Tagged: Weekend Casual

Justified: Raylan’s “Harlan Roulette” Grid-Check Shirt and Glock

Timothy Olyphant as Deputy U.S. Marshal Raylan Givens on Justified (Episode 3.03: "Harlan Roulette")

Timothy Olyphant as Deputy U.S. Marshal Raylan Givens on Justified (Episode 3.03: “Harlan Roulette”)

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Timothy Olyphant as Raylan Givens, old-fashioned Deputy U.S. Marshal

Harlan County, Kentucky, Fall 2011

Series: Justified
Episode: “Harlan Roulette” (Episode 3.03)
Air Date: January 31, 2012
Director: Jon Avnet
Creator: Graham Yost
Costume Designer:  Patia Prouty

Background

More than two years have passed since I last waxed poetic about Justified, Graham Yost’s continuation of Elmore Leonard’s stories and novels centered around Raylan Givens, a modern-day Deputy U.S. Marshal who brings old west sensibilities and style to his duties. After being criticized by his superiors for his all-too-quick—if justified—trigger finger, Raylan is reassigned to the Eastern District of Kentucky, which includes the coal-mining Harlan County where was raised and acquainted with arch-criminal Boyd Crowder (Walton Goggins) as well as many other colorful characters who shoot in and out of the series over its six seasons.

As we get closer to the weekend, I wanted to revisit one of my favorite moments from the series as well as Raylan’s characteristically dressed-down off-duty duds.

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The Irishman: Tony Pro’s Controversial Shirt and Shorts in Florida

Stephen Graham as "Tony Pro" in The Irishman (2019)

Stephen Graham as “Tony Pro” in The Irishman (2019)

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Stephen Graham as Anthony “Tony Pro” Provenzano, brash New Jersey mobster

Miami, Summer 1972

Film: The Irishman
Release Date: November 1, 2019
Director: Martin Scorsese
Costume Design: Sandy Powell & Christopher Peterson

WARNING! Spoilers ahead!

Background

“Next time you come in, you come heavy or not at all.”

“Meeting in the middle of the desert always made me nervous. It’s a scary place. I knew about the holes in the desert, of course, and everywhere I looked, there could have been a hole.”

“Don’t ever take sides with anyone against the family again.”

The annals of mob fiction are laden with rules and etiquette surrounding meetings in the world of La Cosa Nostra, and Martin Scorsese’s latest continues that grand tradition in The Irishman when hotheaded capo Anthony “Tony Pro” Provenzano (Stephen Graham) meets with famously outspoken labor official Jimmy Hoffa (Al Pacino) in Florida. Continue reading

Palm Springs: Andy Samberg’s All-Day Aloha Shirt

Andy Samberg as Nyles in Palm Springs (2020)

Andy Samberg as Nyles in Palm Springs (2020)

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Andy Samberg as Nyles, aka “Misty’s boyfriend”, time-looped slacker focused only on “the next bite”

Palm Springs, California, November 2019

Film: Palm Springs
Release Date: July 10, 2020
Director: Max Barbakow
Costume Designer: Colin Wilkes

WARNING! Spoilers ahead!

Background

This is today, today is yesterday, and tomorrow is also today… it’s one of those infinite time loop situations you might’ve heard about.

Shorthand descriptions of Palm Springs have summed up the movie as “Groundhog Day for millennials,” though I was pleasantly surprised by the poignancy and philosophical complexity of this incredibly entertaining movie… particularly in the context of the much-publicized fact that the Lonely Island tacked on a nice 69 cents to the record-setting $17.5 million sale price to Neon and Hulu after its premiere at Sundance in January 2020.

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Desi Arnaz’s Flight Jacket and Jeans in The Long, Long Trailer

Lucy, Desi, and Liz. Elizabeth Taylor dropped by the MGM lot for a photo op with the two stars of The Long, Long Trailer (1954). Arnaz had reportedly bet MGM that The Long, Long Trailer would make more than its then-highest grossing comedy, Father of the Bride, starring Taylor. Arnaz won the $25,000 bet.

Lucy, Desi, and Liz.
Elizabeth Taylor dropped by the MGM lot for a photo op with the two stars of The Long, Long Trailer. Arnaz had reportedly bet MGM that The Long, Long Trailer (1954) would make more than its then-highest grossing comedy, Father of the Bride, starring Taylor. Arnaz won the $25,000 bet.

