Tagged: Polo Shirt

Against All Odds: Jeff Bridges’ Burgundy Polo and Herringbone Jacket

Jeff Bridges as Terry Brogan in Against All Odds (1984)

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Jeff Bridges as Terry Brogan, recently cut football player

Los Angeles, Fall 1983

Film: Against All Odds
Release Date: March 2, 1984
Director: Taylor Hackford
Costume Designer: Michael Kaplan

WARNING! Spoilers ahead!

Background

I’ve received several requests, most recently from BAMF Style reader Cecil, to highlight the style from Against All Odds, released forty years ago this weekend. A loose remake of Jacques Tourneur’s seminal 1947 film noir Out of the PastAgainst All Odds reimagines the private eye protagonist as professional football player Terry Brogan (Jeff Bridges). Continue reading

The Sopranos: Tony’s Gray Suit and Shirt in the Pilot Episode

James Gandolfini as Tony Soprano on The Sopranos (Episode 1.01)

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James Gandolfini as Tony Soprano, New Jersey mob chief

North Caldwell, New Jersey, Summer 1998

Series: The Sopranos
Episode: “The Sopranos” (Episode 1.01)
Air Date: January 10, 1999
Director: David Chase
Creator: David Chase
Costume Designer: Juliet Polcsa

WARNING! Spoilers ahead!

Background

The Sopranos premiered 25 years ago tonight, introducing HBO audiences to New Jersey Mafia chief Tony Soprano (James Gandolfini), driven to therapy following stress-induced panic attacks as he attempts to balance family and The Family.

“Written and directed by [David] Chase, the pilot is a hybrid slapstick comedy, domestic sitcom, and crime thriller, with dabs of ’70s American New Wave grit,” conclude Matt Zoller Seitz and Alan Sepinwall in The Sopranos Sessions. “The device of putting the hero in therapy lets Chase deliver reams of information about Tony, his crew, his bosses, his family, and their overlaps, along with the points where Tony’s personal and professional distress are inseparable, all without the usual pilot-episode busy work.” Continue reading

Bad Lieutenant: Harvey Keitel’s Gray Nailhead Jacket

Harvey Keitel in Bad Lieutenant (1992)

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Harvey Keitel as “The Lieutenant”, morally corrupt NYPD lieutenant

New York City, Fall 1991

Film: Bad Lieutenant
Release Date: November 20, 1992
Director: Abel Ferrara
Costume Designer: David Sawaryn

WARNING! Spoilers ahead!

Background

Released 31 years ago today in 1992, Abel Ferrara’s controversial drama Bad Lieutenant features a fearless, uncompromising performance of a lifetime from Harvey Keitel, who replaced Christopher Walken in the titular role as the unnamed detective who regularly neglects his law enforcement duties in favor of a nightmarish spiral of blow, baseball, and broads. Continue reading

Sunset Boulevard: William Holden’s Mini-Check Sport Jacket and “Dreadful Shirt”

William Holden as Joe Gillis in Sunset Boulevard (1950)

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William Holden as Joe Gillis, struggling screenwriter

Los Angeles, Fall 1949

Film: Sunset Boulevard
Release Date: August 10, 1950
Director: Billy Wilder
Costume Designer: Edith Head

WARNING! Spoilers ahead!

Background

Noirvember continues with Sunset Boulevard, one of the great films noir that shines a light—or, more appropriately, casts a shadow—on the darker side of Hollywood, a theme popular with contemporary dramas like In a Lonely Place (1950) and The Bad and the Beautiful (1952), with an added verisimilitude through mentions of real studios like 20th Century Fox and Paramount Pictures—who, of course, produced Sunset Boulevard—and cameos from Cecil B. DeMille, Hedda Hopper, and Buster Keaton.

