Tagged: Robert De Niro
The Godfather, Part II: De Niro’s Blue Two-Toned Shirt as Young Vito
Robert De Niro as Vito Corleone in The Godfather, Part II (1974)
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Robert De Niro as Vito Corleone, née Andolini, Sicilian-born immigrant-turned-gangster
New York City, Summer 1917 to Spring 1920
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
On screen legend Robert De Niro’s 80th birthday, today’s post revisits his star-making, Oscar-winning role as the young Vito Corleone in The Godfather, Part II.
Born August 17, 1943, De Niro’s birthday falls the day after the traditional August 16th observance of the Feast of San Rocco—the backdrop of the young Vito’s 1917 assassination of Black Hand extortionist Don Fanucci (Gastone Moschin) that propels his gangland ascension. Continue reading
Raging Bull: De Niro’s Two-Tone Loafer Jacket
Robert De Niro in Raging Bull (1980)
Vitals
Robert De Niro as Jake LaMotta, ambitious middleweight boxing contender
The Bronx, Summer 1941
Film: Raging Bull
Release Date: December 19, 1980
Director: Martin Scorsese
Costume Design: John Boxer & Richard Bruno
Background
Today would have been the 100th birthday of Jake LaMotta, the tough middleweight boxer born July 10, 1922 who was cinematically immortalized by Robert De Niro’s Oscar-winning performance in Raging Bull. Now considered one of the best movies ever made, Raging Bull was adapted by Paul Schrader and Mardik Martin from LaMotta’s similarly titled autobiography, inspired by his own nickname “the Bronx Bull”. Continue reading
The Irishman: De Niro’s Golden Suit
Robert De Niro as Frank Sheeran filming The Irishman (2019)
Vitals
Robert De Niro as Frank “the Irishman” Sheeran, tough Mafia enforcer
New Castle, Delaware, Summer 1962
Film: The Irishman
Release Date: November 1, 2019
Director: Martin Scorsese
Costume Design: Sandy Powell & Christopher Peterson
Tailor: Leonard Logsdail
Background
I recently had the pleasure to rejoin my friends Pete Brooker and Ken Stauffer (@oceansographer) on Pete’s podcast From Tailors With Love, discussing The Irishman with master tailor Leonard Logsdail, who crafted many suits for the movie’s principals.
While recording the episode—released today and available to download via iTunes, Stitcher, and Spotify—I had the opportunity to ask Leonard firsthand about one of my favorite sartorial moments from the film, the gold-suited reveal of a newly elevated Frank Sheeran as president of his local union, Teamsters #326, headquartered about 40 miles southwest of Philadelphia in New Castle, Delaware.
The Irishman dramatizes the decades-long association between Sheeran, labor leader Jimmy Hoffa, and the mob, uniting cinematic tough guys Robert De Niro, Al Pacino, Joe Pesci, and Harvey Keitel with director Martin Scorsese in a movie that’s less a flashy chronicle of mob history (like Goodfellas and Casino) and more a meditation on age and loyalty in a violent world. Continue reading
The Irishman: De Niro’s Mob Hit Leather Jacket
Robert De Niro as Frank Sheeran in The Irishman (2019)
Vitals
Robert De Niro as Frank “the Irishman” Sheeran, tough Mafia enforcer
New York City, Spring 1972
Film: The Irishman
Release Date: November 1, 2019
Director: Martin Scorsese
Costume Design: Sandy Powell & Christopher Peterson
Background
Fifty years ago tonight, Mafia violence shook the streets of New York City when dangerous mobster “Crazy Joe” Gallo was shot and killed while celebrating his 43rd birthday with his family at Umbertos Clam House on Mulberry Street.
The most widely accepted facts attribute the slaying to four associates of the Colombo crime family, in retaliation for their suspicions that Gallo had ordered the attempted assassination of boss Joseph Colombo during an Italian-American Civil Rights League rally the previous June. Gallo’s widow recalled multiple men of short stature and likely Italian descent storming the Mulberry Street restaurant, where more than 20 shots were fired at her husband, who staggered onto the sidewalk and died shortly before 5:30 a.m. on April 7, 1972.
However, Charles Brandt’s nonfiction best-seller I Heard You Paint Houses includes an explosive claim by labor official and mob hitman Frank Sheeran that he alone was responsible for the hit. Continue reading
Once Upon a Time in America: De Niro’s Herringbone for a Heist
Robert De Niro as David “Noodles” Aaronson in Once Upon a Time in America (1984)
Vitals
Robert De Niro as David “Noodles” Aaronson, mob bootlegger and ex-convict
Detroit, Fall 1932
Film: Once Upon a Time in America
Release Date: May 23, 1984
Director: Sergio Leone
Costume Designer: Gabriella Pescucci
Background
After premiering at Cannes in May and undergoing a truncated release stateside that summer, Sergio Leone’s controversial mob saga Once Upon a Time in America was finally released in the Italian-born director’s home country on this day in 1984. Leone’s final film, and the first he had directed in 13 years, Once Upon a Time in America marked the conclusion to his unofficial “Once Upon a Time…” trilogy.
