Tagged: Corduroy Jacket

Jack Nicholson’s Corduroy Blazer in Five Easy Pieces

Jack Nicholson as Robert "Bobby" Dupea in Five Easy Pieces (1970)

Jack Nicholson as Robert “Bobby” Dupea in Five Easy Pieces (1970)

Vitals

Jack Nicholson as Bobby Dupea, aimless oil worker and classical piano prodigy

Puget Sound, Fall to Winter 1970

Film: Five Easy Pieces
Release Date: September 12, 1970
Director: Bob Rafelson
Wardrobe Credit: Bucky Rous

WARNING! Spoilers ahead!

Background

Bobby Dupea’s homecoming leads to an existential crisis in Five Easy Pieces, one of the many triumphant highlights of Jack Nicholson’s early filmography and the second of his 12 Academy Award-nominated roles.

“When we sense the boy, tormented and insecure, trapped inside the adult man, Five Easy Pieces becomes a masterpiece of heartbreaking intensity,” reviewed Roger Ebert, who rated this four-star film to be his favorite of 1970 and went on to name it “one of the best American films.” Continue reading

Casino – L.Q. Jones in Snakeskin and Corduroy

Today is the first day of my annual weeklong sojourn at the beach. I’m honored to present the first-ever contributor post at BAMF Style. Please enjoy the following submission by BAMF Style reader “W.T. Hatch”.

L.Q. Jones as County Commissioner Pat Webb in Casino (1995)

Vitals

L.Q. Jones as Pat Webb, cowboy Clark County commissioner

Las Vegas, Spring 1977

Film: Casino
Release Date: November 22, 1995
Director: Martin Scorsese
Costume Design: Rita Ryack & John A. Dunn

Background

I appreciate you taking the time to see a poor old civil servant.

In a rare moment of uncontrolled anger, Tangiers casino boss Sam “Ace” Rothstein (Robert De Niro) fires his slot machine manager Don Ward, accusing him of outright incompetence or collusion with a gaming scam. Don hails from an influential Las Vegas family and is the brother-in-law of powerful county commissioner Pat Webb (played by Hollywood character actor L.Q. Jones). Continue reading

Sean Connery’s Brown Corduroy Jacket in The Untouchables

Sean Connery as Jim Malone in The Untouchables (1987)

Sean Connery as Jim Malone in The Untouchables (1987)

Vitals

Sean Connery as Jim Malone, tough and honest Chicago beat cop

Chicago, September 1930

Film: The Untouchables
Release Date: June 3, 1987
Director: Brian De Palma
Costume Designer: Marilyn Vance

WARNING! Spoilers ahead!

Background

The Untouchables is a highly entertaining – yet highly fictionalized – saga of the successful legal campaign to bring down Al Capone’s criminal enterprise that terrorized Chicago through the 1920s with an all-star cast including Robert De Niro as Capone himself.

Eliot Ness had made a name for himself in the final years of Chicago’s beer wars as a relentless Prohibition agent, and he would use his fame decades later to pen The Untouchables, a memoir in which he credits himself with practically single-handedly sending Capone to prison. In real life, Ness’ raids were indeed disruptive, but it was the work of modest investigators U.S. Attorney George E.Q. Johnson and IRS agent Frank Wilson that eventually led to the charges that successfully convicted Capone. Continue reading

Justified – Boyd Crowder’s Gray Corded Jacket

Walton Goggins as Boyd Crowder on FX's Justified.

Walton Goggins as Boyd Crowder on FX’s Justified.

Vitals

Walton Goggins as Boyd Crowder, scrappy Harlan County criminal and ex-miner

Harlan County, Kentucky, Fall 2010

Series: Justified
Episodes:
– “The Hammer” (Episode 1.10, Director: John Dahl, Air Date: May 18, 2010)
– “Veterans” (Episode 1.11, Director: Tony Goldwyn, Air Date: May 25, 2010)
Costume Designer: Ane Crabtree

Background

Fresh out of prison, Harlan County’s wiliest and wittiest criminal mastermind Boyd Crowder finds himself in the backwoods of his old Kentucky home, teaching his particular brand of religion to a congregation of redneck drug slingers. Not satisfied with having shot him in the chest earlier that year, Deputy U.S. Marshal Raylan Givens shows up and rubs proverbial salt in Boyd’s wound by reminding the “congregation” that there is a standing $50,000 reward for anyone who can provide information sending their new leader back to prison. Continue reading

Californication – Hank’s “Love Song” Flashback

David Duchovny and Natascha McElhone filming

David Duchovny and Natascha McElhone filming “Love Song”, Episode 5.06 of Californication, in June 2011.

Vitals

David Duchovny as Hank Moody, rising novelist and family man

Venice Beach, circa summer 2003

Series: Californication
Episode: “Love Song” (Epiosde 5.06)
Air Date: February 12, 2012
Director: Eric Stoltz
Costumer: Alison Cole Godachy

Background

“Love Song” was a welcome break during Californication‘s relatively uneven fifth season, providing a bright spot in a season that arguably marked the end of what had once been a reliably mature Showtime dramedy.

Many fans’ hopes were answered as we finally got to see Hank and Karen when they were a strong couple, both eagerly facing the prospect of their new life in L.A. Continue reading

The Sundance Kid’s Brown Corded Jacket

Robert Redford as The Sundance Kid in Butch Cassidy and the Sundance Kid (1969).

Robert Redford as The Sundance Kid in Butch Cassidy and the Sundance Kid (1969).

Vitals

Robert Redford as Harry Longbaugh, aka “The Sundance Kid”, laconic and sharp-shooting American outlaw

Colorado, Fall 1898

Film: Butch Cassidy and the Sundance Kid
Release Date: October 24, 1969
Director: George Roy Hill
Costume Designer: Edith Head

Background

Last year, we celebrated Robert Redford’s 78th birthday (and Throwback Tuesday, which I’ve decided can be a thing) by breaking down the Sundance Kid’s traveling suit when he and Butch Cassidy pack up and head to Bolivia. This year, for Bob’s 79th, we’ll look at his main outfit leading up to that – a badass assortment of Western wear that epitomize American outlaw style at the turn of the century.

What’d He Wear?

Although the film’s audience would be hard-pressed to call either Butch or Sundance a true villain despite their criminal vocations, Sundance is certainly the darker-demeanored of the two, reflected by his attire. In Bolivia, he wears a black suit and black hat. While still conducting his banditry in the U.S., he wears all black save for a brown corduroy jacket. By default, he becomes the film’s personification of the “black-hatted outlaw” trope although his easy charm differentiates him from more villianous contemporaries like Lee Van Cleef in The Good, the Bad, and the Ugly.

The one major non-black part of his American banditry outfit is the brown wide-waled corduroy jacket. The jacket looks as well-traveled as Sundance himself, providing him comfortable and surprisingly fashionable outerwear that allows a wide range of motion for a man whose job includes jumping on and off of moving trains. Continue reading