William Holden stars as Joe Gillis, who describes himself in the opening narration as “a movie writer with a couple of B pictures to his credit.” On “the day when it all started,” Joe recounts living in a seedy one-room Hollywood apartment where he owes three months back rent, grinding out two original screenplays a week and fretting that he’s lost his touch. Three payments behind on his Plymouth, his screenplays aren’t selling, and his agent isn’t willing to help, instead insisting that “the finest things on the world have been written on an empty stomach,” though that may be just to get out of having to lend his client the $290 he needs to keep his car. Continue reading

Adam Sandler in Uncut Gems: Black Leather Jacket and Yellow Polo

Adam Sandler as Howard Ratner in Uncut Gems (2019)

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Adam Sandler as Howard Ratner, gambling-addicted jeweler

New York City, Spring 2012

Film: Uncut Gems
Release Date: December 13, 2019
Director: Josh Safdie & Benny Safdie
Costume Design: Miyako Bellizzi & Nawaal Hendricks
Costume Consultant: Mordechai Rubinstein

WARNING! Spoilers ahead!

Background

Happy 57th birthday to Adam Sandler, born September 9, 1966. The Sandman turned in an arguably career best performance in Uncut Gems, the Safdie brothers’ excellent and stress-inducing callback to gritty ’70s crime cinema, set during the 2012 NBA finals. The uncut gem at the center of the story is a rare black opal that we follow from the mines of Ethiopia to New York City’s Diamond District—specifically KMH, a store run by the frenetic Howard Ratner.

Continue reading

Clark Griswold in National Lampoon’s Vacation

Chevy Chase with Anthony Michael Hall, Beverly D’Angelo, and Dana Barron in National Lampoon’s Vacation (1983)

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Chevy Chase as Clark W. Griswold, Jr., hapless family man

Chicago to Los Angeles, Summer 1982

Film: National Lampoon’s Vacation
Release Date: July 29, 1983
Director: Harold Ramis
Men’s Costumer: Robert Harris Jr.

WARNING! Spoilers ahead!

Background

Why aren’t we flying? Because getting there is half the fun, you know that!

Today is the 40th anniversary of the release National Lampoon’s Vacation, a comedy classic celebrating the great American tradition of the family summer road trip. Inspired by John Hughes’ short story “Vacation ’58” about a fictitious cross-country trip to Disneyland in a lemony station wagon that ends with our protagonist’s Dad shooting Walt Disney in the leg, Vacation introduced audiences to Clark W. Griswold, Jr., a well-intended family man who regularly goes disastrously above and beyond expectations to attempt to create memorable experiences for his family.

National Lampoon’s Vacation sends the Griswold family toward the fictional southern California destination of Walley World, a thinly veiled nomen à clef of Disneyland, though filmed at Six Flags Magic Mountain in Valenica. Clark packs his wife Ellen (Beverly D’Angelo) and their children Rusty (Anthony Michael Hall) and Audrey (Dana Barron) into a clunky conglomeration of American automotive excess for a nightmarish family vacation from the Windy City to Walley World that Clark eventually describes to Roy Walley (Eddie Bracken) as “two weeks of living hell.” Continue reading

Milton Berle in It’s a Mad, Mad, Mad, Mad World

Milton Berle as J. Russell Finch in It’s a Mad, Mad, Mad, Mad World (1963)

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Milton Berle as J. Russell Finch, seaweed salesman and beleaguered son-in-law

Southern California, Summer 1962

Film: It’s a Mad, Mad, Mad, Mad World
Release Date: November 7, 1963
Director: Stanley Kramer
Costume Designer: Bill Thomas

Background

Car Week continues with a look at a road movie very close to my heart, Stanley Kramer’s 1963 epic comedy It’s a Mad, Mad, Mad, Mad World, released 60 years ago this November. I used to spend many weekends at my grandma’s house watching this cavalcade of comics—many of whom had died even before I was born—as they sped, flew, and chased each other through southern California in pursuit of a $350,000 payday.

The movie begins as a black two-door Ford Fairlane recklessly snakes its way along Seven Level Hill, a mountainous segment of California State Route 74 just south of Palm Desert, honking as it weaves through traffic. The Fairlane shakes its way past an Imperial Crown convertible, but the driver loses control of the car and the Fairlane goes careening—no, sailing—off a cliff. The four carloads of people behind it all pull to a stop and get out—surely no one could survive such a fatal tumble. But alas, the significantly schnozzed driver Smiler Grogan (Jimmy Durante) hasn’t kicked the bucket yet, sprawled out among the rocky hillside.

