Tom Selleck as Thomas Magnum, private investigator and former Navy SEAL
Hawaii, Spring 1980 to Summer 1981
Series: Magnum, P.I.
– “Don’t Eat the Snow in Hawaii, Part 1″ (Episode 1.01, dir. Roger Young, aired 12/11/1980)
– “No Need to Know” (Episode 1.05, dir. Lawrence Doheny, aired 1/8/1981)
– “Don’t Say Goodbye” (Episode 1.15, dir. Winrich Kolbe, aired 3/28/1981)
Creator: Donald P. Bellisario & Glen Larson
Costume Designer: Charles Waldo (credited with first season only)
Costume Supervisor: James Gilmore
WARNING! Spoilers ahead!
Let’s continue #CarWeek with one of the most famous and popular cars in TV history, the bright red Ferrari 308 GTS driven by Thomas Magnum (Tom Selleck) as a semi-permanent “guest” on author Robin Masters’ Hawaiian estate.
Today is a particularly suitable occasion to write about this set of wheels as we first meet Magnum—and the Ferrari—while our protagonist is clad in a Lacoste tennis shirt, innovated by French tennis icon and Renaissance man René Lacoste, who was born 116 years ago on July 2, 1904. Continue reading
Jude Law as Dickie Greenleaf, narcissistic profligate playboy
Italy, October 1958
Film: The Talented Mr. Ripley
Release Date: December 25, 1999
Director: Anthony Minghella
Costume Design: Ann Roth & Gary Jones
WARNING! Spoilers ahead!
After exploring some of Alain Delon’s sharply tailored style in Plein soleil (Purple Noon) earlier this week, today’s post shifts attention to the 1999 adaptation of the same source material, Patricia Highsmith’s psychological thriller The Talented Mr. Ripley set on the sunny Italian coast.
Jon Hamm as Don Draper, conflicted ad man
Los Angeles, Spring 1969
Series: Mad Men
Episode: “The Runaways” (Episode 7.05)
Air Date: May 11, 2014
Director: Christopher Manley
Creator: Matthew Weiner
Costume Designer: Janie Bryant
WARNING! Spoilers ahead!
Despite being one of the most popular shows in the streaming service’s stable of non-original content, today marks the last day that Mad Men is available to Netflix subscribers in the U.S. The first part of Mad Men‘s seventh and final season spends time with displaced ad man Don Draper as he travels from coast to coast by plane, juggling his professional aspirations in New York with his slowly stagnating marriage in L.A.
The geographic reversal is interesting, not only in the context of Mad Men but also in the east vs. west trope espoused by F. Scott Fitzgerald and Henry David Thoreau, as we’re used to seeing Don romanticizing California even when professionally soaring through the ranks of Madison Avenue’s advertising world. Now, his position has shifted with decided roots in L.A. via second wife Megan (Jessica Paré) taking up residence in Laurel Canyon to further her acting career while, back in New York, he’s been reduced to a glorified intern at the agency he helped to start… and that’s just in the eyes of those who are comfortable working with him.
Rod Taylor as Bruce Templeton, charismatic aerospace lab chief
Long Beach, California, Spring 1966
Film: The Glass Bottom Boat
Release Date: June 9, 1966
Director: Frank Tashlin
Costume Designer: Ray Aghayan (credited with Doris Day’s costumes only)
In the years since I’ve started this blog, I’ve discovered that there are many unsung “style heroes” that are often lost in the discussion of Cary Grant, Clark Gable, and Steve McQueen, including actors like Rod Taylor who brought understated elegance to flatteringly tailored suits and timeless casual attire alike.
I was first familiar with Taylor in The Glass Bottom Boat, one of my grandma’s favorite movies and one that we used to watch until we wore the VHS tape thin. Last year, I was delighted to see that my friends Shawn Bongiorno and Ryan Hall had collaborated on a series of Instagram posts that highlighted a look from the movie, and that inspired us to put our heads together and take a deeper dive at a springtime essential that Taylor wears.
Al Pacino as Jimmy Hoffa, pugnacious and passionate labor official
Detroit, Summer 1975
Film: The Irishman
Release Date: November 1, 2019
Director: Martin Scorsese
Costume Design: Sandy Powell & Christopher Peterson
WARNING! Spoilers ahead!
In addition to today famously being St. Valentine’s Day, it’s also the birthday of Jimmy Hoffa, who was born February 14, 1913, and was most recently portrayed by Al Pacino in The Irishman. The crime drama epic was released on Netflix more than three months ago with considerable fanfare, eventually garnering ten Academy Award nominations (but no wins) including Best Picture, Best Director, and Best Supporting Actor for both Pacino and Joe Pesci.
