Tagged: Los Angeles
Boogie Nights: Burt Reynolds’ Red Finale Safari Suit
Burt Reynolds as Jack Horner in Boogie Nights (1997)
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Burt Reynolds as Jack Horner, avuncular adult film director
San Fernando Valley, California, Summer 1984
Film: Boogie Nights
Release Date: October 10, 1997
Director: Paul Thomas Anderson
Costume Designer: Mark Bridges
WARNING! Spoilers ahead!
Background
Although the film contains very little that I can personally relate to (other than, perhaps, margarita-fueled arguments about Star Wars), the end of Boogie Nights has always reminded me of the end of summer.
Set just before dusk on a June night in the San Fernando Valley, the finale is comprised of just two long shots: one following pornographer Jack Horner (Burt Reynolds) through the hallowed halls of his MCM dream house, and the movie’s iconic final shot that finally reveals Dirk Diggler’s much-discussed money maker to the audience. Continue reading
Minx: Jake Johnson’s Pink Leisure Suit
Jake Johnson as Doug Renetti on Minx (Episode 1.10: “You happened to me”)
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Jake Johnson as Doug Renetti, easygoing porn publisher
San Fernando Valley, California, Summer and Fall 1972
Series: Minx
Episodes:
– “Mary had a little hysterectomy” (Episode 1.06, dir. Carrie Brownstein, aired 3/31/2022)
– “You happened to me” (Episode 1.10, dir. Stella Meghie, aired 4/14/2022)
Creator: Ellen Rapoport
Costume Designer: Beth Morgan
WARNING! Spoilers ahead!
Background
After the show’s fate seemed uncertain at the end of last year, Minx returns this Friday, July 21 on Starz. The streaming platform had rescued the series after it was unceremoniously canceled by HBO Max in December 2022 and removed from its service, alongside other original series like Westworld and The Nevers. Though its future was in doubt, Minx completed filming the second season within a week and, exactly a month after HBO Max canceled it, Starz announced on January 12, 2023 that Minx would be adopted onto its service.
Also set in the San Fernando Valley during the so-called “golden age of porn”, Minx could be described as a lighter-hearted companion piece to Boogie Nights, to the extent that Jake Johnson told Brooke Marine for W Magazine that he “used to play it in my trailer [during Minx] to remember the certain energy and bounce to that movie. When it would be early in the morning and I’m putting on tight pants, it would instantly make me happy to be at work.” Continue reading
Guy Pearce in Memento
Guy Pearce as Leonard Shelby in Memento (2000)
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Guy Pearce as Leonard Shelby, vengeful insurance investigator with anterograde amnesia
Los Angeles, Summer 1999
Film: Memento
Release Date: September 5, 2000
Director: Christopher Nolan
Costume Designer: Cindy Evans
WARNING! Spoilers ahead!
Background
I have no short-term memory. I know who I am, I know all about myself, I just—since my injury, I can’t make new memories. Everything fades. If we talk for too long, I’ll forget how we started. The next time I see you, I’m not gonna remember this conversation.
Memento stars Guy Pearce as Leonard Shelby, a former insurance claims investigator out for revenge after an attack on his wife that left him with a rare form of short-term memory loss. Appropriate for today (July 17th) being National Tattoo Day, Leonard covers his body with tattoos to help him instantly recall his understanding of the facts of what happened and who he must target for revenge. Continue reading
Terry-Thomas in It’s a Mad, Mad, Mad, Mad World
Terry-Thomas as J. Algernon Hawthorne in It’s a Mad, Mad, Mad, Mad World (1963)
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Terry-Thomas as J. Algernon Hawthorne, British Army officer and rare plant collector
Southern California, Summer 1962
Film: It’s a Mad, Mad, Mad, Mad World
Release Date: November 7, 1963
Director: Stanley Kramer
Costume Designer: Bill Thomas
Background
Today wraps up Car Week and a mini-celebration of the 60th anniversary year of the star-studded madcap road comedy It’s a Mad, Mad, Mad, Mad World, following on Wednesday’s post by commemorating yet another star’s birthday. Although many sources list July 10 as his birthday, Terry-Thomas himself listed July 14, 1911 as his birthday in his autobiographies, so we’ll celebrate the famously gap-toothed English character actor today by way of his Jeep-driving Lieutenant Colonel J. Algernon Hawthorne. Continue reading
Milton Berle in It’s a Mad, Mad, Mad, Mad World
Milton Berle as J. Russell Finch in It’s a Mad, Mad, Mad, Mad World (1963)
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Milton Berle as J. Russell Finch, seaweed salesman and beleaguered son-in-law
Southern California, Summer 1962
Film: It’s a Mad, Mad, Mad, Mad World
Release Date: November 7, 1963
Director: Stanley Kramer
Costume Designer: Bill Thomas
Background
Car Week continues with a look at a road movie very close to my heart, Stanley Kramer’s 1963 epic comedy It’s a Mad, Mad, Mad, Mad World, released 60 years ago this November. I used to spend many weekends at my grandma’s house watching this cavalcade of comics—many of whom had died even before I was born—as they sped, flew, and chased each other through southern California in pursuit of a $350,000 payday.
