Jared Harris as Lane Pryce, advertising agency financial chief
New York City, New Year’s Day 1965
Series: Mad Men
Episode: “The Good News” (Episode 4.03)
Air Date: August 8, 2010
Director: Jennifer Getzinger
Creator: Matthew Weiner
Costume Designer: Janie Bryant
Even with the increasing adoption of hybrid and remote workplaces, there are still many returning to offices and cubicles for the first day of the new year, a specific occupational dread that provides a “welcome distraction” for at least one lonely Brit during the final act of “The Good News”, the third episode of Mad Men‘s fourth season. Continue reading
On Brad Pitt’s 58th birthday, I’m pleased to present another guest post contributed by my friend Ken Stauffer, who had also covered George Clooney’s fashionable suit in Out of Sight.
Brad Pitt as Robert “Rusty” Ryan, poker pro and casino heister
Los Angeles and Las Vegas, Spring 2001
Film: Ocean’s Eleven
Release Date: December 7, 2001
Director: Steven Soderbergh
Costume Designer: Jeffrey Kurland
Tailor: Dominic Gherardi
Happy Birthday, Brad Pitt! The Academy Award-winning actor and producer turns 58 today, and to celebrate, we’re taking a look back at one of his most fashionable roles, Rusty Ryan, in Ocean’s Eleven. Believe it or not, Steven Soderbergh’s reimagining of the Rat Pack caper, which resuscitated the heist film genre in 2001, celebrated its 20th anniversary this month. I think we can all agree that both actor and film have aged well.
Jack Nicholson as Frank Chambers, dangerous drifter
Southern California, Spring 1934
Film: The Postman Always Rings Twice
Release Date: March 20, 1981
Director: Bob Rafelson
Costume Designer: Dorothy Jeakins
WARNING! Spoilers ahead!
After posting about John Cassavetes in the 1964 remake of The Killers last week, I wanted to focus on another color remake of classic film noir: the 1981 adaptation of The Postman Always Rings Twice starring Jack Nicholson and Jessica Lange, reuniting Nicholson with director Bob Rafelson following their earlier collaborations in Head (1968), Five Easy Pieces (1970), and The King of Marvin Gardens (1972). Continue reading
Daniel Craig as James Bond, tough British government agent
Lahore, Pakistan, Summer 2005
Film: Casino Royale
Release Date: November 14, 2006
Director: Martin Campbell
Costume Designer: Lindy Hemming
On the 00-7th of August, with just two months until Daniel Craig’s final Bond movie will [likely] be released, I wanted to reflect on the start of his tenure and also include some insights from my friend Caleb Daniels, who many in the Bond fan-iverse know as the creator of the @CommandoBond Instagram and blog, discussing the then-significant return of 007’s trademark Walther PPK! Continue reading
Robert Culp as Bob Sanders, swinging documentary filmmaker
Las Vegas, Summer 1969
Film: Bob & Carol & Ted & Alice
Release Date: September 17, 1969
Director: Paul Mazursky
Costume Designer: Moss Mabry
“Bob and Carol and Ted and Alice!” is the subject of the titular toast Alice (Dyan Cannon) delivers in a shared suite at the Riviera in Las Vegas, where the foursome—so to speak—has gathered for a weekend of gambling and a Tony Bennett concert.
A discussion of “I Left My Heart In San Francisco” leads to a newly open-minded Alice questioning where Bob (Robert Culp) and Carol (Natalie Wood) have been leaving more than just their hearts. The swinging couple’s admissions lead to a peanut-munching Ted (Elliott Gould) confessing his own recent affair to Alice who, following her initial outrage, has the most unpredictable reaction of any of the spouses as she begins to undress and declares that the four need to have an orgy.
Although it was Bob’s breakthrough at Esalen that got the ball (or, uh, balls) rolling in exploring this degree of openness, it’s both men who require the most convincing, particularly Ted, who finally gives in after deciding: “We’ll have an orgy, and then we’ll go see Tony Bennett.” Continue reading
Al Pacino as Frank Slade, blind and bitter retired U.S. Army Lieutenant Colonel
New York City to New Hampshire, Fall 1992
Film: Scent of a Woman
Release Date: December 23, 1992
Director: Martin Brest
Costume Designer: Aude Bronson-Howard
Tailor: Martin Greenfield
WARNING! Spoilers ahead!
Happy birthday, Al Pacino! As the legendary actor’s 81st birthday coincides with the Academy Awards tonight, let’s take a look at Scent of a Woman, Martin Brest’s 1992 drama that resulted in Pacino’s sole Oscar to date.
Pacino played retired Lieutenant Colonel Frank Slade, a blind and irascible alcoholic who secretly plans on spending the Thanksgiving holiday with a lavish weekend in New York City before ending his life. Somewhat reluctantly along for the ride is Charlie Simms (Chris O’Donnell), a mild-mannered prep student hired to care for Frank, though the cantankerous colonel seems more than willing to watch out for himself.
