Tagged: Double-Breasted Suit
After the Thin Man: Nick Charles’ Light Double-Breasted Suit for the New Year
William Powell and Myrna Loy in After the Thin Man (1936)… with Skippy as Asta
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William Powell as Nick Charles, retired private detective
San Francisco, New Year’s Eve 1936
Film: After the Thin Man
Release Date: December 25, 1936
Director: W.S. Van Dyke
Wardrobe Credit: Dolly Tree
Background
Happy New Year! Dashiell Hammett and “One-Take Woody” Van Dyke continued the runaway success of The Thin Man by reuniting William Powell and Myrna Loy as crime-solving power couple Nick and Nora Charles, coming home to San Francisco after solving the famous “Thin Man” case during their holiday in New York. The three-day train ride returns Nick and Nora to the City by the Bay just in time for New Year’s Eve, where they find their home commandeered by revelers that have already kicked off their celebrations.
Sammy Davis Jr.’s Brown Suit in Ocean’s 11
Sammy Davis Jr. in Ocean’s Eleven (1960)
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Sammy Davis Jr. as Josh Howard, casino heister, sanitation worker, and World War II veteran
Las Vegas, January 1960
Film: Ocean’s Eleven
Release Date: August 10, 1960
Director: Lewis Milestone
Costume Designer: Howard Shoup
Tailor: Sy Devore
WARNING! Spoilers ahead!
Background
Sammy Davis Jr. was born 95 years ago today in Harlem. Nicknamed “Mr. Show Business” in recognition of his vast talents, Davis had gotten an early start to performing when he joined his father and uncle to create the Will Mastin Trio, named after his uncle. Following his service in World War II, Davis cultivated his career as a singer, dancer, actor, and comedian.
Davis’ natural talent, stage presence, and quick wit brought him into the orbit of pallies Frank Sinatra and Dean Martin, who were forming the seeds of what would become immortalized as the Rat Pack. (Sinatra wisely followed Davis’ suggestion that the group not call themselves “the Clan”, instead referring to themselves as “the Summit.”)
1960 was the high watermark for the Summit, when they pulled together an ensemble cast to make Ocean’s 11, a stylish heist film set in Las Vegas. Continue reading
Mitchum as Marlowe: Farewell, My Lovely
Robert Mitchum as Philip Marlowe in Farewell, My Lovely (1975)
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Robert Mitchum as Philip Marlowe, sharp-tongued private investigator
Los Angeles, Summer 1941
Film: Farewell, My Lovely
Release Date: August 8, 1975
Director: Dick Richards
Men’s Wardrobe Credit: G. Tony Scarano
WARNING! Spoilers ahead!
Background
Robert Mitchum had been credentialed in film noir for more than a generation (as explored in Saturday’s #Noirvember post) before the actor first took on the role of Raymond Chandler’s iconic private eye, Philip Marlowe. Based on an Edgar Allen Poe Award-winning screenplay by David Zulag Goodman, Dick Richards’ adaptation of Chandler’s 1940 novel Farewell, My Lovely premiered just two days after Mitchum’s 58th birthday, making the actor almost double the age of the character he portrayed… but his grizzled presence is just right as he navigates his way through the sordid City of Angels on the eve of the second world war:
This past spring was the first that I’d felt tired and realized I was growing old. Maybe it was the rotten weather we’d had in L.A., maybe it was the rotten case I’d had, mostly chasing a few missing husbands… and then chasing their wives once I found them in order to get paid. Or maybe it was just the plain fact that I am tired and growing old.
We find Mitchum’s Marlowe in media res “holed up in a dingy hotel, ducking the police,” staring under the brim of his ubiquitous hat through the neon and Philip Morris cigarette smoke. Continue reading
The Aviator: Dressed to Test the H-1 Racer
Leonardo DiCaprio as Howard Hughes in The Aviator (2004)
Vitals
Leonardo DiCaprio as Howard Hughes, eccentric and ambitious aviation and movie mogul
Los Angeles, September 1935
Film: The Aviator
Release Date: December 25, 2004
Director: Martin Scorsese
Costume Designer: Sandy Powell
Background
85 years ago today on September 13, 1935, a sleek silver aircraft rocketed through the air over Santa Ana, California, at a record-breaking speed over 350 miles per hour, making four passes over Martin Field before a crash-landing that deposited its owner—one of the wealthiest and most ambitious men in America at the time—into a beet field, alive and hardly discouraged. As Howard Hughes’ colleagues ran over to extract the 29-year-old entrepreneur and aviator from the wreckage of the H-1 Racer, he hardly had his own safety in mind, issuing the command: “We can fix her, she’ll go faster!”