James Gandolfini as Tony Soprano, New Jersey mob boss
New Jersey, Winter 2000-2002
Series: The Sopranos
– “Nobody Knows Anything” (Episode 1.11, dir. Henry J. Bronchtein, aired 3/21/1999)
– “The Telltale Moozadell” (Episode 3.09, dir. Dan Attias, aired 4/22/2001)
– “Pine Barrens” (Episode 3.11, dir. Steve Buscemi, aired 5/6/2001)
– “Whoever Did This” (Episode 4.09, dir. Tim Van Patten, aired 11/10/2002)
Creator: David Chase
Costume Designer: Juliet Polcsa
Let’s kick off the first 2020 post about James Gandolfini’s expansive wardrobe on The Sopranos by looking ahead this week to Wear Red Day, the American Heart Association’s annual observance on the first Friday of each February that encourages people to wear red to show their support for the awareness of heart disease. Continue reading
Brad Pitt as Benjamin Button, reverse-aging adventurer
Paris, Spring 1954
Film: The Curious Case of Benjamin Button
Release Date: December 25, 2008
Director: David Fincher
Costume Designer: Jacqueline West
As holiday shoppers are lining up (or logging in) on Black Friday this year, let’s take a look at a creative approach to wearing black as sported by Brad Pitt in The Curious Case of Benjamin Button.
Benjamin looks just a little too dashing as he arrives at a Parisian hospital to visit the childhood friend he has grown to love, Daisy Fuller (Cate Blanchett), who is convalescing from a car accident that crushed her leg and thus ruined her dancing career. Continue reading
Dustin Hoffman as Benjamin Braddock, nervous and aimless college graduate
Los Angeles, Summer through Fall 1967
Film: The Graduate
Release Date: December 22, 1967
Director: Mike Nichols
Costume Designer: Patricia Zipprodt
Dustin Hoffman’s Ivy style mastery in The Graduate has been a frequent request from BAMF Style readers including Kyle, Ryan, Zubair, and more, so—in the spirit of the “back to school” season—let’s take a look at one of the most iconic outfits that Hoffman wore as the listless Benjamin Braddock.
Benjamin is getting tired of his wordless, emotionless trysts with Mrs. Robinson (Anne Bancroft), the sultry and troubled wife of his father’s law partner. One night in their usual room at the Taft Hotel, Benjamin suggests that the two talk more. In the words of Simon and Garfunkel, “We’d like to know a little bit about you for our files / We’d like to help you learn to help yourself…”
Richard Burton as Dr. Edward Hewitt, self-righteous Episcopal boarding school headmaster
Pebble Beach, California, Spring 1965
Film: The Sandpiper
Release Date: June 23, 1965
Director: Vincente Minnelli
Costume Designer: Irene Sharaff
This Thursday, June 13, the USGA U.S. Open begins at Pebble Beach Golf Links, a renowned public golf course in Monterey County celebrating its centennial this year. 2019 marks the sixth time that Pebble Beach has hosted the U.S. Open, the first time being in 1972, seven years after Richard Burton teed off for a brief scene in The Sandpiper.
The Sandpiper recognizes the golf course’s significance in business transactions, even for school headmasters like Dr. Edward Hewitt (Burton) and his group of major donors. One fellow golfer offers to donate $300,000 to the school’s chapel fund if Dr. Hewitt hits the green… unfortunately, his ball flies into the water instead. Continue reading
John Wayne as Lon “McQ” McHugh, taciturn Seattle PD lieutenant
Seattle, Fall 1973
Release Date: February 6, 1974
Director: John Sturges
Wardrobe Credit: Luster Bayless
Today marks the birthday of John Wayne, the American icon who reinvented his half-century image as a stalwart of Westerns and war movies by taking on a duo of contemporary cop roles, beginning with McQ in 1974 and followed up with Brannigan the following year.
Born May 26, 1907, Duke was over 60 as he watched younger stars like Steve McQueen and Clint Eastwood steal the action movie thunder with urban-set police thrillers. While McQueen’s impressive wheelmanship would be incorporated into McQ, it was the “shoot first, ask later” style of Eastwood’s Dirty Harry that particularly resonated with the old-school star as the opening sequence of McQ finds Duke’s rugged Seattle detective foiling a dockside hitman with his own six-shooter. Continue reading