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Titanic: David Warner as Spicer Lovejoy

David Warner as Spicer Lovejoy in Titanic (1997)

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David Warner as Spicer Lovejoy, sinister bodyguard and ex-policeman

North Atlantic Ocean, April 1912

Film: Titanic
Release Date: December 19, 1997
Director: James Cameron
Costume Designer: Deborah Lynn Scott
Tailor: Dominic Gherardi

WARNING! Spoilers ahead!

Background

112 years ago tonight on the night of Sunday, April 14, 1912, RMS Titanic struck an iceberg in the north Atlantic Ocean. The grand ship making its maiden voyage was under the waves less than three hours later,  en route the ocean floor as the disaster claimed the lives of more than 1,500 passengers and crew, leaving around 700 survivors scattered in small open boats awaiting rescue.

From the moment headlines broke across the world the following morning through more than a century later, the Titanic disaster has all from historians and experts to the public at large, its legacy kept alive by scores of books and film productions, including a silent film starring real-life survivor Dorothy Gibson filmed just weeks after the sinking, a handful of Hollywood melodramas, a Nazi propaganda film, and the 1958 drama A Night to Remember, still considered by many the definitive fact-based retelling of the disaster.

The first major color production depicting the Titanic sinking aired on ABC in 1979. Through the Queen Mary standing in for the Titanic bore little resemblance to the actual ship, S.O.S. Titanic is remarkable for almost exclusively featuring dramatis personae representing actual passengers and crew, rather than fictionalized characters or composites. One of these was the sharply observant English schoolteacher Lawrence Beesley, who traveled in second class and survived the sinking to pen one of the first written accounts of the disaster which remains a valuable resource among historians and enthusiasts today. Beesley was portrayed in S.O.S. Titanic by David Warner, a talented and prolific stage and screen actor who died in July 2022 at the age of 80—you can read more in my 2023 post about Warner’s tweed Norfolk suit as Mr. Beesley.

The late, great Mr. Warner didn’t restrict his Titanic screen credits to the late ’70s, as he was cast nearly 20 years later in James Cameron’s epic 1997 blockbuster Titanic, which won a record-tying 11 Academy Awards, including Best Picture.

David Warner starred as the real-life passenger Lawrence Beesley in S.O.S. Titanic (1979) and the fictional Spicer Lovejoy in Titanic (1997).

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Song of the Thin Man: William Powell’s Houndstooth Jacket as Nick Charles

William Powell as Nick Charles in Song of the Thin Man (1947)

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William Powell as Nick Charles, witty detective

New York City, September 1947

Film: Song of the Thin Man
Release Date: August 28, 1947
Director: Edward Buzzell
Costume Supervisor: Irene

Background

Across six films beginning with The Thin Man, William Powell and Myrna Loy channeled their remarkable screen chemistry into portraying Nick and Nora Charles, a married couple who work together to solve murders between martinis. On the 40th anniversary of William Powell’s death on March 5, 1984 at the age of 91, today’s post explores the debonair actor’s attire from his swan song as Nick Charles. Continue reading

Cary Grant in His Girl Friday

Cary Grant in His Girl Friday (1940)

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Cary Grant as Walter Burns, fast-talking newspaper editor

Chicago*, Fall 1939**

Film: His Girl Friday
Release Date: January 18, 1940
Director: Howard Hawks
Costume Designer: Robert Kalloch

Background

Today is the 120th anniversary of when screen legend and style icon Cary Grant was born on January 18, 1904. One of the prolific actor’s most memorable films, His Girl Friday, was released on his 36th birthday in 1940. Continue reading

The Bear: Richie Wears Suits Now

Ebon Moss-Bachrach as Richie Jerimovich on The Bear (Episode 2.08: “Bolognese”)
Photo credit: Chuck Hodes/FX

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Ebon Moss-Bachrach as Richie Jerimovich, restaurant manager and honorary Berzatto “cousin”

Chicago, Spring 2023

Series: The Bear
Episodes:
– “Bolognese” (Episode 2.08)
– “Omelette” (Episode 2.09)
– “The Bear” (Episode 2.10)
Air Date: June 22, 2023
Director: Christopher Storer
Creator: Christopher Storer
Costume Designer: Courtney Wheeler

WARNING! Spoilers ahead!

Background

“New year, new me” is an oft-repeated philosophy thorough January as people reaffirm committing to becoming their best selves. One of my favorite on-screen transformations recently has been Richie Jerimovich’s journey to find his purpose across the second season of The Bear. For his portrayal of Richie, Ebon Moss-Bachrach has been nominated for a Golden Globe, an Independent Spirit Award, and an Emmy—with the results of the latter to be announced this Monday night.

