Tagged: Warren Beatty

Warren Beatty’s White Suit in Reds

Warren Beatty as Jack Reed in Reds (1981)

Vitals

Warren Beatty as John Silas “Jack” Reed, radical journalist and activist

Provincetown, Massachusetts, Summer 1916

Film: Reds
Release Date: December 4, 1981
Director: Warren Beatty
Costume Designer: Shirley Ann Russell

Background

Whether it’s because Labor Day is considered by some sartorial purists to be the last acceptable day for wearing summer whites or because the holiday originated to recognize the American labor movement, it feels appropriate for today’s post to explore Warren Beatty’s off-white summer suit as labor activist Jack Reed in his 1981 historical epic Reds.

Reds won three of the 12 Academy Awards for which it was nominated, including Beatty for Best Director, Maureen Stapleton for Best Supporting Actress, and Vittorio Storaro for Best Cinematography, though it had also been nominated for Best Picture and—of significant interest for this blog’s focus—Best Costume Design. Continue reading

Warren Beatty in McCabe and Mrs. Miller

Warren Beatty as John McCabe in McCabe and Mrs. Miller (1971)

Vitals

Warren Beatty as John McCabe, enterprising gambler and pimp

Presbyterian Church, Washington, Fall to winter 1902

Film: McCabe & Mrs. Miller
Release Date: June 24, 1971
Director: Robert Altman
Wardrobe Credit: Ilse Richter

WARNING! Spoilers ahead!

Background

There are moments every January where I envy the idiosyncratic wardrobe of John McCabe, warmly swaddled in hefty furs as he trots into the humble hamlet of Presbyterian Church, Washington, scored by Leonard Cohen’s mournful baritone.

One of the most prolific pioneers of the “New Hollywood” movement that began in the 1960s, Robert Altman followed up his maverick success with MASH (1970) and his artistic experiment with Brewster McCloud (1970) by setting his sights on one of the most venerated genres in American cinema. Altman and Brian McKay adapted a 1959 novel by Edmund Naughton to deliver McCabe & Mrs. Miller, which the director would ultimately deem an “anti-Western” for its subversion of genre conventions and expectations. Continue reading

Warren Beatty as Dick Tracy

Warren Beatty in Dick Tracy (1990)

Warren Beatty in Dick Tracy (1990)

Vitals

Warren Beatty as Dick Tracy, square-jawed detective

“Homeville”, December 1938

Film: Dick Tracy
Release Date: June 15, 1990
Director: Warren Beatty
Costume Designer: Milena Canonero

Background

Ninety years ago today on Sunday, October 4, 1931, Chester Gould’s comic strip Dick Tracy premiered in the Detroit Mirror, introducing the world—or at least Detroit—to the determined detective in his trademark yellow coat.

Despite the strip’s longevity and popularity, attempts to adapt it for the screen never came into fruition for nearly six decades until the blockbusting success of Tim Burton’s Batman in 1989 proved to studios there a profitable market for comic book adaptations. Bringing Dick Tracy to Hollywood became a passion project for Warren Beatty, who starred as the title character as well as producing, directing, and attracting a cavalcade of stars to portray the colorful—and colorfully dressed—figures of the mysterious Chicago-like city where Tracy faced off against gangsters and gun molls.

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Warren Beatty’s Blue Levi’s Jacket in The Parallax View

Warren Beatty as Joe Frady in The Parallax View (1974)

Warren Beatty as Joe Frady in The Parallax View (1974)

Vitals

Warren Beatty as Joe Frady, maverick political reporter

Rural Washington state, Spring 1974

Film: The Parallax View
Release Date: June 14, 1974
Director: Alan J. Pakula
Costume Designer: Frank L. Thompson

Background

Happy birthday to Warren Beatty, born 84 years ago today on March 30, 1937. A rising star through the ’60s, Beatty established himself as a forced to be reckoned with when he spearheaded production of Bonnie & Clyde in 1967, not only starring in but producing the acclaimed gangster film. Following his innovative success with Bonnie & Clyde, Beatty slowed down his career to only occasional movies, frequently going several years without acting while putting much of his energy into political activism and—more notoriously—dating his way through many of Hollywood’s hottest before marrying Annette Bening after the two co-starred in Bugsy.

One of Beatty’s most notable post-Bonnie & Clyde films was The Parallax View, the second in a trio of Alan J. Pakula’s paranoid political thrillers of the ’70s. Continue reading

Bugsy’s Houndstooth Sports Coat

Warren Beatty as Benjamin "Bugsy" Siegel in Bugsy (1991)

Warren Beatty as Benjamin “Bugsy” Siegel in Bugsy (1991)

Vitals

Warren Beatty as Benjamin “Bugsy” Siegel, “celebrity” gangster and casino builder

Los Angeles, Spring 1945 and Las Vegas, Fall 1946

Film: Bugsy
Release Date: December 13, 1991
Director: Barry Levinson
Costume Designer: Albert Wolsky

WARNING! Spoilers ahead!

Background

Everybody deserves a fresh start once in a while.

At least three times while wearing this outfit alone, Warren Beatty’s Bugsy Siegel pontificates on the power of fresh starts. While the real Siegel may not have been quite as forgiving, Beatty plays him with the actor’s characteristic charisma to better communicate to audiences how a violent gangster could have charmed the stars of “golden age” Hollywood.

