Tagged: Polo Shirt
James Dean in Breton Stripes
James Dean, photographed by Sanford Roth, 1955.
Vitals
James Dean, enigmatic young actor and rebellious emblem
Los Angeles, Summer 1955
Photographs by Sanford Roth
Part of BAMF Style’s Iconic Photo Series, focusing on style featured in famous photography of classic stars rather than from specific productions.
Background
Today would have been the 90th birthday of James Dean, born in central Indiana on February 8, 1931. Considering his cultural impact, it’s remarkable that Dean condensed his entire career into less than a half decade in the early 1950s, acting in a series of commercials, TV anthology programs, and uncredited bit parts in movies until delivering a trio of enduring performances in East of Eden, Rebel Without a Cause, and Giant that would be released within a year and a half of each other.
The Godfather, Part II: Michael Corleone’s Navy Jacket and Cravats
Al Pacino as Michael Corleone in The Godfather Part II (1974)
Vitals
Al Pacino as Michael Corleone, calculating Mafia boss
Havana, December 1958, and Lake Tahoe, Spring 1959
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
When “gangster style” comes to mind, you may think first of the silk suits from Goodfellas or tracksuits of The Sopranos, but Michael Corleone established an aristocratic sense of style as he grew into his leadership role in accordance with his reserved nature. Continue reading
Patrick McGoohan’s Arrival Suit on The Prisoner
Patrick McGoohan as “Number Six” on The Prisoner (Episode 1: “Arrival”)
Vitals
Patrick McGoohan as Number Six, recently resigned secret agent
“The Village”, Fall 1967
Series: The Prisoner
Episodes:
– “Arrival” (Episode 1.01, dir. Don Chaffey, aired 9/29/1967)
– “Fall Out” (Episode 1.17, dir. Patrick McGoohan, aired 2/1/1968)
Created by: Patrick McGoohan & George Markstein
Wardrobe: Masada Wilmot & Dora Lloyd
Tailored by: Dimi Major & Douglas Hayward (Major, Hayward Ltd.)
WARNING! Spoilers ahead!
Background
The Prisoner debuted in the UK on this date in 1967, a passion project from Patrick McGoohan after his rise to stardom on the British espionage series Danger Man. Mystery continues to surround the series, which has been argued as a surreal explanation of ego and individualism within the trappings of the then-fashionable “spy-fi” genre mix, inspiring more questions than answers over its seventeen-episode run, including the true identity of McGoohan’s character known only as “Number 6”, suggested to be a continuation of John Drake from Danger Man or possibly even an allegory for the actor himself. Continue reading
Tony Soprano’s Gut-shot George Foreman Shirt in “Members Only”
James Gandolfini as Tony Soprano on The Sopranos (Episode 6.01: “Members Only”)
Vitals
James Gandolfini as Tony Soprano, New Jersey mob boss
Newark, New Jersey, Spring 2006
Series: The Sopranos
Episode: “Members Only” (Episode 6.01)
Air Date: March 12, 2006
Director: Tim Van Patten
Creator: David Chase
Costume Designer: Juliet Polcsa
WARNING! Spoilers ahead!
Background
Fans of The Sopranos are eagerly awaiting the release of David Chase’s prequel, The Many Saints of Newark, directed by Alan Taylor and set during the late 1960s. The movie was originally scheduled for release at the end of this week, but the coronavirus pandemic has delayed the release until March 2021. While it’s too soon for me to take a full look at the style of The Many Saints of Newark, @tonysopranostyle on Instagram has been comprehensively covering many of the outfits seen on set, including those worn by Jon Bernthal as Tony Soprano’s father “Johnny Boy” Soprano and by Michael Gandolfini as a teenage version of his father’s iconic TV character.