The Bear established Richie at the start as a brash and boastful loudmouth, proud of his self-maintainted reputation as a wild card. “I’m not like this because I’m in Van Halen, I’m in Van Halen because I’m like this,” he frequently reasserts, all the while increasingly questioning his purpose. Though he loves his “cousin” Carmy (Jeremy Allen White), Richie clearly resents the new methods that the experienced chef and his visionary new hire Sydney (Ayo Edebiri) had brought to their longstanding Chicago restaurant… until Carmy enrolls Richie in a week honing his stagiaere skills in what would be essentially an unpaid internship at the exclusive Chicago restaurant Ever. Continue reading

In a Lonely Place: Bogie’s Twill Sports Coat and Turtleneck

Humphrey Bogart as Dix Steele in In a Lonely Place (1950)

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Humphrey Bogart as Dixon “Dix” Steele, frustrated screenwriter

Los Angeles, Fall 1949

Film: In a Lonely Place
Release Date: May 17, 1950
Director: Nicholas Ray
Costume Designer: Jean Louis (credited for gowns only)

WARNING! Spoilers ahead!

Background

Today’s post wraps up #Noirvember on what would have been the 100th birthday of silver screen icon Gloria Grahame. Born November 28, 1923, Grahame’s film noir credits include Crossfire (1947) and The Big Heat (1953), though my favorite is In a Lonely Place (1950), directed by her then-husband Nicholas Ray and starring Humphrey Bogart.

Some of Bogie’s friends and acquaintances have described the character of cynical screenwriter Dixon Steele to be the closest that the actor ever came to projecting his true charismatic yet insecure persona onto the screen. Continue reading

Bell, Book and Candle: James Stewart’s Stone Suit

James Stewart in Bell, Book and Candle (1958)

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James Stewart as Shepherd “Shep” Henderson, bewitched publisher

New York City, Spring 1958

Film: Bell, Book and Candle
Release Date: November 11, 1958
Director: Richard Quine
Wardrobe Credit: Ed Ware

Background

Not every Halloween-season movie has to be scary! In time for October 29 being National Cat Day, dig your claws into Bell, Book and Candle, Richard Quine’s lighthearted supernatural romance that reunited Jimmy Stewart and Kim Novak just months after their iconic screen pairing in Alfred Hitchcock’s thriller Vertigo.

I’ll admit that Bell, Book and Candle may not be my favorite from Stewart, Novak, Quine, or screenwriter Daniel Taradash, but this bewitching comedy still offers plenty of atmospheric fun and camp between the two stars… and Novak’s magical Siamese cat Pyewacket. Continue reading

A Bronx Tale: Sonny’s Gray Silk Jacket

Chazz Palminteri in A Bronx Tale (1993)

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Chazz Palminteri as Sonny LoSpecchio, local mob capo

The Bronx, New York, Fall 1960

Film: A Bronx Tale
Release Date: September 29, 1993
Director: Robert De Niro
Costume Designer: Rita Ryack

WARNING! Spoilers ahead!

Background

Thirty years ago this week, A Bronx Tale was released in theaters across the United States, two weeks after it premiered at the Toronto International Film Festival. This mobbed-up coming-of-age story was adapted from Chazz Palminteri’s autobiographical one-man show of the same name, recalling Palminteri’s own childhood experiences growing up in the Bronx during the 1960s. Continue reading

Peter Falk’s Tuxedo in Machine Gun McCain

Peter Falk as Charlie Adamo in Machine Gun McCain (1969)

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Peter Falk as Charlie Adamo, ambitious gangster

San Francisco and Las Vegas, Summer 1968

Film: Machine Gun McCain
(Italian title: Gli intoccabili)
Release Date:
April 1, 1969
Director: Giuliano Montaldo
Costume Designer: Enrico Sabbatini

WARNING! Spoilers ahead!

Background

Born 96 years ago today on September 16, 1927, Peter Falk may be best remembered as the rumpled but indefatigable Lieutenant Columbo (to the extent that his September 16th is also observed as “Wrinkled Raincoat Day”), but Falk spending most of his screen time wearing a handsomely tailored tuxedo in the 1969 Italian crime film Machine Gun McCain illustrates how the Bronx-born actor could clean up well. (And yes, I do plan on writing about Falk’s iconic wardrobe in Columbo someday!)