The movie begins as a black two-door Ford Fairlane recklessly snakes its way along Seven Level Hill, a mountainous segment of California State Route 74 just south of Palm Desert, honking as it weaves through traffic. The Fairlane shakes its way past an Imperial Crown convertible, but the driver loses control of the car and the Fairlane goes careening—no, sailing—off a cliff. The four carloads of people behind it all pull to a stop and get out—surely no one could survive such a fatal tumble. But alas, the significantly schnozzed driver Smiler Grogan (Jimmy Durante) hasn’t kicked the bucket yet, sprawled out among the rocky hillside.
In his dying moments, Smiler tells the gathered men of a hidden fortune, the $350,000 proceeds from a 15-year-old tuna factory robbery, buried under “a big W!” in Santa Rosita Park. He indeed kicks the bucket (and how!) before he can elaborate on the admission, leaving the witnesses to debate its veracity amongst themselves and as a group. When it becomes abundantly clear that, no matter what way they figure it, “it’s every man—including the old bag—for himself”, the four groups run back to their respective automobiles and tear off for the fictional Santa Rosita.
Though they’d been leading traffic when the Fairlane went sailing right past them off the cliff, the Imperial Crown is now trailing the others. At the wheel of the Imperial is mild-mannered J. Russell Finch (Milton Berle), an edible-seaweed entrepreneur from Fresno on his way to Lake Meade with his prim wife Emeline (Dorothy Provine) and her brash mother (Ethel Merman).
On the 115th anniversary of Uncle Milty’s July 12, 1908 birthday, let’s dig into this iconic entertainer’s wardrobe from It’s a Mad, Mad, Mad, Mad World. Continue reading
True Romance: Clarence’s Aloha Shirt and Cadillac
Christian Slater and Patricia Arquette in True Romance (1993)
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Christian Slater as Clarence Worley, newlywed rockabilly enthusiast and former comic store clerk
Los Angeles, Spring 1992
Film: True Romance
Release Date: September 10, 1993
Director: Tony Scott
Costume Designer: Susan Becker
WARNING! Spoilers ahead!
Background
Earlier this year, I commemorated National Road Trip Day with a brief look at Christian Slater’s rockabilly-inspired style in True Romance, the Quentin Tarantino-penned romantic crime thriller directed by Tony Scott. Now, to kick off Car Week for the summer that this film celebrates its 30th anniversary, let’s revisit Slater’s style as the scrappy newlywed Clarence Worley.
Clarence and his new wife Alabama (Patricia Arquette) have driven across the country in his pink (more like purple) Cadillac convertible, hoping to leave Detroit—and his murder of her former pimp Drexl Spivey (Gary Oldman)—far behind them. Continue reading
Succession: Kendall’s Suede Tom Ford Jacket in Season 4
Jeremy Strong as Kendall Roy on Succession (Episode 4.06: “Living+”)
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Jeremy Strong as Kendall Roy, ambitious corporate climber and recovering addict
Los Angeles, Fall 2020
Series: Succession
Episodes:
– “The Munsters” (Episode 4.01, dir. Mark Mylod, aired 3/26/2023)
– “Living+” (Episode 4.06, dir. Lorene Scafaria, aired 4/30/2023)
Creator: Jesse Armstrong
Costume Designer: Michelle Matland
WARNING! Spoilers ahead!
Background
The first episode of Succession aired five years ago today on June 3, 2018. Now, less than a week after the fourth and final season concluded last Sunday, we finally have an answer to the question posited since the beginning about who would assume leadership of the Murdoch-inspired media conglomerate Waystar RoyCo after the death of its domineering founder, Logan Roy (Brian Cox).
Despite the ensemble cast that includes three—occasionally four—of Logan’s children vying for the role, @MarkHarrisNYC tweeted yesterday that “the series never forgot that its central four-season plot question was not ‘Who’s going to get it?’ but ‘Is Kendall going to get it or not?'” Continue reading
John Cusack’s Black Suit in The Grifters
John Cusack with Anjelica Huston and Annette Bening in The Grifters (1990)
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John Cusack as Roy Dillon, swaggering con man with mommy issues
Phoenix and Los Angeles, Summer 1990
Film: The Grifters
Release Date: December 5, 1990
Director: Stephen Frears
Costume Designer: Richard Hornung
WARNING! Spoilers ahead!
Background
At seventeen going on eighteen, Roy Dillon had left home. He took nothing with him but the clothes he wore—clothes he had bought and paid for himself. He took no money but the little in the pockets of his clothes, and that too he had earned.
