Tagged: William Holden
Breezy: William Holden’s Shawl-Collar Cardigan
William Holden and Kay Lenz in Breezy (1973)
Vitals
William Holden as Frank Harmon, cynical realtor and “nobody’s fool”
Los Angeles, Fall 1972
Film: Breezy
Release Date: November 18, 1973
Director: Clint Eastwood
Men’s Costumer: Glenn Wright
WARNING! Spoilers ahead!
Background
Born 108 years ago on April 17, 1918, William Holden was one of the most bankable stars of the 1950s with an Oscar-winning performance in Stalag 17 (1953) as well as roles in enduring classics like Sunset Blvd. (1950), Sabrina (1954), and The Bridge on the River Kwai (1957). After his career struggled through the ’60s, Holden embarked on a comeback as grizzled outlaw leader Pike Bishop in Sam Peckinpah’s violent 1969 western The Wild Bunch, though this didn’t generate as much momentum as the now middle-aged actor had hoped as new stars like Clint Eastwood dominated the scene.
The two actors’ paths would cross by 1972, when Holden was so grateful to be approached for the lead in Eastwood’s upcoming film Breezy that he agreed to star at no salary—accepting only a cut of the profits. (When there turned out to be no profits, even against Breezy‘s modest budget under a million dollars, SAG compelled Eastwood to pay Holden $4,000.)
Eastwood’s friend and frequent collaborator Jo Heims penned Breezy as an age-gap romance with equal parts tenderness and wit. This may strike viewers as a surprisingly sensitive story for Eastwood to direct at this stage in his career, at the time best known for acting in Westerns, war films, and hard-boiled crime stories like Dirty Harry (1971), and with only two directorial credits before it. It’s to Clint’s credit that he not only accepted the assignment to challenge his contemporary screen image but also willingly stepped off screen—save for a brief cameo at Fisherman’s Village—and cast the more age-appropriate Holden in the leading role of the disillusioned divorcee Frank Harmon.
“You know, I’ve been that guy,” Holden reportedly told Eastwood after he was cast. “Yeah, I thought so,” Eastwood replied. Continue reading
The Towering Inferno: William Holden’s Red Silk Dinner Jacket
William Holden in The Towering Inferno (1974)
Vitals
William Holden as James Duncan, commercial real estate developer
San Francisco, Summer 1974
Film: The Towering Inferno
Release Date: December 14, 1974
Director: John Guillermin
Costume Designer: Paul Zastupnevich
WARNING! Spoilers ahead!
Background
Born 107 years ago today on April 17, 1918, charismatic actor William Holden was one of the biggest stars of the 1950s with landmark performances in Sunset Blvd. (1950), Stalag 17 (1953), Sabrina (1954), and The Bridge on the River Kwai (1957).
Though his screen presence continued into the next decade, Holden revitalized his career as the grizzled lead in Sam Peckinpah’s violent revisionist Western The Wild Bunch (1969), which led to several prominent roles through the 1970s—including Clint Eastwood’s artful romance Breezy (1973) and his final Oscar-nominated turn in Sidney Lumet’s media satire Network (1976).
Between those films, Holden joined the star-studded ensemble of The Towering Inferno (1974), Irwin Allen’s fiery follow-up to The Poseidon Adventure that earned eight Academy Award nominations—including Best Picture. And what better way to celebrate this fire-sign icon’s April 17th birthday than spotlighting his standout wardrobe in a disaster epic that quite literally turns up the Aries heat? Continue reading
Sunset Boulevard: William Holden’s New Year’s Evening Dress
William Holden and Gloria Swanson in Sunset Boulevard (1950)
Vitals
William Holden as Joe Gillis, “well-known screenwriter, uranium smuggler, and Black Dahlia suspect”
Los Angeles, New Year’s Eve 1949
Film: Sunset Boulevard
Release Date: August 10, 1950
Director: Billy Wilder
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
Happy New Year! Billy Wilder’s iconic 1950 noir Sunset Blvd. features one of the most lavish yet depressing celebrations of this holiday, as the washed-up “silent movie queen” Norma Desmond (Gloria Swanson) organizes an intimate evening with her latest obsession, desperate screenwriter Joe Gillis.
“It was at her New Year’s party that I found out how she felt about me,” Joe narrates. “Maybe I’d been an idiot not to have sensed it was coming… that sad, embarrassing revelation.”
Clad in the new full evening tailcoat and white tie that Norma purchased for him, Joe strolls into Norma’s ballroom for the party… only to discover that he’s the only guest. Following an awkward tango, the two quarrel when he demands that she not fall in love with him. With less than an hour to midnight, Joe abandons the house “to be with people my own age… I had to hear somebody laugh again.” Continue reading
Sunset Boulevard: William Holden’s Mini-Check Sport Jacket and “Dreadful Shirt”
William Holden as Joe Gillis in Sunset Boulevard (1950)
Vitals
William Holden as Joe Gillis, struggling screenwriter
Los Angeles, Fall 1949
Film: Sunset Boulevard
Release Date: August 10, 1950
Director: Billy Wilder
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
Noirvember continues with Sunset Boulevard, one of the great films noir that shines a light—or, more appropriately, casts a shadow—on the darker side of Hollywood, a theme popular with contemporary dramas like In a Lonely Place (1950) and The Bad and the Beautiful (1952), with an added verisimilitude through mentions of real studios like 20th Century Fox and Paramount Pictures—who, of course, produced Sunset Boulevard—and cameos from Cecil B. DeMille, Hedda Hopper, and Buster Keaton.
