Tagged: Southwest U.S.
Once Upon a Time in the West: Charles Bronson as Harmonica
Charles Bronson in Once Upon a Time in the West (1968)
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Charles Bronson as “Harmonica”, vengeful drifter
Arizona, circa 1875
Film: Once Upon a Time in the West
(Italian title: C’era una volta il West)
Release Date: December 21, 1968
Director: Sergio Leone
Costume Designer: Carlo Simi
Background
After establishing the spaghetti Western with the popular “Dollars trilogy”, Sergio Leone had intended to move away from the genre until Paramount Pictures compelled him to follow up his success with another Western. With Paramount’s substantial budget in his coffers, Leone reteamed with iconic composer Ennio Morricone and cinematographer Tonino Delli Colli, working with Dario Argento and Bernardo Bertolucci (and, once production began, also Sergio Donati) to conceptualize the vengeance-driven epic that would become Once Upon a Time in the West.
Unlike the Dollars trilogy, which invariably starred Clint Eastwood among a mostly Italian and Spanish cast (with the rare exception for Lee Van Cleef and Eli Wallach), Once Upon a Time in the West featured a cast well-known to Americans, led by Henry Fonda playing one of the few villains of his career. The cast also included Claudia Cardinale (who was a Tunisian-born Italian actress but known to Americans thanks to films like The Pink Panther), Jason Robards, Keenan Wynn, American Western regulars like Jack Elam and Woody Strode, and Charles Bronson, who was recruited after Eastwood turned down the role. Continue reading
The Man Who Fell to Earth: David Bowie’s Table Tennis Whites
David Bowie as Thomas Jerome Newton in The Man Who Fell to Earth (1976)
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David Bowie as Thomas Jerome Newton, ambitious humanoid alien
New Mexico, Summer 1975
Film: The Man Who Fell to Earth
Release Date: March 18, 1976
Director: Nicolas Roeg
Costume Designer: May Routh
WARNING! Spoilers ahead!
Background
Today is World Table Tennis Day! For nearly a decade since it was established, WTTD had been celebrated on April 6 until the ITTF Foundation announced that it would be moved this year to April 23, to mark the birthday of Ivor Montagu, founder of the International Table Tennis Federation who organized the first World Table Tennis Championships in 1926. History buffs may also recognize his name as Ivor Montagu was also recruited by Soviet intelligence during World War II, at the same time that his older brother Ewen Montagu was developing the famous Operation Mincemeat on behalf of British intelligence.
Among the many movies that feature table tennis—or ping-pong, if you prefer its onomatopoeiac nomenclature—is The Man Who Fell to Earth, Nicolas Roeg’s surreal science fiction drama based on Walter Tevis’ 1963 novel of the same name. David Bowie stars as the titular Thomas Jerome Newton, a humanoid alien subject to an isolated life in government captivity. Continue reading
Leslie Howard in The Petrified Forest
Leslie Howard and Bette Davis in The Petrified Forest (1936)
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Leslie Howard as Alan Squier, itinerant and nihilistic writer “… in a way”
Black Mesa, Arizona, January 1936
Film: The Petrified Forest
Release Date: February 6, 1936
Director: Archie Mayo
Costume Designer: Orry-Kelly (uncredited)
WARNING! Spoilers ahead!
Background
“Petrified Forest, eh? A suitable haven for me. Well, perhaps that’s what I’m destined to become… an interesting fossil for future study,” suggests the self-deprecating Alan Squier (Leslie Howard) after he learns more about the surrounding desert region he’s entered after his thumb-powered journey to “set forth and discover America.” Continue reading
Don’t Worry Darling: Harry Styles’ Blue Suit
Harry Styles as Jack Chambers in Don’t Worry Darling (2022)
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Harry Styles as Jack Chambers, “technical engineer”
The Victory Project, an American desert utopia modeled after late 1950s Palm Springs
Film: Don’t Worry Darling
Release Date: September 23, 2022
Director: Olivia Wilde
Costume Designer: Arianne Phillips
Tailor: Jack Kasbarian
WARNING! Spoilers ahead!
Background
I had been among those who were anticipating the release of Don’t Worry Darling since long before the gossip, mostly excited to catch my faves Florence Pugh and Nick Kroll—supporting though his role may have been—against the lush ’50s-inspired style from costumes to cars as seen in leaked photos from the production in Palm Springs.
Much of the film’s attention has since been mired in controversy between behind-the-scenes issues and frustration over its plot execution, but I’d argue that credit is still considerably due to its showcasing the most aspirational aspects of mid-century life, including natty wardrobes, naughty cocktail parties, and Detroit’s chrome-detailed finest in every driveway. Indeed, you could say a little too much attention was paid to *clears throat* Styles over substance.
