Tagged: Paul Newman
Paul Newman in Paris Blues
Paul Newman and Joanne Woodward, filming Paris Blues (1961)
Vitals
Paul Newman as Ram Bowen, temperamental jazz trombonist
Paris, Fall 1960
Film: Paris Blues
Release Date: September 27, 1961
Director: Martin Ritt
Background
On this day in 1958, one of the most legendary marriages in Hollywood history began when Paul Newman and Joanne Woodward tied the knot in Las Vegas, three days after his 33rd birthday. The two had met earlier that decade during a Broadway production of Picnic and reunited while filming The Long, Hot Summer for director Martin Ritt. Newman and Woodward would co-star in several subsequent movies together, but their next collaboration with their ostensible “matchmaker” Ritt was Paris Blues, adapted from Harold Flender’s 1957 novel of the same name.
The Towering Inferno: Paul Newman’s Tan Suede Jacket
Paul Newman as Doug Roberts in The Towering Inferno (1974)
Vitals
Paul Newman as Doug Roberts, ambitious architect
San Francisco, Summer 1974
Film: The Towering Inferno
Release Date: December 14, 1974
Director: John Guillermin
Costume Designer: Paul Zastupnevich
WARNING! Spoilers ahead!
Background
Alongside disco and bell-bottoms, one major cultural trend that emerged during the 1970s—for better or worse—was the disaster movie. True, the genre had existed since the early days of film, but the ’70s saw a boom in these high-budget, star-studded dramas that introduced as many calamities as the decade’s most popular celebrities could handle. After conquering air (Airport), earth (Earthquake), and water (The Poseidon Adventure), the Hollywood gods—specifically Irwin Allen—turned their attention to the one remaining element.
Thus, on the eve of National Fire Prevention Week, let’s take a look at one of the protagonists who was trapped in The Towering Inferno!
Paul Newman’s Tan Work Jacket as Butch Cassidy
Paul Newman as Butch Cassidy in Butch Cassidy and the Sundance Kid (1969)
Vitals
Paul Newman as Butch Cassidy, affable leader of the Hole-in-the-Wall bandit gang
Wyoming, Colorado, and Utah, Fall 1898
Film: Butch Cassidy and the Sundance Kid
Release Date: September 23, 1969
Director: George Roy Hill
Costume Designer: Edith Head
Background
“He speaks well and quickly, and has been all his life a leader of men; but if you asked him, he would be damned if he could tell you why,” William Goldman introduced Robert Leroy Parker in his Academy Award-winning screenplay, inspired by the true story of Parker and his partner-in-crime Harry Longabaugh… aka Butch Cassidy and The Sundance Kid, respectively. Continue reading
Hud: Paul Newman as a Cadillac-Driving Cowboy
Paul Newman in Hud (1963)
Vitals
Paul Newman as Hud Bannon, arrogant rancher’s son
Texas Panhandle, Summer 1962
Film: Hud
Release Date: May 29, 1963
Director: Martin Ritt
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
Let’s complete this #CarWeek installment by looking at the third of the “Big Three” Detroit automakers: General Motors, specifically its high-end Cadillac division that has offered luxurious American autos for nearly 120 years.
A few years before Paul Newman caught the racing bug while training for Winning at the end of the decade, the car most associated with his screen image was arguably the pink Cadillac convertible he drove as the eponymous cowboy in Hud.
Paul Newman’s 1967 Fishing Trip
Paul Newman, photographed by Mark Kauffman, 1967.
Vitals
Paul Newman, acclaimed actor, activist, and Navy veteran
Florida Keys, Summer 1967
Photographs by Mark Kaufmann
Part of BAMF Style’s Iconic Photo Series, focusing on style featured in famous photography of classic stars rather than from specific productions.
Background
June 18 is annually celebrated as “National Go Fishing Day”, an observance encouraging Americans to take some time to take a break and cast a line.
Following his acclaimed performance in Cool Hand Luke, Paul Newman turned to the comfort of rod and reel on a friend’s fishing boat off the Florida Keys. The actor was in the midst of his directorial debut—directing his wife Joanne Woodward in Rachel, Rachel—but looks as stress-free as it gets as he stands top side with a beer in one hand and rod in the other.
