Tagged: Fall
Gerald Mohr’s Flight Jacket in Guns, Girls, and Gangsters
Gerald Mohr in Guns, Girls, and Gangsters (1959)
Vitals
Gerald Mohr as Chuck Wheeler, slick armed robber and ex-convict
December 1958 to January 1959, Nevada/California state line
Film: Guns, Girls, and Gangsters
Release Date: January 1959
Director: Edward L. Cahn
Men’s Costumes: Einar Bourman
WARNING! Spoilers ahead!
Background
“Noirvember” continues with a post from the lean and lurid 1959 noir Guns, Girls, and Gangsters starring Gerald Mohr, a prolific mid-century actor who died 58 years ago today on November 9, 1968. Despite a relatively brief career, Mohr’s acting credits include more than a hundred half-hour radio plays as Raymond Chandler’s iconic private eye Philip Marlowe. Also starring Mamie Van Doren and Lee Van Cleef, Guns, Girls, and Gangsters pits Mohr on the other side of the law as Chuck Wheeler, described by the film’s insipid narration as “known to the police as a slick and ingenious crook.” Continue reading
The Omen: Gregory Peck’s Green Corduroy Suit
Gregory Peck in The Omen (1976)
Vitals
Gregory Peck as Robert Thorn, American ambassador to the United Kingdom
England and Rome, Fall 1975
Film: The Omen
Release Date: June 6, 1976
Director: Richard Donner
Wardrobe Supervisor: Tiny Nicholls
Tailor: H. Huntsman & Sons, London
WARNING! Spoilers ahead!
Background
With Halloween just around the corner, there’s no better time to revisit Richard Donner’s 1976 supernatural horror classic The Omen, which marked its 50th anniversary earlier this year on June 6th—a date whose devilish numerical significance aligns with the opening scene in Rome, where American diplomat Robert Thorn (Gregory Peck) learns that his wife Katharine (Lee Remick) gave birth to a son who died shortly after birth. At the urging of a hospital chaplain, he secretly adopts another infant born that same morning, allowing Katherine to believe the child is her own. The couple names the boy Damien, and for the next five years, their seemingly idyllic family life conceals the horrifying truth about their son’s origins.
As a series of increasingly disturbing incidents and the warnings of a mysterious Catholic priest suggest that Damien may be the Antichrist, Robert begins to question everything he knows about his son. After a terrifying encounter with Damien leaves Katherine hospitalized following a miscarriage, Robert joins photographer Keith Jennings (David Warner) on a journey back to Rome to uncover the truth behind Damien’s birth. Continue reading
The Exorcist: Father Karras’ Off-Duty Georgetown Jacket and Fall Layers
Jason Miller as Fr. Karras in The Exorcist (1973)
Vitals
Jason Miller as Fr. Damien Karras, Jesuit psychiatrist and—according to at least one demonic entity—”faithless slime”
Washington, D.C., Fall 1972
Film: The Exorcist
Release Date: December 26, 1973
Director: William Friedkin
Costume Designer: Joseph Fretwell III
WARNING! Spoilers ahead!
Background
Progressing deeper through spooky season toward Halloween, let’s look at some understated style in William Friedkin’s 1973 horror classic The Exorcist. Playwright and actor Jason Miller made his Academy Award-nominated screen debut as Damien Karras, SJ, the theological psychiatrist summoned to exorcise a demon from the 12-year-old Regan MacNeil (Linda Blair).
A landmark in legitimatizing the horror genre, The Exorcist received ten Oscar nominations including Best Picture and Best Supporting Actor for Miller. Miller’s own experience likely informed his performance as he graduated from the Jesuit-run University of Scranton before dropping out of his studies at the Catholic University of America. He soon found success in theater, where he caught Friedkin’s eye for the role of Father Karras—reportedly beating out ’70s screen giants Paul Newman, Jack Nicholson, and Stacy Keach (who had actually been hired for the part). Even after his Oscar-nominated success, Miller preferred to continue working in regional theater
What’d He Wear?
Georgetown mother Chris MacNeil (Ellen Burstyn) desperately tries to talk Father Karras into exorcising her daughter, but he’s skeptical that she’s actually possessed by a demon—until realizing that Regan shouldn’t have known that he was a priest given his lack of clerical garb when they first meet. Indeed, Karras looks more transplanted from the world of sports than spirituality given his bright royal-blue nylon coach’s jacket paired with smart casual fall layers. Continue reading
Laurence Olivier’s Tailored Shades of Gray in Marathon Man
Laurence Olivier in Marathon Man (1976)
Vitals
Laurence Olivier as Dr. Christian Szell, escaped war criminal aka “Christopher Hess”
New York City, Fall 1975
Film: Marathon Man
Release Date: October 8, 1976
Director: John Schlesinger
Costume Credit: Robert De Mora
WARNING! Spoilers ahead!
