Tagged: Striped Shirt

La Dolce Vita: Mastroianni’s Black Suit

Marcello Mastroianni and Anita Ekberg in La Dolce Vita (1960)

Marcello Mastroianni and Anita Ekberg in La Dolce Vita (1960)

Vitals

Marcello Mastroianni as Marcello Rubini, playboy gossip journalist

Rome, Spring 1959

Film: La Dolce Vita
Release Date:
February 5, 1960
Director: Federico Fellini
Costume Designer: Piero Gherardi
Tailor: Brioni

WARNING! Spoilers ahead!

Background

The two headlining stars of Fellini’s classic La Dolce Vita would have celebrated their birthdays this week—Marcello Mastroianni tomorrow (September 28, 1924) and Anita Ekberg the following day (September 29, 1931)—and watching these two Libras glide together through the Trevi Fountain at daybreak has become one of the most enduring images of Italian cinema.

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Pierce Brosnan’s Suede Jacket in The Matador

Pierce Brosnan as Julian Noble in The Matador (2005)

Pierce Brosnan as Julian Noble in The Matador (2005)

Vitals

Pierce Brosnan as Julian Noble, tired hedonistic hitman and “magnificent cold moron”

Mexico City, Spring 2004

Film: The Matador
Release Date: December 30, 2005
Director: Richard Shepard
Costume Designer: Catherine Marie Thomas

WARNING! Spoilers ahead!

Background

After this week’s 00-7th of the month post featured the reigning James Bond wearing a light brown suede zip-up jacket, I wanted to address a different way of approaching that look from Daniel Craig’s predecessor. The Matador starred Pierce Brosnan in one of his first post-Bond roles, inverting his own suave screen image by portraying a chain-smoking, nail-painting assassin “soiling” his way through life. (And thank you to BAMF Style readers Ryan and R.M. for long ago suggesting this film for a post!)

Indeed, the porn-stached and ill-mannered killer Julian Noble shares little in common with 007 aside from his dangerous profession and a penchant for drinking. There seemed to be an ongoing campaign after Brosnan found success as Bond where filmmakers asked themselves “how debauched and despicable can we make Pierce Brosnan’s character while still making it impossible to root against him?” leading to his welcome turns in movies like The Tailor of Panama (2001), After the Sunset (2004), and The Matador (2005), playing crude, cheeky criminals drinking, smoking, and womanizing their way through the tropics.

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The Hot Spot: Don Johnson’s Horizontal-Striped Shirt

Don Johnson and Virginia Madsen in The Hot Spot (1990)

Don Johnson and Virginia Madsen in The Hot Spot (1990)

Vitals

Don Johnson as Harry Madox, drifter and used car salesman

Texas, Summer 1990

Film: The Hot Spot
Release Date: October 12, 1990
Director: Dennis Hopper
Costume Designer: Mary Kay Stolz

Background

One of the benefits of writing BAMF Style the last eight years has been learning about movies from readers that may have otherwise never crossed by path. Thanks to suggestions from two readers, Peter and Cecil, I discovered The Hot Spot, a neo-noir in the pulp tradition with shades of The Postman Always Rings Twice and Jim Thompson’s hardboiled fiction. Continue reading

Budget Buys for Summer 2020

Whether locked down at home or safely enjoying a warm getaway, I hope this summer has been safe and stylish for BAMF Style readers!

Although this summer has been markedly different from years past, I still found myself relying on the familiar comforts of retail therapy, specifically building my unnecessarily vast wardrobe of short-sleeve printed shirts and discovering the wares of great warm-weather outfitters like Aloha FunWear, Busbee McQuade, Dandy Del Mar, and Scott Fraser Collection.

I’m always on the lookout for budget-friendly alternatives to favorite items I’ve spotted in movies and TV, and this was a particularly fruitful year for finding three fine alternatives to shirts I’d long wanted from the tropical worlds of James Bond and Thomas Magnum. While I’ve already explored two of these looks in depth on BAMF Style, I wanted to break from my usual format on what I believe to be my 1,000th post to express my excitement for these finds.