Paul Newman’s Glenurquhart Plaid Suit in The Color of Money
Paul Newman as “Fast Eddie” Felson in The Color of Money (1986)
Vitals
Paul Newman as “Fast Eddie” Felson, liquor salesman and former pool hustler
Chicago, Spring 1986
Film: The Color of Money
Release Date: October 17, 1986
Director: Martin Scorsese
Costume Designer: Richard Bruno
Background
Today would have been the 95th birthday of Paul Newman, the acclaimed actor, philanthropist, entrepreneur and motorsports enthusiast. Over his legendary career that spanned more than half a century, Newman’s sole Academy Award for acting recognized his performance in The Color of Money (1986), in which he reprised the role of “Fast Eddie” Felson that he had originated on screen in The Hustler (1961). Continue reading
Cool Hand Luke
Paul Newman in Cool Hand Luke (1967)
Vitals
Paul Newman as Lucas “Luke” Jackson, chain gang inmate, war veteran, and “natural-born world-shaker”
Florida Road Prison 36, summer, early 1950s
Film: Cool Hand Luke
Release Date: November 1, 1967
Director: Stuart Rosenberg
Costume Designer: Howard Shoup
Background
What we’ve got here is… failure to communicate. Some men you just can’t reach.
The iconic “failure to communicate” line in Cool Hand Luke is first uttered by Strother Martin as the stern, insensitive captain in charge of Road Prison 36 where most of the film is set. Lucas “Luke” Jackson (Paul Newman), recently sentenced to the facility after a drunken night of vandalizing parking meters, is proud to be one of the men that the captain can’t reach.
Just in time for the stifling midsummer heat, I’m focusing on Cool Hand Luke, voted one of the sweatiest movies of all time by the patrons of Cheers… in addition to various other accolades.
Torn Curtain: Paul Newman’s Charcoal Brown Flannel Suit
Paul Newman as Professor Michael Armstrong in Torn Curtain (1966)
Vitals
Paul Newman as Michael Armstrong, American physicist and amateur spy
East Berlin, September 1965
Film: Torn Curtain
Release Date: July 14, 1966
Director: Alfred Hitchcock
Costume Supervisor: Grady Hunt
WARNING! Spoilers ahead!
Background
Alfred Hitchcock’s 50th film, Torn Curtain, marked his one and only collaboration with Paul Newman. Production on the Cold War spy thriller was plagued by the veteran director clashing with his leads, unused to method actor Paul Newman’s constant questioning of his character’s motivation. “Your motivation is your salary,” Hitch reportedly replied.
The famously easygoing Newman was a little more enthusiastic, later recalling, “I think Hitch and I could have really hit it off, but the script kept getting in the way.”
Indeed, the serious political thriller was a departure from Hitchcock’s usual scripts, developed in response to the growing popularity of the James Bond franchise through the ’60s. Continue reading
Paul Newman’s Blue Suit as Harper
Paul Newman as Lew Harper in Harper (1966).
Vitals
Paul Newman as Lew Harper, wisecracking private eye
Los Angeles, Late Summer 1965
Film: Harper
Release Date: February 23, 1966
Director: Jack Smight
Background
The beginning of Harper is classic hard-boiled private eye stuff as we see our titular hero waking up in his shitty apartment cum office, pulling on his clothes, and drinking bad coffee (from a filter pulled out of the trash, no less) before slipping on his shoulder holster and heading out in his old roadster to a better part of town where the better class of people turn out to be worse in every other way. Continue reading
Paul Newman as Harper – Brown Plaid Sport Coat
Paul Newman as Lew Harper in Harper (1966).
Vitals
Paul Newman as Lew Harper, wisecracking private eye
Los Angeles, Late Summer 1965
Film: Harper
Release Date: February 23, 1966
Director: Jack Smight
Background
By the mid 1960s, Paul Newman had proved himself to be one of the most talented – and yet still down-to-earth – actors in the industry. He had racked up impressive performances in dramas like The Long Hot Summer, Cat on a Hot Tin Roof, Exodus, The Hustler, and Hud, but the world still had yet to see how well the charming blue-eyed actor could handle comedy.
Around this time, novelist and screenwriter William Goldman was desperately trying to get Ross MacDonald’s 1949 mystery novel The Moving Target turned into a film. The film rights were purchased, and Goldman completed his first ever solo screenplay, now titled Harper. Frank Sinatra was originally slated to play the protagonist, as he was looking for detective roles at the time, but the role eventually went to Newman. Continue reading