Tagged: Polo Shirt

Tequila Sunrise: Mel Gibson’s Post-Swim Herradura

Mel Gibson and Michelle Pfeiffer in Tequila Sunrise (1988)

Mel Gibson and Michelle Pfeiffer in Tequila Sunrise (1988)

Vitals

Mel Gibson as Dale “Mac” McKussic, retired drug dealer

Los Angeles, Summer 1988

Film: Tequila Sunrise
Release Date: December 2, 1988
Director: Robert Towne
Costume Designer: Julie Weiss

Background

Following his success as a screenwriter—credited and uncredited—on some of the most memorable movies of the ’70s, Robert Towne intended for his sophomore directorial film, Tequila Sunrise, to be something of a spiritual follow-up to Chinatown, which… it isn’t.

Don’t get me wrong, I did get some enjoyment out of Tequila Sunrise and there’s no denying that it’s refreshingly original—almost to a questionable degree—but I would argue it’s not even close to the same league as Chinatown, let alone Bonnie & ClydeThe GodfatherThe Last DetailMarathon Man, or the other excellent films that benefited from Towne’s contributions.

Several had recommended Tequila Sunrise to me for its style, and I’ll admit the name intrigued me, so I mentally scheduled to watch it and write about it in time for #NationalTequilaDay, celebrated annually on July 24… so happy National Tequila Day!

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My day as an extra in Adventureland

Adventureland (2009)

My blurry appearance as an extra in Adventureland.

Vitals

Me, evidently a fan of amusement parks

Pittsburgh, Summer 1987

Film: Adventureland
Release Date: April 3, 2009
Director: Greg Mottola
Costume Designer: Melissa Toth

Background

As today is my 32nd birthday (a day I share with Ernest Hemingway, Robin Williams, and Cat Stevens, to name a few) I’m going to exercise my blogger’s right to shift direction a bit and focus on… me!

In case my blog about style in the movies didn’t give it away, I’ve always been a fan of movies. While I never harbored dreams of stardom, there had always been a part of me that got a kick out of seeing myself on screen—which my fiancée attributes to my Leo ascendant—and I spent many a weekend in high school cajoling my patient friends into starring in some amateur production of mine, typically a half-baked story driven by gangsters, guns, and Goodwill-purchased suits.

It wasn’t until I entered college that I considered actually being part of an actual production, tossing my proverbial hat into the ring by registering as an extra with a local casting agency that has worked on several major productions filmed in Pittsburgh including The Dark Knight RisesJack Reacher, and The Perks of Being a Wallflower. Just two months into my freshman year at Pitt, the agency announced that extras of all ages would be needed for a day spent filming at Kennywood, the amusement park that had been the setting of many fond memories since early childhood. The park was being transformed back in time two decades for the 1980s-set comedy Adventureland, which would star Jesse Eisenberg and Kristen Stewart as college students spending their summer working at an amusement park. Continue reading

Michael Fassbender’s White Polo in X-Men: First Class

Michael Fassbender as Erik Lehnsherr in X-Men: First Class (2011)

Michael Fassbender as Erik Lehnsherr in X-Men: First Class (2011)

Vitals

Michael Fassbender as Erik Lehnsherr, relentless mutant Nazi hunter to be christened Magneto

Villa Gesell, Argentina, Fall 1962

Film: X-Men: First Class
Release Date: June 1, 2011
Director: Matthew Vaughn
Costume Designer: Sammy Sheldon

Background

While I’m not traditionally a fan of superhero movies (at least as not as big a fan as some people!), I’ve appreciated how the recent stretch of Marvel movies have stretched across genres in its multi-billion-dollar appeal to varying audiences. For me, it’s been the entries rooted in history—like the MCU’s Captain America: The First Avenger and Fox’s X-Men: First Class, both released in 2011—that have had the most appeal of those I’ve seen. The latter, released ten years ago this summer, had been a subject of multiple requests since BAMF Style’s early years, so I hope I’m not too late in finally paying tribute to a briefly seen but timelessly stylish outfit from this Cold War-set adventure.

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Dean Martin in Kiss Me, Stupid

Dean Martin in Kiss Me, Stupid (1964)

Dean Martin in Kiss Me, Stupid (1964)

Vitals

Dean Martin as Dino, smooth crooner with a passion for booze, golf, and women

Between Las Vegas and Los Angeles, Fall 1964

Film: Kiss Me, Stupid
Release Date: December 22, 1964
Director: Billy Wilder
Wardrobe Credit: Irene Caine & Wesley Jeffries
Tailor: Sy Devore

WARNING! Spoilers ahead!

Background

To celebrate the legendary Dean Martin, born on this day in 1917 in Steubenville, Ohio, today’s post explores when the chsaismatic Italian-American entertainer played… himself! Continue reading

Mad Men: Don’s Blue Knit Golf Shirt for Memorial Day

Jon Hamm as Don Draper on Mad Men (Episode 2.06: "Maidenform")

Jon Hamm as Don Draper on Mad Men (Episode 2.06: “Maidenform”)

Vitals

Jon Hamm as Don Draper, mysterious ad man and Korean War veteran

Ossining, New York, Spring 1962

Series: Mad Men
Episode: “Maidenform” (Episode 2.06)
Air Date: August 31, 2008
Director: Phil Abraham
Creator: Matthew Weiner
Costume Designer: Janie Bryant

WARNING! Spoilers ahead!

