Tagged: Loungewear

Cat on a Hot Tin Roof: Paul Newman’s Pajamas

Paul Newman as Brick Pollitt in Cat on a Hot Tin Roof (1958)

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Paul Newman as Brick Pollitt, bitter and repressed ex-athlete

Mississippi, Summer 1958

Film: Cat on a Hot Tin Roof
Release Date: August 27, 1958
Director: Richard Brooks
Wardrobe Credit: Helen Rose

WARNING! Spoilers ahead!

Background

April 16 is traditionally National Wear Your Pajamas to Work Day, designed as a sartorial reprieve after the stress of meeting a late-night deadline to file taxes by April 15. As it felt incongruous to celebrate that “holiday” on a Sunday, I waited until today to celebrate a Hollywood icon who had the good fortune to wear pajamas for the majority of his screen-time in his first Oscar-nominated performance.

Thanks to movies like Somebody Up There Likes Me and The Long, Hot Summer, Paul Newman’s career was on the rise through the late 1950s when he was cast as Brick Pollitt alongside Elizabeth Taylor in the cinematic adaptation of Tennessee Williams’ play Cat on a Hot Tin Roof. Continue reading

The Big Lebowski: The Dude’s Robe

Jeff Bridges as "The Dude" in The Big Lebowski (1998)

Jeff Bridges as “The Dude” in The Big Lebowski (1998)

Vitals

Jeff Bridges as Jeffrey “The Dude” Lebowski, laidback stoner and bowler

Los Angeles, Fall 1991

Film: The Big Lebowski
Release Date: March 6, 1998
Director: Joel Coen & Ethan Coen
Costume Designer: Mary Zophres

Background

To commemorate the day that The Big Lebowski was released in 1998, March 6 is considered the high holy day of Dudeism, an “ancient” religious philosophy that touts itself as “the slowest-growing religion in the world” and inspired by the easygoing, non-judgmental attitude of The Dude himself.

We meet The Dude during a late-night Ralph’s run to pick up some much-needed half-and-half for his beloved White Russians, dressed in a soft robe, plaid shorts, sandals and sunglasses, a laidback loungewear ensemble emblematic of the unofficial wardrobe of Dudeists. Continue reading

The Postman Always Rings Twice: John Garfield’s Blanket Robe

John Garfield, understandably distracted by Lana Turner while filming The Postman Always Rings Twice (1946)

John Garfield, understandably distracted by Lana Turner while filming The Postman Always Rings Twice (1946)

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John Garfield as Frank Chambers, restless drifter-turned-diner worker

Laguna Beach, California, Summer 1945

Film: The Postman Always Rings Twice
Release Date: May 2, 1946
Director: Tay Garnett
Costume Supervisor: Irene

Background

As #Noirvember continues, let’s step away from the trench coats and fedoras to see how our hardboiled anti-heroes dress for a day at the beach. An ode to deviance that originated from James M. Cain’s 1934 novel, The Postman Always Rings Twice was adapted twice by European filmmakers before Hollywood dared to tackle it during the golden age of noir in the 1940s.

The lascivious source material had presented a challenge for presenting the story in a way that would satisfy the draconian Motion Picture Production Code and, even before it was published, a synopsis of Cain’s story had been deemed “definitely unsuitable for motion picture production” by the pearl-clutching Hays Office. After the two European adaptations were released, MGM was finally ready to proceed with its own version, inspired by the success of Double Indemnity, another piece from Cain’s poison pen centered around adultery and murder. By this time, nearly a dozen years into the rigid enforcement years of the Production Code, American filmmakers had mastered the art of stylized shadows and suggestive innuendo that allowed—and often enhanced—these films noir set in lurid worlds filled with unscrupulous and unsavory elements.

