Tagged: Cowboy Hat
A Star is Born: Bradley Cooper’s Grammy Awards Suit
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Bradley Cooper as Jackson Maine, substance-abusing country-rock star
Los Angeles, Spring 2017
Film: A Star is Born
Release Date: October 5, 2018
Director: Bradley Cooper
Costume Designer: Erin Benach
Background
As the 65th annual Grammy Awards are tonight, I wanted to revisit a request from my friend @thestyleisnotenough to write about the country rock style from Bradley Cooper’s directorial debut, the third remake of A Star is Born. I’ve already waxed poetic about his tan Runabout Goods trucker jacket, so—in the spirit of tonight’s music industry awards—let’s dive into the suit that Jackson Maine (Cooper) wears for the 2018 movie’s in-universe Grammys where his wife Ally (Lady Gaga) is being honored as the Best New Artist… quite possibly the very worst opportunity for a drunk and drugged-up Jack to clamber onto the stage and pee his pants as she accepts the award. Continue reading
Tom Selleck in Quigley Down Under
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Tom Selleck as Matthew Quigley, taciturn sharpshooter from Wyoming
Western Australia, early 1870s
Film: Quigley Down Under
Release Date: October 17, 1990
Director: Simon Wincer
Costume Designer: Wayne A. Finkelman
WARNING! Spoilers ahead!
Background
I only recently learned that January 26 is observed as Australia Day, a national holiday that commemorates the landing of the First Fleet at Sydney Cove in 1788 and is celebrated today by presentations of the Australian of the Year Awards and announcement of the Australia Day Honours. Since at least 1938, which was the 150th anniversary of the landing, there has been a movement led by Indigenous Australians to redefine the observance as Invasion Day or Survival Day, a Day of Mourning for the British arrival that resulted in often violent colonization.
Given the movie’s setting and themes of a protagonist who refuses to engage in violence against Aborigines, the unique 1990 Western Quigley Down Under felt like an appropriate choice to write about today.
As suggested by the latter two-thirds of its title, Quigley Down Under follows the tradition of predecessors like The Sundowners (1960) and Ned Kelly (1970) as an Australian-set Western, or “meat pie Western”. The eponymous Quigley is Matthew Quigley (Tom Selleck), a cowboy with a penchant for riflery. Continue reading
Yellowstone: Kevin Costner’s Western Ski Jacket
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Kevin Costner as John Dutton, wealthy ranch patriarch and Montana Livestock Association commissioner
Western Montana, Fall 2017
Series: Yellowstone
Episodes:
– “Daybreak” (Episode 1.01, dir. Taylor Sheridan, aired 6/20/2018)
– “Kill the Messenger” (Episode 1.02, dir. Taylor Sheridan, aired 6/27/2018)
– “The Remembering” (Episode 1.06, dir. Taylor Sheridan, aired 8/1/2018)
– “A Monster Is Among Us” (Episode 1.07, dir. Taylor Sheridan, aired 8/8/2018)
– “A Thundering” (Episode 2.01, dir. Ed Bianchi, aired 6/19/2019)
– “New Beginnings” (Episode 2.02, dir. Ed Bianchi, aired 6/26/2019)
Creator: Taylor Sheridan & John Linson
Costume Designers: Ruth E. Carter & Brit Ellerman (Season 1) & Johnetta Boone (Season 2 onward)
Background
Tomorrow night, the Dutton family returns to TV with the fifth season premiere of Yellowstone, Taylor Sheridan and John Linson’s modern-day Western series chronicling the fictional conflicts of a cattle ranch, an Indian reservation, and land developers against a lush Montana landscape.
The series centers around the widowed Yellowstone Ranch patriarch, John Dutton III (Kevin Costner), who puts considerable thought into his words and actions and whose primary motivation seems to be proudly maintaining his ranch to continue his family’s legacy to his now-adult children. Continue reading
The Electric Horseman: Robert Redford’s Denim Western Style
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Robert Redford as Norman “Sonny” Steele, championship rodeo rider-turned-cowboy cereal spokesman
Red Rock Canyon, Nevada, Fall 1978
Film: The Electric Horseman
Release Date: December 21, 1979
Director: Sydney Pollack
Costume Designer: Bernie Pollack
Background
I’ve been feeling romantic leading up to my wedding this weekend, so today’s fall-inspired fashions come by way of The Electric Horseman, Robert Redford’s fifth collaboration with director Sydney Pollack.
Redford plays Sonny Steele, the eponymous equestrian and former rodeo champion turned cynical after selling out to hock cereal touted as “a champ’s way to start a better day!” Continue reading
Harrison Ford in American Graffiti
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Harrison Ford as Bob Falfa, confident street cruiser
Modesto, California, Summer 1962
Film: American Graffiti
Release Date: August 11, 1973
Director: George Lucas
Costume Designer: Aggie Guerard Rodgers
WARNING! Spoilers ahead!
Background
Happy 80th birthday, Harrison Ford! Before his star-making performances as Han Solo and Indiana Jones, one of the Chicago-born actor’s most visible roles was in American Graffiti, George Lucas’ nostalgic coming-of-age comedy set one late summer night in 1962.
American Graffiti primarily centers around four friends and recent high school graduates enjoying one last Saturday night of R&R… rock ‘n roll and road races. Among the four, the ’32 Ford-driving John Milner (Paul Le Mat) is arguably the most prolific racer, called out when one of his fellow hot-rodding friends warns him that “there’s a very wicked ’55 Chevy looking for you.” Continue reading
Justified: Raylan’s Wool Coat and Double Denim

Timothy Olyphant as Deputy U.S. Marshal Raylan Givens on Justified (Episode 6.11: “Fugitive Number One”). Photo by Prashant Gupta/FX.
