Tagged: James Stewart
Jimmy Stewart’s Blue Suit in Vertigo
James Stewart as John “Scottie” Ferguson in Vertigo (1958)
Vitals
James Stewart as John “Scottie” Ferguson, former San Francisco detective
San Francisco, Fall 1957
Film: Vertigo
Release Date: May 9, 1958
Director: Alfred Hitchcock
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
Today is the 60th anniversary of the release of Vertigo, Hitchcock’s noir-esque thriller and the last of his collaborations with James Stewart. Hitch blamed Jim for the film’s lack of success at the box office, but history would give Jim the last laugh as a 2012 reevaluation for BFI’s Sight & Sound led to a poll of critics choosing Vertigo as the greatest film of all time, beating out long-standing #1 choice Citizen Kane. Continue reading
Jimmy Stewart’s Green Sweater in Vertigo
James Stewart as John “Scottie” Ferguson in Vertigo (1958)
Vitals
James Stewart as John “Scottie” Ferguson, former San Francisco detective
San Francisco, Fall 1957
Film: Vertigo
Release Date: May 9, 1958
Director: Alfred Hitchcock
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
San Francisco has always been a popular setting for detective movies. From 1940s film noir like The Maltese Falcon through the gritty ’60s and ’70s era with movies like Bullitt, Dirty Harry, and McQ, Hollywood has made the most of its picturesque neighbor to the distant north.
Though Alfred Hitchcock had filmed in the Bay area before, Vertigo was his first cinematic effort actually set in San Francisco and he makes the most of his setting. Continue reading
George Bailey’s Birdseye Tweed Christmas Suit
James Stewart (as George Bailey) with Donna Reed (as Mary Bailey) and Karolyn Grimes (as Zuzu) in It’s a Wonderful Life (1946)
Vitals
James Stewart as George Bailey, banker and depressed family man
Bedford Falls, NY, Christmas Eve 1945
Film: It’s a Wonderful Life
Release Date: December 20, 1946
Director: Frank Capra
Costume Designer: Edward Stevenson
Background
Jimmy Stewart and director Frank Capra have both called It’s a Wonderful Life the favorite film of each of their prolific careers. Stewart cites George Bailey as his favorite character that he’s played, and Capra would annually screen the film for his own family each Christmas.
First released 60 years ago this week, the film earned mixed reviews and was ultimately considered a financial disappointment, earning only $3.3 million during its initial box office run against its considerably expensive $3.7 million budget. (It also earned the ire of the FBI for its “Communist tricks” of “represented rather obvious attempts to discredit bankers by casting Lionel Barrymore as a ‘scrooge-type’ so that he would be the most hated man in the picture,” but that’s a whole different story.) Continue reading
Jimmy Stewart’s “Charleston” Suit
Donna Reed and James Stewart dance the Charleston as Mary Hatch and George Bailey in It’s a Wonderful Life (1946).
Vitals
James Stewart as George Bailey, bank officer and “nice guy”
Bedford Falls, NY, May 1928
Film: It’s a Wonderful Life
Release Date: December 20, 1946
Director: Frank Capra
Costume Designer: Edward Stevenson
Background
Today would’ve been the 108th birthday of James Stewart, and BAMF Style is honoring this screen legend by looking at Stewart’s own favorite character from his filmography: George Bailey.
Rated #9 on AFI’s 100 Heroes list and #8 on Premiere Magazine’s 100 Greatest Performances of All Time, Stewart’s portrayal of the Capra-esque “every man” still resonates with audiences 70 years later, especially around Christmas time (due to an NTA clerical error in 1974). In fact, the local Regent Square Theater near my house in Pittsburgh hosts a free screening of It’s a Wonderful Life every Christmastime, which I’ve been sure to never miss in the last four years.
One of my favorite scenes – not only in It’s a Wonderful Life but from movie history – is the Charleston contest where George and Mary reconnect and then find themselves drenched when a jealous rival for her affections (played by The Little Rascals‘ Carl “Alfalfa” Switzer) opens the dance floor to send the two flap-happy dancers into the school swimming pool. In fact, this scene was filmed at the Beverly Hills High School in Los Angeles which indeed had a gym floor that could be converted into a pool with the press of a button. Continue reading
