Tagged: 1980s
Tough Guys Don’t Dance: Ryan O’Neal in Denim
Ryan O’Neal in Tough Guys Don’t Dance (1987)
Vitals
Ryan O’Neal as Tim Madden, ex-convict and aspiring writer prone to blackouts
Cape Cod, Fall 1986
Film: Tough Guys Don’t Dance
Release Date: September 18, 1987
Director: Norman Mailer
Costume Designer: Michael Kaplan
WARNING! Spoilers ahead!
Background
Oh man! Oh God, oh man! Oh God, oh man! Oh God, oh man! Oh God, oh man! Oh God…!
While some recognize Ryan O’Neal from 1970s classics like Love Story, Paper Moon, and Barry Lyndon and others know him for his supporting role on Bones, the above poetry has immortalized the actor’s performance from the baffling 1987 neo-noir Tough Guys Don’t Dance, adapted and directed by Norman Mailer from his own novel of the same name.
Today is the first anniversary of O’Neal’s April 20, 1941 birthday since his death in December 2023 at the age of 82. Continue reading
Mad Max
Mel Gibson in Mad Max (1979)
Vitals
Mel Gibson as Max Rockatansky, taciturn Main Force Patrol officer-turned-vigilante
Victoria, Australia, “A few years from now” (early 1980s)
Film: Mad Max
Release Date: April 12, 1979
Director: George Miller
Costume Designer: Clare Griffin
WARNING! Spoilers ahead!
Background
Mad Max, George Miller’s dystopian action thriller set in Australia, celebrates its 45th anniversary today. This film marked the beginning of a series that would include three sequels throughout the ’80s, revived with the highly acclaimed Mad Mad: Fury Road in 2015.
Before the sequels’ increasingly elaborate productions, the original Mad Max was a relatively straightforward road movie-meets-Western. It was made on a modest budget of A$400,000, shot guerrilla-style in the Melbourne area through the last months of 1977. Although met with mixed reviews upon its release in April 1979, Mad Max went on to shatter box office records, grossing over $100 million worldwide. Its success not only opened up the global market for Australian cinema but also catapulted the 23-year-old Mel Gibson to stardom for his portrayal of the titular Max Rockatansky. Continue reading
Against All Odds: Jeff Bridges’ Burgundy Polo and Herringbone Jacket
Jeff Bridges as Terry Brogan in Against All Odds (1984)
Vitals
Jeff Bridges as Terry Brogan, recently cut football player
Los Angeles, Fall 1983
Film: Against All Odds
Release Date: March 2, 1984
Director: Taylor Hackford
Costume Designer: Michael Kaplan
WARNING! Spoilers ahead!
Background
I’ve received several requests, most recently from BAMF Style reader Cecil, to highlight the style from Against All Odds, released forty years ago this weekend. A loose remake of Jacques Tourneur’s seminal 1947 film noir Out of the Past, Against All Odds reimagines the private eye protagonist as professional football player Terry Brogan (Jeff Bridges). Continue reading
Year of the Dragon: John Lone’s Cream Funeral Suit
John Lone as Joey Tai in Year of the Dragon (1985)
Vitals
John Lone as Joey Tai, ambitious Triad gangster
New York City, February 1985
Film: Year of the Dragon
Release Date: August 16, 1985
Director: Michael Cimino
Costume Designer: Marietta Ciriello
WARNING! Spoilers ahead!
Background
According to the Chinese zodiac, tomorrow begins the Year of the Dragon, lasting from February 10, 2024 through January 28, 2025. In recognition of this cycle, let’s flashback to the ’80s when Michael Cimino released his first directorial effort following the flop of Heaven’s Gate five years earlier: Year of the Dragon, adapted from ex-NYPD officer Robert Daley’s novel of the same name.
John Lone’s performance as Joey Tai is a highlight of Year of the Dragon, which balanced its five Razzie Award nominations with Lone’s deserved nomination for a Golden Globe. Continue reading
American Psycho: Patrick Bateman’s Camel Coat and Navy Windowpane Suit
Christian Bale as Patrick Bateman in American Psycho (2000)
Vitals
Christian Bale as Patrick Bateman, investment banker and killer
New York City, Spring 1988
Film: American Psycho
Release Date: April 14, 2000
Director: Mary Harron
Costume Designer: Isis Mussenden
WARNING! Spoilers ahead!
Background
Happy 50th birthday to Christian Bale!
Prior to his blockbuster performances as Gotham’s caped crusader in Christopher Nolan’s Batman trilogy and his Academy Award-winning performance in The Fighter (2011), the Welsh-born actor’s breakthrough adult role was arguably as the sociopathic businessman—and suggested serial killer—Patrick Bateman in American Psycho, adapted by Mary Herron from Bret Easton Ellis’ dark satirical novel of the same name. Continue reading
“Nuns don’t work on Sunday…” — One of Magnum’s Striped Band-Collar Shirts
Tom Selleck as Thomas Magnum on Magnum, P.I. (Episode 2.13: “The Jororo Kill”)
Vitals
Tom Selleck as Thomas Magnum, private investigator and former Navy SEAL
Honolulu, Hawaii, Fall 1981
Series: Magnum, P.I.
Episode: “The Jororo Kill” (Episode 2.13)
Air Date: January 7, 1982
Director: Alan J. Levi
Created by: Donald P. Bellisario & Glen Larson
Costume Supervisors: Denita Del Signore & James Gilmore
WARNING! Spoilers ahead!
