Tagged: Directed by Alfred Hitchcock
Shadow of a Doubt: Uncle Charlie’s Navy Blazer
Joseph Cotten in Shadow of a Doubt (1943)
Vitals
Joseph Cotten as Charles Oakley, attentive uncle and enigmatic “Merry Widow Murderer”
Santa Rosa, California, Summer 1941
Film: Notorious
Release Date: January 12, 1943
Director: Alfred Hitchcock
Costume Design: Vera West
Background
A vintage pin I purchased at a thrift store several years ago commemorates July 26 as Uncle’s Day, a day I’ve discovered has been inclusively expanded to become Aunt and Uncle’s Day. As I chose to celebrate Mother’s Day last year with a post from Psycho, your Uncle BAMF again returns to the Master of Suspense’s oeuvre for today’s observance, specifically the mysterious “Uncle Charlie” in Alfred Hitchcock’s 1943 masterpiece Shadow of a Doubt.
Often cited by Hitch himself as a personal favorite of his filmography, Shadow of a Doubt was released 80 years ago in January, starring Teresa Wright and Joseph Cotten, the latter having recently made his screen debut across a trio of films directed by his pal Orson Welles: Citizen Kane, The Magnificent Ambersons, and Journey Into Fear. Continue reading
The Birds: Mitch’s Donegal Tweed Suit
Rod Taylor and Tippi Hedren filming The Birds (1963)
Vitals
Rod Taylor as Mitch Brenner, defense lawyer
Bodega Bay, California, Summer 1962
Film: The Birds
Release Date: March 28, 1963
Director: Alfred Hitchcock
Wardrobe Supervisor: Rita Riggs
WARNING! Spoilers ahead!
Background
Today is the 60th anniversary of the release of The Birds, Alfred Hitchcock’s avian horror yarn adapted from Daphne du Maurier’s 1952 novella and a real-life incident in August 1961 as scores of birds crashed into the streets and rooftops of the central California town of Capitola.
The Birds centers around Melanie Daniels (Tippi Hedren), an attractive travelers’ aid secretary from San Francisco whose flirtatious pranks with the charming attorney Mitch Brenner (Rod Taylor) lead about an hour north to the idyllic seaside village of Bodega Bay. Melanie’s surprise visit isn’t ultimately unwelcome, and Mitch invites her to join his little sister Cathy’s 11th birthday parry the following day. Continue reading
John Forsythe’s Autumn Attire in The Trouble with Harry
John Forsythe as Sam Marlowe in The Trouble with Harry (1955)
Vitals
John Forsythe as Sam Marlowe, touchy artist who scores the town with his belting baritone
Vermont, Fall 1954
Film: The Trouble with Harry
Release Date: September 30, 1955
Director: Alfred Hitchcock
Costume Designer: Edith Head
Background
As we settle into what looks like a comfortable autumn—at least for fallphiles like me—I want to highlight what must be one of the earliest movies to truly capture the season’s striking colors.
Though regarded as the “Master of Suspense”, Alfred Hitchcock had long incorporated humor into his movies. The Trouble with Harry differentiates itself among Hitch’s more earnest thrillers and mysteries by emphasizing the comedy, resulting in what may be among of the director’s least suspenseful outfit but still entertaining and certainly aesthetically satisfying. Continue reading
Roscoe Lee Browne in Topaz
Roscoe Lee Browne as Philippe Dubois in Topaz (1969)
Vitals
Roscoe Lee Browne as Philippe Dubois, smooth-talking Martinican-American sleeper agent
New York City, Fall 1962
Film: Topaz
Release Date: December 19, 1969
Director: Alfred Hitchcock
Costume Designer: Edith Head
Background
Following last month’s look at a “hero costume” from Alfred Hitchcock’s 1942 thriller Saboteur, I want to continue exploring style from the lesser-known entries in the Master of Suspense’s oeuvre. Loosely based on the “Martel affair” and events leading up to the Cuban Missile Crisis, Topaz was Hitch’s final movie centered around espionage, though I consider it to lack much of the spark that fueled his earlier successes like North by Northwest.
The single exception in Topaz may be a brief scene made more memorable by the appearance of Martinican agent Philippe Dubois, portrayed by Roscoe Lee Browne, the multi-talented star of stage and screen born 100 years ago today on May 2, 1922. Continue reading
Saboteur: Bob Cummings’ Heroic Leather Flight Jacket
Robert Cummings as Barry Kane in Saboteur (1942)
Vitals
Robert Cummings as Barry Kane, civilian aircraft mechanic
From Glendale, California, into the High Desert, Spring 1942
Film: Saboteur
Release Date: April 22, 1942
Director: Alfred Hitchcock
Background
Alfred Hitchcock’s wartime thriller Saboteur—not to be confused with his earlier movie Sabotage—was released 80 years ago this month. Though production began just days after the attack on Pearl Harbor in December 1941, the idea had actually been months in the making after Hitch’s original pitch to David O. Selznick. “We were in 1941 and there were pro-German elements who called themselves America Firsters and who were, in fact, American Fascists. This was the group I had in mind while writing the scenario,” Hitchcock later explained to François Truffaut.
