Tagged: 1930s
Boardwalk Empire: Al Capone’s Ivory Suit in 1931
Stephen Graham as Al Capone on Boardwalk Empire (Episode 5.08: “Eldorado”)
Vitals
Stephen Graham as Al Capone, infamous mob boss
Chicago, Spring 1931
Series: Boardwalk Empire
Episode: “Eldorado” (Episode 5.08)
Air Date: October 26, 2014
Director: Tim Van Patten
Creator: Terence Winter
Costume Designer: John A. Dunn
WARNING! Spoilers ahead!
Background
Happy 50th birthday to Stephen Graham, whose memorable performance as Al Capone on Boardwalk Empire counts among the best cinematic depictions of the real-life Chicago crime lord, who was also been portrayed on screen by Robert De Niro, Ben Gazzara, Tom Hardy, Rod Steiger, Neville Brand, and—curiously, given Al’s stout physique—F. Murray Abraham and Jason Robards.
To the appropriately funereal tune of Vince Giordano and his Nighthawks Orchestra adapting Duke Ellington’s 1930 classic “Mood Indigo”, the Boardwalk Empire series finale spends one last moment with Graham’s Capone as he surrenders himself at a Chicago federal court to face trials for tax evasion and Volstead Act violations. Though the wily Capone had managed to evade consequences for building his criminal empire over the decade, the roaring ’20s are now over and Capone seems aware that it’s all over for him. Continue reading
Once Upon a Time in America: Max’s Beige Beachwear
James Woods and Tuesday Weld in Once Upon a Time in America (1984)
Vitals
James Woods as Max Bercovicz, ambitious mob bootlegger
Miami Beach, Fall 1933
Film: Once Upon a Time in America
Release Date: May 23, 1984
Director: Sergio Leone
Costume Designer: Gabriella Pescucci
Background
Happy first weekend of summer… at least to my fellow readers in the Northern Hemisphere! Today’s post continues embracing sun-friendly resort-wear, this time by way of Sergio Leone’s controversial gangster epic Once Upon a Time in America.
Robert De Niro and James Woods star as Noodles and Max, a pair of gangsters who worked their way up from teenage street hoods to bootleggers viciously ruling the streets of New York in the latter Prohibition era. Between Max’s megalomania and Noodles having spent much of their mob’s formative years in prison, resentments grow between the pair, but the influx of cash is enough to bury any problems… at least until late 1933.
While lazing under the sun with their respective molls in Miami Beach to the dulcet tones of Cole Porter’s “Night and Day”, Noodles learns from the newspaper that they’re about to be “unemployed” with the repeal of the Volstead Act just weeks away. Continue reading
Ryan O’Neal in Paper Moon
Ryan O’Neal with Tatum O’Neal in Paper Moon (1973)
Vitals
Ryan O’Neal as Moses “Moze” Pray, charismatic con artist
Kansas to Missouri, Spring 1936
Film: Paper Moon
Release Date: May 9, 1973
Director: Peter Bogdanovich
Costume Designer: Polly Platt (uncredited)
Background
Today is the 50th anniversary of Paper Moon, Peter Bogdanovich’s artfully nostalgic road comedy that was released May 9, 1973, exactly a month after its Hollywood premiere. Filmed in black-and-white and set during the Great Depression, Paper Moon stars Ryan O’Neal and his real-life daughter Tatum O’Neal in her big-screen debut who turned nine during the film’s production. When 10-year-old Tatum won the Academy Award for Best Supporting Actress for Paper Moon, she set a record as the youngest-ever performer to win a competitive Oscar. Continue reading
Leslie Howard in The Petrified Forest
Leslie Howard and Bette Davis in The Petrified Forest (1936)
Vitals
Leslie Howard as Alan Squier, itinerant and nihilistic writer “… in a way”
Black Mesa, Arizona, January 1936
Film: The Petrified Forest
Release Date: February 6, 1936
Director: Archie Mayo
Costume Designer: Orry-Kelly (uncredited)
WARNING! Spoilers ahead!
Background
“Petrified Forest, eh? A suitable haven for me. Well, perhaps that’s what I’m destined to become… an interesting fossil for future study,” suggests the self-deprecating Alan Squier (Leslie Howard) after he learns more about the surrounding desert region he’s entered after his thumb-powered journey to “set forth and discover America.” Continue reading
The Untouchables: Billy Drago’s White Suit as Frank Nitti
Billy Drago as Frank Nitti in The Untouchables (1987)
Vitals
Billy Drago as Frank Nitti, ruthless Chicago Outfit enforcer
Chicago, Fall 1930 to Spring 1931
Film: The Untouchables
Release Date: June 3, 1987
Director: Brian De Palma
Costume Designer: Marilyn Vance
Wardrobe: Giorgio Armani
WARNING! Spoilers ahead!
