Tagged: Lever-Action Rifle
John Garfield in The Breaking Point
John Garfield as Harry Morgan in The Breaking Point (1950)
Vitals
John Garfield as Harry Morgan, cynical charter fishing boat captain and Navy veteran
Newport Beach, California and Ensenada, Mexico, Spring to Summer 1950
Film: The Breaking Point
Release Date: September 30, 1950
Director: Michael Curtiz
Wardrobe Credit: Leah Rhodes
WARNING! Spoilers ahead!
Background
One of the most intense and talented actors of his generation, John Garfield was born 110 years ago today on March 4, 1913 in New York’s Lower East Side. His birth name was Julius Garfinkle, with Julius added as a middle name that resulted in his nickname “Julie” among friends and family.
Garfield delivered many excellent performances during his too-brief life and career, eventually citing his personal favorite to be in his penultimate film The Breaking Point, a more faithful retelling of Ernest Hemingway’s novel To Have and Have Not than the popular and stylish 1944 adaptation starring Humphrey Bogart and Lauren Bacall.
Lushly photographed and set against the docks of Newport Beach, The Breaking Point stars Garfield as self-described “boat jockey” Harry Morgan, a World War II veteran who makes a living for his supportive wife and daughter by chartering his fishing boat, Sea Queen, that ferries passengers back and forth from Mexico. Continue reading
Hud: Paul Newman as a Cadillac-Driving Cowboy
Paul Newman in Hud (1963)
Vitals
Paul Newman as Hud Bannon, arrogant rancher’s son
Texas Panhandle, Summer 1962
Film: Hud
Release Date: May 29, 1963
Director: Martin Ritt
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
Let’s complete this #CarWeek installment by looking at the third of the “Big Three” Detroit automakers: General Motors, specifically its high-end Cadillac division that has offered luxurious American autos for nearly 120 years.
A few years before Paul Newman caught the racing bug while training for Winning at the end of the decade, the car most associated with his screen image was arguably the pink Cadillac convertible he drove as the eponymous cowboy in Hud.
Humphrey Bogart in The Petrified Forest
Humphrey Bogart as Duke Mantee in The Petrified Forest (1936)
Vitals
Humphrey Bogart as “Duke” Mantee, violent desperado and “the last great apostle of rugged individualism”
Black Mesa, Arizona, January 1936
Film: The Petrified Forest
Release Date: February 6, 1936
Director: Archie Mayo
Costume Designer: Orry-Kelly (uncredited)
WARNING! Spoilers ahead!
Background
This is Duke Mantee, the world-famous killer, and he’s hungry…
Indeed, Humphrey Bogart was hungry. The 36-year-old actor had spent more than a dozen years honing his craft on the stage and had spent the last five going nowhere as a $750-a-week bit player for the Fox Film Corporation.
It wasn’t until a decade after his debut that Hollywood would start opening the front door for the New York-born actor, starring in Raoul Walsh’s crime flick High Sierra as a tough bank robber clearly modeled after real-life outlaw John Dillinger. It’s only fitting that this character be Bogie’s shot at the big time that he should have earned years earlier as yet another Dillinger surrogate, Duke Mantee.
Humphrey Bogart in High Sierra
Humphrey Bogart as Roy Earle in High Sierra (1941)
Vitals
Humphrey Bogart as Roy “Mad Dog” Earle, professional armed robber on parole
Sierra Nevada Mountains, California, Spring 1940
Film: High Sierra
Release Date: January 21, 1941
Director: Raoul Walsh
Wardrobe Credit: Leah Rhodes
WARNING! Spoilers ahead!
Background
Tomorrow marks the 80th anniversary of the release of High Sierra, arguably the movie that launched Humphrey Bogart from a Warner Bros. background player in the ’30s to superstardom in the ’40s. A violent criminal with an earnest streak, Roy Earle was the ideal role for Bogie to transition from the secondary sniveling bastard in movies like The Petrified Forest and The Roaring Twenties to the tilted-hat heroes we love in The Maltese Falcon, Casablanca, and more.
Clint Eastwood as “The Man with No Name” in The Good, the Bad, and the Ugly
Clint Eastwood as Blondie, aka “the Man with No Name”, in The Good, the Bad, and the Ugly (1966)
Vitals
Clint Eastwood as Blondie, aka “the Man with No Name”, taciturn bounty hunter
New Mexico Territory, Spring 1862
Film: The Good, the Bad, and the Ugly
(Italian title: Il Buono, il brutto, il cattivo)
Release Date: December 23, 1966
Director: Sergio Leone
Costume Designer: Carlo Simi
Background
Today marks the 90th birthday of screen legend Clint Eastwood, born May 31, 1930, in San Francisco. (Between John Wayne on May 26, James Stewart on May 20, and Gary Cooper on May 7, there must be something about being in born in May that positions an actor for stardom in the Western genre!)