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Desi Arnaz as Nicky Collini, civil engineer

Northern California, Late Summer 1953

Film: The Long, Long Trailer
Release Date: February 18, 1954
Director: Vincente Minnelli
Costume Designer: Helen Rose

Background

As this year’s summer travel season in the U.S. looks to be more centered around road trips in response to the coronavirus pandemic, RV rentals and purchases have been surging at an unprecedented rate that recalls the heyday of “the great American road trip” as depicted in The Long, Long Trailer. Adapted from Clinton Twiss’ novel of the same name, this Lucy and Desi vehicle zaps into the wanderlust zeitgeist that captured the imagination of Americans during the fabulous fifties as everyone from Harry Truman to Jack Kerouac hit the newly expanded network of highways and byways as they explored the continental United States.

Were I transported back to the 1950s with the mission of taking in the country from the road, I’d likely be piloting a ’57 Chevy Nomad with a Super Turbo Fire V8 across Route 66 from Missouri to California, though it’s solely this latter state that hosts newlyweds Nicky and Tacy Collini as they plot their new nomadic life in a homey silver-and-yellow Redman New Moon hauled up the coast by a cream-colored Mercury convertible.

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Don Draper’s Plaid Party Jacket in “The Runaways”

Jon Hamm as Don Draper on Mad Men (Episode 7.05: "The Runaways")

Jon Hamm as Don Draper on Mad Men (Episode 7.05: “The Runaways”)

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Jon Hamm as Don Draper, conflicted ad man

Los Angeles, Spring 1969

Series: Mad Men
Episode: “The Runaways” (Episode 7.05)
Air Date: May 11, 2014
Director: Christopher Manley
Creator: Matthew Weiner
Costume Designer: Janie Bryant

WARNING! Spoilers ahead!

Background

Despite being one of the most popular shows in the streaming service’s stable of non-original content, today marks the last day that Mad Men is available to Netflix subscribers in the U.S. The first part of Mad Men‘s seventh and final season spends time with displaced ad man Don Draper as he travels from coast to coast by plane, juggling his professional aspirations in New York with his slowly stagnating marriage in L.A.

The geographic reversal is interesting, not only in the context of Mad Men but also in the east vs. west trope espoused by F. Scott Fitzgerald and Henry David Thoreau, as we’re used to seeing Don romanticizing California even when professionally soaring through the ranks of Madison Avenue’s advertising world. Now, his position has shifted with decided roots in L.A. via second wife Megan (Jessica Paré) taking up residence in Laurel Canyon to further her acting career while, back in New York, he’s been reduced to a glorified intern at the agency he helped to start… and that’s just in the eyes of those who are comfortable working with him.

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The Yakuza: Ken Takakura’s Navy Baracuta G9

Ken Takakura as Ken Tanaka in The Yakuza (1974)

Ken Takakura as Ken Tanaka in The Yakuza (1974)

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Ken Takakura as Ken Tanaka, disciplined ex-Yakuza

Tokyo, Spring 1974

Film: The Yakuza
Release Date: December 28, 1974
Director: Sydney Pollack
Costume Designer: Dorothy Jeakins

Background

Fans of ’70s action would no doubt appreciate The Yakuza, Paul Schrader’s debut screenplay, co-written with his brother Leonard Schrader based on Leonard’s own experiences in Japan. A driving factor that compelled the brothers to finish their initial script was the stoic screen presence of Ken Takakura, who appeared in the film as the ex-akuza gangster who now teaches kendo.

Ken takes up his sword as part of his giri with Harry Kilmer (Robert Mitchum), formerly a U.S. Marine MP who had dated Ken’s sister while serving in Tokyo during the post-WWII occupation of Japan. Loosely defined as a lifelong debt that can never truly be repaid, the giri concept is central to The Yakuza, in which Ken describes it to Harry as “the burden hardest to bear” and refuses to rid himself of his obligation even when Dusty (Richard Jordan) suggests that the nature of his debt is relatively arbitrary.

Having arrived in Japan in search of his associate’s kidnapped daughter, Harry seeks out Ken’s assistance, but the blood they spill rescuing the young woman results in Yakuza contracts placed on both Harry and Ken, a threat that can only be eliminated by Ken killing the powerful gangster Tono (Eiji Okada) with a sword. While Harry arms himself with a .45 and a double-barreled shotgun, Ken takes a katana to appropriately exact his vengeance on the dangerous crime boss.