He wanted nothing from Lilly. She had given him nothing when he needed it, when he was too small to get for himself, and he wasn’t letting her into the game at this late date.
He had no contact with her during the first six months he was away. Then, at Christmas time, he sent her a card, and on Mother’s Day he sent her another. Both were of the gooey sentimental type, dripping with sickly sweetness, but the latter was a real dilly. Hearts and flowers and fat little angels swarmed over it in an insanely hilarious montage. The engraved message was dedicated to Dear Old Mom, and it gushed tearfully of goodnight kisses and platters and pitchers of oven-fresh cookies and milk when a little boy came in from play.
You would have thought that Dear Old Mom (God bless her silvering hair) had been the proprietor of a combination dairy-bakery, serving no customer but her own little tyke (on his brand-new bike).
He was laughing so hard when he sent it that he almost botched up the address. But afterward, he had some sobering second thoughts. Perhaps the joke was on him, yes? Perhaps by gibing at her he was revealing a deep and lasting hurt, admitting that she was tougher than he. And that, naturally, wouldn’t do. He’d taken everything she had to hand out, and it hadn’t made a dent in him. He damned well mustn’t ever let it think it had.
— Jim Thompson, The Grifters, Chapter 5
Reading this passage from one of my favorite pulp novelists inspired today’s Mother’s Day post, by way of Jim Thompson’s acid pen translated onto the screen.
Nominated for four Academy Awards, Stephen Frears’ slick 1990 neo-noir The Grifters joins Psycho (1960) and The Manchurian Candidate (1962) in a cinematic fraternity of twisted depictions of mother-son relationships, represented by short-con operator Roy Dillon (John Cusack) and his estranged mother Lilly (Anjelica Huston), a fellow swindler who has long been in service to sadistic bookie Bobo Justus (Pat Hingle) and eventually requires resources from her son to make her clean getaway:
I gave you your life twice. I’m asking you to give me mine once.
Roy and Lilly’s reunion is complicated by Roy’s hustler girlfriend Myra Langtry (Annette Bening), who schemes to remove the domineering matriarch as an obstacle to partnering with Roy. Continue reading
Pacino in Heat: Vincent Hanna’s Checked Canali Suit
Al Pacino as Vincent Hanna in Heat (1995)
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Al Pacino as Vincent Hanna, intense LAPD detective-lieutenant and Marine Corps veteran
Los Angeles, Spring 1995
Film: Heat
Release Date: December 15, 1995
Director: Michael Mann
Costume Designer: Deborah Lynn Scott
WARNING! Spoilers ahead!
Background
Happy 83rd birthday to Al Pacino, the iconic actor born April 25, 1940. Pacino rose to fame after his performance as Michael Corleone in The Godfather (1972) and The Godfather, Part II (1974), the latter also establishing his co-star Robert De Niro. After two decades heralded as two of the best actors of their generation, Pacino and De Niro were finally reunited in Heat, sharing the screen for the first time as their characters in The Godfather, Part II never appeared together.
Michael Mann was inspired by the real-life exploits of Chicago detective Chuck Adamson’s investigation into an early 1960s bank robber named Neil McCauley to write and direct Heat, which was actually Mann’s second go at the story which he had originally filmed as a much lower-budget, less complicated made-for-TV movie in 1989 called L.A. Takedown.
Pacino stars in Heat as Vincent Hanna, an intense and idiosyncratic lieutenant in the LAPD’s Robbery-Homicide Division given to bombastic outbursts (especially when women’s asses are a topic of discussion), explained in the original screenplay as the byproduct of Hanna’s cocaine addiction. Hanna is as “funny as a heart attack,” as described to Neil McCauley (Robert De Niro), the professional armed robber whom Hanna becomes increasingly obsessed with hunting, sure that McCauley is planning on a major score but unsure of what it will be.
The Terminator: Arnie’s Leather Jacket and Gargoyle Sunglasses
Today’s post about an iconic screen badass was written by the curator of the popular Instagram account @jamesbondswardrobe. Enjoy!
Arnold Schwarzenegger in The Terminator (1984)
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Arnold Schwarzenegger as the T-800, an “unassuming” cyborg sent back in time to assassinate an unassuming waitress
Los Angeles, May 1984
Film: The Terminator
Release Date: October 26, 1984
Director: James Cameron
Costume Designer: Hilary Wright
WARNING! Spoilers ahead!
Background
The same year that he was filming Conan the Destroyer, rising film star and retired bodybuilder Arnold Schwarzenegger—along with his agent—was sent a script penned by James Cameron that was simply titled The Terminator. His interest piqued, the eight-time Mr. Olympia later met the aspiring director, ostensibly to be cast as Kyle Reese. However, Arnie’s own musings on how the titular villain ought to be played stirred Cameron’s imagination, who began to sketch his likeness on a notepad, coming to the conclusion that, instead of Reese, “he’d make a hell of a Terminator.” Continue reading