Telly Savalas as Theo Kojak, NYPD lieutenant
New York City, Fall 1973
Episode: “Dark Sunday” (Episode 1.08)
Air Date: December 12, 1973
Director: Charles R. Rondeau
Creator: Abby Mann
Who loves ya, baby?
As today would have been the 100th birthday of Telly Savalas—born January 21, 1922—it felt like the time to take a long-overdue look at the Greek-American actor’s signature role as the tough and tenacious Theo Kojak.
Kojak’s famous lollipops were introduced in the eighth episode, “Dark Sunday”, which begins with the murder of a small-time criminal named Artie Fowler (Marc Alaimo). “He used to love to play with cars, you know,” recalls Kojak. “Strip ’em, drive ’em, steal ’em… oh well, what else?” Through his investigations of the murder, Kojak welcomes Artie’s girlfriend Maria Cranston (Lara Parker) to his office. He has a lit cigarillo in his mouth when she enters, but he swiftly tosses it away in favor of a Tootsie Pop pulled from his desk… the first of what would become one of the character’s trademarks. Continue reading
Sidney Poitier as Mark Thackeray, novice high school teacher
London, June 1966
Film: To Sir, with Love
Release Date: June 14, 1967
Director: James Clavell
Wardrobe Supervisor: John Wilson-Apperson
The death of Sir Sidney Poitier, KBE, was announced last Friday, prompting countless fans to recall memories of the great actor’s lasting legacy. Born February 20, 1927 in Miami to a Bahamian family, Poitier’s screen acting career took off during the 1950s, following his breakthrough performance in Blackboard Jungle (1955) with a charismatic turn in Edge of the City (1957). His Academy Award nomination for The Defiant Ones (1958) marked the first time a Black actor was nominated for Best Actor, and his ultimate win for Lillies of the Field (1963) established Poitier as the first Black recipient of the Best Actor Oscar.
Poitier’s career continued through the decade, with 1967 a particular banner year as he delivered three of his most iconic performances in Guess Who’s Coming to Dinner?, In the Heat of the Night, and To Sir, with Love. Continue reading
Jared Harris as Lane Pryce, advertising agency financial chief
New York City, New Year’s Day 1965
Series: Mad Men
Episode: “The Good News” (Episode 4.03)
Air Date: August 8, 2010
Director: Jennifer Getzinger
Creator: Matthew Weiner
Costume Designer: Janie Bryant
Even with the increasing adoption of hybrid and remote workplaces, there are still many returning to offices and cubicles for the first day of the new year, a specific occupational dread that provides a “welcome distraction” for at least one lonely Brit during the final act of “The Good News”, the third episode of Mad Men‘s fourth season. Continue reading
Christmas is awesome. First of all, you get to spend time with people you love. Secondly, you can get drunk and no one can say anything. Third, you give presents. What’s better than giving presents? And fourth, getting presents. So, four things. Not bad for one day. It’s really the greatest day of all time.
With some offices reinstating the traditional holiday parties this year, I also want to return to my own December tradition of reviewing how the off-the-peg office drones of Dunder Mifflin Scranton dress for their annual Christmas extravaganza.
The Office first approached the festive season with the simply titled “Christmas Party”, midway through the series’ masterful second season. This has always been one of my favorite episodes of The Office, and “Christmas Party” was actually the first-ever iTunes Store purchase I had made after Christmas 2005 found a video iPod in my stocking… appropriately enough, as fans of the episode would realize.
At this point, The Office was still a more restrained satire of American workplaces—rather than the zanier character-driven comedy it would become—and the first Christmas party reflects that mundanity, with cheap decorations, cheap vodka, and cheap grab bag gifts, and seemingly none of the staff happy to be part of this forced corporate fun, save for the oblivious manager Michael Scott (Steve Carell).
Elliott Gould as Miles Cullen, mild-mannered bank teller
Toronto, Christmas 1977
Film: The Silent Partner
Release Date: September 7, 1978
Director: Daryl Duke
Wardrobe Credit: Debi Weldon
One of the most fun yet under-celebrated of Christmas-adjacent thrillers, The Silent Partner should sell most new viewers on the simple elevator pitch of Christopher Plummer as a gun-toting robber in a Santa Claus suit who increasingly torments Elliott Gould as a scheming teller.