Robert De Niro in Midnight Run
Robert De Niro as Jack Walsh in Midnight Run (1988)
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Robert De Niro as Jack Walsh, tough bounty hunter
New York to Los Angeles, Fall 1987
Film: Midnight Run
Release Date: July 20, 1988
Director: Martin Brest
Costume Designer: Gloria Gresham
WARNING! Spoilers ahead!
Background
“This is an easy gig, it’s a midnight run for chrissakes!”
Bounty hunter Jack Walsh has withstood plenty of action and abuse tracking down fugitives for bail bondsman Eddie Moscone (Joe Pantoliano), but the inherent danger of bringing in Jonathan “The Duke” Mardukas (Charles Grodin), an accountant in the crosshairs of the Mafia, has Jack demanding $100,000 for the job. A pro, Jack has an easy enough time finding the Duke in New York, but bringing him back to L.A. and his hundred-grand payday brings a fresh set of challenges between the Duke’s reluctance to fly, the interference of the FBI, a rival bounty hunter sabotaging him at each step, and—oh!—a couple of deadly doofuses sent by the mob to whack the Duke… and anyone who gets in their way.
The Irishman: De Niro’s Burgundy Christmas Blazer
Robert De Niro flanked by co-star Stephanie Kurtzuba and director Martin Scorsese on the set of The Irishman (2019)
Vitals
Robert De Niro as Frank “the Irishman” Sheeran, tough Mafia enforcer
Philadelphia, Christmas 1960
Film: The Irishman
Release Date: November 1, 2019
Director: Martin Scorsese
Costume Design: Sandy Powell & Christopher Peterson
Tailor: Leonard Logsdail
Background
Last year’s holiday season, there was plenty of buzz around The Irishman, Martin Scorsese’s latest mob epic which had been released to Netflix following a brief limited theatrical run. At 209 minutes, The Irishman clocked in as Scorsese’s longest movie to date, following real-life enforcer Frank Sheeran (Robert de Niro) through his connections to the mob via Philadelphia boss Russell Bufalino (Joe Pesci) and his friendship with outspoken labor leader Jimmy Hoffa (Al Pacino).
Everything seems to change for the boys after the Kennedy administration puts the mob in the government’s crosshairs, but they get one final moment of peace at Christmas 1960, just less than a month before JFK would take office. Frank and Russell gather with their families for an intimate holiday celebration where the only real tension is Frank’s 11-year-old daughter Peggy withholding her affection for the Bufalino patriarch, refusing to see him as a benevolent “Uncle Russell” despite his Christmas gift of skates lined with a C-note.
On #MafiaMonday with just a week until Christmas, let’s look a little deeper at Frank Sheeran’s seasonal style during this brief holiday scene. Continue reading
Goodfellas: 30 Significant Style Moments
Vitals
Film: Goodfellas
Release Date: September 19, 1990
Director: Martin Scorsese
Costume Designer: Richard Bruno
WARNING! Spoilers ahead!
Background
Today marks the 30th anniversary since my favorite movie, Goodfellas, was released, ten days after it premiered to rave reviews at the 47th International Venice Film Festival. Based on the true story told in Nicholas Pileggi’s book Wiseguy, this Martin Scorsese-directed mob epic details a life in organized crime as recalled by Lucchese Mafia family associate-turned-informant Henry Hill (Ray Liotta), from his teenage years in the 1950s through adulthood until his arrest on May 11, 1980.
The ensemble cast includes Robert de Niro, Joe Pesci, Paul Sorvino, and Frank Sivero as Henry’s criminal colleagues and Lorraine Bracco as his wife and eventual accomplice.
Pesci, Liotta, and De Niro in Goodfellas.
The Irishman: De Niro’s Brown Fleck Suit
Robert De Niro as Frank Sheeran in The Irishman (2019)
Vitals
Robert De Niro as Frank “the Irishman” Sheeran, tough Mafia enforcer
Philadelphia to Chicago, Spring 1960
Film: The Irishman
Release Date: November 1, 2019
Director: Martin Scorsese
Costume Design: Sandy Powell & Christopher Peterson
Tailor: Leonard Logsdail
Background
I heard you paint houses.
After years of proving himself as an enforcer to Mafia families around Philadelphia and northeast Pennsylvania, former truck driver Frank Sheeran (Robert De Niro) gets the phone call of his life when controversial labor leader Jimmy Hoffa (Al Pacino) gets in touch with him for a “situation… that needs to be attended to.”
The Irishman: De Niro’s Brown Leather Jacket
Robert De Niro as Frank Sheeran in The Irishman (2019)
Vitals
Robert De Niro as Frank “the Irishman” Sheeran, tough truck driver-turned-Mafia enforcer
Philadelphia, winter 1956 through spring 1961
Film: The Irishman
Release Date: November 1, 2019
Director: Martin Scorsese
Costume Design: Sandy Powell & Christopher Peterson
Background
Martin Scorsese’s latest crime epic, The Irishman, has been the subject of several requests since it was released on Netflix at the beginning of November. With one of my favorite directors helming some of my favorite actors in a subject and setting that held personal interest for me, The Irishman had been eagerly anticipated by me since the project was first announced… though I admit that I did have some hesitations about the running time and the advanced ages of all involved. As it turns out, the very factors I was most concerned about are what arguably contributed to the film being a modern masterpiece.