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Grand Prix: James Garner’s Derby-Style Jacket

James Garner as Pete Aron in Grand Prix (1966)

James Garner as Pete Aron in Grand Prix (1966)

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James Garner as Pete Aron, determined Formula One driver

Monaco, Spring 1966

Film: Grand Prix
Release Date: December 21, 1966
Director: John Frankenheimer
Costume Supervisor: Sydney Guilaroff

Background

The 2020 Monaco Grand Prix was to begin today, which also commemorates the 60th anniversary of the Monaco Grand Prix’s first inclusion in the inaugural FIA World Championship. Unfortunately, the spread of the dangerous coronavirus pandemic resulted in the race being cancelled for the first time since the 1954 Formula One season.

“In my opinion, still the best picture ever made about auto racing,” wrote James Garner in his memoir, The Garner Files, an opinion into which I put a lot of stock given the actor’s real-life passion for racing and his characteristic modest regarding his own cinematic career. Continue reading

Mad Men, 1970 Style – Don’s Finale Flannel

Jon Hamm as Don Draper on Mad Men (Episode 7.14: "Person to Person")

Jon Hamm as Don Draper on Mad Men (Episode 7.14: “Person to Person”)

Vitals

Jon Hamm as Don Draper, former ad man in search of himself

“Somewhere in California”, Fall 1970

Series: Mad Men
Episode: “Person to Person” (Episode 7.14)
Air Date: May 17, 2015
Director: Matthew Weiner
Creator: Matthew Weiner
Costume Designer: Janie Bryant

WARNING! Spoilers ahead!

Background

Five years ago today, Mad Men‘s final episode “Person to Person” aired on AMC, concluding a decade’s worth of storytelling as we followed advertising director Don Draper (Jon Hamm) and his family and colleagues as they navigated the tumultuous 1960s.

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Gary Cooper’s Picnic Blazer and Day Cravat in Love in the Afternoon

Gary Cooper and Audrey Hepburn in Love in the Afternoon (1957)

Gary Cooper and Audrey Hepburn in Love in the Afternoon (1957)

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Gary Cooper as Frank Flannagan, wealthy playboy industrialist

Yvelines, France, Summer 1957

Film: Love in the Afternoon
Release Date: May 29, 1957
Director: Billy Wilder
Costume Designer: Jay A. Morley, Jr. (uncredited)

Background

April 23 is celebrated as National Picnic Day, an observance that can still be observed in relative isolation for those willing and able to safely venture outdoors. The word “picnic” derives from the late 17th century French word pique-nique that had originally described restaurant diners who brought their own wine, essentially an early form of BYOB. In the years following the French revolution, the word took on its more familiar connotation as the country’s royal parks were opened to the greater public, who would spend hours and even days preparing lavish luncheons for outdoor dining. Given this French association, let’s check in on two classic film stars enjoying a picnic near Château de Vitry in the 1957 romantic comedy Love in the Afternoon.

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Steve McQueen in The Blob

Steve McQueen as Steve Andrews in The Blob (1958)

Steve McQueen as Steve Andrews in The Blob (1958)

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Steve McQueen as Steve Andrews, headstrong teenager

Chester County, Pennsylvania, Summer 1957

Film: The Blob
Release Date: September 12, 1958
Director: Irvin S. Yeaworth, Jr.

Background

As today would have been Steve McQueen’s 90th birthday, let’s take a look at his first starring role, a sci-fi/horror drive-in favorite called The Blob. A personal favorite of producer Jack H. Harris, The Blob was filmed on location in southeastern Pennsylvania on a low budget that, depending on the source, has been quoted as anywhere between $110,000 and $240,000, a cost kept low thanks in part to the low $3,000 salary that the then-struggling actor McQueen had accepted to afford short-term expenses like food and rent.

After two uncredited movie roles and scattered TV bit parts across the mid-1950s, McQueen’s credited feature film debut was in Robert Stevens’ 1958 crime drama Never Love a Stranger, which also featured his future Bullitt co-star Felice Orlandi. Less than a week after the premiere episode of Wanted Dead or Alive aired on CBS in September 1958, The Blob was released in theaters with “Steven McQueen” first-billed.

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