Background
One of the defining paranoid thrillers of the ’70s, Marathon Man was released 50 years ago today on October 8, 1976 and has spent the subsequent half-century spreading as much positive PR for dentistry as Psycho did for showers.
Adapted by William Goldman from his novel of the same title, Marathon Man follows Columbia grad student “Babe” Levy (Dustin Hoffman), who falls teeth-first into a scheme involving escaped Nazi war criminal Christian Szell (Laurence Olivier) and his cache of diamonds obtained by trading the gold fillings he extracted from Holocaust victims. Babe’s unwitting involvement culminates in Szell’s famously gruesome orthodontic torture as the doctor attempts to learn where the diamonds have been hidden. Continue reading
Written on the Wind: Rock Hudson’s Beige Tweed Jacket for a Fall Picnic
Rock Hudson and Dorothy Malone in Written on the Wind (1956)
Vitals
Rock Hudson as Mitch Wayne, oil company geologist
Texas, Fall 1956
Film: Written on the Wind
Release Date: October 5, 1956
Director: Douglas Sirk
Costume Designer: Bill Thomas (credited for gowns)
WARNING! Spoilers ahead!
Background
German-born director Douglas Sirk’s third in a trio of lushly photographed melodramas starring Rock Hudson, Written on the Wind, premiered in London seventy years ago this week on October 5, 1956.
This Southern Gothic melodrama follows a Texas oil dynasty, adapted from Robert Wilder’s 1946 novel of the same name—a roman à clef inspired by the scandal surrounding torch singer Libby Holman and the mysterious 1932 death of her tobacco-heir husband, Zachary Smith Reynolds, at his family’s estate. Threats from the Reynolds family kept a film adaptation out of production for a decade, until screenwriter George Zuckerman transplanted the drama from a North Carolina tobacco dynasty to a Texas oil family, evidently distancing it enough from its real-life inspiration for production to proceed.
Zuckerman and Sirk’s narrative centers on the family of oil baron Jasper Hadley (Robert Keith), including his irresponsible playboy son Kyle (Robert Stack) and self-destructive daughter Marylee (Dorothy Malone, who won the Academy Award for her performance). Both grew up alongside Mitch Wayne (Rock Hudson), an honest, hardworking geologist who remains employed by the family and earns Jasper’s admiration for his work ethic. While Marylee lusts after Mitch, Mitch longs for Lucy (Lauren Bacall), a company secretary whom Kyle impulsively marries after meeting her on a business trip.
Despite all the romantic turmoil, Mitch does find time for a covert lunch among the fall foliage with Marylee, who jokes, “There’s nothing like a picnic! I’ve brought everything but rain and ants.” Continue reading
The Four Seasons: Alan Alda’s Fall Soccer Sweatshirt and Wranglers
Alan Alda in The Four Seasons (1981)
Vitals
Alan Alda as Jack Burroughs, married lawyer
Connecticut, Fall 1980
Film: The Four Seasons
Release Date: May 22, 1981
Director: Alan Alda
Costume Designer: Jane Greenwood
WARNING! Spoilers ahead!
Background
The start of each new season this year tends to send me back to The Four Seasons for content. Written and directed by Alan Alda, this 1981 comedy follows three couples on their seasonal group trips as they navigate their own complicated relationships.
Alda stars as Jack Burroughs, stably centered in a marriage with Kate (Carol Burnett), who typically plans each vacation. The fall trip follows the Burroughses and their four friends up to Connecticut for Parents’ Weekend with two of their daughters who are enrolled in the same college, resulting in a hyper-competitive soccer game which reveals a deeper conflict within the group, from Jack’s anger at the womanizing Nick (Len Cariou) to Kate’s resentment at having to plan each trip. Continue reading
When Harry Met Sally: Billy Crystal’s Field Jacket as Harry
Billy Crystal in When Harry Met Sally… (1989)
Vitals
Billy Crystal as Harry Burns, sarcastic political consultant and recent divorcée
New York City, Fall 1988
Film: When Harry Met Sally…
Release Date: July 14, 1989
Director: Rob Reiner
Costume Designer: Gloria Gresham
WARNING! Spoilers ahead!
Background
Rob Reiner’s 1989 romantic comedy When Harry Met Sally is often (deservedly) included on lists compiling the greatest fall movies. As tomorrow will be the first day of autumn here, I return to my own frequent celebration of Billy Crystal’s fall wardrobe as Harry—specifically during his fateful visit to comfort Sally (Meg Ryan) at her apartment after she learns that her ex-boyfriend is getting married. Continue reading
Wild at Heart: Nicolas Cage’s Snakeskin Jacket as Sailor Ripley
Nicolas Cage as Sailor Ripley in Wild at Heart (1990)
Vitals
Nicolas Cage as Sailor Ripley, an A #1-certified manslaughterer who just broke parole
Cape Fear to Texas via New Orleans, Fall 1989
Film: Wild at Heart
Release Date: August 17, 1990
Director: David Lynch
Costume Designer: Amy Stofsky
WARNING! Spoilers ahead!
