Tagged: New England

Warren Beatty’s White Suit in Reds

Warren Beatty as Jack Reed in Reds (1981)

Vitals

Warren Beatty as John Silas “Jack” Reed, radical journalist and activist

Provincetown, Massachusetts, Summer 1916

Film: Reds
Release Date: December 4, 1981
Director: Warren Beatty
Costume Designer: Shirley Ann Russell

Background

Whether it’s because Labor Day is considered by some sartorial purists to be the last acceptable day for wearing summer whites or because the holiday originated to recognize the American labor movement, it feels appropriate for today’s post to explore Warren Beatty’s off-white summer suit as labor activist Jack Reed in his 1981 historical epic Reds.

Reds won three of the 12 Academy Awards for which it was nominated, including Beatty for Best Director, Maureen Stapleton for Best Supporting Actress, and Vittorio Storaro for Best Cinematography, though it had also been nominated for Best Picture and—of significant interest for this blog’s focus—Best Costume Design. Continue reading

Jaws: Richard Dreyfuss as Hooper

Richard Dreyfuss as Matt Hooper in Jaws (1975)

Vitals

Richard Dreyfuss as Matt Hooper, oceanographer

Amity Island, July 1974

Film: Jaws
Release Date: June 20, 1975
Director: Steven Spielberg
Costume Design: Louise Clark, Robert Ellsworth, and Irwin Rose

Background

As this summer’s headlines are dominated by stories of orcas reclaiming the sea, now is as good a time as any to revisit the 1975 blockbuster Jaws that thrilled audiences upon its release 48 years ago this month.

Based on Peter Benchley’s bestselling novel of the same name, Jaws centers around the hunt for a man-eating shark terrorizing the beach of a New England resort town. The hunters include aquaphobic police chief Martin Brody (Roy Scheider), fearless shark hunter and USS Indianapolis survivor Quint (Robert Shaw), and the intense, serious-minded marine biologist Matt Hooper (Richard Dreyfuss), visiting from the Oceanic Institute. Continue reading

Supernatural: Dean Winchester’s Barbour Jacket in Connecticut

Today’s post about a much-requested character’s style is the second to be written by the curator of the popular Instagram account @jamesbondswardrobe. Enjoy!

Jensen Ackles as Dean Winchester in Supernatural (Episode 10.06: “Ask Jeeves”)

Vitals

Jensen Ackles as Dean Winchester, nonchalant monster hunter

New Canaan, Connecticut, Fall 2014

Series: Supernatural
Episode: “Ask Jeeves” (Episode 10.06)
Air Date: November 18, 2014
Director: John MacCarthy
Costume Designer: Kerry Weinrauch

Background

If the successful spin-offs of this eponymous piece of small-screen history is anything to say, Supernatural is probably one of the greatest TV shows to ever premiere, arguably up there with the likes of M*A*S*H and Friends. The show centers around two monster-hunting brothers—Sam and Dean Winchester—who are likely just as iconic as the show itself. Trailblazing across and around the American heartland in their family heirloom of a car, the duo investigate and hunt all things that go bump in the night.

With fifteen seasons-worth of lore, it’s quite the task to jam all of it into a brief summarization. If you haven’t seen it, I highly recommend it, especially if you’ve a knack for iconic jackets, flannels, old-school muscle and classic rock. In this specific article, we’ll be going over a surprising piece of outerwear worn by Dean: an olive Barbour jacket very likely inspired by Skyfall, which had premiered just two years prior. Continue reading

Love Story: Ryan O’Neal’s Navy Blazer and Reversible Raincoat in an MG

Ryan O’Neal and Ali MacGraw in Love Story (1970)

Vitals

Ryan O’Neal as Oliver Barrett IV, preppy Harvard student

Boston, Winter 1966

Film: Love Story
Release Date: December 16, 1970
Director: Arthur Hiller
Costume Design: Alice Manougian Martin & Pearl Somner

Background

As Car Week continues, it may not seem like it makes sense to focus on such an exposed car like the vintage MG roadster that appears in Love Story, but Ryan O’Neal bundles up accordingly in his reversible raincoat while behind the wheel with Ali MacGraw by his side.

Continue reading

Far From Heaven: Dennis Haysbert’s Green Work Jacket and Red Plaid Shirt

Dennis Haysbert as Raymond Deagan in Far From Heaven (2002)

Vitals

Dennis Haysbert as Raymond Deagan, affable gardener and widowed father

Suburban Connecticut, Fall 1957

Film: Far From Heaven
Release Date: November 8, 2002
Director: Todd Haynes
Costume Designer: Sandy Powell

Background

Far From Heaven premiered twenty years ago this week, a smart, sincere, and stylish drama that stands alone as a thoughtful story beyond its oft-discussed intentional parallels to the Douglas Sirk melodramas of a half-century prior.

