Tagged: New England
Supernatural: Dean Winchester’s Barbour Jacket in Connecticut
Today’s post about a much-requested character’s style is the second to be written by the curator of the popular Instagram account @jamesbondswardrobe. Enjoy!
Jensen Ackles as Dean Winchester in Supernatural (Episode 10.06: “Ask Jeeves”)
Vitals
Jensen Ackles as Dean Winchester, nonchalant monster hunter
New Canaan, Connecticut, Fall 2014
Series: Supernatural
Episode: “Ask Jeeves” (Episode 10.06)
Air Date: November 18, 2014
Director: John MacCarthy
Costume Designer: Kerry Weinrauch
Background
If the successful spin-offs of this eponymous piece of small-screen history is anything to say, Supernatural is probably one of the greatest TV shows to ever premiere, arguably up there with the likes of M*A*S*H and Friends. The show centers around two monster-hunting brothers—Sam and Dean Winchester—who are likely just as iconic as the show itself. Trailblazing across and around the American heartland in their family heirloom of a car, the duo investigate and hunt all things that go bump in the night.
With fifteen seasons-worth of lore, it’s quite the task to jam all of it into a brief summarization. If you haven’t seen it, I highly recommend it, especially if you’ve a knack for iconic jackets, flannels, old-school muscle and classic rock. In this specific article, we’ll be going over a surprising piece of outerwear worn by Dean: an olive Barbour jacket very likely inspired by Skyfall, which had premiered just two years prior. Continue reading
Love Story: Ryan O’Neal’s Navy Blazer and Reversible Raincoat in an MG
Ryan O’Neal and Ali MacGraw in Love Story (1970)
Vitals
Ryan O’Neal as Oliver Barrett IV, preppy Harvard student
Boston, Winter 1966
Film: Love Story
Release Date: December 16, 1970
Director: Arthur Hiller
Costume Design: Alice Manougian Martin & Pearl Somner
Background
As Car Week continues, it may not seem like it makes sense to focus on such an exposed car like the vintage MG roadster that appears in Love Story, but Ryan O’Neal bundles up accordingly in his reversible raincoat while behind the wheel with Ali MacGraw by his side.
Far From Heaven: Dennis Haysbert’s Green Work Jacket and Red Plaid Shirt
Dennis Haysbert as Raymond Deagan in Far From Heaven (2002)
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Dennis Haysbert as Raymond Deagan, affable gardener and widowed father
Suburban Connecticut, Fall 1957
Film: Far From Heaven
Release Date: November 8, 2002
Director: Todd Haynes
Costume Designer: Sandy Powell
Background
Far From Heaven premiered twenty years ago this week, a smart, sincere, and stylish drama that stands alone as a thoughtful story beyond its oft-discussed intentional parallels to the Douglas Sirk melodramas of a half-century prior.
The Sirk homages are evident not just in the autumnal photography but also the plot, recalling the romance between a woman and her gardener in All That Heaven Allows (1955) as well as the racial themes driving Imitation of Life (1959). In this case, the woman is housewife Cathy Whitaker (Julianne Moore), who raises her friends’ eyebrows through her growing bond with Raymond Deagan (Dennis Haysbert), a kind gardener taking over his late father’s accounts. Continue reading
John Forsythe’s Autumn Attire in The Trouble with Harry
John Forsythe as Sam Marlowe in The Trouble with Harry (1955)
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John Forsythe as Sam Marlowe, touchy artist who scores the town with his belting baritone
Vermont, Fall 1954
Film: The Trouble with Harry
Release Date: September 30, 1955
Director: Alfred Hitchcock
Costume Designer: Edith Head
Background
As we settle into what looks like a comfortable autumn—at least for fallphiles like me—I want to highlight what must be one of the earliest movies to truly capture the season’s striking colors.
Though regarded as the “Master of Suspense”, Alfred Hitchcock had long incorporated humor into his movies. The Trouble with Harry differentiates itself among Hitch’s more earnest thrillers and mysteries by emphasizing the comedy, resulting in what may be among of the director’s least suspenseful outfit but still entertaining and certainly aesthetically satisfying. Continue reading
Johnny Depp’s Red Leisure Suit in Blow
Johnny Depp as George Jung in Blow (2001)
Vitals
Johnny Depp as George Jung, successful cocaine smuggler
Massachusetts, Fall 1979
Film: Blow
Release Date: April 6, 2001
Director: Ted Demme
Costume Designer: Mark Bridges
Background
One of the more formative movies in developing my appreciation for more outlandish period style is Blow, Ted Demme’s Scorsese-inspired chronicle of the rise and fall of real-life drug smuggler George Jung, who was born 80 years ago today in Weymouth, Massachusetts. The DVD (does anyone remember its white case?) was in almost constant rotation when friends would come over in high school, and Mark Bridges’ costume design resonated to such a degree that, thanks to eBay, I may have been one of the few high-schoolers in the early 2000s to own a vintage polyester leisure suit. Continue reading
Blow: Johnny Depp’s Layered Denim on the Run
Johnny Depp as George Jung in Blow (2001)
Vitals
Johnny Depp as George Jung, fugitive pot dealer
Weymouth, Massachusetts, Fall 1973
Film: Blow
Release Date: April 6, 2001
Director: Ted Demme
Costume Designer: Mark Bridges
Background
Blow chronicles the chaotic career of real-life drug dealer George Jung, who evolved his marijuana-dealing enterprise into a dangerously successful cocaine-smuggling operation with the Medellín cartel until it all came crashing down around him. Continue reading
Dennis Haysbert’s Brown Plaid Jacket in Far From Heaven
Dennis Haysbert as Raymond Deagan in Far From Heaven (2002)
Vitals
Dennis Haysbert as Raymond Deagan, affable gardener and widowed father
Suburban Connecticut, Fall 1957 into Winter 1958
Film: Far From Heaven
Release Date: November 8, 2002
Director: Todd Haynes
Costume Designer: Sandy Powell
WARNING! Spoilers ahead!
