Tagged: 1930s
Steve McQueen’s Corduroy Sport Jacket as The Cincinnati Kid
Steve McQueen and Tuesday Weld in The Cincinnati Kid (1965)
Vitals
Steve McQueen as Eric “the Kid” Stoner, hotshot poker player
Louisiana, Fall 1936
Film: The Cincinnati Kid
Release Date: October 15, 1965
Director: Norman Jewison
Costume Designer: Donfeld (Donald Lee Feld)
Background
The Cincinnati Kid was released today in 1965 with Steve McQueen in the title role as the actor was paving his way to stardom through the decade with a string of iconic movie including The Great Escape (1963), The Sand Pebbles (1966), and finally Bullitt and The Thomas Crown Affair in his banner year of 1968.
McQueen’s timeless sense of cool adds an era-defying quality to his performance as poker prodigy Eric “the Kid” Stoner. The Kid’s simple, functional wardrobe was hip enough to be contemporary to the 1960s while also reflective of the film’s 1930s setting. Continue reading
Indiana Jones’ Tweed Jacket for Dinner
Harrison Ford as Indiana Jones in Indiana Jones and the Temple of Doom (1984)
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Harrison Ford as Indiana Jones, adventurer and archaeology professor
India, Summer 1935
Film: Indiana Jones and the Temple of Doom
Release Date: May 23, 1984
Director: Steven Spielberg
Costume Designer: Anthony Powell
Background
A memorable scene in Indiana Jones and the Temple of Doom finds the titular archaeologist and his two newly introduced companions, Willie Scott (Kate Capshaw) and Short Round (Ke Huy Quan), invited to a banquet at Pankot Palace hosted by the young Majarajah Zalim Singh (Raj Singh). The trio doesn’t take warmly to the feast, which includes such delicacies as “snake surprise” and chilled monkey brains.
One of my favorite aspects of Indiana Jones and the Temple of Doom is the alternative costumes that Indy sports when not in his signature leather jacket and fedora. In addition to a Casablanca-inspired (but ’80s-executed) white dinner jacket at the film’s outset, Indy uses this dinner as an opportunity to dress up his usual bush shirt and “pinks” trousers by donning a tweed sport jacket and bow tie.
The Natural – Roy Hobbs’ Leather Jacket
Robert Redford as Roy Hobbs in The Natural (1984)
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Robert Redford as Roy Hobbs, baseball prodigy and “middle-aged rookie”
New York, June 1939
Film: The Natural
Release Date: May 11, 1984
Director: Barry Levinson
Costume Design: Gloria Gresham & Bernie Pollack
Background
Baseball season is back and in full swing (forgive the pun), and I’m feeling much better about it this year after my hometown Pirates won their home opener against the Twins yesterday, making us 4-0 for the season… after last year, I’ll take all the hope I can get! In the spirit of America’s pastime, today’s post explores one of the great baseball movies ever made.
Based on Bernard Malamud’s 1952 debut novel – and considered by many to be an improvement on it – The Natural stars Robert Redford as Roy Hobbs, an earnest, homespun, and sincere baseball player whose sole ambition is glory on the diamond. As he himself wonders, “What else is there?”
Of course, when we first meet Roy Hobbs in media res, you’d never know it to look at him that he was about to embark on his last shot at big-league stardom.
Clyde Barrow’s Brown Striped Easter Suit
Emile Hirsch as Clyde Barrow in Bonnie & Clyde (2013)
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Emile Hirsch as Clyde Barrow, amateur armed robber
Texas, Easter 1934
Series Title: Bonnie and Clyde
Air Date: December 8, 2013
Director: Bruce Beresford
Costume Designer: Marilyn Vance
Background
The turning point in Clyde Barrow and Bonnie Parker’s criminal career came on Easter Sunday, April 1, 1934. The couple was sitting inside their Ford V8 on a dusty road outside Grapevine, Texas, with their latest recruit, a shifty young son of Louisiana named Henry Methvin. Two months earlier, Clyde was in command of the closest thing he’d ever had to a “gang”, though the few criminal members with any experience quickly disassociated from the trigger-happy amateur, leaving only Clyde, Henry, and Bonnie making up the ranks of “The Barrow Gang”.
The Last Tycoon: Monroe Stahr’s White Tie for Oscar Night
Matt Bomer as Monroe Stahr on The Last Tycoon (Episode 9: “Oscar, Oscar, Oscar”)
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Matt Bomer as Monroe Stahr, charming studio wunderkind
Hollywood, fall 1936 and March 1937
Series: The Last Tycoon
Episodes:
– “Pilot” (Episode 1, dir. Billy Ray)
– “Oscar, Oscar, Oscar” (Episode 9, dir. Billy Ray)
Streaming Date: July 28, 2017
Developed By: Billy Ray
Costume Designer: Janie Bryant
WARNING! Spoilers ahead!
Background
It’s Oscars night!
The Last Tycoon, Amazon Video’s gone-too-soon stylish ode to Hollywood’s Golden Age, ended its singular season during the 1937 Academy Awards. Interestingly, the 9th Academy Award ceremony was held on March 4, 1937, exactly 81 years ago tonight!
After the Thin Man: White Tie for New Year’s Eve
William Powell and Myrna Loy in After the Thin Man (1936)… with Skippy as Asta
Vitals
William Powell as Nick Charles, retired private detective
San Francisco, New Year’s Eve 1936
Film: After the Thin Man
Release Date: December 25, 1936
Director: W.S. Van Dyke
Wardrobe Credit: Dolly Tree
Background
After the Thin Man was released on Christmas 1936 as a continuation of The Thin Man, as its title implies. The all-original story was drafted by Dashiell Hammett himself immediately after the success of the first film, although Hammett had first envisioned circumstances that would send his witty detective duo back to New York City. Eventually, the decision was made to have the Charles couple solving a crime in their hometown of San Francisco. Continue reading
The Thin Man: Nick’s Christmas Loungewear
William Powell and Myrna Loy as Nick and Nora Charles in The Thin Man (1934)… with Skippy as Asta!
Vitals
William Powell as Nick Charles, retired private detective
New York City, Christmas 1933
Film: The Thin Man
Release Date: May 25, 1934
Director: W.S. Van Dyke
Wardrobe Credit: Dolly Tree
Background
Suffice it to say that Nick and Nora Charles had quite a Christmas. Following a drunken holiday party, the sleepy couple was interrupted by the gat-wielding Joe Morelli (Edward Brophy), a fast-talking “get me, see?”-type of gangster whose quick trigger finger is no match for Nick Charles’ quick wit.
A few hours later, Nick spends Christmas morning recovering and in a perpetual daze possibly due to his recent flesh wound, the magic of the holidays, or – most likely – a large quantity of Scotch in his system. Continue reading
