Robert Culp as Bob Sanders, swinging documentary filmmaker
Las Vegas, Summer 1969
Film: Bob & Carol & Ted & Alice
Release Date: September 17, 1969
Director: Paul Mazursky
Costume Designer: Moss Mabry
“Bob and Carol and Ted and Alice!” is the subject of the titular toast Alice (Dyan Cannon) delivers in a shared suite at the Riviera in Las Vegas, where the foursome—so to speak—has gathered for a weekend of gambling and a Tony Bennett concert.
A discussion of “I Left My Heart In San Francisco” leads to a newly open-minded Alice questioning where Bob (Robert Culp) and Carol (Natalie Wood) have been leaving more than just their hearts. The swinging couple’s admissions lead to a peanut-munching Ted (Elliott Gould) confessing his own recent affair to Alice who, following her initial outrage, has the most unpredictable reaction of any of the spouses as she begins to undress and declares that the four need to have an orgy.
Although it was Bob’s breakthrough at Esalen that got the ball (or, uh, balls) rolling in exploring this degree of openness, it’s both men who require the most convincing, particularly Ted, who finally gives in after deciding: “We’ll have an orgy, and then we’ll go see Tony Bennett.” Continue reading
Al Pacino as Frank Slade, blind and bitter retired U.S. Army Lieutenant Colonel
New York City to New Hampshire, Fall 1992
Film: Scent of a Woman
Release Date: December 23, 1992
Director: Martin Brest
Costume Designer: Aude Bronson-Howard
Tailor: Martin Greenfield
WARNING! Spoilers ahead!
Happy birthday, Al Pacino! As the legendary actor’s 81st birthday coincides with the Academy Awards tonight, let’s take a look at Scent of a Woman, Martin Brest’s 1992 drama that resulted in Pacino’s sole Oscar to date.
Pacino played retired Lieutenant Colonel Frank Slade, a blind and irascible alcoholic who secretly plans on spending the Thanksgiving holiday with a lavish weekend in New York City before ending his life. Somewhat reluctantly along for the ride is Charlie Simms (Chris O’Donnell), a mild-mannered prep student hired to care for Frank, though the cantankerous colonel seems more than willing to watch out for himself.
Steve Carell as Michael Scott, paper sales regional manager
Scranton, Pennsylvania, March 2006
Series: The Office
Episode: “Michael’s Birthday” (Episode 2.19)
Air Date: March 30, 2006
Director: Ken Whittingham
Creator: Greg Daniels
Costume Designer: Carey Bennett
WARNING! Spoilers ahead!
Today is my b-day and people around here just go crazy for it, I don’t know why. Oh, fun fact: I share my birthday with Eva Longoria. So I’ve a perfect icebreaker if I ever meet Teri Hatcher.
Before Andy Bernard brought his Brooks Brothers-informed sense of style to Dunder Mifflin Scranton, regional manager Michael Scott probably thought himself the branch’s snappiest dresser and particularly chose his 41st birthday as the time to exhibit that. Continue reading
Christopher Plummer as Harlan Thrombey, mystery novelist and wealthy patriarch
Massachusetts, November 2018
Film: Knives Out
Release Date: November 27, 2019
Director: Rian Johnson
Costume Designer: Jenny Eagan
The great Canadian actor Christopher Plummer died a week ago today at the age of 91 after three quarters of a century honing his craft across stage and screen from Shakespeare to The Sound of Music.
In his penultimate screen credit, Knives Out, Plummer starred as Harlan Thrombey, a charismatic writer who built his fortune through writing mystery novels and, on his 85th birthday, resolves to finally set his free-loading family free. Continue reading
Fabian Forte as Charles “Pretty Boy” Floyd, Depression-era bank robber
Kansas City, Spring 1930 and 1931
Film: A Bullet for Pretty Boy
Release Date: June 1970
Director: Larry Buchanan (and Maury Dexter, uncredited)
Wardrobe Credit: Ron Scott
After Warner Brothers’ success with Bonnie and Clyde in 1967, American International Pictures (AIP) leapt at the chance to capitalize on the emerging trend of Depression-era crime movies using their own brand of inexpensive, exploitative filmmaking. This wasn’t AIP’s first rodeo in the realm of ’30s public enemies, having earlier produced The Bonnie Parker Story and Machine Gun Kelly, both released in May 1958. Their B-movie output in the decade that followed Bonnie and Clyde ranged from fictional stories like Boxcar Bertha (1972) directed by Martin Scorsese to those loosely based on actual criminals like Bloody Mama (1970) starring Shelley Winters as a caricature of “Ma” Barker (alongside a young Robert De Niro as one of her sons) to Dillinger (1973).
Even before that arguably most famous ’30s bank robber would be played by a grizzled Warren Oates, former teen idol Fabian got a shot to rebrand his image by playing Charles “Pretty Boy” Floyd, the outlaw whose moniker alone lent itself to suit the fresh-faced Mr. Forte.
The real Charles Arthur Floyd was born 117 years ago on February 3, 1904, in Adairsville, Georgia, though his family moved to Oklahoma when Floyd was seven, and it was the Cookson Hills that he would consider home for the 30 years of his life.