Background
Eighty years ago today on the morning of March 19, 1943, 57-year-old Chicago resident Frank Nitti enjoyed breakfast with Toni, his third wife whom he had married the previous May. He began drinking heavily and, after Toni left for church, Nitti walked five blocks to a local railroad yard in North Riverside, where he attempted to shoot himself in the head. The first shot merely perforated his hat and the second wounded him in the jaw, but the third shot hit its mark as the inebriated mob boss slumped to his death.
Loosely based on the end of Al Capone’s infamous reign of the Chicago underworld (and more directly based on the 1950s TV show of the same name), Brian De Palma’s 1987 film The Untouchables retains a few basic details of Capone’s fall from power, including real figures on both sides of the law like self-aggrandizing Prohibition agent Eliot Ness and the vicious mobster who would ultimately succeed Capone as leader of the Chicago Outfit: Frank Nitti, chillingly portrayed by the late, great Billy Drago. Continue reading
Death on the Nile: Simon MacCorkindale’s Honeymoon on Horseback
Simon MacCorkindale and Lois Chiles in Death on the Nile (1978)
Vitals
Simon MacCorkindale as Simon Doyle, newlywed honeymooner
Egypt, September 1937
Film: Death on the Nile
Release Date: September 29, 1978
Director: John Guillermin
Costume Designer: Anthony Powell
WARNING! Spoilers ahead!
Background
As my wife and I are basking in the sun during our Jamaican honeymoon this week, I wanted to focus on another cinematic honeymoon… though I hope I’m not dooming us by pulling an example from Agatha Christie’s poison pen. Based on her 1937 novel of the same name, the 1978 adaptation of Death on the Nile was the first of six films to star Peter Ustinov as Christie’s eccentric Belgian detective Hercule Poirot, here pulled into a dangerous love triangle.
Simon Doyle (Simon MacCorkindale) was a simple young Englishman, relatively devoid of funds and creativity, but charming enough to attract the fiery Jacqueline de Bellefort (Mia Farrow). The seemingly happy couple’s engagement doesn’t last long after Simon meets Jackie’s dazzlingly wealthy and glamorous friend, Linnet Ridgeway (Lois Chiles), and it’s she whom Simon marries instead. The Doyles spend their honeymoon touring Egypt and exploring the pyramids, “some of the most recognizable—not to mention pointiest—buildings in history,” according to the great Philomena Cunk. Continue reading
Remember the Night: Fred MacMurray’s Christmas Road Trip
Fred MacMurray and Barbara Stanwyck in Remember the Night (1940)
Vitals
Fred MacMurray as John “Jack” Sargent, smooth-talking New York prosecutor
New York to Indiana, Christmas 1938
Film: Remember the Night
Release Date: January 19, 1940
Director: Mitchell Leisen
Costume Designer: Edith Head
Background
This year’s winter #CarWeek installment kicks off with a holly jolly hoosier holiday in Remember the Night, a 1940 romcom released at the outset of a decade that included many classics of Christmas cinema like The Shop Around the Corner (1940), The Man Who Came to Dinner (1942), Holiday Inn (1942), Christmas in Connecticut (1945), It’s a Wonderful Life (1946), The Bishop’s Wife (1947), It Happened on Fifth Avenue (1947), Miracle on 34th Street (1947), 3 Godfathers (1948), and Holiday Affair (1949). Yet before all those classics came Remember the Night, arguably one of the earliest major movies to recognize how compellingly Christmas, both at its loneliest and most celebratory, could be effectively woven into a story.
“While it has remained for decades mysteriously under the radar, its tender romance and comedy are so skillfully blended—and its use of Christmas so poignant—that it stands among the very best holiday movies,” describes Jeremy Arnold in the TCM volume Christmas in the Movies. Continue reading
Nightmare Alley: Comparing Carlisle’s Cardigans in 1947 vs. 2021
Left: Tyrone Power as Stan Carlisle in Nightmare Alley (1947)
Right: Bradley Cooper as Stan Carlisle in Nightmare Alley (2021)
Vitals
Tyrone Power (1947) and Bradley Cooper (2021) as Stanton “Stan” Carlisle, opportunistic drifter-turned-carny
Rural Kentucky, Summer into fall 1939
Film: Nightmare Alley
Release Date: October 9, 1947
Director: Edmund Goulding
Costume Designer: Bonnie Cashin
Film: Nightmare Alley
Release Date: December 17, 2021
Director: Guillermo del Toro
Costume Designer: Luis Sequeira
WARNING! Spoilers ahead!