After Eastwood’s initial success on the TV series Rawhide, he traveled to Italy to star in a trio of Westerns directed by Sergio Leone, firmly establishing the significance of the “spaghetti Western”. In A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad, and the Ugly (1966), Eastwood ostensibly played a variation of the same mysterious, laconic gunfighter alternately known as Joe, Manco, or Blondie, respectively, but immortalized in cinema as “the Man with No Name.”
Bogart’s Workwear in To Have and Have Not
Humphrey Bogart as Harry Morgan in To Have and Have Not (1944)
Vitals
Humphrey Bogart as Harry Morgan, cynical fishing boat captain
Fort-de-France, Martinique, Summer 1940
Film: To Have and Have Not
Release Date: October 11, 1944
Director: Howard Hawks
WARNING! Spoilers ahead!
Background
Today in 1957, the world lost one of the most iconic actors of the classic Hollywood era with the death of Humphrey Bogart at the age of 57. In the last days of his life, Bogie was surrounded by friends and loved ones like Katharine Hepburn, Spencer Tracy, Frank Sinatra, and his loving wife, Lauren Bacall.
Bogie and Bacall had first met 14 years earlier when she was making her debut in To Have and Have Not, an adaptation of what director Howard Hawks considered to be the worst of Ernest Hemingway’s novels that would translate to the screen as a war romance full of wit, style, and intrigue in the tradition of Casablanca, the film that had cemented Bogart’s stardom two years earlier. Continue reading
Samuel L. Jackson in The Long Kiss Goodnight
Samuel L. Jackson as Mitch Henessey in The Long Kiss Goodnight (1996).
Vitals
Samuel L. Jackson as Mitch Henessey, wisecracking private detective and ex-con
New Jersey, Christmas 1996
Film: The Long Kiss Goodnight
Release Date: October 11, 1996
Director: Renny Harlin
Costume Designer: Joanna Johnston
Background
As Christmas is only two weeks away, BAMF Style is taking a look at the Die Hard-meets-The Bourne Identity holiday action flick, The Long Kiss Goodnight.
The Long Kiss Goodnight has received a generally positive reception in the 20 years since its release, but there’s one review that stands out of particular significance for this blog; in 2001, an IMDB reviewer gave the movie the top rating of 10 stars with the added note:
Saw this film on TV just now for the first time in ages and realised what makes it so good… SAMUEL L. JACKSON’S WARDROBE.
Col. Mortimer in For a Few Dollars More
An Italian poster for For a Few Dollars More (1965), featuring Lee Van Cleef as Colonel Douglas Mortimer.
Vitals
Lee Van Cleef as Douglas Mortimer, taciturn Old West bounty hunter and former U.S. Army Colonel
El Paso, Fall 1873
Film: For a Few Dollars More
Release Date: November 18, 1965
Director: Sergio Leone
Costume Designer: Carlo Simi
Background
Where life had no value, death, sometimes, had its price.
That is why the bounty hunters appeared.
…is how For a Few Dollars More introduces itself after blazing onto the screen, underlined by yet another iconic Ennio Morricone score. Clint Eastwood returns to the Sergio Leone spaghetti western scene as one of these bounty hunters, a laconic loner referred to only as “Manco”. While his dress and demeanor would imply that this was the same character he portrayed in A Fistful of Dollars the previous year, a lawsuit actually prevented Leone from using Eastwood’s “Joe” character from that film. Thus, the “Man with No Name” was born more out of legal necessity than artistic intention. Continue reading
William Holden in The Wild Bunch
William Holden as Pike Bishop in The Wild Bunch (1969).
Vitals
William Holden as Pike Bishop, grizzled bandit gang leader
Coahuila, Mexico, Spring 1913
Film: The Wild Bunch
Release Date: June 18, 1969
Director: Sam Peckinpah
Costume Designer: James R. Silke
Background
We’ve got to start thinking beyond our guns. Those days are closing fast.
…is what Pike Bishop wisely tells his men, an aging group of outlaws still anachronistically robbing banks and trains on horseback with a six-shooter on their hips. Pike knows the times are changing, and it doesn’t take a water-cooled machine gun or a Mexican general’s Packard to drive the point home to them.
Today would have been the 97th birthday of William Holden, who starred in classics like Sunset Boulevard, Stalag 17, Sabrina, The Bridge on the River Kwai before taking on the role of the anachronistically self-aware Pike Bishop. Holden was one of many actors considered by Sam Peckinpah for the role; Lee Marvin had actually been cast but then turned it down to accept the higher-paying lead in Paint Your Wagon. It turned out well for Holden, who developed the character into one of the greatest movie badasses of all time… as even that sterling news source MTV agreed. Continue reading