The action begins on Tuesday, December 14—set exactly 44 years ago today—as the meek Miles Cullen (Gould) wraps up his daily duties at a First Bank of Toronto branch when his flirtatious sketches on a deposit slip wise him to a potential robbery plot. Continue reading
Michael Douglas as Gordon Gekko, smug and successful corporate raider
New York City, Spring 1985
Film: Wall Street
Release Date: December 11, 1987
Director: Oliver Stone
Costume Designer: Ellen Mirojnick
Tailor: Alan Flusser
Happy birthday to Michael Douglas, the actor, producer, and activist born September 25, 1944, who may be most famous for his iconic Academy Award-winning performance as ruthless financier Gordon Gekko in Wall Street.
Gregory Peck as Tom Rath, hardworking business writer haunted by his war service
New York City and suburban Connecticut, Fall 1955
Film: The Man in the Gray Flannel Suit
Release Date: April 12, 1956
Director: Nunnally Johnson
Wardrobe Director: Charles Le Maire
WARNING! Spoilers ahead!
Born 105 years ago today on April 5, 1916, Gregory Peck enjoyed one of his most celebrated—and notably tailored—performances in The Man in the Gray Flannel Suit, Nunnally Johnson’s 1956 adaptation of the Sloan Wilson novel of the same name.
Steve Carell as Michael Scott, paper sales regional manager
Scranton, Pennsylvania, March 2006
Series: The Office
Episode: “Michael’s Birthday” (Episode 2.19)
Air Date: March 30, 2006
Director: Ken Whittingham
Creator: Greg Daniels
Costume Designer: Carey Bennett
WARNING! Spoilers ahead!
Today is my b-day and people around here just go crazy for it, I don’t know why. Oh, fun fact: I share my birthday with Eva Longoria. So I’ve a perfect icebreaker if I ever meet Teri Hatcher.
Before Andy Bernard brought his Brooks Brothers-informed sense of style to Dunder Mifflin Scranton, regional manager Michael Scott probably thought himself the branch’s snappiest dresser and particularly chose his 41st birthday as the time to exhibit that. Continue reading
If you’ve been following BAMF Style for a few years, you know I like to take a break from the enviable style of Grant, McQueen, Poitier, and their ilk to tackle a problem many of us have faced: how to dress for the office Christmas party. Given that corporate America’s closets tend to have more in common with Michael Scott than with Steve McQueen, the American version of The Office rose to the occasion to address the phenomenon of ill-fitting sweaters and ill-advised ties that seems to plague my fellow cubicle-dwellers as they don their gay apparel for the holiday season.
2020 being the year that it’s been, many staff parties have been relegated to holiday happy hours via Zoom or Teams where there will likely be a better chance of catching glimpse of a co-worker’s sweatpants than Christmas ties. For this year’s ranking of Dunder Mifflin duds, it thus feels more appropriate to settle in for Michael Scott’s vision of a more intimate holiday gathering… which also hosts its fair share of snowball scenes that would no doubt result in severe HR violations.
“Classy Christmas” aired ten years ago, the second of three episodes to be directed by Rainn Wilson. It also marked Michael Scott’s final Christmas celebration at Dunder Mifflin Scranton before Steve Carell left the series at the end of the seventh season.
Sean Connery as James Bond, British government agent presumed dead
Tokyo, Summer 1966
Film: You Only Live Twice
Release Date: June 13, 1967
Director: Lewis Gilbert
Wardrobe Master: Eileen Sullivan
Tailor: Anthony Sinclair
WARNING! Spoilers ahead!
Welcome to Japan, Mr. Bond.
Sean Connery’s fifth film as James Bond was the first of the franchise to considerably depart from Ian Fleming’s source novel, though it retains the title, the basic plot line and characters, and the Japanese setting. In fact, while most Bond films are continent-hopping travelogues, Japan hosts the majority of the action in You Only Live Twice aside from the pre-credits sequence, set in Hong Kong where Bond is ostensibly murdered.
Of course, it’s hardly a spoiler to reveal that the assassination is a ruse to fool Bond’s enemies into thinking he is out of the picture while the agent himself lives to die another day… in fact, you could say he lived twice! Presumed dead by his enemies after his burial at sea, Bond is free to be sent to Japan to investigate a mysterious spacecraft that has seemingly landed in the Sea of Japan. Bond soon makes contact with his lovely ally Aki (Akiko Wakabayashi), who drives him around Tokyo in a sporty Toyota 2000GT that had been customized by the production to accommodate Sean Connery’s height.
I had long wanted to cover this sequence as I love Bond’s tailoring, Aki’s Toyota, and the trio of drinks he imbibes with varying degrees of satisfaction, but it felt particularly appropriate to write about for a #CarWeek post this 00-7th of July given James Bond’s safe pro-masking message…