Tagged: Europe
Terence Stamp’s Layered Neutrals in Teorema
Vitals
Terence Stamp as “The Visitor”, enigmatic young seducer
Milan, Italy, Spring 1968
Film: Teorema
(English title: Theorem)
Release Date: September 7, 1968
Director: Pier Paolo Pasolini
Costume Designer: Roberto Capucci (credited for Silvana Mangano’s clothes)
WARNING! Spoilers ahead!
Background
After Terence Stamp’s death last year, I realized how little of the actor’s filmography I had seen, particularly from early in his career when he and his then-roommate Michael Caine were the toasts of swinging London. Naturally, the first place I turned was the Criterion Channel, which included Teorema—a surrealist psychological drama that was director Pier Paolo Pasolini’s first film to feature primarily professional actors.
Stamp stars as a mysterious man known only as “the visitor”, whose seduction of every member of a bourgeois household forces the family to confront difficult truths about themselves—and whose eventual departure leaves an existential void in each person’s soul.
Translated to “Theorem”, as it was known in some English-speaking countries, Teorema premiered 58 years ago yesterday on September 4, 1968 during the 29th Venice International Film Festival, where it received a special award from the International Catholic Film Office—only for the award to be swiftly withdrawn after the Vatican criticized the film’s sexual content. It was widely released three days later. Continue reading
Evil Under the Sun: Roddy McDowall’s Nautical Breton Stripes
Vitals
Roddy McDowall as Rex Brewster, flamboyant gossip columnist
Adriatic Sea, Summer 1939
Film: Evil Under the Sun
Release Date: March 5, 1982
Director: Guy Hamilton
Costume Designer: Anthony Powell
WARNING! Spoilers ahead!
Background
Having returned from my own beach vacation this weekend, today’s post draws from a summery classic that was some of the earliest inspiration on my interest in men’s style: Guy Hamilton’s 1982 adaptation of the Agatha Christie mystery Evil Under the Sun.
This was the third Christie adaptation produced by John Brabourne and Richard Goodwin for EMI Films in less than a decade, beginning with Murder on the Orient Express (1974) which starred Albert Finney as eccentric Belgian detective Hercule Poirot. Death on the Nile (1978) was the first to star Peter Ustinov, who became the first actor since Austin Trevor (in the 1930s) to play Poirot multiple times on screen when he first reprised the role in Evil Under the Sun. This movie feels considerably lighter than its predecessors in its tone and sun-baked setting, transferred from the novel’s provincial English coast to an exotic fictional island in the Adriatic Sea but filmed on Mallorca.
Principal characters like Poirot, the Redferns, and the Marshall family remained mostly unchanged in Anthony Shaffer’s screenplay, while others were either composited, jettisoned, or reimagined; for instance, the athletic spinster Emily Brewster from the novel was transformed into the extravagant Rex Brewster (Roddy McDowall), a gossip columnist writing an unauthorized tell-all biography of scandalous—and recently married—Broadway diva Arlena Stuart Marshall (Diana Rigg). Continue reading
The Omen: Gregory Peck’s Charcoal Pinstripe Suit
Vitals
Gregory Peck as Robert Thorn, American diplomat
Rome, June 6, 1970 and London, June 1975
Film: The Omen
Release Date: June 6, 1976
Director: Richard Donner
Wardrobe Supervisor: Tiny Nicholls
Tailor: H. Huntsman & Sons, London
WARNING! Spoilers ahead!
Background
The Omen was released fifty years ago today on June 6, 1976—a date intentionally selected to mirror the film’s opening on June 6th at 6 a.m., when American ambassador Robert Thorn (Gregory Peck) rushes through Rome to reach his wife Katherine (Lee Remick). Robert arrives to learn that the child Katherine has just delivered died moments after birth, but hospital chaplain Father Spiletto (Martin Benson) convinces him to secretly adopt a newborn orphan and raise the boy as their own without Katherine’s knowledge.
Unfortunately for Robert, Katherine, and the world at large, that boy is Damien—the Antichrist—but I suppose you’ll have that when someone’s birth is the infamous 6-6-6: the “Number of the Beast” described in the Book of Revelation.
