Tagged: Blue/Navy Suit

Christopher Plummer in Knives Out

Christopher Plummer as Harlan Thrombey in Knives Out (2019)

Christopher Plummer as Harlan Thrombey in Knives Out (2019)

Vitals

Christopher Plummer as Harlan Thrombey, mystery novelist and wealthy patriarch

Massachusetts, November 2018

Film: Knives Out
Release Date: November 27, 2019
Director: Rian Johnson
Costume Designer: Jenny Eagan

Background

The great Canadian actor Christopher Plummer died a week ago today at the age of 91 after three quarters of a century honing his craft across stage and screen from Shakespeare to The Sound of Music.

In his penultimate screen credit, Knives Out, Plummer starred as Harlan Thrombey, a charismatic writer who built his fortune through writing mystery novels and, on his 85th birthday, resolves to finally set his free-loading family free. Continue reading

A Bullet for Pretty Boy: Fabian’s Navy Suit

Fabian Forte as Charles "Pretty Boy" Floyd in A Bullet for Pretty Boy (1970)

Fabian Forte as Charles “Pretty Boy” Floyd in A Bullet for Pretty Boy (1970)

Vitals

Fabian Forte as Charles “Pretty Boy” Floyd, Depression-era bank robber

Kansas City, Spring 1930 and 1931

Film: A Bullet for Pretty Boy
Release Date: June 1970
Director: Larry Buchanan (and Maury Dexter, uncredited)
Wardrobe Credit: Ron Scott

Background

After Warner Brothers’ success with Bonnie and Clyde in 1967, American International Pictures (AIP) leapt at the chance to capitalize on the emerging trend of Depression-era crime movies using their own brand of inexpensive, exploitative filmmaking. This wasn’t AIP’s first rodeo in the realm of ’30s public enemies, having earlier produced The Bonnie Parker Story and Machine Gun Kelly, both released in May 1958. Their B-movie output in the decade that followed Bonnie and Clyde ranged from fictional stories like Boxcar Bertha (1972) directed by Martin Scorsese to those loosely based on actual criminals like Bloody Mama (1970) starring Shelley Winters as a caricature of “Ma” Barker (alongside a young Robert De Niro as one of her sons) to Dillinger (1973).

Even before that arguably most famous ’30s bank robber would be played by a grizzled Warren Oates, one-time teen idol Fabian got a shot to rebrand his image by playing Charles “Pretty Boy” Floyd, the outlaw whose moniker alone lent itself to suit the fresh-faced Mr. Forte.

The real Charles Arthur Floyd was born 117 years ago on February 3, 1904, in Adairsville, Georgia, though his family moved to Oklahoma when Floyd was seven, and it was the Cookson Hills that he would consider home for the 30 years of his life.

A fellow Aquarius, Forte was born only three days (and 39 years) later on February 6, 1943, making him 26—the same age as Floyd was for his first bank robbery—when A Bullet for Pretty Boy was filmed from June to October 1969. A Bullet for Pretty Boy loosely follows the facts of Floyd’s life, albeit exaggerated and certainly simplified for the sake of AIP’s low-budget, short-runtime formula for success that would thrill teens at the drive-ins just before these audiences found the real thrills in their own back seats later that night. Continue reading

Mitchum as Marlowe: Farewell, My Lovely

Robert Mitchum as Philip Marlowe in Farewell, My Lovely (1975)

Robert Mitchum as Philip Marlowe in Farewell, My Lovely (1975)

Vitals

Robert Mitchum as Philip Marlowe, sharp-tongued private investigator

Los Angeles, Summer 1941

Film: Farewell, My Lovely
Release Date: August 8, 1975
Director: Dick Richards
Men’s Wardrobe Credit: G. Tony Scarano

WARNING! Spoilers ahead!

Background

Robert Mitchum had been credentialed in film noir for more than a generation (as explored in Saturday’s #Noirvember post) before the actor first took on the role of Raymond Chandler’s iconic private eye, Philip Marlowe. Based on an Edgar Allen Poe Award-winning screenplay by David Zulag Goodman, Dick Richards’ adaptation of Chandler’s 1940 novel Farewell, My Lovely premiered just two days after Mitchum’s 58th birthday, making the actor almost double the age of the character he portrayed… but his grizzled presence is just right as he navigates his way through the sordid City of Angels on the eve of the second world war:

This past spring was the first that I’d felt tired and realized I was growing old. Maybe it was the rotten weather we’d had in L.A., maybe it was the rotten case I’d had, mostly chasing a few missing husbands… and then chasing their wives once I found them in order to get paid. Or maybe it was just the plain fact that I am tired and growing old.

