Tagged: What to Wear for Air Travel

Argo: Ben Affleck in Herringbone Tweed

Ben Affleck as Tony Mendez in Argo (2012)

Ben Affleck as Tony Mendez in Argo (2012)

Vitals

Ben Affleck as Tony Mendez, CIA covert operations officer

Tehran, Iran, January 1980

Film: Argo
Release Date: October 12, 2012
Director: Ben Affleck
Costume Designer: Jacqueline West

Background

A month ago on my Instagram page, I posted about Ben Affleck’s tweedy look in Argo to coincide with the 40th anniversary of what became known as the “Canadian Caper”, the successful 1980 rescue of six American diplomats who had been taking refuge with Canadian diplomatic personnel after the seizure of the U.S. embassy in Tehran.

The six diplomats—Bob Anders, Cora and Mark Lijek, Henry Lee Schatz, and Joe and Kathleen Stafford—had managed to escape after militants first stormed the embassy on November 4, 1979, evading the 444 days of captivity that befell more than 50 Americans who were detained in what would become known as the “Iran hostage crisis”. The escapees initially received help from the British embassy but deemed their situation too risky due to the militants’ raids of diplomatic compounds. Eventually, the sextet found a safer, longer-term solution sheltered at the homes of Canadian immigration officer John Sheardown and Canadian ambassador Ken Taylor.

Taylor first contacted the Canadian government, who expressed support for the sanctuary and instigated a plan to create six Canadian passports for the Americans to safely fly out of Iran. The joint Canadian-American operation also required the participation of the CIA, particularly the efforts of Antonio “Tony” Mendez, a decorated agent and expert in disguises and exfiltration. Continue reading

Bond Style: Charcoal Suit for Air Travel in Goldfinger

Sean Connery as James Bond in Goldfinger (1964)

Sean Connery as James Bond in Goldfinger (1964)

Vitals

Sean Connery as James Bond, British government agent

en route Washington, D.C., Fall 1964

Film: Goldfinger
Release Date: September 18, 1964
Director: Guy Hamilton
Tailor: Anthony Sinclair
Wardrobe Supervisor: Elsa Fennell

WARNING! Spoilers ahead!

Background

Following up on Saturday’s post about Frank Sinatra’s jet-setting style in the early ’60s, let’s see how a contemporary style icon dressed for a private flight of his own. As it’s the first 00-7th of the month in 2020, it seems only appropriate to check in with the first James Bond—Sean Connery! (Barry Nelson notwithstanding.)

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Come Fly With Me: Sinatra’s Jet-Setting Style

Frank Sinatra, flanked by the stewardesses of his Trans-Canada Air Lines flight, circa 1950. The dawn of the "jet age"—and the best years of Frank's career—were yet to come.

Frank Sinatra, flanked by the stewardesses of his Trans-Canada Air Lines flight, circa 1950. The dawn of the “jet age”—and the best years of Frank’s career—were yet to come.

Vitals

Frank Sinatra, multi-talented entertainer and Rat Pack crooner

(Part of BAMF Style’s Iconic Photo Series, focusing on style featured in famous photography of classic stars rather than from specific productions.)

Background

Sixty two years ago this week, on January 6, 1958, Frank Sinatra released his ninth concept album for Capitol Records, Come Fly With Me. Anchored by the title track specifically penned for Frank by Sammy Cahn and Jimmy Van Heusen, the album celebrated the contemporary Jet Age, specifically the chic “jet setters” who were able to afford the luxurious amenities offered by BOAC and Pan Am flights that would spirit them between London and New York, Paris and Rome, and Hong Kong and Tokyo.

The album, which was Sinatra’s first collaboration with arranger and conductor Billy May, ascended like a state-of-the-art Boeing to #1 on the Billboard album charts in only its second week and would be nominated for Album of the Year at the first annual Grammy Awards, held May 4, 1959, at the Beverly Hilton Hotel in Los Angeles.

In the spirit of Frank’s musical trip around the world on this #SinatraSaturday, let’s take a look at how the Rat Pack leader himself dressed “where the air is rarified…” Continue reading

The V.I.P.s: Richard Burton’s Astrakhan Coat and Holiday Red

Richard Burton as Paul Andros in The V.I.P.s (1963)

Richard Burton as Paul Andros in The V.I.P.s (1963)

Vitals

Richard Burton as Paul Andros, millionaire industrialist

Heathrow Airport, London, Winter 1963

Film: The V.I.P.s
(also released as Hotel International)
Release Date: September 19, 1963
Director: Anthony Asquith
Costume Designer: Pierre Cardin (uncredited)

Background

As December continues and plans are being made to travel home for the holidays, we’d be well-served to recall Anthony Asquith’s paean to the Jet Age, The V.I.P.s, a lavish and star-studded drama released five years after more passengers were making their transatlantic crossings by air than by sea.

Also known as Hotel InternationalThe V.I.P.s was released in September 1963, just three months after Elizabeth Taylor and Richard Burton scandalized the silver screen in Cleopatra. Though Cleopatra met with polarizing reviews, the buzz around Taylor and Burton’s illicit affair generated enough buzz about their subsequent cinematic collaboration, though The V.I.P.s was a relatively tame effort when compared to the Egyptian epic that had been the most expensive movie ever made at the time of its release.

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Rod Taylor in The V.I.P.s.