Background

It’s Memorial Day weekend on Mad Men, and the Drapers and their Ossining neighbors gather at the Willow Oaks Golf Club’s annual Ribs and Fashion Show to bemoan their self-described “high-class problems” ranging from the sticky summer from when the Rosenbergs were murdered to taking the fall for the failed Bay of Pigs invasion. Among the elite in their tennis whites and the veterans in their aging uniforms, Don’s simple and timeless knit shirt and trousers has been frequently requested as a popular look from the fashion series, despite only appearing in this one episode.

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Goodbye, Columbus: Neil’s Date Night Seersucker

Richard Benjamin as Neil Klugman in Goodbye, Columbus (1969)

Richard Benjamin as Neil Klugman in Goodbye, Columbus (1969)

Vitals

Richard Benjamin as Neil Klugman, listless library employee and Army veteran

Westchester, New York, Summer 1968

Film: Goodbye, Columbus
Release Date: April 3, 1969
Director: Larry Peerce
Costume Designer: Gene Coffin

Background

In addition to today being the birthday of star Richard Benjamin—born on this day in 1938—today also marks three years since the death of Philip Roth, who died of congestive heart failure on May 22, 2018. Roth’s novella Goodbye, Columbus provided the source material for Ali MacGraw’s major screen debut acting opposite Benjamin.

Goodbye, Columbus has been favorably compared to The Graduate, inviting parallels with its similar-looking leads: a somewhat awkward, naive, and listless young man romancing a dark-haired “princess” against her parents’ wishes (though for a dramatically different reason than the Robinsons had), scored against the backdrop of a hip band from the late ’60s, in this case The Association as opposed to Simon & Garfunkel’s famous soundtrack for The Graduate.

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James Dean in Breton Stripes

James Dean, photographed by Sanford Roth, 1955.

James Dean, photographed by Sanford Roth, 1955.

Vitals

James Dean, enigmatic young actor and rebellious emblem

Los Angeles, Summer 1955

Photographs by Sanford Roth

Part of BAMF Style’s Iconic Photo Series, focusing on style featured in famous photography of classic stars rather than from specific productions.

Background

Today would have been the 90th birthday of James Dean, born in central Indiana on February 8, 1931. Considering his cultural impact, it’s remarkable that Dean condensed his entire career into less than a half decade in the early 1950s, acting in a series of commercials, TV anthology programs, and uncredited bit parts in movies until delivering a trio of enduring performances in East of EdenRebel Without a Cause, and Giant that would be released within a year and a half of each other.

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The Godfather, Part II: Michael Corleone’s Navy Jacket and Cravats

Al Pacino as Michael Corleone in The Godfather Part II (1974)

Al Pacino as Michael Corleone in The Godfather Part II (1974)

Vitals

Al Pacino as Michael Corleone, calculating Mafia boss

Havana, December 1958, and Lake Tahoe, Spring 1959

Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle

WARNING! Spoilers ahead!

Background

When “gangster style” comes to mind, you may think first of the silk suits from Goodfellas or tracksuits of The Sopranos, but Michael Corleone established an aristocratic sense of style as he grew into his leadership role in accordance with his reserved nature. Continue reading

Patrick McGoohan’s Arrival Suit on The Prisoner

Patrick McGoohan as "Number Six" on The Prisoner (Episode 1: "Arrival")

Patrick McGoohan as “Number Six” on The Prisoner (Episode 1: “Arrival”)

Vitals

Patrick McGoohan as Number Six, recently resigned secret agent

“The Village”, Fall 1967

Series: The Prisoner
Episodes:
– “Arrival” (Episode 1.01, dir. Don Chaffey, aired 9/29/1967)
– “Fall Out” (Episode 1.17, dir. Patrick McGoohan, aired 2/1/1968)
Created by: Patrick McGoohan & George Markstein
Wardrobe: Masada Wilmot & Dora Lloyd
Tailored by: Dimi Major & Douglas Hayward (Major, Hayward Ltd.)

WARNING! Spoilers ahead!

Background

The Prisoner debuted in the UK on this date in 1967, a passion project from Patrick McGoohan after his rise to stardom on the British espionage series Danger Man. Mystery continues to surround the series, which has been argued as a surreal explanation of ego and individualism within the trappings of the then-fashionable “spy-fi” genre mix, inspiring more questions than answers over its seventeen-episode run, including the true identity of McGoohan’s character known only as “Number 6”, suggested to be a continuation of John Drake from Danger Man or possibly even an allegory for the actor himself. Continue reading

Tony Soprano’s Gut-shot George Foreman Shirt in “Members Only”

James Gandolfini as Tony Soprano on The Sopranos (Episode 6.01: "Members Only")

James Gandolfini as Tony Soprano on The Sopranos (Episode 6.01: “Members Only”)

Vitals

James Gandolfini as Tony Soprano, New Jersey mob boss

Newark, New Jersey, Spring 2006

Series: The Sopranos
Episode: “Members Only” (Episode 6.01)
Air Date: March 12, 2006
Director: Tim Van Patten
Creator: David Chase
Costume Designer: Juliet Polcsa

WARNING! Spoilers ahead!

Background

Fans of The Sopranos are eagerly awaiting the release of David Chase’s prequel, The Many Saints of Newark, directed by Alan Taylor and set during the late 1960s. The movie was originally scheduled for release at the end of this week, but the coronavirus pandemic has delayed the release until March 2021. While it’s too soon for me to take a full look at the style of The Many Saints of Newark, @tonysopranostyle on Instagram has been comprehensively covering many of the outfits seen on set, including those worn by Jon Bernthal as Tony Soprano’s father “Johnny Boy” Soprano and by Michael Gandolfini as a teenage version of his father’s iconic TV character.

In recognition of what would have been James Gandolfini’s 59th birthday last Friday, today’s #MafiaMonday post explores a pivotal scene from the acclaimed series’ sixth season premiere. Continue reading