Okay, that was a cheap shot. While I won’t deny that I was frustrated by what felt like unnecessary red herrings and logistical storytelling holes that didn’t even last my trip to the fridge, Don’t Worry Darling was a dazzling spectacle anchored by a solid performance from the always-excellent Florence Pugh, who celebrates her 27th birthday today.
Happy birthday, Flo.
On the Road: Dean Moriarty’s Fur-collar Flight Jacket
Garrett Hedlund as Dean Moriarty in On the Road (2012)
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Garrett Hedlund as Dean Moriarty, impulsive drifter based on Beat Generation figure Neal Cassady
New York to San Francisco, via New Orleans, Winter 1949
Film: On the Road
Release Date: October 12, 2012
Director: Walter Salles
Costume Designer: Danny Glicker
WARNING! Spoilers ahead!
Background
Yesterday was the 65th anniversary of when On the Road was published on September 5, 1957. Jack Kerouac’s seminal Beat Generation novel had been years in the making, beginning with his continuous, single-spaced 120-page “scroll” that he typed across three weeks in April 1951, almost immediately after returning from the last of the book’s depicted travels.
With the coming of Dean Moriarty began the part of my life you could call my life on the road. Before that I’d often dreamed of going West to see the country, always vaguely planning and never taking off. Dean is the perfect guy for the road because he actually was born on the road, when his parents were passing through Salt Lake City in 1926, in a jalopy, on their way to Los Angeles.
Though Kerouac hardly shied away from including seedier details of his friend’s life, On the Road became something of a hagiography centered around Dean Moriarty, the alter ego he developed for his real-life pal Neal Cassady. With the same excitement of the Dexter Gordon, Lionel Hampton, and George Shearing performances they celebrate, the impulsive Dean steals the spotlight much as he and his fellow travelers steal to support their travels, or offset “the cost of living”, as they rationalize.
Despite considerable interest—including from the author himself—in cinematic adaptations, it wouldn’t be until more than a half-century passed that cameras would finally roll on bringing On the Road to the screen. Francis Ford Coppola had held the rights since 1979, holding on through decades of development hell until the artistic critical success of The Motorcycle Diaries encouraged him to hand over the reins to director Walter Salles and writer José Rivera. Salles again collaborated with cinematographer Éric Gautier, whose photography brought mid-century America back to life across the small towns, sandy deserts, and snowy hillsides that resisted generations of change.
Garrett Hedlund’s appropriately kinetic performance as the dangerously charismatic Dean also emerged as one of the strongest aspects of Salles’ On the Road adaptation, with Owen Gleiberman writing for Entertainment Weekly that “the best thing in the movie is Garrett Hedlund’s performance as Dean Moriarty, whose hunger for life—avid, erotic, insatiable, destructive—kindles a fire that will light the way to a new era.” Continue reading
The Man Who Fell to Earth: David Bowie’s Black Suit
David Bowie, on location in New Mexico during production of The Man Who Fell to Earth (1976)
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David Bowie as Thomas Jerome Newton, ambitious humanoid alien
From New York City to Artesia, New Mexico, 1970s
Film: The Man Who Fell to Earth
Release Date: March 18, 1976
Director: Nicolas Roeg
Costume Designer: May Routh
Suits by: Ola Hudson
WARNING! Spoilers ahead!
Background
Today would have been the 75th birthday of David Bowie, born in London on January 8, 1947.
Though he’d made a few screen appearances earlier in his career, The Man Who Fell to Earth was Bowie’s first prominent leading role. Adapted by Paul Mayersberg from Walter Tevis’ novel of the same name, Nicolas Roeg’s avant-garde cult classic transcends the trappings of traditional science fiction to spin the yarn of Thomas Jerome Newton, an ambitious if naïve starman who “fell to Earth” on a mission to bring water back to his home planet… only to fall even farther, seduced by the materialistic capitalism of 1970s America and all of its celebrated hedonistic indulgences of sex, television, drugs, and booze. Continue reading
Night Moves: Gene Hackman’s Brown Suede Jacket
Gene Hackman as Harry Moseby in Night Moves (1975)
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Gene Hackman as Harry Moseby, private detective and former professional football player
Los Angeles to New Mexico, Fall 1973
Film: Night Moves
Release Date: June 11, 1975
Director: Arthur Penn
Costumer: Arnie Lipin
Costume Supervisor: Rita Riggs
Background
He may wear rollnecks and drive a green ’68 Mustang, but Harry Moseby ain’t no Frank Bullitt. Five years earlier, this type of character may have been styled in the manner of the cooler-than-cool Steve McQueen archetype, but the tumultuous half-decade that passed between the production of Bullitt and Night Moves saw waves of political assassinations, civil unrest, disillusionment in Vietnam, and post-Watergate paranoia that shifted the zeitgeist to a pessimistic cynicism that permeated much of ’70s cinema.