In his dying moments, Smiler tells the gathered men of a hidden fortune, the $350,000 proceeds from a 15-year-old tuna factory robbery, buried under “a big W!” in Santa Rosita Park. He indeed kicks the bucket (and how!) before he can elaborate on the admission, leaving the witnesses to debate its veracity amongst themselves and as a group. When it becomes abundantly clear that, no matter what way they figure it, “it’s every man—including the old bag—for himself”, the four groups run back to their respective automobiles and tear off for the fictional Santa Rosita.

Though they’d been leading traffic when the Fairlane went sailing right past them off the cliff, the Imperial Crown is now trailing the others. At the wheel of the Imperial is mild-mannered J. Russell Finch (Milton Berle), an edible-seaweed entrepreneur from Fresno on his way to Lake Meade with his prim wife Emeline (Dorothy Provine) and her brash mother (Ethel Merman).

On the 115th anniversary of Uncle Milty’s July 12, 1908 birthday, let’s dig into this iconic entertainer’s wardrobe from It’s a Mad, Mad, Mad, Mad World. Continue reading

The White Lotus: F. Murray Abraham’s Beige Safari Jacket

F. Murray Abraham as Bert Di Grasso on The White Lotus (Episode 2.06: “Abductions”)

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F. Murray Abraham as Bert Di Grasso, libertine grandfather

Sicily, Summer 2022

Series: The White Lotus
Episodes:
– “Bull Elephants” (Episode 2.03, aired 11/13/2022)
– “Abductions” (Episode 2.06, aired 12/4/2022)
Director: Mike White
Creator: Mike White
Costume Designer: Alex Bovaird

WARNING! Spoilers ahead!

Background

During the 29th annual SAG Awards on Sunday night, the acclaimed second season of The White Lotus was awarded Outstanding Performance by an Ensemble in a Drama Series. Speaking on behalf of the cast while accepting the award, F. Murray Abraham said that “this was the best job I ever had,” not unsubstantial praise from the prolific actor whose six-decade career included his Oscar-winning performance in Amadeus (1984).

The first season had premiered as a limited series, produced in Hawaii during the final months of 2020, its limited location and characters making it ideal to be produced under COVID-19 guidelines. Following the show’s success, a second season was green-lit, filmed at the Four Seasons San Domenico Hotel in Taormina, Sicily.

The second season followed a similar structure as the first, with the opening scene suggesting a mysterious death and only providing a handful of characters whom we knew would be still alive by the season’s end. We then cut to a week earlier as the guests begin arriving, greeted at the dock by their pink-suited hotel manager. The oldest of the guests is Bert Di Grasso (F. Murray Abraham), traveling with his wealthy son Domenic (Michael Imperioli) and grandson—and ostensible namesake—Albie (Adam DiMarco), all intent on tracing their family’s heritage. Continue reading

Fatal Attraction: Michael Douglas’ Plaid Sport Jacket

Michael Douglas as Dan Gallagher in Fatal Attraction (1987)

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Michael Douglas as Dan Gallagher, lawyer

New York City, Fall 1986

Film: Fatal Attraction
Release Date: September 18, 1987
Director: Adrian Lyne
Costume Designer: Ellen Mirojnick

Background

Inspired by costume designer Ellen Mirojnick’s recent podcast appearance on From Tailors With Love that clarified a few misconceptions held around Michael Douglas’ tailored costumes in some of his most prominent movies, let’s finally cover the 35-year-old noir-ish thriller that spawned a cinematic sub-genre centered around Douglas’ sex life getting him in deep trouble. Continue reading

Magnificent Obsession: Rock Hudson’s Summer Norfolk Jacket and Toweling Polo

Rock Hudson as Bob Merrick in Magnificent Obsession (1954)

Rock Hudson as Bob Merrick in Magnificent Obsession (1954)

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Rock Hudson as Bob Merrick, conscience-stricken millionaire and ex-medical student

Brightwood, New York, Spring 1949

Film: Magnificent Obsession
Release Date: August 4, 1954
Director: Douglas Sirk
Costume Designer: Bill Thomas (gowns)

Background

German-born director Douglas Sirk and actor Rock Hudson had collaborated on nine movies throughout the 1950s, though their association may be best remembered for a trio of lush Technicolor melodramas beginning with Magnificent Obsession, released 68 years ago this month in August 1954. Continue reading