Tagged: Shearling / Sheepskin Coat
Tom Hanks in Greyhound
Tom Hanks as CDR Ernest Krause in Greyhound (2020)
Vitals
Tom Hanks as CDR Ernest Krause, USN, commanding officer of USS Keeling
North Atlantic Ocean, February 1942
Film: Greyhound
Release Date: July 10, 2020
Director: Aaron Schneider
Costume Designer: Julie Weiss
Military Costume Consultant: Steve McColgan
Background
…the goods will be delivered by this nation, whose Navy believes in the tradition of “Damn the torpedoes, full speed ahead!”
— Franklin Delano Roosevelt, October 27, 1941
Greyhound begins just over three months after the United States entered World War II and nearly five months after FDR’s address for Navy and Total Defense Day, in which he reinforced with the above words the protection that the U.S. Navy would offer merchant ships carrying supplies to support the Allied war effort. The eponymous “Greyhound” is the codename for USS Keeling, one of the American destroyers assigned to protect a 37-ship convoy on its way to Liverpool.
We join up with the multi-national convoy HX-25 as it enters its first of two days traveling through the “Black Pit”, the area of the North Atlantic considered most vulnerable as it was beyond the range of air cover. Leading the convoy’s military escort from the bridge of USS Keeling is straight-laced Commander Ernest Krause, played by Tom Hanks. Continue reading
Boardwalk Empire: Al Capone’s 1920s Leather Car Coat
Stephen Graham as Al Capone on Boardwalk Empire (Episode 1.01: “Boardwalk Empire”)
Vitals
Stephen Graham as Al Capone, ambitious but volatile mob enforcer
Chicago, Winter 1920
Series: Boardwalk Empire
Episodes:
– “Boardwalk Empire” (Episode 1.01, dir. Martin Scorsese, aired 9/19/2010)
– “Anastasia” (Episode 1.04, dir. Jeremy Podeswa, aired 10/10/2010)
Creator: Terence Winter
Costume Designer: John A. Dunn
WARNING! Spoilers ahead!
Background
On the 75th anniversary of Al Capone’s death, I wanted to take this blog’s first overdue look at Stephen Graham’s explosive performance as the infamous gangster on Boardwalk Empire. Capone features as an influential if tertiary character to the main drama in Atlantic City, introduced as a smart-talking enforcer to the old-fashioned—and ill-fated—”Big Jim” Colosimo during the series premiere, set in January 1920 when Prohibition became the unpopular law of the land.
For Your Eyes Only: Bond’s Sheepskin Jacket and New Lotus
Roger Moore as a Lotus-driving James Bond in For Your Eyes Only (1981)
Vitals
Roger Moore as James Bond, British government agent
Cortina d’Ampezzo, Italy, Spring 1981
Film: For Your Eyes Only
Release Date: June 24, 1981
Director: John Glen
Costume Designer: Elizabeth Waller
Background
Today’s post extends #CarWeek to close out this year’s 40th anniversary celebration of my favorite of Roger Moore’s Bond movies, For Your Eyes Only, with a wintry look apropos the 00-7th of December as Mr. Bond drives into the ski resort town of Cortina d’Ampezzo behind the wheel of his latest Q-issued Lotus, dressed for warmth in shearling and cashmere.
Following a tip from the Italian secret service, Bond has arrived to interface with MI6’s “man in northern Italy”—Luigi Ferrara (John Moreno)—as he surveils Locque, the mysterious man he had observed paying off Hector Gonzales. Continue reading
Love Story: Ryan O’Neal’s Sheepskin Flight Jacket
Ryan O’Neal as Oliver Barrett IV in Love Story (1970)
Vitals
Ryan O’Neal as Oliver Barrett IV, newlywed Harvard graduate
Boston, Fall to Winter 1968
Film: Love Story
Release Date: December 16, 1970
Director: Arthur Hiller
Costume Design: Alice Manougian Martin & Pearl Somner
Background
If all goes to plan, I’ll be getting married exactly one year from today so it felt appropriate to revisit some of the fall-friendly fashions from one of the most famous—or infamous, if you’re so inclined—romance movies of all time, Love Story.
Ryan O’Neal and Ali MacGraw star as the Ivy League lovers Oliver and Jenny who, once she overcomes her distaste for his upper-class roots (drink every time she calls him “preppy”), defy his blue-blood father’s wishes and get married, beginning their humble lives together in a Boston apartment following his graduation.
Oliver remains defiantly bitter following his father’s rejection of Jenny, cutting off all contact. After receiving an invitation to his estranged father’s 60th birthday party, Oliver refuses to even respond with their regrets, resulting in his and Jenny’s first major argument. She runs from the apartment, sending Oliver on an increasingly desperate search from local shops to music classes, until he returns home that night to find her waiting on their stoop.
Regretting his behavior, Oliver offers his apologies, to which Jenny responds by hitting him with one of the most criticized lines in movie history:
Love means never having to say you’re sorry.
William Holden in Stalag 17
In recognition of POW/MIA Day, observed on the third Friday of September, let’s delve into one of the first major movies to shine a light on the POW experience.
William Holden as Staff Sergeant J.J. Sefton in Stalag 17 (1953)
Vitals
William Holden as J.J. Sefton, USAAF Staff Sergeant and prisoner of war
“Somewhere on the Danube”, December 1944
Film: Stalag 17
Release Date: May 29, 1953
Director: Billy Wilder
Wardrobe Credit: J. Allen Slone
Background
I don’t know about you, but it always makes me sore when I see those war pictures… all about flying leathernecks and submarine patrols and frogmen and guerrillas in the Philippines. What gets me is there never was a movie about POWs… about prisoners of war.