Gary Cooper’s Patterned Sport Jacket and White Bucks in Bluebeard’s Eighth Wife

Gary Cooper photographed by William Richard Walling Jr. in 1937, dressed in the same costume he would wear in Bluebeard’s Eighth Wife (1938).
Vitals
Gary Cooper as Michael Brandon, millionaire industrialist
French Riviera, Summer 1937
Film: Bluebeard’s Eighth Wife
Release Date: March 23, 1938
Director: Ernst Lubitsch
Costume Designer: Travis Banton
WARNING! Spoilers ahead!
Background
Born 125 years ago today on May 7, 1901, Gary Cooper established a screen legacy through Oscar-winning performances in Sergeant York (1941) and High Noon (1952) in addition to being a well-regarded style icon throughout his career. The modern #menswear community frequently looks to Coop for inspiration, including the frequently shared portraits taken by William Richard Walling Jr., in 1937, dressed in the same uniquely patterned sport jacket, deco swirl tie, and rakish belt holding up pleated trousers that he wore as a costume in Ernst Lubitsch’s 1938 screwball comedy Bluebeard’s Eighth Wife. Continue reading
Eddie Albert’s Casual Attire in Roman Holiday
Vitals
Eddie Albert as Irving Radovich, expatriate newspaper photographer
Rome, Summer 1952
Film: Roman Holiday
Release Date: August 27, 1953
Director: William Wyler
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
It’s not easy to command attention when sharing the screen with icons like Gregory Peck and Audrey Hepburn, but Eddie Albert shined so brightly alongside them in Roman Holiday that the actor’s supporting performance received one of the film’s ten Academy Award nominations! Continue reading
Val Kilmer’s Leather Jacket in Top Secret!
Vitals
Val Kilmer as Nick Rivers, American rock star who is not Mel Tormé
East Germany, Fall 1983
Film: Top Secret!
Release Date: June 22, 1984
Directed by: Jim Abrahams, David Zucker, and Jerry Zucker
Costume Designer: Emma Porteous
WARNING! Spoilers ahead!
Background
Val Kilmer died one year ago today on April 1, 2025 at age 65, following a prolific career demonstrating his versatile talent for action, comedy, and drama across a range of genres. He made his screen debut in 1984 starring in Top Secret!, the Zucker-Abrahams-Zucker team’s follow-up to Airplane! and Police Squad. Filled with ZAZ’s trademark sight gags and wordplay, the movie was conceptualized as a modern spy spoof that blended elements of World War II espionage thrillers with Elvis Presley’s musicals of the 1950s and ’60s.
Even with a nonexistent screen resume before he was cast, Kilmer proved he was ready for the task with his signature dedication: dressed as Elvis for his audition and performing every song for the soundtrack, including the Beach Boys-inspired “Skeet Surfin'” over the opening credits.
Kilmer stars as Nick Rivers, a ’50s-like rockabilly singer whose global stardom seems to even eclipse Stevie Wonder, Linda Ronstadt, and Frank Sinatra on billings. After Leonard Bernstein is unable to attend, Nick is hired by the East German government to perform at the cultural festival that they’re hosting as a diversion from their plan to reunite Germany under totalitarian rule. Already something of a rebel, Nick’s trip grows more complicated as he falls for the mysterious Hillary Flammond (Lucy Gutteridge), a member of the local resistance group. Continue reading
My Night at Maud’s: Jean-Louis Trintignant’s Sheepskin Jacket
Vitals
Jean-Louis Trintignant as Jean-Louis, serious-minded engineer and conflicted Catholic
Clermont-Ferrand, France, Christmas 1968
Film: My Night at Maud’s
(French title: Ma nuit chez Maud)
Release Date: June 4, 1969
Director: Éric Rohmer
WARNING! Spoilers ahead!
Background
Considered one of the best French actors of the post-war era, the late Jean-Louis Trintignant was born 95 years ago today on December 11, 1930. Trintignant worked with many prolific directors but his sole collaboration with Éric Rohmer was the Nouvelle Vague drama My Night at Maud’s—the fourth-released of Rohmer’s “Six Moral Tales”.