Background
Almost immediately after William Lindsay Gresham published his 1946 novel Nightmare Alley chronicling the grifters, geeks, and gals populating a second-rate sideshow, Tyrone Power asked 20th Century Fox studio chief Darryl F. Zanuck to purchase the film rights.
Power had built his swashbuckling screen image in movies like The Mask of Zorro (1940), Blood and Sand (1941), and The Black Swan (1942), but—as so many had—returned from his World War II service as a changed man. The decorated Lieutenant Power was released from Marine Corps active duty in January 1946 and, after flying dangerous transport missions during the war, sought roles that would expand his image beyond the romantic hero he had established.
Director Edmund Goulding helmed the production that brought Gresham’s creepy carnival world to life via a working carnival constructed on ten acres of the Fox back lot, even employing actual carnies and more than 100 sideshow attractions to add verisimilitude. The talented cast also included Joan Blondell, appropriately appearing about fifteen years beyond her Warner Brothers heyday as she deliciously dives into the role of the washed-up tarot reader “Mademoiselle Zeena” whom the unscrupulous Stanton Carlisle manipulates into revealing the trick to her successful mentalist act. The married Zeena allows herself to fall for Carlisle’s romantic advances despite being married to her alcoholic stage partner Pete (Ian Keith) and Carlisle’s own obvious interest in the ingenue Molly (Coleen Gray).
Nightmare Alley premiered 75 years ago today on October 9, 1947, with Power’s performance lauded by critics like James Agee, who noted for Time that he “steps into a new class as an actor,” playing against type as Carlisle.
The Nightmare Alley story was recently revived for Guillermo del Toro’s re-adaptation of the novel, reinstating some of the darker components to blend Gothic horror with the noir-ish elements that were also present in Goulding’s film. Released in December 2021, del Toro’s Oscar-nominated Nightmare Alley featured a star-studded cast led by Bradley Cooper as Carlisle, Toni Collette as Zeena, Rooney Mara as Molly, David Strathairn as Pete, and Cate Blanchett as Dr. Lilith Ritter, the mysterious femme fatale who Carlisle meets after escaping the carnival world and re-establishing himself as the debonair mentalist “The Great Stanton”. Continue reading
Paul Muni’s 1932 Tuxedo in Scarface
Paul Muni as Tony Camonte in Scarface (1932)
Vitals
Paul Muni as Tony Camonte, ruthless Italian-born bootlegger and mob enforcer
Chicago, Summer 1929
Film: Scarface
Release Date: April 9, 1932
Director: Howard Hawks
WARNING! Spoilers ahead!
Background
Several years ago, I published a high-level overview of the various black tie ensembles across the male cast of the original 1932 version of Scarface, adapted from Armitage Trail’s pulp novel of the same name, which had been inspired by the then-contemporary exploits of the infamous Al Capone.
Now, after eight more years of learning, I want to focus specifically on the evening-wear worn by the eponymous Tony Camonte, portrayed by Paul Muni—who was born on this day in 1895—as Tony’s tuxedo had long been one of the driving sartorial influences in my choice to have a double-breasted dinner jacket made for my wedding, which will be one month from today. Continue reading
Hot Saturday: Cary Grant’s White Suit
Cary Grant as Romer Sheffield in Hot Saturday (1932)
Vitals
Cary Grant as Romer Sheffield, smooth playboy
Ohio, Summer 1932
Film: Hot Saturday
Release Date: October 28, 1932
Director: William A. Seiter
Background
Today being a hot Saturday in late summer reminded me of the early Cary Grant movie called, well, Hot Saturday. 1932 had been a breakout year for the Bristol-born star, as the erstwhile Archie Leach had worked his way in six months from his screen debut (This is the Night) to his first leading role, as the dapper playboy Romer Sheffield in Hot Saturday. (Curiously, this marks the second time both this month and in the decade-long history of this blog that I’m writing about a character named Romer!)
Romer provides a prototype of what would become Grant’s signature screen persona: charming, debonair, and romantic yet wickedly self-deprecating. We meet him on a warm afternoon in the fictional Ohio berg of Marysville, where he strolls into the local bank and makes a date with the young clerk, Ruth Brock (Nancy Carroll), despite his already scandalous living arrangement with a woman named Camille Renault (Rita La Roy). As Ruth already has a date set that weekend with co-worker Connie Billop (Edward Woods), Romer invites both to his lakeside estate for what promises to be a hot Saturday indeed. Continue reading