In recognition of what would have been James Gandolfini’s 59th birthday last Friday, today’s #MafiaMonday post explores a pivotal scene from the acclaimed series’ sixth season premiere. Continue reading
Spectre – Bond’s Tan Suede Matchless Jacket in Morocco
Daniel Craig and Léa Seydoux in the 24th official James Bond film Spectre (2015)
Vitals
Daniel Craig as James Bond, British government agent
Tangier, Morocco, November 2015
Film: Spectre
Release Date: October 25, 2015
Director: Sam Mendes
Costume Designer: Jany Temime
WARNING! Spoilers ahead!
Background
Bond fever is heating up for the 00-7th of September in anticipation for No Time to Die, an excitement heightened by the official release last week of a new trailer and new poster that gave us another look at Daniel Craig in Bond’s black tie and assured audiences that we’ll still be seeing a release in November as scheduled.
Especially considering that Craig’s swan song (Swann song?) will be a continuation of his previous adventure as James Bond, I recently revisited Spectre. While fan reception to the 24th official film in the Bond series may have been as chilly as Bond’s trek through the Alps, I for one appreciated the assortment of versatile outfits consistent with Daniel Craig’s accessible approach to casual clothing from the start of his tenure.
One such outfit that emerged as one of the most popular (and regarding which I owe BAMF Style reader and friend Ryan an apology for this long-overdue response to his request!) was Bond’s dressed down layers upon arriving in Tangier with Dr. Madeleine Swann (Léa Seydoux). The sequence includes many of those elements that drew me into Craig’s portrayal back when Casino Royale premiered: the smaller “life of Bond” moments with a beautiful companion, an exotic location, a bit of humor, accessible style, and the booze and weaponry that underscore what keeps 007’s life dangerous.
Tony Soprano’s Chevron-Patterned Polo in “College”
James Gandolfini as Tony Soprano on The Sopranos (Episode 1.05: “College”)
Vitals
James Gandolfini as Tony Soprano, New Jersey mob boss
New England, Fall 1999
Series: The Sopranos
Episodes:
– “College” (Episode 1.05, dir. Allen Coulter, aired 2/7/1999)
– “Nobody Knows Anything” (Episode 1.11, dir. Henry J. Bronchtein, aired 3/21/1999)
Creator: David Chase
Costume Designer: Juliet Polcsa
WARNING! Spoilers ahead!
Background
No man can wear one face to himself and another to the multitude without finally getting bewildered as to which may be true.
So preaches Hawthorne, seemingly speaking directly to Tony Soprano, in the denouement of the classic episode “College” (Episode 1.05) from the first season. Positioned as Bowdoin College’s most famous alum as Tony brings his daughter Meadow (Jamie-Lynn Sigler) to visit the campus, Nathaniel Hawthorne also acts as a moral anchor to our protagonist after an unprecedented act of violence.
The fall 2020 semester will be a surreal experience for many returning to school across the United States as colleges adapt to remote learning or limited exposure in response to the ongoing coronavirus pandemic, making the expected “back-to-school” keggers and social functions a relic of a not-so-distant past.
More than twenty years ago, audiences joined Meadow for her own surreal college experiences with a university tour with her father reveals more about him to her—and to the audience—than one would expect of the canned campus orientation. On August 22, the date established in-universe as Tony Soprano’s birthday (and creator David Chase’s actual birthday), let’s take a closer look at these pivotal scenes from the series’ first season. Continue reading
Meeting Magnum, P.I.: Navy Lacoste Shirt and Ferrari 308 GTS
Tom Selleck as Thomas Magnum in the Magnum P.I. pilot episode, “Don’t Eat the Snow in Hawaii”
Vitals
Tom Selleck as Thomas Magnum, private investigator and former Navy SEAL
Hawaii, Spring 1980 to Summer 1981
Series: Magnum, P.I.
Episodes:
– “Don’t Eat the Snow in Hawaii, Part 1″ (Episode 1.01, dir. Roger Young, aired 12/11/1980)
– “No Need to Know” (Episode 1.05, dir. Lawrence Doheny, aired 1/8/1981)
– “Don’t Say Goodbye” (Episode 1.15, dir. Winrich Kolbe, aired 3/28/1981)
Creator: Donald P. Bellisario & Glen Larson
Costume Designer: Charles Waldo (credited with first season only)
Costume Supervisor: James Gilmore
WARNING! Spoilers ahead!
