Tagged: James Stewart
Jimmy Stewart’s Blue-Gray Flannel Suit in Vertigo
James Stewart as John “Scottie” Ferguson in Vertigo (1958)
Vitals
James Stewart as John “Scottie” Ferguson, former San Francisco detective
San Francisco, Fall 1957
Film: Vertigo
Release Date: May 9, 1958
Director: Alfred Hitchcock
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
In the spirit of yesterday, March 12, being deemed Alfred Hitchcock Day, not to mention being one week away from the first day of spring in the Northern Hemisphere, even if the weather itself can’t make up its mind…
For those whose offices call for jackets and ties, dressing for work during these transitional weather periods can be a challenge, balancing professionalism with comfort in the context of an uncertain weather forecast. As San Francisco detective “Scottie” Ferguson in Vertigo, James Stewart provides a solution.
It’s a Wonderful Life: Jimmy Stewart’s Sporty Tweed Suit
James Stewart as George Bailey in It’s a Wonderful Life (1946)
Vitals
James Stewart as George Bailey, newlywed banker
Bedford Falls, NY, fall 1932 through spring 1934
Film: It’s a Wonderful Life
Release Date: December 20, 1946
Director: Frank Capra
Costume Designer: Edward Stevenson
Background
Although the film takes place over the course of one man’s whole life, It’s a Wonderful Life has earned a comfortable home among nostalgic holiday cinema. The man in question, George Bailey (James Stewart), spends a depressing Christmas Eve questioning his existence… prompting a visit from his guardian angel to remind him of the titular wonderful life that he has led.
Vertigo: Jimmy Stewart’s Brown Suit and White DeSoto
James Stewart as John “Scottie” Ferguson with his white DeSoto in Vertigo (1958)
Vitals
James Stewart as John “Scottie” Ferguson, former San Francisco detective
San Francisco, Fall 1957
Film: Vertigo
Release Date: May 9, 1958
Director: Alfred Hitchcock
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
Let’s kick off the winter edition of BAMF Style’s semi-annual (or is that bi-annual) Car Week where I take an additional look at what these well-dressed characters are driving.
Vertigo, Alfred Hitchcock’s noir-esque 1958 thriller and the last of his four collaborations with James Stewart, finds the actor behind the wheel of a white DeSoto coupe as he follows Kim Novak’s character around San Francisco from her Nob Hill apartment and the Podesta Baldocchi flower shop to Mission Dolores and their fateful meeting at Fort Point on the southern end of the Golden Gate Bridge. Continue reading
James Stewart in Rope
James Stewart as Rupert Cadell in Rope (1948)
Vitals
James Stewart as Rupert Cadell, cerebral publisher and former prep school headmaster
New York City, Spring 1948
Film: Rope
Release Date: September 25, 1948
Director: Alfred Hitchcock
WARNING! Spoilers ahead!
Background
Labor Day often signifies the changing of the seasons from the hot summer months into the cooler autumn, a time when the linen suits are shifted toward the back of the closet as flannels and tweeds return to the forefront. As we look ahead to the warmer clothes of the approaching season, I take inspiration from a real-life BAMF who had plenty of style both on and off the big screen, Jimmy Stewart.
Just over 70 years ago on August 26, 1948, Rope premiered in New York City, nearly a month before it was released to screens around the country. Continue reading
Jimmy Stewart’s Blue Suit in Vertigo
James Stewart as John “Scottie” Ferguson in Vertigo (1958)
Vitals
James Stewart as John “Scottie” Ferguson, former San Francisco detective
San Francisco, Fall 1957
Film: Vertigo
Release Date: May 9, 1958
Director: Alfred Hitchcock
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
Today is the 60th anniversary of the release of Vertigo, Hitchcock’s noir-esque thriller and the last of his collaborations with James Stewart. Hitch blamed Jim for the film’s lack of success at the box office, but history would give Jim the last laugh as a 2012 reevaluation for BFI’s Sight & Sound led to a poll of critics choosing Vertigo as the greatest film of all time, beating out long-standing #1 choice Citizen Kane. Continue reading
Jimmy Stewart’s Green Sweater in Vertigo
James Stewart as John “Scottie” Ferguson in Vertigo (1958)
Vitals
James Stewart as John “Scottie” Ferguson, former San Francisco detective
San Francisco, Fall 1957
Film: Vertigo
Release Date: May 9, 1958
Director: Alfred Hitchcock
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
San Francisco has always been a popular setting for detective movies. From 1940s film noir like The Maltese Falcon through the gritty ’60s and ’70s era with movies like Bullitt, Dirty Harry, and McQ, Hollywood has made the most of its picturesque neighbor to the distant north.
Though Alfred Hitchcock had filmed in the Bay area before, Vertigo was his first cinematic effort actually set in San Francisco and he makes the most of his setting. Continue reading
George Bailey’s Birdseye Tweed Christmas Suit
James Stewart (as George Bailey) with Donna Reed (as Mary Bailey) and Karolyn Grimes (as Zuzu) in It’s a Wonderful Life (1946)
Vitals
James Stewart as George Bailey, banker and depressed family man
Bedford Falls, NY, Christmas Eve 1945
Film: It’s a Wonderful Life
Release Date: December 20, 1946
Director: Frank Capra
Costume Designer: Edward Stevenson
Background
Jimmy Stewart and director Frank Capra have both called It’s a Wonderful Life the favorite film of each of their prolific careers. Stewart cites George Bailey as his favorite character that he’s played, and Capra would annually screen the film for his own family each Christmas.
First released 60 years ago this week, the film earned mixed reviews and was ultimately considered a financial disappointment, earning only $3.3 million during its initial box office run against its considerably expensive $3.7 million budget. (It also earned the ire of the FBI for its “Communist tricks” of “represented rather obvious attempts to discredit bankers by casting Lionel Barrymore as a ‘scrooge-type’ so that he would be the most hated man in the picture,” but that’s a whole different story.) Continue reading
