Tagged: Doctor
The Pitt: Dr. Robby’s Season 1 Hoodie, Scrubs, and Seiko
Noah Wyle as Dr. Robby on The Pitt, Episode 1.01: “7:00 A.M.”
Vitals
Noah Wyle as Dr. Michael “Robby” Robinavitch, emergency department attending physician
Pittsburgh, September 2025
Series: The Pitt (Season 1)
Air Dates: January 9, 2025 to April 10, 2025 (Season 1)
Creator: R. Scott Gemmill
Costume Designer: Lyn Paolo
WARNING! Spoilers ahead!
Background
Happy The Pitt Thursday to all who tune in! Especially here in my hometown of Pittsburgh, we’ve been riding high on the success of The Pitt as it continues through its second season.
Conceived by ER creator R. Scott Gemmill and longtime star Noah Wyle as a way to retool the medical drama three decades later, the series trades the late-’90s urgency of Chicago County General for a 21st century emergency department shaped by COVID’s lingering trauma, internet-fueled health misinformation, staffing shortages, and the growing threats of gun violence. And for locals like me, the show’s Pittsburgh specificity lands with a wink, flavored by local institutions from Primanti’s to Wiener World.
The Pitt is set at the fictional Pittsburgh Trauma Medical Center (PTMC), a composite of Allegheny General Hospital on the North Side (which provided the hospital exteriors) and UPMC, with its unmistakable tower standing against the skyline during the opening titles and the roof-set scenes bookending the first season. The Pitt follows a grayer, steadier Wyle as Dr. Michael Robinavitch (“but everyone calls me Dr. Robby”), senior attending in the ED. Far removed from the fresh-faced John Carter, Robby is a seasoned, pragmatic, and quietly haunted leader who delegates with trust, shoulders blame, and never asks of his team what he wouldn’t do himself. Continue reading
Leslie Nielsen’s Pinstripe Suit as Dr. Rumack in Airplane!
Leslie Nielsen as Dr. Rumack in Airplane! (1980)
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Leslie Nielsen as Dr. Rumack, serious physician
In the air between Los Angeles and Chicago, Spring 1980
Film: Airplane!
Release Date: July 2, 1980
Directed by: Jim Abrahams, David Zucker, and Jerry Zucker
Costume Designer: Rosanna Norton
WARNING! Spoilers ahead!
Background
Born 100 years ago today on February 11, 1926, the legendary Leslie Nielsen finally found the role that unlocked his straight-faced superpower, launching his beloved comedic second act in Hollywood history in Airplane! as Dr. Rumack, a man so serious that irony simply bounces off him.
Dr. Rumack: Can you fly this plane and land it?
Ted: Surely you can’t be serious.
Dr. Rumack: I am serious. And don’t call me Shirley.
Aside from a lighthearted guest spot on the first season of M*A*S*H, the Canadian-born Nielsen’s comic potential generally sat idle on the runway until the madcap ZAZ crew cast him as the deadpan Dr. Rumack, followed by his enduring role as the bumbling detective Frank Drebin—first in the short-lived TV series Police Squad!, followed by its far more successful film continuation The Naked Gun and its two sequels.
Adapted nearly word-for-word (no, really) from the 1957 drama Zero Hour, Airplane! primarily parodies the disaster subgenre that dominated ’70s cinema like Airport, though it found fodder in everything from From Here to Eternity to Saturday Night Fever. Star-crossed ex-lovers Ted Striker (Robert Hays) and Elaine Dickinson (Julie Hagerty) are our leads, but Nielsen hijacks the movie the moment he’s introduced as the doctor tapped with treating any of the passengers and crew aboard Trans American Flight 209 from LAX to Chicago who made the sorry decision of choosing fish for dinner, prompting a food poisoning epidemic rivaling even the revulsion of an Anita Bryant concert. Continue reading
Farewell, Friend: Alain Delon’s Casual Jacket and Turtleneck
Alain Delon in Farewell, Friend (1968)
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Alain Delon as Dino Barran, discharged French Army doctor
Marseilles, France, December 1963
Film: Farewell, Friend
(French title: Adieu l’ami)
Release Date: August 14, 1968
Director: Jean Herman
Costume Designer: Tanine Autré
WARNING! Spoilers ahead!
