Harrison Ford as Indiana Jones, adventurer and archaeology professor
India, Summer 1935
Film: Indiana Jones and the Temple of Doom
Release Date: May 23, 1984
Director: Steven Spielberg
Costume Designer: Anthony Powell
A memorable scene in Indiana Jones and the Temple of Doom finds the titular archaeologist and his two newly introduced companions, Willie Scott (Kate Capshaw) and Short Round (Ke Huy Quan), invited to a banquet at Pankot Palace hosted by the young Majarajah Zalim Singh (Raj Singh). The trio doesn’t take warmly to the feast, which includes such delicacies as “snake surprise” and chilled monkey brains.
One of my favorite aspects of Indiana Jones and the Temple of Doom is the alternative costumes that Indy sports when not in his signature leather jacket and fedora. In addition to a Casablanca-inspired (but ’80s-executed) white dinner jacket at the film’s outset, Indy uses this dinner as an opportunity to dress up his usual bush shirt and “pinks” trousers by donning a tweed sport jacket and bow tie.
Lee Marvin as Walker, revenge-driven armed robber
Santa Monica, Summer 1967
Film: Point Blank
Release Date: August 30, 1967
Director: John Boorman
Costume Designer: Margo Weintz
With the first day of autumn only a day away, we’re looking ahead to fall fashion from a tough guy. In John Boorman’s 1967 neo-noir Point Blank, Lee Marvin starred as Walker, the unsmiling thief out for revenge after he was left for dead on Alcatraz Island by his one-time partner Mal Reese (John Vernon).
Having patched up his wounds, Walker seeks out the help of his sister-in-law Chris (Angie Dickinson), who agrees to lend her own particular brand of charm to assist Walker in retrieving the $93,000 he believes he is rightfully owed. Continue reading
James Garner as Philip Marlowe, cynical private detective
Los Angeles, Spring 1969
Release Date: October 22, 1969
Director: Paul Bogart
Costume Design: Florence Hackett & James Taylor
Save for a single season of a loosely adapted ABC TV series, he character of Philip Marlowe had gone more than two decades without a cinematic portrayal at the time Marlowe was released in 1969. Directed by the appropriately named Paul Bogart (no relation), this adaptation of Raymond Chandler’s 1949 pulp novel The Little Sister updated the setting to contemporary Los Angeles.
James Garner took some criticism for his take on the famous private eye, but I think the likable actor’s vulnerable sincerity works for his interpretation of Chandler’s anti-hero. Continue reading
John Wayne as Sean Thornton, Irish-American former prizefighter
Inisfree, Ireland, spring during the 1920s
Film: The Quiet Man
Release Date: July 21, 1952
Director: John Ford
Costume Designer: Adele Palmer
John Ford’s cinematic love letter to his ancestral home remains a perennial St. Patrick’s Day favorite, even if it is a somewhat overly sanitized depiction of Irish life in the 1920s. As Duke’s outfit from The Quiet Man has been requested by at least three different BAMF Style readers over the last few years, I couldn’t imagine a better time to feature it than on St. Patrick’s Day weekend.
Based on a 1933 short story by Maurice Walsh, The Quiet Man stars Ford’s favorite actor John Wayne as Sean Thornton, a former boxer from Pittsburgh who is returning home to reclaim his family’s land in Ireland. Continue reading
Jack Davenport as James Spencer, aka “Lancelot”, smooth British agent
Argentina, Winter 2014
Film: Kingsman: The Secret Service
Release Date: January 29, 2015
Director: Matthew Vaughn
Costume Designer: Arianne Phillips
WARNING! Spoilers ahead!
James Spencer, aka “Lancelot” (Jack Davenport), is introduced to audiences in the manner one would expect of a story’s hero. He transitions between dry wit and superhuman agility as he deftly takes out a room full of assassins in his attempt to rescue Professor James Arnold (Mark Hamill) from his kidnappers.
The vignette concludes with a Lancelot in the traditional pose of an action hero, gun up and smirking while on bended knee… Continue reading
Joe Spinell as Willi Cicci, slick Corleone mob family “button man”
New York City, August 1955
Film: The Godfather
Release Date: March 15, 1972
Director: Francis Ford Coppola
Costume Designer: Anna Hill Johnstone
When the boss says push the button on a guy, I push the button, see, Senator?
Today’s #MafiaMonday post focuses on one of the more celebrated minor characters of The Godfather, Corleone family enforcer Willi Cicci, who stands out with his slick sense of style and laidback demeanor. Imagine if Dean Martin had grown a mustache and joined the mob… that’s Willi Cicci for ya.
Cicci best gets the opportunity to explain his short yet memorable role in The Godfather when testifying in front of a Senate committee in the film’s sequel. When we first meet him in The Godfather, Cicci is getting a shave in a hotel barbershop with an unflappable, can’t-be-bothered attitude that may trick first-time viewers into thinking he is one of the many targets that Michael Corleone has marked for death on this transformative day for the New York Mafia.
Cillian Murphy as Thomas “Tommy” Shelby, cunning Peaky Blinders gang leader and jaded WWI veteran
Birmingham, England, Fall 1919
Series: Peaky Blinders
Air Dates: September 12, 2013 – October 17, 2013
Directors: Otto Bathurst (Episodes 1.01 – 1.03) & Tom Harper (Episode 1.04 & 1.06)
Creator: Steven Knight
Costume Designer: Stephanie Collie
Tailor: Keith Watson
The fourth season of BBC Two’s brutally entertaining Peaky Blinders premiered last month in the U.K. and should arrive on Netflix just in time for Christmas for American fans eager to see Birmingham’s favorite crime family boozing and bleeding its way through the 1920s.
Car Week thus begins with a flashback to the show’s first season as Tommy Shelby (Cillian Murphy) and his brothers roll up to a rendezvous with the Lee family in their flivver, a beautiful black Ford Model T that coordinates with Tommy’s dark three-piece suit and overcoat. Continue reading