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Bugsy’s Checked Jacket and Mint Green Shirt

Warren Beatty as Benjamin "Bugsy" Siegel in Bugsy (1991)

Warren Beatty as Benjamin “Bugsy” Siegel in Bugsy (1991)

Vitals

Warren Beatty as Benjamin “Bugsy” Siegel, “celebrity” gangster and casino builder

Los Angeles, Spring 1945

Film: Bugsy
Release Date: December 13, 1991
Director: Barry Levinson
Costume Designer: Albert Wolsky

WARNING! Spoilers ahead!

Background

BAMF Style goes green for the first #MafiaMonday after St. Patrick’s Day!

We catch up with Ben “don’t-call-him-Bugsy” Siegel in the middle of realizing his dream – the Flamingo Hotel and Casino and, by extension, Las Vegas. Continue reading

BAMF Style: My 5 Formative Movie Suits

For my birthday today (July 21, same as Ernest Hemingway and Robin Williams), I hope you’ll excuse an indulgent post as I explore the suits that grabbed my attention from a young age and stirred my early interest in men’s style. Though, given the dapper white jacket that Sean Connery wore on the cover of GQ the month I was born, I should have known what direction my life would eventually take!

While not necessarily the greatest suits to every appear in the movies, these five each contributed to my interest in menswear that led to the eventual creation of BAMF Style a decade later. Interestingly, all of the featured outfits are from period films, highlighting fashion of an earlier era (the 1930s, in more cases than not) and accentuated by a musical soundtrack designed to emphasize the character and the moment.

Warren Beatty in Bonnie and Clyde (1967), Jack Nicholson in Chinatown (1974), Nicholas Clay in Evil Under the Sun (1982), Ray Liotta in Goodfellas (1990), and Robert Redford in The Sting (1973)

Warren Beatty in Bonnie and Clyde (1967), Jack Nicholson in Chinatown (1974), Nicholas Clay in Evil Under the Sun (1982), Ray Liotta in Goodfellas (1990), and Robert Redford in The Sting (1973)

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Bugsy Siegel’s Glen Plaid Double-Breasted Suit

Warren Beatty as Benjamin “Bugsy” Siegel in Bugsy (1991). Photo sourced from Getty Images.

Vitals

Warren Beatty as Benjamin “Bugsy” Siegel, “celebrity” gangster and casino builder

New York, Summer 1945, and
Beverly Hills, December 1946

WARNING! Spoilers ahead!

Film: Bugsy
Release Date: December 13, 1991
Director: Barry Levinson
Costume Designer: Albert Wolsky

Background

Bugsy is an entertaining and stylish drama penned by James Toback, transforming the violent mobster in a suave and romantic visionary much as the real life gangster himself tried to reinvent his persona after moving out to the West Coast, choosing to rub elbows with the likes of George Raft, Gary Cooper, and Cary Grant rather than his old associates like Dutch Schultz, Lucky Luciano, and Joe Adonis. Continue reading

Bugsy’s Tan and Maroon Desert Sport Shirt

Warren Beatty as Benjamin "Bugsy" Siegel in Bugsy (1991).

Warren Beatty as Benjamin “Bugsy” Siegel in Bugsy (1991).

Vitals

Warren Beatty as Benjamin “Bugsy” Siegel, “celebrity” gangster and casino builder

Las Vegas to L.A., August 1946

Film: Bugsy
Release Date: December 13, 1991
Director: Barry Levinson
Costume Designer: Albert Wolsky

Background

The second warm-weather Mafia Monday in a row transports us from the glamour of 1950s Miami to the barrenness of the post-war Mojave Desert.

Bugsy Siegel has been dealing with a lot of professional issues. Construction of his “oasis in the desert” – the Flamingo Hotel and Casino – is going way over budget, and he’s just been arrested for the murder of his old pal Harry “Big Greenie” Greenberg (Elliott Gould). What’s a volatile celebrity mobster to do? Continue reading

Bugsy Siegel in White Tie

Warren Beatty and Annette Bening in Bugsy (1991)

Warren Beatty and Annette Bening in Bugsy (1991)

Vitals

Warren Beatty as Benjamin “Bugsy” Siegel, debonair and mercurial “celebrity” gangster

Hollywood, March 1945

Film: Bugsy
Release Date: December 13, 1991
Director: Barry Levinson
Costume Designer: Albert Wolsky

Background

Unfortunately, the ultra formal white tie dress code is all but extinct in American culture. The popularity of black tie in the post-World War I era was the first bullet to the chest of white tie, but an increasingly informal society has peppered white tie with more bullets than the St. Valentine’s Day Massacre. Luckily for sartorial purists, Downton Abbey and programs of its ilk have inspired a resurgence in early 20th century formalwear. As Mad Men has taught us, all it takes is a good TV show with well-dressed characters to get Americans to dress better.

A natty dresser like Bugsy Siegel didn’t need examples from the movies, though. While I’ve never seen a photo of the real guy in white tie, it makes sense that an image-conscious guy like Siegel would sport a formal tailcoat for a night of dancing at the legendary Ciro’s nightclub in West Hollywood to cultivate his image as a romantic ladies’ man rather than a vicious mobster. Siegel even tells a photographer from The Herald that captures him in mid-dance:

See that they run that, and not one of those sinister mugshots.

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