A decade after his career with the Oakland Raiders, Harry Moseby’s best days are well behind him as he continues eking out a living as a shabby Hollywood private eye, entertaining himself by playing chess on the passenger seat of his Mustang. Continue reading
Harry Dean Stanton in Lucky
Harry Dean Stanton in Lucky (2017)
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Harry Dean Stanton as “Lucky”, grizzled desert-dwelling nonagenarian
Piru, California, Summer 2016
Film: Lucky
Release Date: March 11, 2017
Director: John Carroll Lynch
Costume Designer: Lisa Norcia
Background
Today’s post celebrates the great Harry Dean Stanton, the craggy and unapologetically authentic character actor born 95 years ago on July 14, 1926. Stanton’s prolific filmography included few leading roles, aside from a memorable turn in Wim Wenders’ 1984 masterpiece Paris, Texas, and his final movie, Lucky.
Logan Sparks and Drago Sumonja collaborated on the screenplay that would result in a cinematic love letter to Harry Dean Stanton, for whom Sparks had served as personal assistant for more than 16 years. Described by Movie Talk as “a poignant meditation on mortality”, Lucky provides a fitting swan song for the actor’s career, incorporating biographical details like Stanton’s Kentucky birthplace and service in the U.S. Navy, reuniting him with previous collaborators like David Lynch and Tom Skeritt, and even scored by harmonica riffs on “Red River Valley”, a song associated with his roles in Dillinger (1973) and Twin Peaks: The Return (2017), not to exclude the overall motif of roaming the southwestern desert that echoes his starring role in Paris, Texas.
The man at the heart of it all is “Lucky”, a cantankerous but not unkind 90-year-old who loves cigarettes, crossword puzzles, and coffee with plenty of cream and sugar. A man of routine, Lucky begins each day with a Natural American Spirit cigarette, his calisthenics (“five yoga exercises every day, 21 repetitions each”), and a glass of cold milk, before he slips into one of his identical shirts, jackets, and jeans to greet another day in the small desert town of Piru, California.
Jimmy Stewart’s Undercover Denim Jacket in The FBI Story
James Stewart as agent John “Chip” Hardesty in The FBI Story (1959)
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James Stewart as John “Chip” Hardesty, earnest FBI agent
Oklahoma, June 1930
Film: The FBI Story
Release Date: October 1959
Director: Mervyn LeRoy
Costume Designer: Adele Palmer
Background
One of the greatest stars of the 20th century, James Stewart—known to friends and fans as “Jimmy”—was born on this day in 1908 in Indiana, Pennsylvania, just about an hour west of Pittsburgh.
Among the less celebrated titles in the actor’s extensive filmography is The FBI Story, a J. Edgar Hoover-influenced epic exploring the early successes of the Federal Bureau of Investigation. Jimmy plays our fictional all-American agent John “Chip” Hardesty, whose Forrest Gump-like decades-long career with the Bureau includes a role in nearly every major investigation from tracking down the bank-robbing “Public Enemies” of the Depression and World War II spies to the bombing of United Flight 629 in 1955.
An interesting chapter of The FBI Story sends Chip to Oklahoma in the summer of 1930 to investigate the “Reign of Terror” in Osage County, Oklahoma, represented on screen as the obsoletely named “Wade County”. These murders of dozens of Osage Native Americans throughout the ’20s were recently explored by David Grann in his fascinating book, Killers of the Flower Moon, which provided the basis for a Martin Scorsese film of the same name currently in production starring Jesse Plemons, Robert De Niro, and Leonardo DiCaprio. Continue reading
The Man Who Fell to Earth: David Bowie’s Hooded Coat and Coveralls
David Bowie as Thomas Jerome Newton in The Man Who Fell to Earth (1976)
Vitals
David Bowie as Thomas Jerome Newton, ambitious humanoid alien
New Mexico, Summer 1975
Film: The Man Who Fell to Earth
Release Date: March 18, 1976
Director: Nicolas Roeg
Costume Designer: May Routh
Tailor: Ola Hudson
Background
In the spirit of Earth Day, let’s check in with The Man Who Fell to Earth. Only David Bowie could have truly played the idealistic humanoid alien who makes a desperate voyage to Earth in order to gather the technology to save his drought-ridden home planet, only for his ageless character to succumb to the materialistic pleasures offered by the sex, drugs, and capitalism that characterized American zeitgeist in the ’70s.