Tagged: 1980s
Boogie Nights: Burt Reynolds’ Red Finale Safari Suit
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Burt Reynolds as Jack Horner, avuncular adult film director
San Fernando Valley, California, Summer 1984
Film: Boogie Nights
Release Date: October 10, 1997
Director: Paul Thomas Anderson
Costume Designer: Mark Bridges
WARNING! Spoilers ahead!
Background
Although the film contains very little that I can personally relate to (other than, perhaps, margarita-fueled arguments about Star Wars), the end of Boogie Nights has always reminded me of the end of summer.
Set just before dusk on a June night in the San Fernando Valley, the finale is comprised of just two long shots: one following pornographer Jack Horner (Burt Reynolds) through the hallowed halls of his MCM dream house, and the movie’s iconic final shot that finally reveals Dirk Diggler’s much-discussed money maker to the audience. Continue reading
Never Say Never Again: Largo’s White Striped Dinner Jacket
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Klaus Maria Brandauer as Maximillian Largo, billionaire businessman and SPECTRE terrorist
Monte Carlo, Spring 1983
Film: Never Say Never Again
Release Date: October 7, 1983
Director: Irvin Kershner
Costume Designer: Charles Knode
Background
1983 was the year of the dueling James Bonds. Roger Moore continued as the canonical 007 in Eon Productions’ Octopussy, while Bond emeritus Sean Connery surprised audiences by starring in Never Say Never Again, an “unofficial” reimagining of Thunderball released 40 years ago next month by Jack Schwartzman’s Taliafilm.
Never Say Never Again resulted from a two-decade effort by producer Kevin McClory, who had collaborated with Ian Fleming and screenwriter Jack Whittingham on an original Bond screenplay in the late 1950s. When Fleming published a novelization of their unproduced screenplay as Thunderball in 1961, McClory and Whittingham sued and settled out of court, albeit with a string of conditions that ultimately maintained Eon’s rights to the story for up to ten years after the release of their own cinematic adaptation of Thunderball, released in 1965.
By the mid-1970s when McClory announced his plans to produce his own version of the story, both Whittingham and Fleming had died, and Connery had hung up 007’s shoulder holster—presumably for good—after reluctantly returning to the iconic role in Diamonds are Forever. After more legal and production hurdles, the end result released in October 1983 was Never Say Never Again, titled in reference to Connery reprising his role after twice saying he would never play Bond again. (While Moore turned 55 during the production of Octopussy, it’s Never Say Never Again that focuses more on Bond’s advancing age… despite Connery actually being three years younger than Moore and looking considerably more fit than the last time Connery starred as the “official” Bond in Diamonds are Forever a dozen years earlier.)
Not being produced by Eon meant many signature elements were missing, like the James Bond theme, the opening gunbarrel, and a familiar cast portraying 007’s allies at MI6. However, Bond still received his briefing from M (Edward Fox), flirted with Miss Moneypenny (Pamela Salem), and received his equipment from an uncharacteristically jolly Q (Alec McCowen) before jetting off to the Bahamas to investigate a missing nuclear warhead… just as he had in Thunderball.
Never Say Never Again globe-hops with more ferocity than Thunderball, and it’s not long before Bond arrives in southern France, tracking the enigmatic billionaire Maximilian Largo (Klaus Maria Brandauer) and his girlfriend Domino Petachi (Kim Basinger). Bond literally gets his hands on Domino at a Villefranche-sur-Mer massage parlor, where he learns that Largo is hosting a charity ball that night across the border in Monte Carlo. Good thing Bond packed his tuxedo!
Largo: Do you enjoy games, Mr. Bond?
Bond: Depends with whom I’m playing.

If, like me, you spent much of your childhood going over to friends’ house just to watch them play video games, this scene offers the same thrills and more.
An oft-criticized scene from Never Say Never Again pits Bond against Largo during a duel for world domination… in the form of a pixilated video game that Largo invented. Titled “Domination”, the Atari-style game was clearly an attempt to make the story seem fashionable for the 1980s—though it likely seemed dated by the time its first audiences were already out of the theater. A beaming Largo explains that “unlike armchair generals, we will share the pain of our soldiers in the form of electric shocks.” Even after almost passing out from the pain, Bond keeps the game going—is it because he wants to prove a point to Largo, or does he just not want to give $58,000 to a children’s charity?
As September 12 is National Video Games Day (not to be confused with plain old “Video Games Day” observed on July 8), BAMF Style’s inaugural Never Say Never Again post will explore Largo’s creative black tie for the event. Continue reading
The Rocky IV Hugo Boss Sweatshirt
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Sylvester Stallone as Rocky Balboa, two-time heavyweight world champion boxer
Las Vegas, Fall 1985
Film: Rocky IV
Release Date: November 27, 1985
Director: Sylvester Stallone
Costume Designer: Tom Bronson
WARNING! Spoilers ahead!
