Tagged: What to Wear at Sea
The Poseidon Adventure: Gene Hackman’s New Year’s Eve Turtleneck
Vitals
Gene Hackman as Reverend Frank Scott, fiery, independent-minded minister
aboard the S.S. Poseidon en route Athens, New Year’s Eve 1972
Film: The Poseidon Adventure
Release Date: December 12, 1972
Director: Ronald Neame
Costume Designer: Paul Zastupnevich
Background
Happy New Year’s Eve… and #TurtleneckThursday? After this disaster of a year, I can’t think of a better movie to bid good riddance to 2020 than one of the most famous disaster movies of the ’70s.
Produced by “Master of Disaster” Irwin Allen, The Poseidon Adventure followed the Airport template of a star-studded cast fighting to survive a perilous disaster while tackling their own personal issues. While Airport had originated the disaster film boom of the ’70s, The Poseidon Adventure proved its enduring box office power, recouping more than 25 times its initial budget and paving the way for a decade’s worth of similar stories set amidst tropical storms, within fire-prone skyscrapers, and even aboard a famous airship.
Unlike the ill-fated Titanic which sank during its maiden voyage in 1912, the fictional S.S. Poseidon—partially filmed aboard the decommissioned Cunard liner RMS Queen Mary—is making one last run before it will be scrapped in Athens. The cautious Captain Harrison (Leslie Nielsen) finds his authority challenged by the ship’s aggressive owner Linarcos (Fred Sadoff), establishing the dangers of hubris that would remain a consistent theme throughout the disaster sub-genre.
Down in the ship’s elegant dining room, the Poseidon‘s glamorous passengers are celebrating New Year’s Eve amidst their own personal dramas or crises of faith. Seated at the captain’s table are New York detective Mike Rogo (Ernest Borgnine), his ex-prostitute wife Linda (Stella Stevens), and Reverend Frank Scott (Gene Hackman), a controversial cleric yet popular passenger who had captivated a congregation earlier that day with his religious philosophy said to be based on director Ronald Neame’s own hybrid of Christian, Buddhist, and New Age spiritualist beliefs.
While the champagne pops and auld acquaintances be forgot, the crew learns of a massive undersea earthquake that results in a rare wave that strikes the ship broadside, capsizing the S.S. Poseidon and quite literally turning the lives of its passengers upside down.
We’re floating upside-down… we’ve gotta climb up.
The Snows of Kilimanjaro: Gregory Peck’s White Riviera Resortwear
Vitals
Gregory Peck as Harry Street, expatriate writer and former newspaper reporter
French Riviera (Côte d’Azur), Summer 1936
Film: The Snows of Kilimanjaro
Release Date: September 17, 1952
Director: Henry King
Wardrobe Supervisor: Charles Le Maire
Background
Despite its wintry title, The Snows of Kilimanjaro was expanded significantly from Ernest Hemingway’s original short story for Henry King’s lush 1952 cinematic adaptation, featuring plenty of summertime fun in Côte d’Azur during its prewar heyday.
The rest of the world may have been suffering from the Great Depression, but Papa surrogate Harry Street has risen to literary stardom and is now living la belle vie, adrift in the Mediterranean while his latest paramour “Frigid Liz, the semi-iceburg of the semi-tropics” frolics in the warm sea around him. Though lovely, Countess Elizabeth (Hildegard Knef) is hardly the treasured Cynthia (Ava Gardner), and Harry admits he’s only attracted to Liz for her elusive qualities, describing in Papa-esque prose that “she was something to hunt down and trap and capture.”
In addition to today being the birthday of Ernest Hemingway, who entered the world July 21, 1899, today is also my 31st birthday!
Humphrey Bogart in Key Largo
Vitals
Humphrey Bogart as Frank McCloud, taciturn war veteran and former newspaperman
Key Largo, Florida, Summer 1948
Film: Key Largo
Release Date: July 16, 1948
Director: John Huston
Wardrobe Credit: Leah Rhodes
WARNING! Spoilers ahead!
Background
Released today in 1948, John Huston’s moody noir Key Largo marked the fourth and final of Bogie and Bacall’s on-screen collaborations, closing out their celluloid romance the way it began in To Have and Have Not (1944) with a talent-packed cast (including Dan Seymour as a heavy heavy) in a tropical locale shrouded in shadows, storms, and gunplay. The claustrophobia of our characters’ forced isolation against the looming summer storm outside and the raging tension inside made it particularly impactful viewing during months in lockdown.
Tony Soprano’s Yachting Clothes in “Funhouse”
Vitals
James Gandolfini as Tony Soprano, New Jersey mob boss
New Jersey, Spring 2000
Series: The Sopranos
Episode: “Funhouse” (Episode 2.13)
Air Date: April 9, 2000
Director: Alan Taylor
Creator: David Chase
Costume Designer: Juliet Polcsa
WARNING! Spoilers ahead!
Background
Things are good. What the fuck?
Tony Soprano can’t quite seem to believe his luck at the outset of “Funhouse”, the iconic second season finale that aired 20 years ago tonight and is considered to be among The Sopranos‘ finest hours.