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Timothy Olyphant as Raylan Givens, old-fashioned Deputy U.S. Marshal
Harlan County, Kentucky, Spring 2010 to Fall 2014
Series: Justified
Creator: Graham Yost
Costume Designers: Ane Crabtree (Season 1) & Patia Prouty (Seasons 2-6)
WARNING! Spoilers ahead!
Background
Justified is one of my favorite fall shows (despite the fact that each season originally aired in the spring), and I always like to revisit the tangled, moonshine-soaked underworld of Harlan County every autumn.
The first episode established the series-long conflict between Raylan Givens (Timothy Olyphant) and Boyd Crowder (Walton Goggins), who dug coal together in the mines of eastern Kentucky before their diverging career paths as Raylan rose through the ranks of the U.S. Marshals Service tracking down criminals like Boyd, who started the series as the explosives-loving leader of a gang of bank-robbing white supremacists.
Both Raylan and Boyd have frequently been the subjects of requests from fans of the series as the series costume designers neatly established each man’s signature style: Boyd, somewhat fussy for a country criminal, with his layered sport jackets, waistcoats with dangling pocket watch chains, and shirts buttoned to the neck; and Raylan, who blends old-fashioned cowboy aesthetics into his modern business apparel. Continue reading
Paul Newman’s Tan Work Jacket as Butch Cassidy
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Paul Newman as Butch Cassidy, affable leader of the Hole-in-the-Wall bandit gang
Wyoming, Colorado, and Utah, Fall 1898
Film: Butch Cassidy and the Sundance Kid
Release Date: September 23, 1969
Director: George Roy Hill
Costume Designer: Edith Head
Background
“He speaks well and quickly, and has been all his life a leader of men; but if you asked him, he would be damned if he could tell you why,” William Goldman introduced Robert Leroy Parker in his Academy Award-winning screenplay, inspired by the true story of Parker and his partner-in-crime Harry Longabaugh… aka Butch Cassidy and The Sundance Kid, respectively. Continue reading
Justified: Raylan’s Florida Gators T-shirt
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Timothy Olyphant as Raylan Givens, old-fashioned Deputy U.S. Marshal
Harlan County, Kentucky, Spring 2010
Series: Justified
Episode: “Hatless” (Episode 1.09)
Air Date: May 11, 2010
Director: Peter Werner
Creator: Graham Yost
Costume Designer: Ane Crabtree
Background
Today marks the return of college football season, so I wanted to look at how a BAMF Style favorite incorporated some team pride into an off-duty look. The ninth episode of Justified begins with Raylan Givens drinking away his suspension from the U.S. Marshals Service, or as he calls it, “a well-earned vacation.” Continue reading
Deadwood: Keith Carradine as “Wild Bill” Hickok
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Keith Carradine as James Butler “Wild Bill” Hickok, legendary gunfighter, gambler, and erstwhile lawman
Deadwood, Summer 1876
Series: Deadwood
Episodes:
– “Deadwood” (Episode 1.01, dir. Walter Hill, aired 3/21/2004)
– “Deep Water” (Episode 1.02, dir. Davis Guggenheim, aired 3/28/2004)
– “Reconnoitering the Rim” (Episode 1.03, dir. Davis Guggenheim, aired 4/4/2004)
– “Here Was a Man” (Episode 1.04, dir. Alan Taylor, aired 4/11/2004)
Creator: David Milch
Costume Designer: Janie Bryant
WARNING! Spoilers ahead!
Background
Famously killed 145 years ago today holding the “dead man’s hand”, James Butler Hickok was a living Wild West legend by the time his caravan pulled into Deadwood, then a lawless mining camp in the Black Hills of Dakota Territory, during the summer of 1876. Continue reading
Harry Dean Stanton in Lucky
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Harry Dean Stanton as “Lucky”, grizzled desert-dwelling nonagenarian
Piru, California, Summer 2016
Film: Lucky
Release Date: March 11, 2017
Director: John Carroll Lynch
Costume Designer: Lisa Norcia
Background
Today’s post celebrates the great Harry Dean Stanton, the craggy and unapologetically authentic character actor born 95 years ago on July 14, 1926. Stanton’s prolific filmography included few leading roles, aside from a memorable turn in Wim Wenders’ 1984 masterpiece Paris, Texas, and his final movie, Lucky.
Logan Sparks and Drago Sumonja collaborated on the screenplay that would result in a cinematic love letter to Harry Dean Stanton, for whom Sparks had served as personal assistant for more than 16 years. Described by Movie Talk as “a poignant meditation on mortality”, Lucky provides a fitting swan song for the actor’s career, incorporating biographical details like Stanton’s Kentucky birthplace and service in the U.S. Navy, reuniting him with previous collaborators like David Lynch and Tom Skeritt, and even scored by harmonica riffs on “Red River Valley”, a song associated with his roles in Dillinger (1973) and Twin Peaks: The Return (2017), not to exclude the overall motif of roaming the southwestern desert that echoes his starring role in Paris, Texas.
The man at the heart of it all is “Lucky”, a cantankerous but not unkind 90-year-old who loves cigarettes, crossword puzzles, and coffee with plenty of cream and sugar. A man of routine, Lucky begins each day with a Natural American Spirit cigarette, his calisthenics (“five yoga exercises every day, 21 repetitions each”), and a glass of cold milk, before he slips into one of his identical shirts, jackets, and jeans to greet another day in the small desert town of Piru, California.