I had plenty of fun putting together this brief guide to share some of this season’s finds that I’ve been picking up, comparing budget versions against some of the higher investment pieces and—for the sake of transparency—being sure to mention whether or not I personally owned the shirts in question.

Please feel free to add your own observations or summer favorites in the comments! Continue reading

Pierrot le Fou: Belmondo’s Striped Shirt by the Sea

Jean-Paul Belmondo and Anna Karina in Pierrot le Fou (1965)

Jean-Paul Belmondo and Anna Karina in Pierrot le Fou (1965)

Vitals

Jean-Paul Belmondo as Ferdinand Griffon, runaway husband

French Riviera, Summer 1965

Film: Pierrot le Fou
Release Date: November 5, 1965
Director: Jean-Luc Godard

WARNING! Spoilers ahead!

Background

Five years after their collaboration in À bout de souffle that established many of the unconventional conventions that would define French New Wave, director Jean-Luc Godard reteamed with charismatic star Jean-Paul Belmondo for a surreal and colorful classic with its scenes and themes of seclusion that make it feel all the more relevant during this strange summer that still finds many in self-isolation.

Life may always be sad, but it’s always beautiful.

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Tony Soprano’s Christmas in “Kaisha”

James Gandolfini as Tony Soprano on The Sopranos (Episode 6.12: "Kaisha")

James Gandolfini as Tony Soprano on The Sopranos (Episode 6.12: “Kaisha”)

Vitals

James Gandolfini as Tony Soprano, New Jersey mob boss

North Caldwell, New Jersey, Christmas 2006

Series: The Sopranos
Episode: “Kaisha” (Episode 6.12)
Air Date: June 4, 2006
Director: Alan Taylor
Creator: David Chase
Costume Designer: Juliet Polcsa

WARNING! Spoilers ahead!

Background

On #SopranosSunday with Christmas just a few days away, let’s check in with everyone’s favorite mob family for the second and final holiday-set episode of The Sopranos‘ epic run.

I’m a sucker for Christmas scenes, and I always appreciate “holiday adjacent” movies like The Thin ManThree Days of the CondorThe GodfatherGoodfellas, and—of course—Die Hard that add a certain mysticism by setting some or all of the action at Christmas, a time of wonderment and hope but often not without melancholy. Although we only spend the last five minutes of the episode in the midst of true yule celebrations, “Kaisha” is framed by family holidays, beginning with the bombing of Phil Leotardo’s New York restaurant just before Thanksgiving and continuing over the weeks to follow throughout the holiday season as the all-too-human characters of Soprano-world navigate the stressful spectrum that ranges from loveliness to an abundance of loved ones.

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Scarface (1932) – Tony’s Brown Striped Suit

Paul Muni, flanked by Vince Barnett and Karen Morley, in Scarface (1932)

Paul Muni, flanked by Vince Barnett and Karen Morley, in Scarface (1932)

Vitals

Paul Muni as Tony Camonte, ruthless Italian-born bootlegger and mob enforcer

Chicago, Summer 1927

Film: Scarface
Release Date: April 9, 1932
Director: Howard Hawks

Background

Today’s #MafiaMonday post goes back to the Prohibition era, the age that gave rise to the modern American gangster… and the American gangster movie.

After Warner Brothers scored back-to-back hits with Little Caesar (1931) and The Public Enemy (1931), effectively establishing the subgenre of the gangster film, Howard Hughes entered the fray with Scarface, an explosive, influential, and fast-paced criminal epic adapted from Armitage Trail’s novel that had been based on the life of Al Capone. Hughes had been warned against taking on Warner’s dominance in the genre, so he packed his production with talent including screenwriter Ben Hecht, director Howard Hawks, and lead actor Paul Muni, who was born 124 years ago yesterday on September 22, 1895.