Background
Last year, the world said adieu to French screen and style icon Alain Delon, who was born 90 years ago tomorrow on November 8, 1935. Among his prolific filmography that includes Plein Soleil (1960), L’Eclisse (1962), The Leopard (1963), Le Samouraï (1967), and La Piscine (1969), one of Delon’s less-remembered films is the 1968 French-Italian heist caper Adieu l’ami—which translates to Farewell, Friend (also re-released as Honor Among Thieves). The film established Charles Bronson’s stardom in Europe, though it wouldn’t be released in the United States for another five years. Continue reading
MASH: Donald Sutherland as Hawkeye
Donald Sutherland as Captain “Hawkeye” Pierce in M*A*S*H (1970)
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Donald Sutherland as Capt. Benjamin Franklin “Hawkeye” Pierce, U.S. Army surgeon
Korea, Summer 1951 through Winter 1952
Film: M*A*S*H
Release Date: January 25, 1970
Director: Robert Altman
Background
Today would have been the 89th birthday of Donald Sutherland, the prolific and versatile Canadian actor who died last month at the age of 88. Born July 17, 1935 in New Brunswick, Sutherland rose to prominence as a steady supporting player through the ’60s—perhaps most notably in The Dirty Dozen (1967)—before his first major starring role in yet another war film, M*A*S*H (1970), adapted by screenwriter Ring Lardner Jr. from Richard Hooker’s novel MASH: A Novel of Three Army Doctors. (The popularity of the film resulted in the eventual development of a TV show—starring Alan Alda as Hawkeye—that ran for nearly four times as long as Korean War hostilities.)
Set during the Korean War, M*A*S*H centered around around the irreverent Army doctor Captain Benjamin Franklin “Hawkeye” Pierce during his tenure at the 4077th Mobile Army Surgical Hospital. He’s assisted in his hard-drinking hijinks by fellow surgeons “Trapper John” McIntyre (Elliott Gould), Duke Forrest (Tom Skeritt), dentist “The Painless Pole” Waldowski (John Schuck), and former football star “Spearchucker” Jones (Fred Williamson), all while battling the uptight majors Frank Burns (Robert Duvall) and “Hot Lips” Houlihan (Sally Kellerman).
At one point, Major Houlihan asks the compound chaplain Father “Dago Red” Mulcahy (René Auberjonois) how “a degenerated person like [Hawkeye] could have reached a position of responsibility in the Army Medical Corps!” to which Mulcahy simply responds, “He was drafted.”
Sutherland’s Golden Globe-nominated performance established him as a star as his career ascended through the ’70s with starring roles in Klute (1971), Don’t Look Now (1973), Invasion of the Body Snatchers (1978), and Ordinary People (1980) while also continuing to provide memorable supporting appearances in movies like Little Murders (1971), 1900 (1976), and Animal House (1978).
What’d He Wear?
Apropos his rebellious attitude, Donald Sutherland’s Hawkeye never presents himself in a perfect example of a U.S. Army uniform, instead mixing regulation gear with personal accoutrements that craft a distinctively irreverent look. Continue reading
The Fugitive: Harrison Ford’s Green Parka on St. Patrick’s Day
Harrison Ford as Dr. Richard Kimble in The Fugitive (1993)
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Harrison Ford as Dr. Richard Kimble, fugitive and former vascular surgeon determined to clear his name
Chicago, Spring 1993
Film: The Fugitive
Release Date: August 6, 1993
Director: Andrew Davis
Costume Designer: Aggie Guerard Rodgers
WARNING! Spoilers ahead!
Background
Happy St. Patrick’s Day! Chicago’s famous celebrations with its parade and green-dyed river hosted a major setpiece midway through the 1993 thriller The Fugitive, adapted from the 1960s TV show of the same name.
As in the show, the titular fugitive is Dr. Richard Kimble (Harrison Ford), a man wrongly convicted of his wife’s murder who takes the opportunity to escape after his conviction and works a series of odd jobs while desperately trying to clear his name and find the one-armed man who actually killed his wife. The film reimagines Dr. Kimble’s police pursuer as U.S. Marshal Samuel Gerard (Tommy Lee Jones) and his experienced team of deputies, who manage to track Richard to Chicago based on the sounds of an el train’s PA system in the background of a tapped call to his lawyer.