A fellow Aquarius, Forte was born only three days (and 39 years) later on February 6, 1943, making him 26—the same age as Floyd was for his first bank robbery—when A Bullet for Pretty Boy was filmed from June to October 1969. A Bullet for Pretty Boy loosely follows the facts of Floyd’s life, albeit exaggerated and certainly simplified for the sake of AIP’s low-budget, short-runtime formula for success that would thrill teens at the drive-ins just before these audiences found the real thrills in their own back seats later that night. Continue reading
Robert Mitchum as Philip Marlowe, sharp-tongued private investigator
Los Angeles, Summer 1941
Film: Farewell, My Lovely
Release Date: August 8, 1975
Director: Dick Richards
Men’s Wardrobe Credit: G. Tony Scarano
WARNING! Spoilers ahead!
Robert Mitchum had been credentialed in film noir for more than a generation (as explored in Saturday’s #Noirvember post) before the actor first took on the role of Raymond Chandler’s iconic private eye, Philip Marlowe. Based on an Edgar Allen Poe Award-winning screenplay by David Zulag Goodman, Dick Richards’ adaptation of Chandler’s 1940 novel Farewell, My Lovely premiered just two days after Mitchum’s 58th birthday, making the actor almost double the age of the character he portrayed… but his grizzled presence is just right as he navigates his way through the sordid City of Angels on the eve of the second world war:
This past spring was the first that I’d felt tired and realized I was growing old. Maybe it was the rotten weather we’d had in L.A., maybe it was the rotten case I’d had, mostly chasing a few missing husbands… and then chasing their wives once I found them in order to get paid. Or maybe it was just the plain fact that I am tired and growing old.
We find Mitchum’s Marlowe in media res “holed up in a dingy hotel, ducking the police,” staring under the brim of his ubiquitous hat through the neon and Philip Morris cigarette smoke. Continue reading
Robert Redford as Bill McKay, charismatic lawyer-turned-senatorial candidate
San Francisco to Los Angeles, Summer through Fall 1972
Film: The Candidate
Release Date: June 29, 1972
Director: Michael Ritchie
Costume Design: Patricia Norris
Costume Supervisor: Bernie Pollack
Tomorrow is Election Day here in the United States… though I doubt anyone has missed the memo given the barrage of emails, texts, social media posts, and more designed to serve as reminders and instructions.
Avoiding any discussion of this year’s contentious political arena, let’s step back nearly 50 years to the early 1970s when Robert Redford was seeking to work again with director Michael Ritchie after their first collaboration in Downhill Racer (1969). The duo reportedly former political writer Jeremy Larner to pen what would become an Academy Award-winning screenplay chronicling “a candidate who sold his soul.” Larner had worked as a speechwriter for Senator Eugene McCarthy during McCarthy’s campaign for the Democratic presidential nomination in 1968, using this experience to draft the story of Bill McKay, the activist lawyer from California tapped to challenge the popular Republican incumbent in the battle for a U.S. Senate seat.
Peter Cushing as Professor Lorrimer Van Helsing, occult researcher and descendant of the famous vampire hunter
London, Fall 1972… A.D. 1972, that is
Film: Dracula A.D. 1972
Release Date: September 28, 1972
Director: Alan Gibson
Wardrobe Supervisor: Rosemary Burrows
Just days away from Halloween, today’s post responds to a request received earlier this year from BAMF Style reader Alan, who suggested the “extremely cheesy and, at times, ridiculous” Hammer production Dracula A.D. 1972, starring horror maestros and real-life pals Christopher Lee and Peter Cushing reprising their usual roles as Count Dracula and Van Helsing, respectively.
Steve McQueen as Thomas Crown, millionaire criminal mastermind
Switzerland, June 1968
Film: The Thomas Crown Affair
Release Date: June 19, 1968
Director: Norman Jewison
Costume Designer: Alan Levine
Tailor: Douglas Hayward
I recently had the pleasure to join Pete Brooker and Matt Spaiser (of Bond Suits) on their excellent podcast From Tailors with Love for an entertaining and informative discussion of Steve McQueen’s suits and style in The Thomas Crown Affair. If you’re not already a subscriber, you can follow the fun via iTunes, Spotify, or Stitcher, and check out highlights from yours truly’s appearance on the latest episode here. Continue reading
Kenneth Branagh as Hercule Poirot, obsessive-compulsive Belgian detective
Orient Express, Winter 1934
Film: Murder on the Orient Express
Release Date: November 10, 2017
Director: Kenneth Branagh
Costume Designer: Alexandra Byrne
WARNING! Spoilers ahead!
Readers who have seen my posts focused on adaptations of And Then There Were None, Death on the Nile, and Evil Under the Sun are likely aware that I’ve been a fan of Agatha Christie’s mystery fiction since I was 10 years old. Thus, it’s a continued thrill to find her works thriving as studios on both sides of the pond continue to churn out lavish adaptations of her work a full century after she introduced the world to Hercule Poirot with the publication of her first novel, The Mysterious Affair at Styles, in 1920. In particular, David Suchet has been performing yeoman’s work as the quintessential Poirot across 70 episodes of an ITV-produced drama series that successfully—and relatively faithfully—adapted every novel and story that prominently featured Christie’s master detective.
In the spirit of contemporary BBC adaptations like The ABC Murders, And Then There Were None, Ordeal by Innocence, and The Pale Horse, Kenneth Branagh helmed what’s now the fourth adaptation of Murder on the Orient Express, arguably Christie’s best-known novel famous for its then-groundbreaking solution. Continue reading