… and so Clarence Harvey Cook (Gil Stratton) begins his narration, setting the scene for the week leading up to Christmas 1944 when he and his fellow downed colleagues discovered a potential informant—er, a “dirty stinkin’ stoolie”—in their barracks.
After two airmen are shot trying to escape, suspicion eventually falls on J.J. Sefton, the cigarette-dealing but cigar-chomping staff sergeant whose cynicism has already rendered him unpopular with most of the Americans aside from Cookie, who serves as Sefton’s unofficial batman and describes him as “one of the most unforgettable ch-characters you’ve ever met.” Continue reading
Tinker Tailor Soldier Spy: Tom Hardy in Belstaff Sheepskin
Tom Hardy as Ricki Tarr in Tinker Tailor Soldier Spy (2011)
Vitals
Tom Hardy as Ricki Tarr, disillusioned British spy
Istanbul, Fall 1973
Film: Tinker Tailor Soldier Spy
Release Date: September 16, 2011
Director: Tomas Alfredson
Costume Designer: Jacqueline Durran
Background
Happy birthday to Tom Hardy, born September 15, 1977. Following his debut in Black Hawk Down (2001), Hardy’s steady work through the decade established his stardom by the time he joined the ensemble cast of Tinker Tailor Soldier Spy, based on John le Carré’s famous 1974 spy novel of the same name. Continue reading
Gorky Park: Lee Marvin’s Sheepskin Flight Jacket
Lee Marvin as Jack Osborne in Gorky Park (1983)
Vitals
Lee Marvin as Jack Osborne, American fur importer
Stockholm, April 1983
Film: Gorky Park
Release Date: December 15, 1983
Director: Michael Apted
Costume Designer: Richard Bruno
WARNING! Spoilers ahead!
Background
As winter rages on, you’d think I would be looking for escape via light movies set in tropical locations… but instead, I recently rewatched Gorky Park, adapted from Martin Cruz Smith’s 1981 novel that begins with three disfigured corpses found in the snow outside a Moscow ice rink. (And I wonder why I get depressed!)
Our ostensible hero is Militsiya officer Arkady Renko (William Hurt), whose investigation of the grisly murders leads him to the sophisticated yet sinister sable importer Jack Osborne (Lee Marvin). Continue reading
Love Story: Ryan O’Neal’s Sheepskin Shearling Coat
Ryan O’Neal as Oliver Barrett IV in Love Story (1970)
Vitals
Ryan O’Neal as Oliver Barrett IV, preppy Harvard student
New England, Winter 1966, and New York City, Winter 1970
Film: Love Story
Release Date: December 16, 1970
Director: Arthur Hiller
Costume Design: Alice Manougian Martin & Pearl Somner
Background
Happy Valentine’s Day! In the spirit of the season of romance, it felt appropriate to explore the preppy style in one of the most famous cinematic love stories of all time… the perhaps uncleverly titled Love Story.
I went into my inaugural Love Story viewing this year familiar only with Larry Siegel and Mort Drucker’s Mad magazine parody and the movie’s reviled thesis that “love means never having to say you’re sorry,” so I was a little surprised to find myself non-ironically enjoying it more than I expected. Sure, my friend @berkeley_breathes had primed me to expect some standout Ivy-inspired style worn by Ryan O’Neal as our romantic hero Oliver, but I guess the half-century since Love Story has yielded considerably cornier products with the odd effect that this aged… relatively well? Or maybe I’m just speaking from behind the blinders of my enduring crush on early ’70s Ali MacGraw. Continue reading
Once a Thief: Alain Delon’s Sheepskin Coat and Ford Model A
Alain Delon as Eddie Pedak in Once a Thief (1965)
Vitals
Alain Delon as Eddie Pedak, reformed thief
San Francisco, Spring 1965
Film: Once a Thief
Release Date: September 8, 1965
Director: Ralph Nelson
WARNING! Spoilers ahead!
Background
On the last day of #Noirvember (and Alain Delon’s birthday month) and the first day of this winter’s #CarWeek series, it felt like the perfect time to explore Once a Thief, Ralph Nelson’s moody black-and-white crime drama starring Delon as a reformed criminal-turned-family man.
The jazzy opening credits depict a night at Big Al’s, a smoky den laden with drug pushers and beatniks, including author Zekial Marko, whose novel Scratch a Thief provided the movie’s source material. We follow a young man swaddled in sheepskin as he leaves the club and takes the wheel of a vintage “Model A Ford” roadster, which then becomes his getaway car after a swift but deadly closing-time stickup at a liquor store in Chinatown.
We then learn that the car and coat are a trademark of Eddie Pedak, a reformed armed robber making an honest living as a truck driver with his wife Kristine (Ann-Margret) and their daughter. The arrival of Eddie’s criminal brother Walter (Jack Palance), a syndicate hotshot, brings complications in the form of a proposition for one night’s criminal work—the proverbial “one last job”—which Eddie initially refuses, despite the $50,000 payout.
Rod Taylor in The V.I.P.s.
Rod Taylor and Maggie Smith in The V.I.P.s (1963)
Vitals
Rod Taylor as Les Mangrum, gregarious Australian tractor manufacturing mogul
Heathrow Airport, London, Winter 1963
Film: The V.I.P.s
(also released as Hotel International)
Release Date: September 19, 1963
Director: Anthony Asquith
Costume Designer: Pierre Cardin (uncredited)
Background
A generation after Grand Hotel (1932) established the subgenre of the ensemble drama with a packed cast of international stars, Anthony Asquith updated the pattern for the jet age with the genteel director’s penultimate film, The V.I.P.s, which—appropriately enough, given its spiritual predecessor—had also been released as Hotel International. Continue reading