Background
Let’s continue #CarWeek with one of the most famous and popular cars in TV history, the bright red Ferrari 308 GTS driven by Thomas Magnum (Tom Selleck) as a semi-permanent “guest” on author Robin Masters’ Hawaiian estate.
Today is a particularly suitable occasion to write about this set of wheels as we first meet Magnum—and the Ferrari—while our protagonist is clad in a Lacoste tennis shirt, innovated by French tennis icon and Renaissance man René Lacoste, who was born 116 years ago on July 2, 1904. Continue reading
The Talented Mr. Ripley: Dickie’s White Polo and Pink Shorts
Jude Law with co-stars Matt Damon and Gwyneth Paltrow in The Talented Mr. Ripley (1999)
Vitals
Jude Law as Dickie Greenleaf, narcissistic profligate playboy
Italy, October 1958
Film: The Talented Mr. Ripley
Release Date: December 25, 1999
Director: Anthony Minghella
Costume Design: Ann Roth & Gary Jones
WARNING! Spoilers ahead!
Background
After exploring some of Alain Delon’s sharply tailored style in Plein soleil (Purple Noon) earlier this week, today’s post shifts attention to the 1999 adaptation of the same source material, Patricia Highsmith’s psychological thriller The Talented Mr. Ripley set on the sunny Italian coast.
Don Draper’s Plaid Party Jacket in “The Runaways”
Jon Hamm as Don Draper on Mad Men (Episode 7.05: “The Runaways”)
Vitals
Jon Hamm as Don Draper, conflicted ad man
Los Angeles, Spring 1969
Series: Mad Men
Episode: “The Runaways” (Episode 7.05)
Air Date: May 11, 2014
Director: Christopher Manley
Creator: Matthew Weiner
Costume Designer: Janie Bryant
WARNING! Spoilers ahead!
Background
Despite being one of the most popular shows in the streaming service’s stable of non-original content, today marks the last day that Mad Men is available to Netflix subscribers in the U.S. The first part of Mad Men‘s seventh and final season spends time with displaced ad man Don Draper as he travels from coast to coast by plane, juggling his professional aspirations in New York with his slowly stagnating marriage in L.A.
The geographic reversal is interesting, not only in the context of Mad Men but also in the east vs. west trope espoused by F. Scott Fitzgerald and Henry David Thoreau, as we’re used to seeing Don romanticizing California even when professionally soaring through the ranks of Madison Avenue’s advertising world. Now, his position has shifted with decided roots in L.A. via second wife Megan (Jessica Paré) taking up residence in Laurel Canyon to further her acting career while, back in New York, he’s been reduced to a glorified intern at the agency he helped to start… and that’s just in the eyes of those who are comfortable working with him.
Rod Taylor’s Baracuta Jacket in The Glass Bottom Boat
Rod Taylor as Bruce Templeton in The Glass Bottom Boat (1966)
Vitals
Rod Taylor as Bruce Templeton, charismatic aerospace lab chief
Long Beach, California, Spring 1966
Film: The Glass Bottom Boat
Release Date: June 9, 1966
Director: Frank Tashlin
Costume Designer: Ray Aghayan (credited with Doris Day’s costumes only)
Background
In the years since I’ve started this blog, I’ve discovered that there are many unsung “style heroes” that are often lost in the discussion of Cary Grant, Clark Gable, and Steve McQueen, including actors like Rod Taylor who brought understated elegance to flatteringly tailored suits and timeless casual attire alike.
I was first familiar with Taylor in The Glass Bottom Boat, one of my grandma’s favorite movies and one that we used to watch until we wore the VHS tape thin. Last year, I was delighted to see that my friends Shawn Bongiorno and Ryan Hall had collaborated on a series of Instagram posts that highlighted a look from the movie, and that inspired us to put our heads together and take a deeper dive at a springtime essential that Taylor wears.