Tagged: Bounty Hunter
Robert De Niro in Midnight Run
Robert De Niro as Jack Walsh in Midnight Run (1988)
Vitals
Robert De Niro as Jack Walsh, tough bounty hunter
New York to Los Angeles, Fall 1987
Film: Midnight Run
Release Date: July 20, 1988
Director: Martin Brest
Costume Designer: Gloria Gresham
WARNING! Spoilers ahead!
Background
“This is an easy gig, it’s a midnight run for chrissakes!”
Bounty hunter Jack Walsh has withstood plenty of action and abuse tracking down fugitives for bail bondsman Eddie Moscone (Joe Pantoliano), but the inherent danger of bringing in Jonathan “The Duke” Mardukas (Charles Grodin), an accountant in the crosshairs of the Mafia, has Jack demanding $100,000 for the job. A pro, Jack has an easy enough time finding the Duke in New York, but bringing him back to L.A. and his hundred-grand payday brings a fresh set of challenges between the Duke’s reluctance to fly, the interference of the FBI, a rival bounty hunter sabotaging him at each step, and—oh!—a couple of deadly doofuses sent by the mob to whack the Duke… and anyone who gets in their way.
Joe Kidd
Clint Eastwood as Joe Kidd in Joe Kidd (1972)
Vitals
Clint Eastwood as Joe Kidd, former bounty hunter
Territory of New Mexico, Spring 1902
Film: Joe Kidd
Release Date: July 14, 1972
Director: John Sturges
Background
After more than a decade as a rising star, particularly in the genre of Westerns, Clint Eastwood took on the title role in Joe Kidd (1972), an idiosyncratic revisionist Western written by Elmore Leonard that would be one of the last films directed by the legendary John Sturges.
We meet Joe Kidd when he is locked up for poaching on Native American land in the small town of Sinola, New Mexico, on a spring day in 1902, ten years before New Mexico would become the 47th state admitted to the U.S. A former bounty hunter, Joe remains neutral when he is invited to join a landowner’s posse tracking down the Mexican bandito Luis Chama (John Saxon), but he is eventually convinced to join after one of Chama’s attacks hits closer to home. Continue reading
Bring Me the Head of Alfredo Garcia
Warren Oates as Bennie in Bring Me the Head of Alfredo Garcia (1974)
Vitals
Warren Oates as Bennie Benjamin, piano-playing bounty hunter
Mexico, May 1973
Film: Bring Me the Head of Alfredo Garcia
Release Date: August 14, 1974
Director: Sam Peckinpah
Wardrobe Credit: Adolfo Ramírez
WARNING! Spoilers ahead!
Background
Today would have been the 90th birthday of Warren Oates, the grizzled Kentucky-born actor celebrated on BAMF Style for his depiction of John Dillinger in 1973’s Dillinger and also his collaborations with director Sam Peckinpah including The Wild Bunch (1969) and Bring Me the Head of Alfredo Garcia (1974). It was this latter film that the iconoclastic director deemed the only one from his three-decade career that matched his original vision.
Steve McQueen in The Hunter
Steve McQueen as Ralph “Papa” Thorson in The Hunter (1980)
Vitals
Steve McQueen as Ralph “Papa” Thorson, real-life bounty hunter
Los Angeles (among other locales), Fall 1979
Film: The Hunter
Release Date: August 1, 1980
Director: Buzz Kulik
Costume Designer: Thomas Welsh
Background
On the anniversary of Steve McQueen’s passing, I’d like to explore his style in the final film he made before his untimely death at the age of 50 on November 7, 1980.
The Hunter starred McQueen as Ralph “Papa” Thorson, a colorful real-life bounty hunter who had reportedly logged more than 5,000 cases throughout his career including the capture of would-be presidential assassin and Manson family follower Lynette “Squeaky” Fromme.
The concept of a bounty hunter conjures the image of a deadly serious and dangerous enforcer. The real Ralph Thorson certainly looked the part at 310 pounds and 6’2″ though Christopher Keane’s 1976 biography counters this image by describing Thorson’s many roles and talents as “a church bishop, Master bridge champion, renowed astrology, criminology alumnus of the University of California Berkeley, child nutritionist, [and] aficionado of classical music.” Continue reading
Joe Kidd’s Tweed Suit
Clint Eastwood as Joe Kidd in Joe Kidd (1972).
Vitals
Clint Eastwood as Joe Kidd, laconic hunter and former bounty hunter
New Mexico, Spring 1902
Film: Joe Kidd
Release Date: July 14, 1972
Director: John Sturges
Background
Penned by Elmore Leonard, Joe Kidd is a unique revisionist Western starring Clint Eastwood as the titular ex-bounty hunter who finds himself reluctantly hired to join a posse tracking down a group of Mexican revolutionaries fighting for land reform.
Although the Joe Kidd character could be interchanged with any of Eastwood’s usual taciturn and iron-willed Western heroes (not that he’s any less entertaining for it!), the movie benefits from its interesting and oft-ignored setting and context as well as the usual Elmore Leonard touch of an array of unique characters populating the film’s world.
At the outset, Joe is locked up in the small town of Sinola, New Mexico as he awaits his trial for poaching. When he is asked if he knew it was illegal to hunt on reservation land, Joe responds:
Well the deer didn’t know where he was, and I wasn’t sure either.
What’d He Wear?
Audiences had become well-acquainted with the sight of Clint Eastwood’s familiar “Man With No Name” guise in Westerns, so it must have caught many audiences off-guard when Joe Kidd is first introduced in a suit – albeit, a raggedly worn one after his night in the slammer. Continue reading
Col. Mortimer in For a Few Dollars More
An Italian poster for For a Few Dollars More (1965), featuring Lee Van Cleef as Colonel Douglas Mortimer.
Vitals
Lee Van Cleef as Douglas Mortimer, taciturn Old West bounty hunter and former U.S. Army Colonel
El Paso, Fall 1873
Film: For a Few Dollars More
Release Date: November 18, 1965
Director: Sergio Leone
Costume Designer: Carlo Simi
Background
Where life had no value, death, sometimes, had its price.
That is why the bounty hunters appeared.
…is how For a Few Dollars More introduces itself after blazing onto the screen, underlined by yet another iconic Ennio Morricone score. Clint Eastwood returns to the Sergio Leone spaghetti western scene as one of these bounty hunters, a laconic loner referred to only as “Manco”. While his dress and demeanor would imply that this was the same character he portrayed in A Fistful of Dollars the previous year, a lawsuit actually prevented Leone from using Eastwood’s “Joe” character from that film. Thus, the “Man with No Name” was born more out of legal necessity than artistic intention. Continue reading