Dr. Kimble’s hunt leads him to Cook County Hospital, where he falsifies a job on the custodial staff so he can more intently search the prosthetics records for a one-armed man. He finds a promising lead in the form of an incarcerated armed robber (“one-armed man, armed robbery… that’s funny,” quips one of Gerard’s deputies), but quickly realizes this wasn’t the man he was looking for. Unfortunately, the marshals had closed in on the same lead and Dr. Kimble once again comes face-to-face with Gerard, resulting in a desperate chase out through the courthouse and into the crowds of the St. Patrick’s Day parade. Continue reading
Guess Who’s Coming to Dinner: Sidney Poitier in a Navy Suit
Sidney Poitier as Dr. John Prentice in Guess Who’s Coming to Dinner (1967)
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Sidney Poitier as Dr. John Wade Prentice, widowed physician and professor
San Francisco, Spring 1967
Film: Guess Who’s Coming to Dinner
Release Date: December 12, 1967
Director: Stanley Kramer
Costume Designer: Joe King
Background
As we gear up for arguably the biggest family dinner of the year this week, I want to revisit one of the most famous “dinner movies” despite never actually seeing the titular meal on screen. Guess Who’s Coming to Dinner broke ground upon its release 55 years ago for its positive portrayal of an interracial relationship when the white Joanna Drayton (Katharine Houghton) returns from a Hawaiian vacation with her new fiancé, a widowed black doctor named John Prentice (Sidney Poitier). Continue reading
Gene Barry’s Fawn Suit as Dr. Ray Flemming in Prescription: Murder
Gene Barry as Dr. Ray Flemming on Prescription: Murder, the TV pilot movie that led to Columbo
Vitals
Gene Barry as Dr. Ray Flemming, smarmy psychiatrist
Los Angeles, Spring 1967
Film: Prescription: Murder
Original Air Date: February 20, 1968
Director: Richard Irving
Costume Designer: Burton Miller
Background
This week in 1968, TV audiences were introduced to an unassuming yet indefatigable homicide detective in a wrinkled raincoat whose humble mannerisms and appearance belied an uncanny ability to bring murderers to justice. Oh, and just one more thing… that detective was named Columbo.
Peter Falk wasn’t the first to play the detective, nor was he even the first choice when Richard Levinson and William Link’s stage play was adapted for TV as Prescription: Murder, the first episode of what would become the long-running series Columbo. Bert Freed had originated the role in a 1960 episode of The Chevy Mystery Show, to be followed by Thomas Mitchell when Levinson and Link debuted the play Prescription: Murder two years later in San Francisco.
Prescription: Murder establishes many trademark elements of Columbo, including the delayed introduction of the shrewd but shabbily dressed lieutenant himself until after we watch the murderer of the week commit his—or her—crime.
Gene Barry set a standard in Prescription: Murder that the killers foiled by Columbo would follow for decades to come: arrogant, well-dressed, and clever enough to pull together a murder scheme that keeps them above suspicion… from all but Lieutenant Columbo, of course. Continue reading
Elliott Gould’s Aloha Shirt as Trapper John in MASH
Elliott Gould as Captain “Trapper John” McIntyre in M*A*S*H (1970)
Vitals
Elliott Gould as Capt. “Trapper John” McIntyre, irreverent U.S. Army chest surgeon
Korea, Summer 1951
Film: M*A*S*H
Release Date: January 25, 1970
Director: Robert Altman
Background
Before there was Magnum, there was M*A*S*H, in which Elliott Gould set the “Gould standard” for effectively pairing a prolific mustache with an Aloha shirt. Robert Altman’s film was based on the then-recently published MASH: A Novel of Three Army Doctors by Richard Hooker, which would in turn be adapted into a long-running TV series that would last almost four times as long as the Korean War itself.
While maverick Army doctor “Hawkeye” Pierce was arguably the central figure (and increasingly the show’s moral fiber, under Alan Alda’s creative direction), I was also fond of his cinematic sidekick, Captain “Trapper John” McIntyre as portrayed by Elliott Gould, born 82 years ago today on August 29, 1938.
Harrison Ford’s Tweed Jacket in The Fugitive
Harrison Ford as Dr. Richard Kimble in The Fugitive (1993).
Vitals
Harrison Ford as Dr. Richard Kimble, fugitive and former doctor trying to clear his name
Chicago, Spring 1993
Film: The Fugitive
Release Date: August 6, 1993
Director: Andrew Davis
Costume Designer: Aggie Guerard Rodgers
WARNING! Spoilers ahead!
Background
In addition to being one of the best modern thrillers, The Fugitive is also one of the best TV-to-movie adaptations, seamlessly updating the characters and story to transform four seasons of a 1960s TV show into a compelling and suspenseful 1990s action flick. Continue reading
Dr. Watson’s Brown Houndstooth Suit
Jude Law as Dr. John Watson in Sherlock Holmes (2009).
Vitals
Jude Law as Dr. John Watson, adventurous physician and amateur detective
London, August 1890
Film: Sherlock Holmes
Release Date: December 25, 2009
Director: Guy Ritchie
Costume Designer: Jenny Beavan
Background
While the current British series Sherlock offers more universally adaptable wardrobe options due to its contemporary setting, I unfortunately have yet to see the show (which I know I will love) or own it on a screencappable medium. Thus, to celebrate Sir Arthur Conan Doyle’s 155th birthday this week – May 22 – I’ll be offering a suit worn by Jude Law in the 2009 adaptation of Sherlock Holmes.
Dr. John Watson is the second-greatest invention of Conan Doyle, forever influencing the “active narrator” present in mysteries and thrillers. Throughout the years, Dr. Watson evolved from Conan Doyle’s stoic if somewhat stodgy man of action into a total dolt whose friendship with Holmes was the only thing keeping him alive. Continue reading
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