Background
Todd Haynes’ 1950s-set Far From Heaven paid homage to Douglas Sirk’s visually stunning mid-century melodramas like All That Heaven Allows, Imitation of Life, Magnificent Obsession, and Written on the Wind, addressing themes of love, class, and race, often against stunningly idyllic autumnal backdrops that belie the intense personal dramas beyond those white picket fences and manicured lawns.
After years of semi-satisfied suburban life, well-to-do housewife Cathy Whitaker (Julianne Moore) finds herself in a maelstrom of conflict after discovering her husband’s homosexuality as well as her own feelings for Raymond Deagan (Dennis Haysbert), the son of her family’s late gardener whose race has her “friends” and neighbors clutching their proverbial pearls in reaction to the developing relationship between the two. Continue reading
Love Story: Ryan O’Neal’s Sheepskin Flight Jacket
Ryan O’Neal as Oliver Barrett IV in Love Story (1970)
Vitals
Ryan O’Neal as Oliver Barrett IV, newlywed Harvard graduate
Boston, Fall to Winter 1968
Film: Love Story
Release Date: December 16, 1970
Director: Arthur Hiller
Costume Design: Alice Manougian Martin & Pearl Somner
Background
If all goes to plan, I’ll be getting married exactly one year from today so it felt appropriate to revisit some of the fall-friendly fashions from one of the most famous—or infamous, if you’re so inclined—romance movies of all time, Love Story.
Ryan O’Neal and Ali MacGraw star as the Ivy League lovers Oliver and Jenny who, once she overcomes her distaste for his upper-class roots (drink every time she calls him “preppy”), defy his blue-blood father’s wishes and get married, beginning their humble lives together in a Boston apartment following his graduation.
Oliver remains defiantly bitter following his father’s rejection of Jenny, cutting off all contact. After receiving an invitation to his estranged father’s 60th birthday party, Oliver refuses to even respond with their regrets, resulting in his and Jenny’s first major argument. She runs from the apartment, sending Oliver on an increasingly desperate search from local shops to music classes, until he returns home that night to find her waiting on their stoop.
Regretting his behavior, Oliver offers his apologies, to which Jenny responds by hitting him with one of the most criticized lines in movie history:
Love means never having to say you’re sorry.
Jaws: Mayor Vaughn’s Anchor-Detailed Jacket
Murray Hamilton as Mayor Larry Vaughn in Jaws (1975)
Vitals
Murray Hamilton as Larry Vaughn, ineffective mayor of Amity Island
Amity Island, July 1974
Film: Jaws
Release Date: June 20, 1975
Director: Steven Spielberg
Costume Design: Louise Clark, Robert Ellsworth, and Irwin Rose
Background
“You open the beaches on the fourth of July, it’s like ringing the dinner bell, for chrissakes!” implores police chief Martin Brody (Roy Scheider) to the mayor of Amity Island in the wake of the deadly threat of Bruce the Shark lurking offshore.
Unfortunately for the residents of Amity—which, as you know, means friendship—our charming mayor is the kind of odious self-promoter who thinks idealists like Hooper only share his self-absorbed goal of fame and glory, or a “you’d love to make it into the National Geographic!” moment, unable to comprehend that some people do their jobs or take public office for the sake of serving the public and not for good PR or cutthroat ambition.
Scent of a Woman: Al Pacino’s Navy Striped Suit
Al Pacino as Lt. Col. Frank Slade in Scent of a Woman (1992)
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Al Pacino as Frank Slade, blind and bitter retired U.S. Army Lieutenant Colonel
New York City to New Hampshire, Fall 1992
Film: Scent of a Woman
Release Date: December 23, 1992
Director: Martin Brest
Costume Designer: Aude Bronson-Howard
Tailor: Martin Greenfield
WARNING! Spoilers ahead!
Background
Happy birthday, Al Pacino! As the legendary actor’s 81st birthday coincides with the Academy Awards tonight, let’s take a look at Scent of a Woman, Martin Brest’s 1992 drama that resulted in Pacino’s sole Oscar to date.
Pacino played retired Lieutenant Colonel Frank Slade, a blind and irascible alcoholic who secretly plans on spending the Thanksgiving holiday with a lavish weekend in New York City before ending his life. Somewhat reluctantly along for the ride is Charlie Simms (Chris O’Donnell), a mild-mannered prep student hired to care for Frank, though the cantankerous colonel seems more than willing to watch out for himself.