Tagged: White Short-sleeve Polo Shirt
Michael Fassbender’s White Polo in X-Men: First Class
Michael Fassbender as Erik Lehnsherr in X-Men: First Class (2011)
Vitals
Michael Fassbender as Erik Lehnsherr, relentless mutant Nazi hunter to be christened Magneto
Villa Gesell, Argentina, Fall 1962
Film: X-Men: First Class
Release Date: June 1, 2011
Director: Matthew Vaughn
Costume Designer: Sammy Sheldon
Background
While I’m not traditionally a fan of superhero movies (at least as not as big a fan as some people!), I’ve appreciated how the recent stretch of Marvel movies have stretched across genres in its multi-billion-dollar appeal to varying audiences. For me, it’s been the entries rooted in history—like the MCU’s Captain America: The First Avenger and Fox’s X-Men: First Class, both released in 2011—that have had the most appeal of those I’ve seen. The latter, released ten years ago this summer, had been a subject of multiple requests since BAMF Style’s early years, so I hope I’m not too late in finally paying tribute to a briefly seen but timelessly stylish outfit from this Cold War-set adventure.
Robert Redford Dressed for Tennis in The Way We Were
Robert Redford and Barbra Streisand in The Way We Were (1973)
Vitals
Robert Redford as Hubbell Gardiner, Hollywood screenwriter
Los Angeles, September 1947
Film: The Way We Were
Release Date: October 19, 1973
Director: Sydney Pollack
Costume Design: Dorothy Jeakins & Moss Mabry
Background
Tomorrow will be the final day of the 2021 Wimbledon tennis championships, which—due to COVID-19—were canceled last year for the first time since World War II. In the spirit of the oldest tennis tournament in the world, I wanted to highlight the classic tennis garb worn by Robert Redford for a brief scene in The Way We Were.
More than a decade after the popular athlete Hubbell Gardiner and passionate activist Katie Morosky (Barbra Streisand) kindled their mutual attraction in college, the two have reunited and have moved out to southern California, where the carefree Hubbell is all too comfortable turning his successful novel into a much tamer screenplay, aimed for mainstream audiences.
The Talented Mr. Ripley: Dickie’s White Polo and Pink Shorts
Jude Law with co-stars Matt Damon and Gwyneth Paltrow in The Talented Mr. Ripley (1999)
Vitals
Jude Law as Dickie Greenleaf, narcissistic profligate playboy
Italy, October 1958
Film: The Talented Mr. Ripley
Release Date: December 25, 1999
Director: Anthony Minghella
Costume Design: Ann Roth & Gary Jones
WARNING! Spoilers ahead!
Background
After exploring some of Alain Delon’s sharply tailored style in Plein soleil (Purple Noon) earlier this week, today’s post shifts attention to the 1999 adaptation of the same source material, Patricia Highsmith’s psychological thriller The Talented Mr. Ripley set on the sunny Italian coast.
The Rum Diary: Gabardine Windbreaker and Chinos
Johnny Depp as Paul Kemp in The Rum Diary (2011)
Vitals
Johnny Depp as Paul Kemp, expatriate American journalist
San Juan, Puerto Rico, Summer 1960
Film: The Rum Diary
Release Date: October 28, 2011
Director: Bruce Robinson
Costume Designer: Colleen Atwood
Background
“In summary, this airman, although talented, will not be guided by policy,” heralded Hunter S. Thompson’s honorable discharge from the U.S. Air Force in November 1957, a considerable understatement given the iconic writer’s eventual symbolic anti-authoritarian status.
Following his discharge, Thompson tried a few journalistic stints in New York but was fired by Time (for insubordination) and the Middletown Daily Record (for damaging a candy machine) and moved to Puerto Rico in 1960.
Having failed to procure a position with the San Juan Star, Thompson wrote for the El Sportivo sporting magazine… though it folded quickly after his arrival. His experiences in San Juan formed the basis of The Rum Diary, a novel that he penned shortly after his return to the U.S. the following year, although it wasn’t published for more than three decades.
While it would be inaccurate to describe The Rum Diary as a strict roman à clef, its morose, restless narrator Paul Kemp is clearly modeled on Thompson himself, and Thompson’s friend Johnny Depp was naturally tapped to play the role in the film adaptation. Continue reading
Michael Corleone’s Tan Check Suit and Day Cravat in Havana
Al Pacino as Michael Corleone in The Godfather Part II (1974).
Vitals
Al Pacino as Michael Corleone, cold and calculating Mafia boss
Havana, December 1958
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
Background
Get into a smooth, summer relaxation mood for this Mafia Monday post that takes a look at Michael Corleone’s style for Hyman Roth’s birthday party in Havana… an appropriately timed post as my dad just returned from a trip to Cuba. (Yes, he brought back some Cohibas!)
What’d He Wear?
For all of his power and prestige, Michael Corleone has a considerably limited wardrobe, designed by the legendary Theadora Van Runkle (Bonnie and Clyde, Bullitt, and The Thomas Crown Affair are all among her repertoire.)
Michael makes good use of his four unique suits in The Godfather Part II, sometimes wearing a three-piece suit without a vest or, as we see in this case, adopting a more luxuriously casual look by swapping out the shirt and tie for a soft polo and a day cravat.
Although it appears a flat tan at the outset, this fully cut two-piece suit consists of a fine tan and cream plain weave glen check with teal blue on the outer check to create a teal windowpane effect throughout. Continue reading
Paul Kemp’s Blue Suit Jacket and Corvette in The Rum Diary
Johnny Depp as Paul Kemp in The Rum Diary (2011).
Vitals
Johnny Depp as Paul Kemp, expatriate American journalist and borderline alcoholic
Puerto Rico, Summer 1960
Film: The Rum Diary
Release Date: October 28, 2011
Director: Bruce Robinson
Costume Designer: Colleen Atwood
Background
Car week continues with a story by an American icon involving an iconic American car.
More than a decade before becoming the face and beautifully twisted mind of Gonzo journalism, Hunter S. Thompson was a struggling writer who had recently been discharged (honorably, but with prejudice) from the U.S. Air Force and had a few legal issues to his credit, not the least of all being the sinking of nearly every boat in a Kentucky harbor by shooting holes into the boats’ hulls just below the waterline. Continue reading