Tagged: Double-Breasted Suit

Ricky Roma’s Cream Pinstripe Silk Suit

Al Pacino as Ricky Roma in Glengarry Glen Ross (1992)

Al Pacino as Ricky Roma in Glengarry Glen Ross (1992)

Vitals

Al Pacino as Ricky Roma, ace real estate closer

New York (or maybe Chicago…), September 1992

Film: Glengarry Glen Ross
Release Date: October 2, 1992
Director: James Foley
Costume Designer: Jane Greenwood

Background

This is a big week for iconic actor birthdays! Today is the 77th birthday of Al Pacino, born April 25, 1940 in New York.

After a dormant post-Scarface career through most of the ’80s, Pacino shot back onto the screen in the following decade, returning to the part that made him famous as Michael Corleone in The Godfather Part III and taking on the role of confident and cut-throat real estate salesman Richard Roma in Glengarry Glen Ross from a screenplay adapted by David Mamet of his own Pulitzer- and Tony-winning 1984 play. Continue reading

Sweet Smell of Success – J.J.’s Flannel Suit

Burt Lancaster as J.J. Hunsecker in a colorized photo from Sweet Smell of Success (1957)

Vitals

Burt Lancaster as J.J. Hunsecker, powerful and domineering newspaper columnist

New York City, Fall 1956

Film: Sweet Smell of Success
Release Date: June 27, 1957
Director: Alexander Mackendrick
Costume Designer: Mary Grant

Background

One of my favorite movies is Sweet Smell of Success, the atmospheric film noir starring Burt Lancaster as a Walter Winchell-like columnist and Tony Curtis as the opportunistic young PR flack desperate to get in good with him.

Ernest Lehman, who contributed to the screenplay based on his own novelette, declined to direct the film due to his fear of Lancaster, but the actor’s aggressive and volatile temperament paid off to create the needed aura of his intimidating character, the sort of man who could and would destroy an enemy’s career on a whim. Continue reading

Chinatown – J.J. Gittes’ Gray Striped Suit

Jack Nicholson as J.J. Gittes in Chinatown (1974)

Jack Nicholson as J.J. Gittes in Chinatown (1974)

Vitals

Jack Nicholson as J.J. Gittes, private investigator and ex-policeman

Los Angeles, September 1937

Film: Chinatown
Release Date: June 20, 1974
Director: Roman Polanski
Costume Designer: Anthea Sylbert

Background

J.J. Gittes begins his final day investigating the Mulwray case in Chinatown with his usual cheekiness, even when surprised by walking into a murder scene. He trades barbs with increasingly suspicious detectives, including the pugnacious Detective Loach (Richard Bakalyan) who inquires about Gittes’ sliced-up nose; Edward Norton’s character in Rounders would pay homage to Gittes’ response of “Your wife got excited. She crossed her legs a little too quick.”

But Gittes’ good humor wears off by the end, following a series of misadventures – mostly at gunpoint – involving sisters, daughters, and a shot-out eyeball. As his assistant Walsh (Joe Mantell) sagely – and now famously – advises him:

Forget it, Jake. It’s Chinatown.

Continue reading

De Niro as Noodles – Charcoal Red-Striped Flannel Suit

Robert De Niro as "Noodles" Aaronson in Once Upon a Time in America (1984).

Robert De Niro as “Noodles” Aaronson in Once Upon a Time in America (1984).

Vitals

Robert De Niro as David “Noodles” Aaronson, mob bootlegger and violent ex-convict

New York City, December 1933

Film: Once Upon a Time in America
Release Date: May 23, 1984
Director: Sergio Leone
Costume Designer: Gabriella Pescucci

Background

83 years ago today, the 21st amendment was ratified to officially repeal Prohibition, delighting a thirsty American public but leaving many criminals who had made their fortunes from bootlegging effectively “unemployed”. This Mafia Monday post checks in with Robert De Niro as a mobster coming to terms with what that means for his career and personal life in 1984’s Once Upon a Time in America. Continue reading

Bogart in The Big Sleep: Chalkstripe Flannel Double-Breasted Suit

Humphrey Bogart as Philip Marlowe in The Big Sleep (1946).

Humphrey Bogart as Philip Marlowe in The Big Sleep (1946).