We find Mitchum’s Marlowe in media res “holed up in a dingy hotel, ducking the police,” staring under the brim of his ubiquitous hat through the neon and Philip Morris cigarette smoke. Continue reading

The Candidate: Robert Redford’s Navy Striped Campaign Suit

Robert Redford as Bill McKay in The Candidate (1972)

Robert Redford as Bill McKay in The Candidate (1972)

Vitals

Robert Redford as Bill McKay, charismatic lawyer-turned-senatorial candidate

San Francisco to Los Angeles, Summer through Fall 1972

Film: The Candidate
Release Date: June 29, 1972
Director: Michael Ritchie
Costume Design: Patricia Norris
Costume Supervisor: Bernie Pollack

Background

Tomorrow is Election Day here in the United States… though I doubt anyone has missed the memo given the barrage of emails, texts, social media posts, and more designed to serve as reminders and instructions.

Avoiding any discussion of this year’s contentious political arena, let’s step back nearly 50 years to the early 1970s when Robert Redford was seeking to work again with director Michael Ritchie after their first collaboration in Downhill Racer (1969). The duo reportedly former political writer Jeremy Larner to pen what would become an Academy Award-winning screenplay chronicling “a candidate who sold his soul.” Larner had worked as a speechwriter for Senator Eugene McCarthy during McCarthy’s campaign for the Democratic presidential nomination in 1968, using this experience to draft the story of Bill McKay, the activist lawyer from California tapped to challenge the popular Republican incumbent in the battle for a U.S. Senate seat.

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Dracula A.D. 1972: Peter Cushing’s Striped Suit

Peter Cushing as Lorrimer Van Helsing in Dracula A.D. 1972 (1972)

Peter Cushing as Lorrimer Van Helsing in Dracula A.D. 1972 (1972)

Vitals

Peter Cushing as Professor Lorrimer Van Helsing, occult researcher and descendant of the famous vampire hunter

London, Fall 1972… A.D. 1972, that is

Film: Dracula A.D. 1972
Release Date: September 28, 1972
Director: Alan Gibson
Wardrobe Supervisor: Rosemary Burrows

Background

Just days away from Halloween, today’s post responds to a request received earlier this year from BAMF Style reader Alan, who suggested the “extremely cheesy and, at times, ridiculous” Hammer production Dracula A.D. 1972, starring horror maestros and real-life pals Christopher Lee and Peter Cushing reprising their usual roles as Count Dracula and Van Helsing, respectively.

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Steve McQueen’s Chalkstripe Suit as Thomas Crown

Steve McQueen as Thomas Crown in The Thomas Crown Affair (1968). Note that he dresses his wrist with his Cartier Tank Cintrée rather than the Patek Philippe pocket watch he wears for the actual scene.

Steve McQueen as Thomas Crown in The Thomas Crown Affair (1968). Note that he dresses his wrist with his Cartier Tank Cintrée rather than the Patek Philippe pocket watch he wears for the actual scene.

Vitals

Steve McQueen as Thomas Crown, millionaire criminal mastermind

Switzerland, June 1968

Film: The Thomas Crown Affair
Release Date: June 19, 1968
Director: Norman Jewison
Costume Designer: Alan Levine
Tailor: Douglas Hayward

Background

I recently had the pleasure to join Pete Brooker and Matt Spaiser (of Bond Suits) on their excellent podcast From Tailors with Love for an entertaining and informative discussion of Steve McQueen’s suits and style in The Thomas Crown Affair. If you’re not already a subscriber, you can follow the fun via iTunes, Spotify, or Stitcher, and check out highlights from yours truly’s appearance on the latest episode here. Continue reading

Murder on the Orient Express: Kenneth Branagh’s Navy Suit as Poirot

Kenneth Branagh as Hercule Poirot in Murder on the Orient Express (2017)

Kenneth Branagh as Hercule Poirot in Murder on the Orient Express (2017)

Vitals

Kenneth Branagh as Hercule Poirot, obsessive-compulsive Belgian detective

Orient Express, Winter 1934

Film: Murder on the Orient Express
Release Date: November 10, 2017
Director: Kenneth Branagh
Costume Designer: Alexandra Byrne

WARNING! Spoilers ahead!