All of Tony’s enemies have been vanquished in one way or another, he’s making boatloads of cash due to a lucrative calling card scam, and his daughter is graduating from high school with a promising future at a number of prestigious colleges. And yet, there’s something nagging at Tony Soprano… and it isn’t just the unfamiliar combination of a full Indian dinner followed by Artie Bucco’s potentially tainted zuppa di mussels that’s troubling his stomach.
Steve McQueen’s Navy Uniforms in The Sand Pebbles
Vitals
Steve McQueen as Jake Holman, maverick U.S. Navy Machinist’s Mate, 1st Class (MM1)
Yangtze River, China, Summer 1927 through Spring 1927
Film: The Sand Pebbles
Release Date: December 20, 1966
Director: Robert Wise
Costume Design: Wingate Jones, John Napolitano, Bobbie Read, and James W. Tyson
WARNING! Spoilers ahead!
Background
The Navy League of the United States organized the first Navy Day on October 27, 1922, to commemorate the birthday of Theodore Roosevelt who—before becoming the 26th President of the United States—had long championed the U.S. Navy and had served as Assistant Secretary of the Navy. Set four years after the establishment of Navy Day, The Sand Pebbles begins in 1926 China, “a country of factions trying to unite to become a nation… through revolution…” according to the opening text. Continue reading
Bogart’s Nautical Blazer and Cap in To Have and Have Not
Vitals
Humphrey Bogart as Harry Morgan, cynical fishing boat captain
Fort-de-France, Martinique, Summer 1940
Film: To Have and Have Not
Release Date: October 11, 1944
Director: Howard Hawks
WARNING! Spoilers ahead!
Background
Today is the 75th anniversary of the release of To Have and Have Not, the romantic adventure directed by Howard Hawks and adapted from Ernest Hemingway’s novel that staged the first meeting of iconic classic Hollywood couple Humphrey Bogart and Lauren Bacall.
The Lady Eve: Henry Fonda’s White Sports Coat
Vitals
Henry Fonda as Charles “Hopsie” Pike, brewery heir and ophidiologist
SS Southern Queen, sailing north from South America,
August 1940
Film: The Lady Eve
Release Date: February 25, 1941
Director: Preston Sturges
Costume Designer: Edith Head
Men’s Wardrobe: Richard Bachler
Background
Last year on my girlfriend’s birthday, my commemorative BAMF Style post explored Henry Fonda’s summer-friendly formal wear in The Lady Eve, the romantic screwball comedy that I first discovered with her family. I’ve thus chosen to dive back into this classic directed by Preston Sturges (who would have turned 121 years old yesterday!) with another look at Fonda’s attire, this time a more casual ensemble as his character Charles “Hopsie” Pike romances Barbara Stanwyck at sea: “You have the darndest way of bumping a fellow down and bouncing him up again.” Continue reading
Alain Delon’s Black Linen Shirt in Purple Noon
Vitals
Alain Delon as Tom Ripley, charming American con artist and sophisticated sociopath
on Mediterranean Sea off Italy, August 1959
Film: Purple Noon
(French title: Plein soleil)
Release Date: March 10, 1960
Director: René Clément
Costume Designer: Bella Clément
WARNING! Spoilers ahead!
Background
As I leave for my annual week at the beach tomorrow, I’ll be hoping to channel the style—if not the discomfort and petty cruelty—of the idyllic-looking, sun-drenched Mediterranean voyage where sociopathic American con man Tom Ripley (Alain Delon) forms an uncomfortable seagoing trio with the brash, arrogant playboy Philippe Greenleaf (Maurice Ronet) and Philippe’s demure girlfriend Marge (Marie Laforêt). Continue reading
The Lady Eve: Henry Fonda’s White Dinner Jacket
Vitals
Henry Fonda as Charles “Hopsie” Pike, brewery heir and ophidiologist
SS Southern Queen, sailing north from South America,
August 1940
Film: The Lady Eve
Release Date: February 25, 1941
Director: Preston Sturges
Costume Designer: Edith Head
Men’s Wardrobe: Richard Bachler
Background
To celebrate the birthday today of my wonderful, patient, and charming girlfriend, I’d like to highlight the elegant evening wear worn by Henry Fonda in The Lady Eve, a classic screwball comedy that I first discovered with her family. Continue reading
Purple Noon: The Batik Shirt
Vitals
Alain Delon as Tom Ripley, charming American con artist and sophisticated sociopath
Italy, August 1959
Film: Purple Noon
(French title: Plein soleil)
Release Date: March 10, 1960
Director: René Clément
Costume Designer: Bella Clément
WARNING! Spoilers ahead!
Background
Purple Noon, released in France as Plein soleil, was the first cinematic adaptation of Patricia Highsmith’s 1955 psychological thriller The Talented Mr. Ripley. Released five years after Highsmith’s novel was published, the film shot 24-year-old Alain Delon to stardom as the charming sociopath who envies the luxurious lifestyle of expatriate playboy Philippe Greenleaf (Maurice Ronet).