Rod Taylor and Maggie Smith in The V.I.P.s (1963)

Rod Taylor and Maggie Smith in The V.I.P.s (1963)

Vitals

Rod Taylor as Les Mangrum, gregarious Australian tractor manufacturing mogul

Heathrow Airport, London, Winter 1963

Film: The V.I.P.s
(also released as Hotel International)
Release Date: September 19, 1963
Director: Anthony Asquith
Costume Designer: Pierre Cardin (uncredited)

Background

A generation after Grand Hotel (1932) established the subgenre of the ensemble drama with a packed cast of international stars, Anthony Asquith updated the pattern for the jet age with the genteel director’s penultimate film, The V.I.P.s, which—appropriately enough, given its spiritual predecessor—had also been released as Hotel International. Continue reading

The V.I.P.s: Louis Jourdan’s Tweed Jacket

Louis Jourdan and Elizabeth Taylor in The V.I.P.s (1963)

Louis Jourdan and Elizabeth Taylor in The V.I.P.s (1963)

Vitals

Louis Jourdan as Marc Champselle, “a gigolo… a buffoon… a professional diner-outer… a notorious sponger!”

Heathrow Airport, London, Winter 1963

Film: The V.I.P.s
(also released as Hotel International)
Release Date: September 19, 1963
Director: Anthony Asquith
Costume Designer: Pierre Cardin (uncredited)

Background

Happy December! For the first month of winter in the Northern Hemisphere, we look to the stylish 1963 film The V.I.P.s, a cinematic celebration of jet-age luxury starring an impressive international cast as a group of travelers stranded at London’s Heathrow Airport and the neighboring Hotel International for a cold but passionate January night.

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Rusty’s Brown Coat in Ocean’s Twelve

Brad Pitt as "Rusty" Ryan in Ocean's Twelve (2004)

Brad Pitt as “Rusty” Ryan in Ocean’s Twelve (2004)

Vitals

Brad Pitt as Robert “Rusty” Ryan, hotel owner and international thief

En route Amsterdam, November 2004

Film: Ocean’s Twelve
Release Date: December 10, 2004
Director: Steven Soderbergh
Costume Designer: Milena Canonero
Pitt’s Costumer: Bruno de Santa

Background

Bomb cyclone. Polar vortex. Whatever you call it, the frigid cold is here in the north, and you’d be well-advised to prep for it by bundling up and/or getting out of town. (Readers in the Southern Hemisphere, my frosty self envies you!)

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Rusty’s White Silver Suit in Ocean’s Thirteen

Brad Pitt as Robert “Rusty” Ryan in Ocean’s Thirteen (2007), matching his shoes to his luggage rather than to his belt.

Vitals

Brad Pitt as Robert “Rusty” Ryan, casino heister and hotel manager

L.A. to Vegas, June 2007

Film: Ocean’s Thirteen
Release Date: June 8, 2007
Director: Steven Soderbergh
Costume Designer: Louise Frogley

Background

With Memorial Day in our wake, it’s now sartorially safe to whip out the white suitings from the back of your closet when dressing to impress this summer.

One movie that most influenced my own summer style during my formative years was Ocean’s Thirteen, a celebration of sprezzatura from Al Pacino’s bold business wear to the vivid outfits sported by Bernie Mac. For me, it was Rusty Ryan’s flashy suits and sport jackets that lingered in my mind when eyeing new summer threads. Continue reading

Quantum of Solace – Bond’s Brown Suit

Daniel Craig as James Bond in Quantum of Solace (2008)

Vitals

Daniel Craig as James Bond, rogue British government agent

La Paz, Bolivia, August 2008

Film: Quantum of Solace
Release Date: October 31, 2008
Director: Marc Forster
Costume Designer: Louise Frogley

Background

The last post found us sailing down to Bolivia with the Sundance Kid, so let’s hang around and see what kind of trouble James Bond gets into in the same country for the 00-7th of April.

Exactly 100 years after Butch and Sundance met their fate in San Vicente, Daniel Craig’s rogue James Bond arrived in the country with his former MI6 handler Mathis (Giancarlo Giannini), where they are immediately interrupted by the efficient Agent Fields (Gemma Arterton, who recently expressed that she wouldn’t take the role if offered it today). Continue reading

Casino – De Niro’s Yellow Linen Jacket

Sharon Stone and Robert De Niro as Ginger and Sam "Ace" Rothstein in Casino (1995).

Sharon Stone and Robert De Niro as Ginger and Sam “Ace” Rothstein in Casino (1995).

Vitals

Robert De Niro as Sam “Ace” Rothstein, Vegas casino executive and mob associate

Los Angeles, Summer 1974

Film: Casino
Release Date: November 22, 1995
Director: Martin Scorsese
Costume Design: Rita Ryack & John A. Dunn

Background

As the weather is warming up here in the Northern Hemisphere, folks are swapping out the heavy flannel in their closets for linen and planning their trips to sunny locales.

Sam “Ace” Rothstein and his new wife Ginger touched down in L.A. after their ill-advised wedding in Casino although it was technically more of a business trip than a vacation. This outfit, one of Ace’s loudest in the movie (and that’s saying something), is shocking in that it’s what he wears for banking… of course, when you show up with a few million dollars in cash and jewels to deposit, I would imagine no banker would judge. Continue reading