Steve Carell as Michael Scott, paper sales regional manager
Scranton, Pennsylvania, March 2006
Series: The Office
Episode: “Michael’s Birthday” (Episode 2.19)
Air Date: March 30, 2006
Director: Ken Whittingham
Creator: Greg Daniels
Costume Designer: Carey Bennett
WARNING! Spoilers ahead!
Today is my b-day and people around here just go crazy for it, I don’t know why. Oh, fun fact: I share my birthday with Eva Longoria. So I’ve a perfect icebreaker if I ever meet Teri Hatcher.
Before Andy Bernard brought his Brooks Brothers-informed sense of style to Dunder Mifflin Scranton, regional manager Michael Scott probably thought himself the branch’s snappiest dresser and particularly chose his 41st birthday as the time to exhibit that. Continue reading
Christopher Plummer as Harlan Thrombey, mystery novelist and wealthy patriarch
Massachusetts, November 2018
Film: Knives Out
Release Date: November 27, 2019
Director: Rian Johnson
Costume Designer: Jenny Eagan
The great Canadian actor Christopher Plummer died a week ago today at the age of 91 after three quarters of a century honing his craft across stage and screen from Shakespeare to The Sound of Music.
In his penultimate screen credit, Knives Out, Plummer starred as Harlan Thrombey, a charismatic writer who built his fortune through writing mystery novels and, on his 85th birthday, resolves to finally set his free-loading family free. Continue reading
Fabian Forte as Charles “Pretty Boy” Floyd, Depression-era bank robber
Kansas City, Spring 1930 and 1931
Film: A Bullet for Pretty Boy
Release Date: June 1970
Director: Larry Buchanan (and Maury Dexter, uncredited)
Wardrobe Credit: Ron Scott
After Warner Brothers’ success with Bonnie and Clyde in 1967, American International Pictures (AIP) leapt at the chance to capitalize on the emerging trend of Depression-era crime movies using their own brand of inexpensive, exploitative filmmaking. This wasn’t AIP’s first rodeo in the realm of ’30s public enemies, having earlier produced The Bonnie Parker Story and Machine Gun Kelly, both released in May 1958. Their B-movie output in the decade that followed Bonnie and Clyde ranged from fictional stories like Boxcar Bertha (1972) directed by Martin Scorsese to those loosely based on actual criminals like Bloody Mama (1970) starring Shelley Winters as a caricature of “Ma” Barker (alongside a young Robert De Niro as one of her sons) to Dillinger (1973).
Even before that arguably most famous ’30s bank robber would be played by a grizzled Warren Oates, former teen idol Fabian got a shot to rebrand his image by playing Charles “Pretty Boy” Floyd, the outlaw whose moniker alone lent itself to suit the fresh-faced Mr. Forte.
The real Charles Arthur Floyd was born 117 years ago on February 3, 1904, in Adairsville, Georgia, though his family moved to Oklahoma when Floyd was seven, and it was the Cookson Hills that he would consider home for the 30 years of his life.
A fellow Aquarius, Forte was born only three days (and 39 years) later on February 6, 1943, making him 26—the same age as Floyd was for his first bank robbery—when A Bullet for Pretty Boy was filmed from June to October 1969. A Bullet for Pretty Boy loosely follows the facts of Floyd’s life, albeit exaggerated and certainly simplified for the sake of AIP’s low-budget, short-runtime formula for success that would thrill teens at the drive-ins just before these audiences found the real thrills in their own back seats later that night. Continue reading
Robert Mitchum as Philip Marlowe, sharp-tongued private investigator
Los Angeles, Summer 1941
Film: Farewell, My Lovely
Release Date: August 8, 1975
Director: Dick Richards
Men’s Wardrobe Credit: G. Tony Scarano
WARNING! Spoilers ahead!
Robert Mitchum had been credentialed in film noir for more than a generation (as explored in Saturday’s #Noirvember post) before the actor first took on the role of Raymond Chandler’s iconic private eye, Philip Marlowe. Based on an Edgar Allen Poe Award-winning screenplay by David Zulag Goodman, Dick Richards’ adaptation of Chandler’s 1940 novel Farewell, My Lovely premiered just two days after Mitchum’s 58th birthday, making the actor almost double the age of the character he portrayed… but his grizzled presence is just right as he navigates his way through the sordid City of Angels on the eve of the second world war:
This past spring was the first that I’d felt tired and realized I was growing old. Maybe it was the rotten weather we’d had in L.A., maybe it was the rotten case I’d had, mostly chasing a few missing husbands… and then chasing their wives once I found them in order to get paid. Or maybe it was just the plain fact that I am tired and growing old.
We find Mitchum’s Marlowe in media res “holed up in a dingy hotel, ducking the police,” staring under the brim of his ubiquitous hat through the neon and Philip Morris cigarette smoke. Continue reading