Released in Italy as Gli intoccabili (translated to “The Untouchables”) and based on the Ovid Demaris novel Candyleg, Machine Gun McCain joins the subject of my prior post as a prime example of poliziottesco, an Italian crime subgenre that emerged during the nation’s violent “Years of Lead” era and typified by corruption, violence, cynicism… and American lead actors. In this case, Falk was joined by his pal and frequent collaborator John Cassavetes, who portrays the eponymous ex-bank robber opposite Falk as gangster Charlie Adamo. Continue reading

Never Say Never Again: Largo’s White Striped Dinner Jacket

Klaus Maria Brandauer as Maximillian Largo in Never Say Never Again (1983)

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Klaus Maria Brandauer as Maximillian Largo, billionaire businessman and SPECTRE terrorist

Monte Carlo, Spring 1983

Film: Never Say Never Again
Release Date: October 7, 1983
Director: Irvin Kershner
Costume Designer: Charles Knode

Background

1983 was the year of the dueling James Bonds. Roger Moore continued as the canonical 007 in Eon Productions’ Octopussy, while Bond emeritus Sean Connery surprised audiences by starring in Never Say Never Again, an “unofficial” reimagining of Thunderball released 40 years ago next month by Jack Schwartzman’s Taliafilm.

Never Say Never Again resulted from a two-decade effort by producer Kevin McClory, who had collaborated with Ian Fleming and screenwriter Jack Whittingham on an original Bond screenplay in the late 1950s. When Fleming published a novelization of their unproduced screenplay as Thunderball in 1961, McClory and Whittingham sued and settled out of court, albeit with a string of conditions that ultimately maintained Eon’s rights to the story for up to ten years after the release of their own cinematic adaptation of Thunderball, released in 1965.

By the mid-1970s when McClory announced his plans to produce his own version of the story, both Whittingham and Fleming had died, and Connery had hung up 007’s shoulder holster—presumably for good—after reluctantly returning to the iconic role in Diamonds are Forever. After more legal and production hurdles, the end result released in October 1983 was Never Say Never Again, titled in reference to Connery reprising his role after twice saying he would never play Bond again. (While Moore turned 55 during the production of Octopussy, it’s Never Say Never Again that focuses more on Bond’s advancing age… despite Connery actually being three years younger than Moore and looking considerably more fit than the last time Connery starred as the “official” Bond in Diamonds are Forever a dozen years earlier.)

Not being produced by Eon meant many signature elements were missing, like the James Bond theme, the opening gunbarrel, and a familiar cast portraying 007’s allies at MI6. However, Bond still received his briefing from M (Edward Fox), flirted with Miss Moneypenny (Pamela Salem), and received his equipment from an uncharacteristically jolly Q (Alec McCowen) before jetting off to the Bahamas to investigate a missing nuclear warhead… just as he had in Thunderball.

Never Say Never Again globe-hops with more ferocity than Thunderball, and it’s not long before Bond arrives in southern France, tracking the enigmatic billionaire Maximilian Largo (Klaus Maria Brandauer) and his girlfriend Domino Petachi (Kim Basinger). Bond literally gets his hands on Domino at a Villefranche-sur-Mer massage parlor, where he learns that Largo is hosting a charity ball that night across the border in Monte Carlo. Good thing Bond packed his tuxedo!

Largo: Do you enjoy games, Mr. Bond?
Bond: Depends with whom I’m playing.

Sean Connery, Klaus Maria Brandauer, and Kim Basinger in Never Say Never Again (1983)

If, like me, you spent much of your childhood going over to friends’ house just to watch them play video games, this scene offers the same thrills and more.

An oft-criticized scene from Never Say Never Again pits Bond against Largo during a duel for world domination… in the form of a pixilated video game that Largo invented. Titled “Domination”, the Atari-style game was clearly an attempt to make the story seem fashionable for the 1980s—though it likely seemed dated by the time its first audiences were already out of the theater. A beaming Largo explains that “unlike armchair generals, we will share the pain of our soldiers in the form of electric shocks.” Even after almost passing out from the pain, Bond keeps the game going—is it because he wants to prove a point to Largo, or does he just not want to give $58,000 to a children’s charity?

As September 12 is National Video Games Day (not to be confused with plain old “Video Games Day” observed on July 8), BAMF Style’s inaugural Never Say Never Again post will explore Largo’s creative black tie for the event. Continue reading

Warren Beatty’s White Suit in Reds

Warren Beatty as Jack Reed in Reds (1981)

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Warren Beatty as John Silas “Jack” Reed, radical journalist and activist

Provincetown, Massachusetts, Summer 1916

Film: Reds
Release Date: December 4, 1981
Director: Warren Beatty
Costume Designer: Shirley Ann Russell

Background

Whether it’s because Labor Day is considered by some sartorial purists to be the last acceptable day for wearing summer whites or because the holiday originated to recognize the American labor movement, it feels appropriate for today’s post to explore Warren Beatty’s off-white summer suit as labor activist Jack Reed in his 1981 historical epic Reds.

Reds won three of the 12 Academy Awards for which it was nominated, including Beatty for Best Director, Maureen Stapleton for Best Supporting Actress, and Vittorio Storaro for Best Cinematography, though it had also been nominated for Best Picture and—of significant interest for this blog’s focus—Best Costume Design. Continue reading