“It was on a side road outside of Los Angeles,” Frank Chambers begins his story, as the down-on-his-luck hitchhiker stumbles into the Twin Oaks diner boasting a $1.25 “best in the world” chicken dinner. The simple sign, “Man wanted,” echoes both the restaurant’s staffing needs as well as the sensuous needs of Cora (Lana Turner), the ambitious young platinum blonde who runs the roadside lunch room with her proud yet oblivious husband Nick (Cecil Kellaway)… and, even if you haven’t read or seen it, you probably already see where this is going.

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Matt Helm’s Light Blue Knitwear in Murderers’ Row

Dean Martin as Matt Helm in Murderers' Row (1966)

Dean Martin as Matt Helm in Murderers’ Row (1966)

Vitals

Dean Martin as Matt Helm, smooth secret agent

New Mexico, Summer 1966

Film: Murderers’ Row
Release Date: December 20, 1966
Director: Henry Levin
Costume Designer: Moss Mabry

WARNING! Spoilers ahead!

Background

Happy birthday, Dean Martin! The charismatic entertainer known for his laidback charm and boozy, breezy persona was born June 7, 1917, in Steubenville, Ohio. Having established himself as a singer and actor, first in his partnership with Jerry Lewis and then among the swingers of the Rat Pack, Dino set out on his own direction in the mid-1960s, first with his variety series The Dean Martin Show on NBC and then his starring role as easygoing counter-agent Matt Helm in a multi-film franchise based on Donald Hamilton’s espionage novels. Unlike their more straightforward and serious source material, Martin’s Matt Helm movies followed the decade’s zeitgeist for spy parodies in the spirit of Carry On Spying and Our Man Flint. If you thought James Bond was a womanizer, lounge lizard Matt Helm proves that you ain’t seen nothin’ yet.

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Rear Window: James Stewart’s Pajamas

James Stewart and Thelma Ritter in Rear Window (1954)

James Stewart and Thelma Ritter in Rear Window (1954)

Vitals

James Stewart as L.B. “Jeff” Jefferies, bored photographer

New York City, Summer 1954

Film: Rear Window
Release Date: September 1, 1954
Director: Alfred Hitchcock
Costume Designer: Edith Head

WARNING! Spoilers ahead!

Background

April 16 is celebrated as National Wear Your Pajamas to Work Day, an observance that many would have considered unthinkable until the spread of the coronavirus pandemic last month found many around the world working from home for the first time, finding comfort in their lounge-wear while struggling with unfamiliar teleconferencing software. The idea of being confined to one’s home in pajamas while a growing terror lurks outside brought one movie to mind: Alfred Hitchcock’s damn-near-perfect thriller Rear Window.
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Indiscreet: Cary Grant’s Christmas Dressing Gown

Cary Grant as Philip Adams in Indiscreet (1958)

Cary Grant as Philip Adams in Indiscreet (1958)

Vitals

Cary Grant as Philip Adams, sophisticated playboy economist

London, Christmas Eve 1957

Film: Indiscreet
Release Date: June 26, 1958
Director: Stanley Donen
Tailor: Quintino

Background

Merry Christmas, BAMF Style readers! In the spirit of the holidays, let’s continue looking at stylish dressers in “Christmas-adjacent” fare by focusing on that most famously elegant icon, Cary Grant, in what was reportedly the actor’s favorite among his own movies.

Stanley Donen’s 1958 romantic comedy Indiscreet reteamed Grant with Ingrid Bergman a dozen years after the two iconic stars had shared the screen in Hitchcock’s spy thriller Notorious (1946), though the suspense of Indiscreet is less a matter of international espionage and more romantic intrigue with Bergman’s character believing herself to be engaged in a clandestine affair with a married man… though Grant’s Philip Adams only pretends to be married to limit his commitments to the women he can’t resist.