Background
This week continues to explore unconventional style from David Lynch movies with a long-overdue look at Nic Cage’s snakeskin jacket as the swaggering Sailor Ripley in Wild at Heart, Lynch’s darkly comic adaptation of Barry Gifford’s 1989 novel of the same name. The film premiered at the 1990 Cannes Film Festival where it garnered some controversy for winning the Palme d’Or, three months prior to its wider North American release in August 1990.
Specifically considered for the role after Lynch read Gifford’s novel, Cage described Sailor as “a kind of romantic Southern outlaw,” reunited with his girlfriend Lula Fortune (Laura Dern) after spending 22 months and 18 days in the Pee Dee Correctional Institution for fatally defending himself—and Lula’s honor—against an attacker hired by Lula’s domineering mama Marietta (Dern’s real-life mother Diane Ladd) after Sailor spurned her drunken advances. Two years has done little to dampen Marietta’s dislike for Sailor, who again sends paid killers on Sailor’s trail as he and Lula flee Cape Fear on their way west to sunny California. Continue reading
The Sopranos: Paulie Walnuts’ Black-and-Blue Givenchy Tracksuit
Tony Sirico as “Paulie Walnuts” Gualtieri on The Sopranos (Episode 1.13: “I Dream of Jeannie Cusamano”)
Vitals
Tony Sirico as “Paulie Walnuts” Gualtieri, mob enforcer and Army veteran
New Jersey, Fall 1998
Series: The Sopranos
Episode: “I Dream of Jeannie Cusamano” (Episode 1.13)
Air Date: April 4, 1999
Director: John Patterson
Creator: David Chase
Costume Designer: Juliet Polcsa
WARNING! Spoilers ahead!
Background
One of my closest friends recently started watching The Sopranos for the first time, and our conversations as she makes her way through the first season inspired me to revisit the signature style of my all-time favorite series. Her progress toward the season finale reminded me of one of my favorite sequences, balancing the show’s casual brutality with equally casual absurdity.
After a season spent making life difficult—and more obnoxious—for New Jersey mob boss Tony Soprano, Uncle Junior’s scuzzy consigliere Mikey Palmice (Al Sapienza) finds his morning jog turned into a literal run for his life as Soprano enforcers Paulie Walnuts (Tony Sirico) and Christopher Moltisanti (Michael Imperoli) chase him through the autumnal suburban woods. Peppered with fatal 9mm rounds, Mikey isn’t the only casualty of the aftenroon as poor Paulie also comes away from the hit with a mild case of poison ivy. Continue reading
Tim Curry’s Safari Style in Congo
Tim Curry as Herkermer Homolka in Congo (1995)
Vitals
Tim Curry as Herkermer Homolka, desperate Romanian treasure-hunter
Central Africa, Fall 1994
Film: Congo
Release Date: June 9, 1995
Director: Frank Marshall
Costume Designer: Marilyn Matthews
WARNING! Spoilers ahead!
Background
After last week’s back-to-back losses of Dolly Parton and Tim Curry, my Letterboxd has been ablaze with fans rewatching 9 to 5, Clue, Steel Magnolias, and The Rocky Horror Picture Show. While I’ve seen all but the latter (which seems best experienced among a knowing theater audience), I wanted to tackle my own blind spots in these legends’ filmographies… which led me to the Razzie-nominated Congo, adapted from Michael Crichton’s novel of the same name.
A characteristic survival adventure from director Frank Marshall, Congo follows an expedition led by a talking gorilla (“I know it’s not Mr. Ed”) into the Congolian rainforest in search of a communications team who disappeared near the “Lost City of Zinj”. The movie likely deserved many of its negative reviews at the time of its release, with at least some admitting its goofy camp makes it a fun watch. And with a cast that includes Laura Linney, Ernie Hudson, Joe Don Baker, Bruce Campbell, Adewale Akinnuoye-Agbaje, Delroy Lindo, Joey Pants, Jimmy Buffett, and Tim Curry… of course it does.
Curry delightfully chews the scenery (and sesame cake) as Herkermer Homolka, “formerly of Romania, free from the chains of Ceaușescu, traveling the world and doing good.” This last bit of his introduction rightly comes into question until Hudson’s Errol Flynn-esque guide Monroe Kelly clarifies that “he is a Romanian and he has done a lot of good… but mostly for Mr. Homolka.” Continue reading
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