In the wake of movies like Little Caesar and The Public Enemy, the Hays Office had been increasing its efforts to censor what it deemed to be glamorization of criminal lifestyles in cinema, but its notoriously restrictive production code had yet to be put into place, giving Scarface full reign to arm its vaguely incestuous central character with a Thompson submachine gun, once dubbed “the gun that made the twenties roar,” as he rose the ranks of the criminal underworld in a series of violent vignettes paralleling the life and crimes of the infamous Capone.

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The Grissom Gang: Tony Musante’s Tan Plaid Jacket

Tony Musante as Eddie Hagen in The Grissom Gang (1971)

Tony Musante as Eddie Hagen in The Grissom Gang (1971)

Vitals

Tony Musante as Eddie Hagan, smooth and ruthless fringe mobster

Kansas City, Summer 1931

Film: The Grissom Gang
Release Date: May 28, 1971
Director: Robert Aldrich
Costume Designer: Norma Koch

WARNING! Spoilers ahead!

Background

Based on James Hadley Chase’s controversial novel No Orchids for Miss Blandish, Robert Aldrich’s sweat-soaked Depression-set crime drama The Grissom Gang hardly features the finest or most inspiring of that elegant era’s sartorialism, but it does showcase unique and interesting approaches to 1930s menswear, particuarly in the wardrobe of the slick underworld dandy Eddie Hagan (Tony Musante).

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The Natural – Roy Hobbs’ Cardigan

Robert Redford as Roy Hobbs in The Natural (1984)

Robert Redford as Roy Hobbs in The Natural (1984)

Vitals

Robert Redford as Roy Hobbs, eager baseball prodigy

Chicago, Spring 1923

Film: The Natural
Release Date: May 11, 1984
Director: Barry Levinson
Costume Design: Gloria Gresham & Bernie Pollack

Background

Tomorrow is MLB Opening Day, meaning baseball season is back and in full swing (forgive the pun), so let’s take a look at a look from one of the most classic of baseball movies, The Natural.

“I guess some mistakes you never stop paying for,” are the words that must echo through Roy Hobbs’ brain every day for the 16 years after he was shot by a self-destructive—or just generally destructive—baseball groupie, Harriet Bird (Barbara Hershey).

When Bernard Malamud was working on his debut novel, The Natural, he took inspiration from the story of Eddie Waitkus, the former first baseman for the Philadelphia Phillies who was shot and nearly killed by an obsessive female stalker who, as she later told an assistant state attorney, wanted “to do something exciting in my life.”

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Scarface (1932) – Tony’s Silk Dressing Gown

Paul Muni and Karen Morley in Scarface (1932)

Paul Muni and Karen Morley in Scarface (1932)

Vitals

Paul Muni as Tony Camonte, ruthless Italian-born bootlegger and mob enforcer

Chicago, Summer 1927

Film: Scarface
Release Date: April 9, 1932
Director: Howard Hawks

Background

Tomorrow would have been the 120th birthday of Al Capone, had the infamous gangster not rotted to his syphilic demise in 1947.

Capone’s story remains one of the most frequently adapted for movies and TV, beginning with Rod Steiger in the cleverly titled 1959 film Al Capone through Neville Brand (twice), Ben Gazzara, Jason Robards, Ray Sharkey, and F. Murray Abraham, up through Robert de Niro’s iconic performance in The Untouchables (1987). The gangster was most recently—and most prolifically—portrayed by Stephen Graham in all five seasons of Boardwalk Empire, though Tom Hardy is set to play Capone in the upcoming feature film Fonzo.

Of course, a larger-than-life character like Al Capone didn’t have to wait until after he was dead to see his story unfold on the screen. While his name was never used in movies released during his lifetime, Capone provided the obvious inspiration for a number of gangsters in pre-Code crime cinema, most famously the ambitious, smooth, and lethal Tony Camonte, played by Paul Muni in Scarface. Continue reading