Django Reinhardt: Cream Suit on Stage
Reda Kateb as Django Reinhardt in Django (2017)
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Reda Kateb as Django Reinhardt, gypsy jazz guitar virtuoso
Paris, Summer 1943
Film: Django
Release Date: April 26, 2017
Director: Étienne Comar
Costume Designer: Pascaline Chavanne
Background
My interest in Django Reinhardt’s music began in the spring of 2004, when 14-year-old me eagerly purchased Mafia: The City of Lost Heaven, a computer game that was essentially the Grand Theft Auto series with a Prohibition-era twist and a dash of Scorsese-ese inspiration. Set in 1930s New Jersey, the game was scored by period music including familiar favorites by Duke Ellington and a style that was all new to me, the rhythmic, guitar-driven gypsy jazz pioneered by Django Reinhardt. Continue reading
Cagney’s Chalkstripe Suit in The Public Enemy
James Cagney as Tom Powers in The Public Enemy (1931)
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James Cagney as Tom Powers, dangerous gangster and bootlegger
Chicago, Spring 1922
Film: The Public Enemy
Release Date: April 23, 1931
Director: William A. Wellman
Costume Designer: Edward Stevenson
Wardrobe Credit: Earl Luick
WARNING! Spoilers ahead!
Background
One hundred years ago at midnight tonight, on January 17, 1920, the Volstead Act went into effect, beginning a 13-year prohibition of the manufacture and sale of alcoholic beverages in the United States… and kicking off what Herbert Asbury referred to in his informal history of the Chicago underworld as “the saturnalia of crime and corruption which has been called ‘a noble experiment’,” due to the resulting surge in organized crime that effectively gave rise to the modern gangster.
As moving pictures evolved as a popular medium in the waning years of Prohibition, so too did the gangster movie. Warner Brothers took the lead, exposing audiences to snarling violent hoodlums based on the real-life criminals who bloodied the streets of New York and Chicago. It was in the 1931 hit The Public Enemy that James Cagney made his star-making turn as the psychopathic gangster Tom Powers.
The Band Wagon: Fred Astaire’s Gray Flannel Suit
Fred Astaire as Tony Hunter in The Band Wagon (1953)
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Fred Astaire as Tony Hunter, musical comedy star
New York, Spring 1953
Film: The Band Wagon
Release Date: August 7, 1953
Director: Vincente Minnelli
Costume Designer: Mary Ann Nyberg
Background
Happy 2020!
Let’s dance into the new year with a dapper Fred Astaire in the dazzling opening sequence of Vincent Minnelli’s 1953 musical The Band Wagon, more than a decade after Astaire had danced across the screen with Bing Crosby, Virginia Dale, and Marjorie Reynolds for two on-screen New Year celebrations in Holiday Inn. Continue reading
Scarface (1932) – Tony’s Brown Striped Suit
Paul Muni, flanked by Vince Barnett and Karen Morley, in Scarface (1932)
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Paul Muni as Tony Camonte, ruthless Italian-born bootlegger and mob enforcer
Chicago, Summer 1927
Film: Scarface
Release Date: April 9, 1932
Director: Howard Hawks
Background
Today’s #MafiaMonday post goes back to the Prohibition era, the age that gave rise to the modern American gangster… and the American gangster movie.
After Warner Brothers scored back-to-back hits with Little Caesar (1931) and The Public Enemy (1931), effectively establishing the subgenre of the gangster film, Howard Hughes entered the fray with Scarface, an explosive, influential, and fast-paced criminal epic adapted from Armitage Trail’s novel that had been based on the life of Al Capone. Hughes had been warned against taking on Warner’s dominance in the genre, so he packed his production with talent including screenwriter Ben Hecht, director Howard Hawks, and lead actor Paul Muni, who was born 124 years ago yesterday on September 22, 1895.
In the wake of movies like Little Caesar and The Public Enemy, the Hays Office had been increasing its efforts to censor what it deemed to be glamorization of criminal lifestyles in cinema, but its notoriously restrictive production code had yet to be put into place, giving Scarface full reign to arm its vaguely incestuous central character with a Thompson submachine gun, once dubbed “the gun that made the twenties roar,” as he rose the ranks of the criminal underworld in a series of violent vignettes paralleling the life and crimes of the infamous Capone.
Jack McGurn in The St. Valentine’s Day Massacre
Clint Ritchie as “Machine Gun” Jack McGurn in The St. Valentine’s Day Massacre (1967)
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Clint Ritchie as “Machine Gun” Jack McGurn, born Vincenzo Gabaldi, Chicago mob enforcer
Chicago, Winter 1928
Film: The St. Valentine’s Day Massacre
Release Date: June 30, 1967
Director: Roger Corman
Background
The St. Valentine’s Day Massacre is one of the few true incidents from mob lore to have expanded into mainstream pop culture. The killing of seven men affiliated with Chicago’s North Side Gang on February 14, 1929, startled and intrigued the public with its brutality, and the event became symbolic of the ugly violence that permeated through Prohibition-era America. Continue reading
Drunken Angel: Matsunaga’s Striped Jacket
Toshirô Mifune as Matsunaga in Drunken Angel (1948)
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Toshirô Mifune as Matsunaga, tubercular Japanese gangster
Japan, Summer 1947
Film: Drunken Angel
(Japanese title: 醉いどれ天使 Yoidore Tenshi)
Release Date: April 27, 1948
Director: Akira Kurosawa
WARNING! Spoilers ahead!
Background
Based on the intensity of his performance, it’s hard to believe that Drunken Angel was one of Toshirô Mifune’s first movies. His portrayal of the cocky, conflicted, and ultimately doomed yakuza gangster Matsunaga remains a highlight of crime cinema 70 years after the film was released. Continue reading