Vitals

Humphrey Bogart as Philip Marlowe, archetypal hard-boiled private detective

Los Angeles, Fall 1945

Film: The Big Sleep
Release Date: August 23, 1946
Director: Howard Hawks
Wardrobe Credit: Leah Rhodes

WARNING! Spoilers ahead!

Background

Today is a pretty special day for me, and I’d like to celebrate the woman who is the Bacall to my Bogie by reflecting on The Big Sleep, which was originally released in theaters 70 years ago tomorrow, eight days after its premiere on August 23, 1946.

The Big Sleep was the second of four films starring Humphrey Bogart and Lauren Bacall. The had originally met while filming her cinematic debut, To Have and Have Not, which was released on October 11, 1944, the very day after production began on The Big Sleep. (To Have and Have Not is also the first movie that my girlfriend and I watched together!) Continue reading

Jimmy Stewart’s “Charleston” Suit

Donna Reed and James Stewart dance the Charleston as Mary Hatch and George Bailey in It's a Wonderful Life (1946).

Donna Reed and James Stewart dance the Charleston as Mary Hatch and George Bailey in It’s a Wonderful Life (1946).

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James Stewart as George Bailey, bank officer and “nice guy”

Bedford Falls, NY, May 1928

Film: It’s a Wonderful Life
Release Date: December 20, 1946
Director: Frank Capra
Costume Designer: Edward Stevenson

Background

Today would’ve been the 108th birthday of James Stewart, and BAMF Style is honoring this screen legend by looking at Stewart’s own favorite character from his filmography: George Bailey.

Rated #9 on AFI’s 100 Heroes list and #8 on Premiere Magazine’s 100 Greatest Performances of All Time, Stewart’s portrayal of the Capra-esque “every man” still resonates with audiences 70 years later, especially around Christmas time (due to an NTA clerical error in 1974). In fact, the local Regent Square Theater near my house in Pittsburgh hosts a free screening of It’s a Wonderful Life every Christmastime, which I’ve been sure to never miss in the last four years.

One of my favorite scenes – not only in It’s a Wonderful Life but from movie history – is the Charleston contest where George and Mary reconnect and then find themselves drenched when a jealous rival for her affections (played by The Little Rascals‘ Carl “Alfalfa” Switzer) opens the dance floor to send the two flap-happy dancers into the school swimming pool. In fact, this scene was filmed at the Beverly Hills High School in Los Angeles which indeed had a gym floor that could be converted into a pool with the press of a button. Continue reading

Hans Gruber in Die Hard

Hans Gruber (Alan Rickman) aims John McClane's own Beretta at him in a production still from Die Hard (1988).

Hans Gruber (Alan Rickman) aims John McClane’s own Beretta at him in a production still from Die Hard (1988).

Vitals

Alan Rickman as Hans Gruber, shrewd German terrorist leader and self-described “excellent thief”

Los Angeles, Christmas 1988

Film: Die Hard
Release Date: July 15, 1988
Director: John McTiernan
Costume Designer: Marilyn Vance

Background

Like surprisingly many others, Die Hard is my favorite Christmas movie and no holiday season – no matter how hectic or bleak – is complete without a viewing of what is arguably the greatest action movie ever made.

For the first BAMF Style holiday season in 2012, I broke down the rugged (and eventually very sparse) style of Bruce Willis’ John McClane, but it feels like the time has come to look at what the film’s fashion-driven antagonist wore as he led his European gunslingers into Nakatomi Plaza on Christmas Eve 1988.

Mr. Takagi, I could talk about industrialization and men’s fashion all day, but I’m afraid work must intrude…

What’d He Wear?

Nice suit. John Phillips, London. I have two myself. Rumor has it Arafat buys his there.

Obviously, Hans Gruber knows a thing about clothes as he takes the time to compliment the Nakatomi Corporation’s soon-to-be martyr’s suit. Whether or not the dark suit sported by Hans himself is one of his two from the prestigious (but ultimately fictional) John Phillips.

Hans Gruber’s dark charcoal suit is very contemporary to its 1980s setting, not surprising for a man so interested in fashion and image. The jacket is cut short with a double-breasted 4-on-2 button stance. Continue reading