Background
Nuns don’t work on Sunday…
Though perhaps not as iconic of a line to Magnum, P.I. fans as Thomas asking Ivan if he saw the sunrise, this brief moment from the series’ second season—followed by Tom Selleck’s heel turn to shoot a figure dressed in full habit—has found renewed life in meme format, often paired with captions like “80s detective shows rocked” or “the best scene in movie[sic] history”.
80s detective shows rocked 🤣 pic.twitter.com/Tq4HGZMMNN
— I❤️80s𝕏 (@IL0VEthe80s) September 30, 2021
Of course, the context of the scene helps audiences realize that Thomas Magnum doesn’t have a trigger-happy reaction to monastics who divert from his expectations of their schedule.
The episode featuring this moment, “The Jororo Kill”, first aired 42 years ago today on January 7, 1982. Continue reading
Die Hard: Ranking the Henchmen’s Holiday Hijacking Wardrobes
Clarence Gilyard Jr., Dennis Hayden, Al Leong, Hans Buhringer, Alan Rickman, Wilhelm von Homburg, Lorenzo Caccialanza, Joseph Plewa, Andreas Wisniewski, Gary Roberts, Bruno Doyon, Gérard Bonn, and Alexander Godunov in Die Hard (1988)
“Some badass perpetrators and they’re here to stay…”
Los Angeles, Christmas 1987
Film: Die Hard
Release Date: July 15, 1988
Director: John McTiernan
Costume Designer: Marilyn Vance
WARNING! Spoilers ahead!
On the 35th anniversary year of this action classic, today’s post analyzes the style of the dozen bad guys led by Hans Gruber (Alan Rickman) during their Christmas Eve takeover of Nakatomi Plaza. As I’ve done with Christmas episodes of The Office in past years, I’ll dig into my own completely arbitrary rating system to rank each by their suitability for a holiday party hijacking.
One of my favorite aspects of Die Hard is how it makes the effort to define distinctively personalities for Hans’ baddies, rather than just filling the cast with anonymous mooks as in any lesser action movie. We may not get full backstories and motivations (we only have two hours, and would we really need to know?), but they still have distinctive roles, attitudes, and aesthetics to differentiate them and make return viewings even more rewarding.
As their leader, Hans maintains an elevated look with his dark double-breasted suit, informed by his knowledge of men’s fashion (“John Phillips, London,” he acutely observes of Nakatomi CEO Joe Takagi’s silk suit), but how do his twelve henchmen rate?
Unlike Hans’ ultimate descent from Nakatomi Tower, let’s start at the bottom. Continue reading
Tony Montana’s Blue Striped Suit in Scarface
Al Pacino as Tony Montana in Scarface (1983)
Vitals
Al Pacino as Tony Montana, ambitious drug dealer
Miami, Spring 1981
Film: Scarface
Release Date: December 9, 1983
Director: Brian De Palma
Costume Designer: Patricia Norris
Tailor: Tommy Velasco
WARNING! Spoilers ahead!
Background
Al Pacino introduced the world to his little friend 40 years ago today when Scarface premiered in New York City on December 1, 1983, eight days before it was widely released. Despite initial criticism for its now-famous violence, Scarface surpassed expectations by grossing $66 million globally, doubling its budget and securing its status as one of the most influential and popular gangster movies. Continue reading
The Big Chill: Tom Berenger’s Convertible Down Jacket
Tom Berenger in The Big Chill (1983)
Vitals
Tom Berenger as Sam Weber, jaded TV star
Beaufort, South Carolina, Fall 1983
Film: The Big Chill
Release Date: September 28, 1983
Director: Lawrence Kasdan
Costume Designer: April Ferry
Background
As I prepare to gather with friends today for our annual Friendsgiving celebration, there’s a cinematic choice that perfectly captures the essence of fall, friendship, and the shared warmth of communal meals.
Despite not being centered around the holiday itself, The Big Chill has earned a place among many as a quintessential “Thanksgiving movie” with its autumnal setting, the camaraderie of old friends reuniting, and the soul-stirring soundtrack creating a nostalgic backdrop reminiscent of the season’s familial gatherings.
Beyond this thematic resonance, the film also offers a visual feast served by costume designer April Ferry’s array of early ’80s threads worn by its ensemble cast. Tom Berenger, Glenn Close, Jeff Goldblum, William Hurt, Kevin Kline, Mary Kay Place, and JoBeth Williams star as college friends who reunite more than a decade after their graduation to mourn one of their group lost to suicide—portrayed by Kevin Costner, who was almost entirely cut from the film. Almost.
I recently had a request to explore Berenger’s style as Sam Weber, who was become arguably the most famous of his college pals, gracing magazine covers as the star of the Magnum, P.I.-like series, J.T. Lancer. Continue reading
When Harry Met Sally: Harry’s Cream Cable-Knit Sweater
Meg Ryan and Billy Crystal in When Harry Met Sally (1989)
Vitals
Billy Crystal as Harry Burns, sarcastic political consultant and recent divorcée
New York City, Fall 1987
Film: When Harry Met Sally…
Release Date: July 14, 1989
Director: Rob Reiner
Costume Designer: Gloria Gresham
Background
As October advances deeper into colder weather, today’s post celebrates the enduring knitwear selected by costume designer Gloria Gresham for fall style icon Billy Crystal in When Harry Met Sally.
Though he only wears it for two brief scenes in Rob Reiner’s 1989 romantic comedy, Harry Burns’ cream-colored cable-knit sweater remains a cultural touchpoint even nearly 35 years later. Continue reading