arrival” sequence established in Dr. No and From Russia with Love, creating a sense of continuity with the character if intentionally breaking from the prior characterization.