Tagged: Fall
McQ’s Navy Blazer and 1973 Trans Am
John Wayne as Det. Lon “McQ” McHugh in McQ (1973), armed in front of his 1973 Pontiac Firebird Trans Am.
Vitals
John Wayne as Lon “McQ” McHugh, taciturn Seattle PD lieutenant
Seattle, Fall 1973
Film: McQ
Release Date: February 6, 1974
Director: John Sturges
Wardrobe Credit: Luster Bayless
Background
It’s no Hollywood secret that McQ was originally developed as a vehicle for Steve McQueen. Five years after McQueen sat behind the wheel of a hunter green Mustang GT390 careening through the streets of San Francisco in Bullitt, the role of gruff Seattle police lieutenant Lon McHugh was retooled for screen legend John Wayne, who took on his first detective role at the age of 66.
Wayne, whose entire left lung had been surgically removed after a bout with cancer a decade earlier, could only walk short distances without needing oxygen – much to the chagrin of director John Sturges – but still turned in a surprisingly energetic performance as a cop who combines Dirty Harry’s stubborn grit with Bullitt’s propensity toward speeding around the city in a sporty dark green American muscle car. Continue reading
Chinatown – J.J. Gittes’ Light Gray Suit
Jack Nicholson on set as J.J. Gittes in Chinatown (1974)
Vitals
Jack Nicholson as J.J. Gittes, private investigator and ex-policeman
Los Angeles, September 1937
Film: Chinatown
Release Date: June 20, 1974
Director: Roman Polanski
Costume Designer: Anthea Sylbert
WARNING! Spoilers ahead!
Background
Now that summer is upon us in the Northern Hemisphere, it’s high time to make sure that you’ve got some duds in your closet that are as appropriate for a day at the office as they are for the sunniest season.
A self-employed gumshoe like J.J. Gittes calls his own shots. As Chinatown is set in 1937, suits were de rigeur for men, but Gittes is hardly the type to rely on the gray flannel suit trope, especially in the sunny southern California locales. Continue reading
Bugsy Siegel’s Glen Plaid Double-Breasted Suit
Warren Beatty as Benjamin “Bugsy” Siegel in Bugsy (1991). Photo sourced from Getty Images.
Vitals
Warren Beatty as Benjamin “Bugsy” Siegel, “celebrity” gangster and casino builder
New York, Summer 1945, and
Beverly Hills, December 1946
WARNING! Spoilers ahead!
Film: Bugsy
Release Date: December 13, 1991
Director: Barry Levinson
Costume Designer: Albert Wolsky
Background
Bugsy is an entertaining and stylish drama penned by James Toback, transforming the violent mobster in a suave and romantic visionary much as the real life gangster himself tried to reinvent his persona after moving out to the West Coast, choosing to rub elbows with the likes of George Raft, Gary Cooper, and Cary Grant rather than his old associates like Dutch Schultz, Lucky Luciano, and Joe Adonis. Continue reading
Spectre – Bond’s Navy Suit
Daniel Craig as James Bond in Spectre (2015).
Vitals
Daniel Craig as James Bond, British government agent
Morocco, November 2015
Film: Spectre
Release Date: October 25, 2015
Director: Sam Mendes
Costume Designer: Jany Temime
WARNING! Spoilers ahead!
Background
For Ian Fleming’s upcoming birthday on May 28, BAMF Style is taking a look at a navy suit worn by Daniel Craig in Spectre… the closest approach to Fleming’s outlined sartorial vision for James Bond’s business dress since Sean Connery in You Only Live Twice (link).
Through the course of his Bond books, Fleming had often stipulated a dark blue suit of tropical weight worsted or serge, worn with a white short-sleeved shirt, black knit tie, and black moccasin slip-ons. The filmmakers discarded the exact details (like Fleming’s preferred short-sleeve shirts) but adapted the outfit’s simplicity into the agent’s on-screen style.
More than 60 years after Fleming drafted his first manuscript for Casino Royale on a typewriter in Jamaica, Daniel Craig’s James Bond allows himself to be lured into a trap set by his oldest enemy, Ernst Stavro Blofeld (Christoph Waltz), who reveals himself to be “the author of all your pain.” Continue reading
Cary Grant’s Casual Shirt in North by Northwest
Cary Grant as Roger Thornhill in North by Northwest (1959)
Vitals
Cary Grant as Roger O. Thornhill, Madison Avenue ad man mistaken for an international spy
Mount Rushmore, Fall 1958
Film: North by Northwest
Release Date: July 28, 1959
Director: Alfred Hitchcock
Wardrobe Department: Harry Kress
WARNING! Spoilers ahead!
Background
Appropriately timed for Casual Friday, today’s post examines the off-the-rack casual duds that Cary Grant’s “mistaken man” Roger O. Thornhill wears during the climactic chase across Mount Rushmore during the film’s finale. Continue reading
Ricky Roma’s Cream Pinstripe Silk Suit
Al Pacino as Ricky Roma in Glengarry Glen Ross (1992)
Vitals
Al Pacino as Ricky Roma, ace real estate closer
New York (or maybe Chicago…), September 1992
Film: Glengarry Glen Ross
Release Date: October 2, 1992
Director: James Foley
Costume Designer: Jane Greenwood
Background
This is a big week for iconic actor birthdays! Today is the 77th birthday of Al Pacino, born April 25, 1940 in New York.
After a dormant post-Scarface career through most of the ’80s, Pacino shot back onto the screen in the following decade, returning to the part that made him famous as Michael Corleone in The Godfather Part III and taking on the role of confident and cut-throat real estate salesman Richard Roma in Glengarry Glen Ross from a screenplay adapted by David Mamet of his own Pulitzer- and Tony-winning 1984 play. Continue reading
Sweet Smell of Success – J.J.’s Flannel Suit
Burt Lancaster as J.J. Hunsecker in a colorized photo from Sweet Smell of Success (1957)
Vitals
Burt Lancaster as J.J. Hunsecker, powerful and domineering newspaper columnist
New York City, Fall 1956
Film: Sweet Smell of Success
Release Date: June 27, 1957
Director: Alexander Mackendrick
Costume Designer: Mary Grant
Background
One of my favorite movies is Sweet Smell of Success, the atmospheric film noir starring Burt Lancaster as a Walter Winchell-like columnist and Tony Curtis as the opportunistic young PR flack desperate to get in good with him.
Ernest Lehman, who contributed to the screenplay based on his own novelette, declined to direct the film due to his fear of Lancaster, but the actor’s aggressive and volatile temperament paid off to create the needed aura of his intimidating character, the sort of man who could and would destroy an enemy’s career on a whim. Continue reading