Background
If he dies, he dies.
Cold-hearted Russian boxing champion and Soviet Army captain Ivan Drago (Dolph Lundgren) has little remorse for the brutal clobbering he delivers to Apollo Creed (Carl Weathers) during their exhibition fight at the MGM Grand in Las Vegas. As Apollo indeed dies in the arms of his respected rival-turned-friend Rocky Balboa (Sylvester Stallone), Rocky takes it upon himself to avenge his fallen friend… and essentially defend the very concept of American freedom and all things red, white, and blue.
After the groundbreaking global success of Rocky (1976) propelled Stallone to stardom, the actor-and-writer added directing to his plate, making his debut with the 1940s-set Paradise Alley (1978) which—like Rocky—he also wrote and starred in. He continued feeding the franchise that made him, writing, directing, and starring in three Rocky sequels throughout the 1980s. (Stallone would not direct the 1990 sequel, Rocky V, though he did direct the 2006 continuation Rocky Balboa.)
The third highest-grossing movie of 1985, Rocky IV has remained a pop culture touchstone of the decade’s patriotic excess, as illustrated during the Creed vs. Drago match, where the flag-bedecked Apollo made his entrance surrounded by showgirls and James Brown singing “Living in America” while his three trainers—Rocky, Duke (Tony Burton), and Paulie (Burt Young) observe in their red, white, and blue Hugo Boss sweatshirts.
Clark Griswold in National Lampoon’s Vacation

Chevy Chase with Anthony Michael Hall, Beverly D’Angelo, and Dana Barron in National Lampoon’s Vacation (1983)
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Chevy Chase as Clark W. Griswold, Jr., hapless family man
Chicago to Los Angeles, Summer 1982
Film: National Lampoon’s Vacation
Release Date: July 29, 1983
Director: Harold Ramis
Men’s Costumer: Robert Harris Jr.
WARNING! Spoilers ahead!
Background
Why aren’t we flying? Because getting there is half the fun, you know that!
Today is the 40th anniversary of the release National Lampoon’s Vacation, a comedy classic celebrating the great American tradition of the family summer road trip. Inspired by John Hughes’ short story “Vacation ’58” about a fictitious cross-country trip to Disneyland in a lemony station wagon that ends with our protagonist’s Dad shooting Walt Disney in the leg, Vacation introduced audiences to Clark W. Griswold, Jr., a well-intended family man who regularly goes disastrously above and beyond expectations to attempt to create memorable experiences for his family.
National Lampoon’s Vacation sends the Griswold family toward the fictional southern California destination of Walley World, a thinly veiled nomen à clef of Disneyland, though filmed at Six Flags Magic Mountain in Valenica. Clark packs his wife Ellen (Beverly D’Angelo) and their children Rusty (Anthony Michael Hall) and Audrey (Dana Barron) into a clunky conglomeration of American automotive excess for a nightmarish family vacation from the Windy City to Walley World that Clark eventually describes to Roy Walley (Eddie Bracken) as “two weeks of living hell.” Continue reading
Roger Moore’s Safari Suit in Octopussy

Roger Moore as James Bond in Octopussy (1983). Photo sourced from Thunderballs archive at thunderballs.org.
Vitals
Roger Moore as James Bond, British government agent
Udaipur, India, Spring 1983
Film: Octopussy
Release Date: June 6, 1983
Director: John Glen
Costume Designer: Emma Porteous
Tailor: Douglas Hayward
WARNING! Spoilers ahead!
Background
The 00-7th of June feels appropriate for celebrating Roger Moore’s penultimate James Bond adventure Octopussy, which premiered 40 years ago this week—June 6, 1983 in the United Kingdom, followed by its American premiere four days later.
As would result from a man dressed in keeping with the fashions of his era, Sir Roger’s sartorial legacy in the Bond franchise has included some divisive reference to him as the “leisure suit” Bond. While he did sport a few examples of leisure suits in his inaugural 007 film, Live and Let Die, he more frequently—and only when appropriate—wore more function-oriented safari suits and jackets. Bond Suits founder Matt Spaiser has written extensively about the contextual purpose that Moore’s safari-inspired clothing served in the Bond franchise, an effort that has hopefully reversed some of these negative attitudes.
Four years after he sported his first true safari suit in Moonraker, Octopussy reaffirmed Moore’s reputation as the safari-sporting Bond when he appropriately donned a khaki two-piece safari suit to escape from the Monsoon Palace. Continue reading
The Professional: Belmondo’s Blue Leather Jacket
Vitals
Jean-Paul Belmondo as Josselin “Joss” Beaumont, vengeful French secret agent specializing in “espionage and brawls”
Paris, Spring 1981
Film: The Professional
(French title: Le Professionnel)
Release Date: October 21, 1981
Director: Georges Lautner
Costume Designer: Paulette Breil
WARNING! Spoilers ahead!