My Night at Maud’s premiered at the 1969 Cannes Film Festival and would be nominated for two Academy Awards. Trintignant portrays the ambitious engineer Jean-Louis, deeply in love with the young biology student Françoise (Marie-Christine Barrault) he has seen at his church, until just before Christmas when his friend Vidal (Antoine Vitez) introduces him to the eponymous Maud (Françoise Fabian). The night of their first meeting features intense discussions ranging from ethics to existence until, at Maud’s existence, Jean-Louis spends an awkward—and initially platonic—night in her bed, acting only on his newfound attraction by kissing her before he leaves in the morning.
Through their subsequent interactions, Jean-Louis’ faith conflicts with his growing attraction to the outspoken, divorced atheist as he and Maud recognize the tragic unlikelihood of lasting love between them. Continue reading
Mads Mikkelsen’s Dark Dance Suit in Another Round (Druk)
Vitals
Mads Mikkelsen as Martin, inebriated history teacher
Copenhagen, Spring 2020
Film: Another Round
(Danish title: Druk)
Release Date: September 24, 2020
Director: Thomas Vinterberg
Costume Design: Ellen Lens & Manon Rasmussen
WARNING! Spoilers ahead!
Background
Happy 60th birthday to Mads Mikkelsen! Born November 22, 1965, the Danish actor rose to global prominence for his performance as the villainous Le Chiffre in the 2006 James Bond film Casino Royale and as the title character on NBC’s Hannibal, though his most celebrated performance may be as the depressed schoolteacher Martin in Thomas Vinterberg’s 2020 comedy-drama Another Round—originally released in Denmark as Druk and honored in the United States with the Academy Award for Best International Feature Film. Continue reading
Evil Under the Sun: Colin Blakely’s Blazers as Sir Horace Blatt
Vitals
Colin Blakely as Sir Horace Blatt, bombastic millionaire yachtsman
Mediterranean Sea, Summer 1939
Film: Evil Under the Sun
Release Date: March 5, 1982
Director: Guy Hamilton
Costume Designer: Anthony Powell
WARNING! Spoilers ahead!
Background
Born 95 years ago today on September 23, 1930 in Northern Ireland, Colin Blakely was an underrated actor who excelled both on stage and screen. He won acclaim for his Shakespearean performances, his portrayal of Dr. Watson in The Private Life of Sherlock Holmes (1970), and BAFTA-nominated turn in Equus (1977), while also standing out among the star-studded casts of two lavish Agatha Christie adaptations.
Following his small part as the quickly uncovered American private detective in Murder on the Orient Express (1974), Blakely returned to the Christie-verse for a juicier role in Evil Under the Sun (1982)—loosely adapted from the Queen of Crime’s 1941 novel of the same name, with many characters consolidated and the action transferred from the English coast to a fictional island in the Adriatic Sea. Continue reading
Purple Noon: Alain Delon’s Blue Ivy-Style OCBD, Cream Jeans, and Loafers
Vitals
Alain Delon as Tom Ripley, charming American con artist
Italy, Summer 1959
Film: Purple Noon
(French title: Plein soleil)
Release Date: March 10, 1960
Director: René Clément
Costume Designer: Bella Clément
WARNING! Spoilers ahead!
Background
French screen and style icon Alain Delon died one year ago this week on August 18, 2024. One of the actor’s most celebrated and stylish roles remains his portrayal of Tom Ripley in Purple Noon, René Clément’s adaptation of Patricia Highsmith’s psychological thriller The Talented Mr. Ripley.
The French/Italian co-production (released in France as Plein soleil) was the first cinematic adaptation of Highsmith’s novel, followed by Anthony Minghella’s 1999 film The Talented Mr. Ripley and Steven Zaillain’s 2024 Netflix miniseries Ripley. Clément was inspired to cast Delon after spotting the young actor in the 1959 comedy Women are Weak, and his enigmatic performance as Tom Ripley eventually launched him to wider global recognition.
Highsmith’s own opinion about the film ranged from cheers for Henri Decaë’s stunning cinematography to jeers against Clément’s bastardized ending, though the author fully praised Delon’s “excellent” portrayal of her devious creation. Continue reading










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