Despite his traditional elements of the wronged man, the beautiful blonde, and the “MacGuffin,” Hitch identified several disappointments with Saboteur, most notably in the casting of his two heroes and the villain. Of leading male star Robert Cummings, who portrayed the accused saboteur, Hitch commented to Truffaut that “he’s a competent performer, but he belongs to the light-comedy class of actors,” though this wouldn’t stop him from casting him a decade later in a strong supporting role in Dial M for Murder. Continue reading
Marnie: Sean Connery’s Beige Herringbone Tweed Suit
Sean Connery as Mark Rutland in Marnie (1964)
Vitals
Sean Connery as Mark Rutland, publisher
Philadelphia to Baltimore, Spring 1964
Film: Marnie
Release Date: July 22, 1964
Director: Alfred Hitchcock
Costume Designer: Edith Head
Men’s Costumes: James Linn
WARNING! Spoilers ahead!
Background
Months before Goldfinger was released and cemented Bond-mania among the cinematic zeitgeist of the 1960s, Sean Connery got the opportunity to show audiences that he was capable of more than just suave secret-agenting with the back-to-back releases of thrillers Woman of Straw and Marnie. The latter has been celebrated as the better-regarded of the two, with some even calling it Alfred Hitchcock’s underappreciated masterpiece, though Hitch himself was more dismissive when discussing the work with François Truffaut:
I wasn’t convinced that Sean Connery was a Philadelphia gentleman. You know, if you want to reduce Marnie to its lowest common denominator, it is the story of the prince and the beggar girl. In a story of this kind you need a real gentleman, a more elegant man than what we had.
Say what you will about Connery’s performance, but I’ve considered Hitchcock’s criticism to be somewhat undeserved, particularly considering that the adaptation of Winston Graham’s 1961 novel of the same name condensed the characters of Marnie’s husband, Mark Rutland, and the psychoanalyst that Mark forces Marnie to see. Thus, Connery’s characterization requires him to convincingly depict Mark as first a charismatic cad, then a manipulative rapist, and—ultimately—a quasi-therapist whose motives are depicted more through the lens of spousal support than domination. Given the challenge of the role, I believe Connery ably rose to the occasion, bringing out more savage sides of the character than we may have believed in the hands of Hitch’s erstwhile stalwarts like Cary Grant or Jimmy Stewart.
Psycho: Norman Bates in Corduroy
Anthony Perkins as Norman Bates in Psycho (1960)
Vitals
Anthony Perkins as Norman Bates, mother-obsessed motel proprietor and amateur bird taxidermist
Fairvale, California, Fall 1959
Film: Psycho
Release Date: September 8, 1960
Director: Alfred Hitchcock
Costume Designer: Rita Riggs (uncredited)
Costume Supervisor: Helen Colvig
WARNING! Spoilers ahead!
Background
A boy’s best friend is his mother…
Alfred Hitchcock would probably find some dark humor in choosing Mother’s Day to focus on Psycho, the story of a young man’s complicated relationship with his mother.
Rear Window: James Stewart’s Pajamas
James Stewart and Thelma Ritter in Rear Window (1954)
Vitals
James Stewart as L.B. “Jeff” Jefferies, bored photographer
New York City, Summer 1954
Film: Rear Window
Release Date: September 1, 1954
Director: Alfred Hitchcock
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
April 16 is celebrated as National Wear Your Pajamas to Work Day, an observance that many would have considered unthinkable until the spread of the coronavirus pandemic last month found many around the world working from home for the first time, finding comfort in their lounge-wear while struggling with unfamiliar teleconferencing software. The idea of being confined to one’s home in pajamas while a growing terror lurks outside brought one movie to mind: Alfred Hitchcock’s damn-near-perfect thriller Rear Window.
Continue reading
Jimmy Stewart’s Brown Tweed Sports Coat in Vertigo
James Stewart and Kim Novak in Vertigo (1958)
Vitals
James Stewart as John “Scottie” Ferguson, former San Francisco detective
San Juan Bautista, California, Fall 1957
Film: Vertigo
Release Date: May 9, 1958
Director: Alfred Hitchcock
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
Let’s wrap up this week’s commemoration of Alfred Hitchcock’s 120th birthday with another exploration of the style in Vertigo, now considered one of the Master of Suspense’s masterpieces though it may have been overlooked during his lifetime and resulted in the end of his successful collaborations with James Stewart.
To Catch a Thief: Cary Grant’s Casual Riviera Style
Cary Grant and Grace Kelly on location for To Catch a Thief (1955)
Vitals
Cary Grant as John Robie, retired cat burglar and jewel thief
French Riviera, Summer 1954
Film: To Catch a Thief
Release Date: August 5, 1955
Director: Alfred Hitchcock
Costume Designer: Edith Head
Background
In commemoration of Alfred Hitchcock’s 120th birthday on August 13, this week continues with a look at one of the Master of Suspense’s most stylish movies, the 1955 romantic caper To Catch a Thief.