Background
Today would have been the 90th birthday of Jean-Paul Belmondo, the prolific and popular French star who rose to fame during the New Wave cinematic movement in movies like Breathless and Pierrot le Fou before he was established as a dynamic hero of action and adventure movies. Belmondo actually appeared in a 1984 movie titled Happy Easter, but—despite the egg-cellent holiday today—let’s refocus to three years earlier and Bébel’s iconic action role in The Professional, released in France as Le Professionnel. Continue reading
Roger Moore’s Ivory Dinner Jacket in Octopussy
Vitals
Roger Moore as James Bond, British government agent
Udaipur, India, Spring 1983
Film: Octopussy
Release Date: June 6, 1983
Director: John Glen
Costume Designer: Emma Porteous
Tailor: Douglas Hayward
WARNING! Spoilers ahead!
Background
Happy 00-7th of April! Easter weekend feels like the appropriate occasion to celebrate the debonair Roger Moore’s evening-wear for James Bond’s memorable “egg hunt” in his penultimate 007 adventure—the provocatively titled Octopussy, which celebrates its 40th anniversary this June. Continue reading
Tom Selleck’s Kelly Green Rugby Shirt on Magnum, P.I.
Vitals
Tom Selleck as Thomas Magnum, private investigator and former Navy SEAL
Hawaii, Summer 1981
Series: Magnum, P.I.
Episode: “All Roads Lead to Floyd” (Episode 1.13)
Air Date: March 12, 1981
Director: Ron Satlof
Creator: Donald P. Bellisario & Glen Larson
Costume Designer: Charles Waldo
Costume Supervisor: James Gilmore
WARNING! Spoilers ahead!
Background
It’s been about six months since I last posted about Thomas Magnum, and some renewed interest in the style of Magnum, P.I. (at least according to a few Instagram DMs I’ve received!) inspired me to check back in with Tom Selleck as the paradise-dwelling private eye—er, private investigator.
With St. Patrick’s Day at the end of this week, it feels appropriate on this #MagnumMonday—which isn’t as much of an established thing as I’d like it to be—to find Magnum wearing some Irish green. Fans of the series know he wore rugby shirts and polos with almost as much frequency as his famous aloha shirts, including a Kelly green short-sleeved rugger that made its sole appearance in the first-season episode “All Roads Lead to Floyd”, which originally aired 42 years ago yesterday on March 12, 1981. Continue reading
Cocktail: Tom Cruise’s Violet Four-Petaled Tropical Shirt
Vitals
Tom Cruise as Brian Flanagan, ambitious tropical bartender
Ocho Rios, Jamaica, Spring 1988
Film: Cocktail
Release Date: July 29, 1988
Director: Roger Donaldson
Costume Designer: Ellen Mirojnick
Background
As I’ve already stated in a few recent posts, I’m spending this week enjoying my honeymoon in Jamaica, the setting for a handful of James Bond movies as well as the critical flop but mega box-office hit Cocktail, released 35 years ago this summer.
Adapted from Heywood Gould’s semi-autobiographical novel of the same name, Cocktail stars Tom Cruise as Brian Flanagan, an ambitious and arrogant Army veteran with Wall Street dreams… and a TGI Fridays reality, as he begins working as a bartender to make money while attending business school.
Brian finds he has a knack for bartendering, specifically the flashy brand of flairtending taught to him by more experienced barman Doug Coughlin (Bryan Brown), with whom he partners at a trendy club and leaves his business ambitions behind. As with all friendships where both parties end up sleeping with Gina Gershon, the tension between Brian and Doug culminates in a very public blowout that results in Brian’s self-imposed exile to a beachside tourist bar in Jamaica. Continue reading
The Terminator: Arnie’s Leather Jacket and Gargoyle Sunglasses
Today’s post about an iconic screen badass was written by the curator of the popular Instagram account @jamesbondswardrobe. Enjoy!
Vitals
Arnold Schwarzenegger as the T-800, an “unassuming” cyborg sent back in time to assassinate an unassuming waitress
Los Angeles, May 1984
Film: The Terminator
Release Date: October 26, 1984
Director: James Cameron
Costume Designer: Hilary Wright
WARNING! Spoilers ahead!
Background
The same year that he was filming Conan the Destroyer, rising film star and retired bodybuilder Arnold Schwarzenegger—along with his agent—was sent a script penned by James Cameron that was simply titled The Terminator. His interest piqued, the eight-time Mr. Olympia later met the aspiring director, ostensibly to be cast as Kyle Reese. However, Arnie’s own musings on how the titular villain ought to be played stirred Cameron’s imagination, who began to sketch his likeness on a notepad, coming to the conclusion that, instead of Reese, “he’d make a hell of a Terminator.” Continue reading