William Holden stars as Joe Gillis, who describes himself in the opening narration as “a movie writer with a couple of B pictures to his credit.” On “the day when it all started,” Joe recounts living in a seedy one-room Hollywood apartment where he owes three months back rent, grinding out two original screenplays a week and fretting that he’s lost his touch. Three payments behind on his Plymouth, his screenplays aren’t selling, and his agent isn’t willing to help, instead insisting that “the finest things on the world have been written on an empty stomach,” though that may be just to get out of having to lend his client the $290 he needs to keep his car. Continue reading
William Holden in Stalag 17
In recognition of POW/MIA Day, observed on the third Friday of September, let’s delve into one of the first major movies to shine a light on the POW experience.
William Holden as Staff Sergeant J.J. Sefton in Stalag 17 (1953)
Vitals
William Holden as J.J. Sefton, USAAF Staff Sergeant and prisoner of war
“Somewhere on the Danube”, December 1944
Film: Stalag 17
Release Date: May 29, 1953
Director: Billy Wilder
Wardrobe Credit: J. Allen Slone
Background
I don’t know about you, but it always makes me sore when I see those war pictures… all about flying leathernecks and submarine patrols and frogmen and guerrillas in the Philippines. What gets me is there never was a movie about POWs… about prisoners of war.
… and so Clarence Harvey Cook (Gil Stratton) begins his narration, setting the scene for the week leading up to Christmas 1944 when he and his fellow downed colleagues discovered a potential informant—er, a “dirty stinkin’ stoolie”—in their barracks.
After two airmen are shot trying to escape, suspicion eventually falls on J.J. Sefton, the cigarette-dealing but cigar-chomping staff sergeant whose cynicism has already rendered him unpopular with most of the Americans aside from Cookie, who serves as Sefton’s unofficial batman and describes him as “one of the most unforgettable ch-characters you’ve ever met.” Continue reading
The Bridges at Toko-Ri: William Holden’s Naval Flight Jacket
William Holden as LT Harry Brubaker in The Bridges at Toko-Ri (1954)
Vitals
William Holden as LT Harry Brubaker, bitter U.S. Navy Reserve aviator
Off the Korean coast, November 1952
Film: The Bridges at Toko-Ri
Release Date: December 1954
Director: Mark Robson
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
Mid-century flight must be my subconscious theme heading into the new year given my last few posts about Frank Sinatra’s jet-setting style and then Sean Connery’s charcoal traveling suit in Goldfinger. Let’s at least move forward from the fuselage to the cockpit where William Holden sits at the controls of his Grumman F9F-2 Panther in The Bridges at Toko-Ri as military aviator LT Harry Brubaker, flying for the U.S. Navy during the Korean War.
William Holden in Picnic
William Holden as Hal Carter in Picnic (1955)
Vitals
William Holden as Hal Carter, aimless former college football star and Army veteran
Kansas, Labor Day 1955
Film: Picnic
Release Date: February 16, 1956
Director: Joshua Logan
Costume Designer: Jean Louis
WARNING! Spoilers ahead!
Background
This Labor Day, we celebrate one of the lesser-recognized cinematic holidays with a look at the Academy Award-nominated Technicolor hit Picnic. Continue reading
William Holden in The Wild Bunch
William Holden as Pike Bishop in The Wild Bunch (1969).
Vitals
William Holden as Pike Bishop, grizzled bandit gang leader
Coahuila, Mexico, Spring 1913
Film: The Wild Bunch
Release Date: June 18, 1969
Director: Sam Peckinpah
Costume Designer: James R. Silke
Background
We’ve got to start thinking beyond our guns. Those days are closing fast.
…is what Pike Bishop wisely tells his men, an aging group of outlaws still anachronistically robbing banks and trains on horseback with a six-shooter on their hips. Pike knows the times are changing, and it doesn’t take a water-cooled machine gun or a Mexican general’s Packard to drive the point home to them.
Today would have been the 97th birthday of William Holden, who starred in classics like Sunset Boulevard, Stalag 17, Sabrina, The Bridge on the River Kwai before taking on the role of the anachronistically self-aware Pike Bishop. Holden was one of many actors considered by Sam Peckinpah for the role; Lee Marvin had actually been cast but then turned it down to accept the higher-paying lead in Paint Your Wagon. It turned out well for Holden, who developed the character into one of the greatest movie badasses of all time… as even that sterling news source MTV agreed. Continue reading
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