Background

Readers who have seen my posts focused on adaptations of And Then There Were NoneDeath on the Nile, and Evil Under the Sun are likely aware that I’ve been a fan of Agatha Christie’s mystery fiction since I was 10 years old. Thus, it’s a continued thrill to find her works thriving as studios on both sides of the pond continue to churn out lavish adaptations of her work a full century after she introduced the world to Hercule Poirot with the publication of her first novel, The Mysterious Affair at Styles, in 1920. In particular, David Suchet has been performing yeoman’s work as the quintessential Poirot across 70 episodes of an ITV-produced drama series that successfully—and relatively faithfully—adapted every novel and story that prominently featured Christie’s master detective.

In the spirit of contemporary BBC adaptations like The ABC MurdersAnd Then There Were NoneOrdeal by Innocence, and The Pale Horse, Kenneth Branagh helmed what’s now the fourth adaptation of Murder on the Orient Express, arguably Christie’s best-known novel famous for its then-groundbreaking solution. Continue reading

Peter Lawford’s New Year’s Eve Suit in Ocean’s 11

Peter Lawford as Jimmy Foster in Ocean's Eleven (1960)

Peter Lawford as Jimmy Foster in Ocean’s Eleven (1960)

Vitals

Peter Lawford as Jimmy Foster, resentful profligate heir and 82nd Airborne veteran

Las Vegas, New Year’s Eve 1959

Film: Ocean’s Eleven
Release Date: August 10, 1960
Director: Lewis Milestone
Costume Designer: Howard Shoup
Tailor: Sy Devore

Background

“I made a cardinal rule never to answer the telephone during the month of December,” the urbane Jimmy Foster tells a masseuse deep at work in fixing his back in a Phoenix hotel suite he shares with his wartime pal. “One December, every time I picked up the phone, they’d send me out in the snow to play with my little friends,” he elaborates. “That was at the Bulge.”

Arguably the most famous film featuring the infamous Rat Pack, Ocean’s Eleven starred Frank Sinatra and his celebrated pallies Dean Martin, Sammy Davis Jr., Joey Bishop, and Peter Lawford among a group of eleven veterans from the 82nd Airborne who gather in Las Vegas after Christmas “to liberate millions of dollars” from five major casinos as Sin City rings in the new year. Continue reading

The Long Goodbye: Elliott Gould as a 1970s Philip Marlowe

Elliott Gould as Philip Marlowe in The Long Goodbye (1973)

Elliott Gould as Philip Marlowe in The Long Goodbye (1973)

Vitals

Elliott Gould as Philip Marlowe, wisecracking private investigator and “born loser”

Los Angeles, Summer 1972

Film: The Long Goodbye
Release Date: March 7, 1973
Director: Robert Altman
Men’s Costume Designer: Kent James (uncredited)

WARNING! Spoilers ahead!

Background

I’m pleased to address a repeated request from BAMF Style leaders like Brandon and Craig to take a look at Elliott Gould’s scrappy attire as an equally scrappy Philip Marlowe in The Long Goodbye, maverick auteur Robert Altman’s adaptation of Raymond Chandler’s 1953 pulp novel of the same name.

It’s okay with me…

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Walter Matthau’s Navy Striped Suit in Charade

Walter Matthau as Carson Dyle in Charade (1963)

Walter Matthau as Carson Dyle in Charade (1963)

Vitals

Walter Matthau as Carson Dyle, posing as CIA administrator Hamilton Bartholomew

Paris, April 1963

Film: Charade
Release Date: December 5, 1963
Director: Stanley Donen

WARNING! Spoilers ahead!

Background

Today commemorates the 99th birthday of the great Walter Matthau, the New York-born actor and comedian. After playing heavies in movies like the Elvis vehicle King Creole (1958) and his self-directed Gangster Story (1960), Matthau got a chance to exercise his versatility and comedic chops with a delightfully duplicitous role in Stanley Donen’s romantic comedy thriller Charade (1963).

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