The Sirk homages are evident not just in the autumnal photography but also the plot, recalling the romance between a woman and her gardener in All That Heaven Allows (1955) as well as the racial themes driving Imitation of Life (1959). In this case, the woman is housewife Cathy Whitaker (Julianne Moore), who raises her friends’ eyebrows through her growing bond with Raymond Deagan (Dennis Haysbert), a kind gardener taking over his late father’s accounts. Continue reading

John Forsythe’s Autumn Attire in The Trouble with Harry

John Forsythe as Sam Marlowe in The Trouble with Harry (1955)

John Forsythe as Sam Marlowe in The Trouble with Harry (1955)

Vitals

John Forsythe as Sam Marlowe, touchy artist who scores the town with his belting baritone

Vermont, Fall 1954

Film: The Trouble with Harry
Release Date: September 30, 1955
Director: Alfred Hitchcock
Costume Designer: Edith Head

Background

As we settle into what looks like a comfortable autumn—at least for fallphiles like me—I want to highlight what must be one of the earliest movies to truly capture the season’s striking colors.

Though regarded as the “Master of Suspense”, Alfred Hitchcock had long incorporated humor into his movies. The Trouble with Harry differentiates itself among Hitch’s more earnest thrillers and mysteries by emphasizing the comedy, resulting in what may be among of the director’s least suspenseful outfit but still entertaining and certainly aesthetically satisfying. Continue reading

Johnny Depp’s Red Leisure Suit in Blow

Johnny Depp as George Jung in Blow (2001)

Johnny Depp as George Jung in Blow (2001)

Vitals

Johnny Depp as George Jung, successful cocaine smuggler

Massachusetts, Fall 1979

Film: Blow
Release Date: April 6, 2001
Director: Ted Demme
Costume Designer: Mark Bridges

Background

One of the more formative movies in developing my appreciation for more outlandish period style is Blow, Ted Demme’s Scorsese-inspired chronicle of the rise and fall of real-life drug smuggler George Jung, who was born 80 years ago today in Weymouth, Massachusetts. The DVD (does anyone remember its white case?) was in almost constant rotation when friends would come over in high school, and Mark Bridges’ costume design resonated to such a degree that, thanks to eBay, I may have been one of the few high-schoolers in the early 2000s to own a vintage polyester leisure suit. Continue reading

Blow: Johnny Depp’s Layered Denim on the Run

Johnny Depp in Blow

Johnny Depp as George Jung in Blow (2001)

Vitals

Johnny Depp as George Jung, fugitive pot dealer

Weymouth, Massachusetts, Fall 1973

Film: Blow
Release Date: April 6, 2001
Director: Ted Demme
Costume Designer: Mark Bridges

Background

Blow chronicles the chaotic career of real-life drug dealer George Jung, who evolved his marijuana-dealing enterprise into a dangerously successful cocaine-smuggling operation with the Medellín cartel until it all came crashing down around him. Continue reading

Dennis Haysbert’s Brown Plaid Jacket in Far From Heaven

Dennis Haysbert as Raymond Deagan in Far From Heaven (2002)

Dennis Haysbert as Raymond Deagan in Far From Heaven (2002)

Vitals

Dennis Haysbert as Raymond Deagan, affable gardener and widowed father

Suburban Connecticut, Fall 1957 into Winter 1958

Film: Far From Heaven
Release Date: November 8, 2002
Director: Todd Haynes
Costume Designer: Sandy Powell

WARNING! Spoilers ahead!

Background

Todd Haynes’ 1950s-set Far From Heaven paid homage to Douglas Sirk’s visually stunning mid-century melodramas like All That Heaven AllowsImitation of LifeMagnificent Obsession, and Written on the Wind, addressing themes of love, class, and race, often against stunningly idyllic autumnal backdrops that belie the intense personal dramas beyond those white picket fences and manicured lawns.

After years of semi-satisfied suburban life, well-to-do housewife Cathy Whitaker (Julianne Moore) finds herself in a maelstrom of conflict after discovering her husband’s homosexuality as well as her own feelings for Raymond Deagan (Dennis Haysbert), the son of her family’s late gardener whose race has her “friends” and neighbors clutching their proverbial pearls in reaction to the developing relationship between the two. Continue reading

Love Story: Ryan O’Neal’s Sheepskin Flight Jacket

Ryan O'Neal as Oliver Barrett IV in Love Story (1970)

Ryan O’Neal as Oliver Barrett IV in Love Story (1970)

Vitals

Ryan O’Neal as Oliver Barrett IV, newlywed Harvard graduate

Boston, Fall to Winter 1968

Film: Love Story
Release Date: December 16, 1970
Director: Arthur Hiller
Costume Design: Alice Manougian Martin & Pearl Somner

Background

If all goes to plan, I’ll be getting married exactly one year from today so it felt appropriate to revisit some of the fall-friendly fashions from one of the most famous—or infamous, if you’re so inclined—romance movies of all time, Love Story.

Ryan O’Neal and Ali MacGraw star as the Ivy League lovers Oliver and Jenny who, once she overcomes her distaste for his upper-class roots (drink every time she calls him “preppy”), defy his blue-blood father’s wishes and get married, beginning their humble lives together in a Boston apartment following his graduation.

Oliver remains defiantly bitter following his father’s rejection of Jenny, cutting off all contact. After receiving an invitation to his estranged father’s 60th birthday party, Oliver refuses to even respond with their regrets, resulting in his and Jenny’s first major argument. She runs from the apartment, sending Oliver on an increasingly desperate search from local shops to music classes, until he returns home that night to find her waiting on their stoop.

Regretting his behavior, Oliver offers his apologies, to which Jenny responds by hitting him with one of the most criticized lines in movie history:

Love means never having to say you’re sorry.

Continue reading