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Casino – De Niro’s Pink Robe

Robert De Niro as Sam "Ace" Rothstein in Casino (1995)

Robert De Niro as Sam “Ace” Rothstein in Casino (1995)

Vitals

Robert De Niro as Sam “Ace” Rothstein, Vegas casino executive and mob associate

Las Vegas, Spring 1978

Film: Casino
Release Date: November 22, 1995
Director: Martin Scorsese
Costume Design: Rita Ryack & John A. Dunn

Background

More than a year has passed since I last explored the expansive and flashy wardrobe worn by Robert De Niro as “Ace” Rothstein in Casino, so what better occasion than the real Ace’s birthday to take another look at the casino executive’s colorful attire.

Frank “Lefty” Rosenthal was born 90 years ago today—June 12, 1929—in Chicago, where he spent his formative years and early career until moving to Miami in the early ’60s. Within the decade, Lefty grew tired of the attention from local police and federal authorities and moved out to Las Vegas, where he swiftly and secretly established himself as the operator of the now-demolished Stardust Resort and Casino.

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Scarface (1932) – Tony’s Silk Dressing Gown

Paul Muni and Karen Morley in Scarface (1932)

Paul Muni and Karen Morley in Scarface (1932)

Vitals

Paul Muni as Tony Camonte, ruthless Italian-born bootlegger and mob enforcer

Chicago, Summer 1927

Film: Scarface
Release Date: April 9, 1932
Director: Howard Hawks

Background

Tomorrow would have been the 120th birthday of Al Capone, had the infamous gangster not rotted to his syphilic demise in 1947.

Capone’s story remains one of the most frequently adapted for movies and TV, beginning with Rod Steiger in the cleverly titled 1959 film Al Capone through Neville Brand (twice), Ben Gazzara, Jason Robards, Ray Sharkey, and F. Murray Abraham, up through Robert de Niro’s iconic performance in The Untouchables (1987). The gangster was most recently—and most prolifically—portrayed by Stephen Graham in all five seasons of Boardwalk Empire, though Tom Hardy is set to play Capone in the upcoming feature film Fonzo.

Of course, a larger-than-life character like Al Capone didn’t have to wait until after he was dead to see his story unfold on the screen. While his name was never used in movies released during his lifetime, Capone provided the obvious inspiration for a number of gangsters in pre-Code crime cinema, most famously the ambitious, smooth, and lethal Tony Camonte, played by Paul Muni in Scarface. Continue reading

Pal Joey: Sinatra’s Silk Loungewear

Frank Sinatra as Joey Evans in Pal Joey (1957)

Frank Sinatra as Joey Evans in Pal Joey (1957)

Vitals

Frank Sinatra as Joey Evans, womanizing nightclub singer

San Francisco, Spring 1957

Film: Pal Joey
Release Date: October 25, 1957
Director: George Sidney
Costume Designer: Jean Louis

Background

The same year that Pal Joey was released, Frank Sinatra released A Swingin’ Affair!, his latest concept album from Capitol Records. The fourth track, “I Guess I’ll Have to Change My Plan”, was written by Arthur Schwartz and Howard Dietz in 1929, when it was introduced by Clifton Webb in the songwriting duo’s revue The Little Show.

I guess I’ll have to change my plan
I should have realized there’d be another man
Why did I buy those blue pajamas
Before the big affair began

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Leo’s Charcoal Jacket and Gray Flannels in Miller’s Crossing

Albert Finney as Leo O'Bannon in Miller's Crossing (1990)

Albert Finney as Leo O’Bannon in Miller’s Crossing (1990)

Vitals

Albert Finney as Liam “Leo” O’Bannon, Irish Mob-connected political boss

Upstate New York, Fall 1929

Film: Miller’s Crossing
Release Date: September 21, 1990
Director: Joel Coen & Ethan Coen
Costume Designer: Aude Bronson-Howard

WARNING! Spoilers ahead!

Background

Following an assassination attempt that he foiled with his Thompson artistry, small-town political boss Leo O’Bannon summons his troops to his office. One of said troops, Hammett-esque anti-hero Tom Reagan (Gabriel Byrne) uses the opportunity to earn the ire of his boss by revealing his affair with Leo’s main squeeze, Verna (Marcia Gay Harden).

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