Tagged: 1970s
Two-Lane Blacktop: James Taylor as a ’55 Chevy Driver
James Taylor with Dennis Wilson and Laurie Bird in Two-Lane Blacktop (1971)
Vitals
James Taylor as “The Driver”, laconic race car driver
Arizona through Tennessee, Fall 1970
Film: Two-Lane Blacktop
Release Date: July 7, 1971
Director: Monte Hellman
Costume Designer: Richard Bruno
WARNING! Spoilers ahead!
Background
Monte Hellman’s offbeat cult classic road movie Two-Lane Blacktop was released 55 years ago this week on July 7, 1971, starring musicians James Taylor and Dennis Wilson as the unnamed driver and mechanic of a ’55 Chevy gasser that picks up a hitchhiker (Laurie Bird) and falls into a cross-country race for pinks against the blustering driver of a new Pontiac GTO, played by Warren Oates.
Always an unorthodox maverick, Hellman was inspired to cast Taylor after spying his face on a Sunset Boulevard billboard, recalling that he “just flipped over his face.” Both Taylor and his late co-star Oates recalled the first-time actor feeling frustrated with his lack of control as Hellman and his 30-person crew shot the film in sequence, offering the cast only a few pages of the script at a time. “I’m not talking out of turn when I say Jimmy Taylor had terrible struggles relinquishing control to Monte,” Oates later shared.
The on-set strife reached a point where Hellman convinced Taylor not to quit the production by finally allowing him to read the entirety of Rudy Wurtlizer’s screenplay… which he didn’t do. Still, Taylor didn’t see Two-Lane Blacktop as the detour to a new path in his career, explaining in a contemporary interview with the Los Angeles Times that “I’m not an actor. I’ll never do this again. If I ever did another film I’d have to be the director and writer, I’d have to be in control.” To date, this remains the six-time Grammy-winning Taylor’s sole big-screen acting credit apart from cameos.
As this summer’s Car Week feature stretches on, let’s follow Sweet Baby James in that primer-gray Chevy along America’s blue highways stretching east from Arizona. Continue reading
Meteor: Sean Connery’s Tweed Leisure Suit and Sheepskin Coat
Sean Connery in Meteor (1979)
Vitals
Sean Connery as Dr. Paul Bradley, orbital satellite designer-turned-MIT professor
Houston, Texas, Washington, D.C., and New York City, December 1978
Film: Meteor
Release Date: October 19, 1979
Director: Ronald Neame
Costume Designer: Albert Wolsky
WARNING! Spoilers ahead!
Background
June 30th is National Meteor Watch Day and, while those of limited imagination may think this exclusively means looking up at the stars, some of us with a more cinematic mindset expand the meaning to include watching stars like Sean Connery, Natalie Wood, Karl Malden, and Martin Landau in Ronald Neame’s poorly regarded 1979 sci-fi flick Meteor.
Released the same year that Moonraker sent the incumbent James Bond to space, the erstwhile 007 stars in Meteor as ex-NASA scientist Dr. Paul Bradley, hastily summoned back to Houston by his old colleague Harry Sherwood (Karl Malden) after a comet collided with the asteroid Orpheus, sending dozens of deadly asteroid fragments hurtling toward Earth—including a five-mile-wide meteor that itself threatens an extinction-level event within a week. Continue reading
Mel Brooks’ Bird-Attracting Charcoal Flannel Suit in High Anxiety
Mel Brooks in High Anxiety (1977)
Vitals
Mel Brooks as Dr. Richard Harpo Thorndyke, anxious psychologist
Los Angeles to San Francisco, Spring 1977
Film: High Anxiety
Release Date: December 25, 1977
Director: Mel Brooks
Costume Designer: Patricia Norris
WARNING! Spoilers ahead!
Background
The 2,000-Year-Old Man turns 100! Born Melvin James Kaminsky on June 28, 1926 in Brooklyn, prolific writer, director, producer, actor, and comedian Mel Brooks is one of less than two dozen entertainers to date to have attained EGOT status over a career that delivered iconic stage and screen comedies like The Producers (1967), Blazing Saddles (1974), Young Frankenstein (1974), and Spaceballs (1987).
One of his most prominent (and stylish) on-screen performances was in High Anxiety, Brooks’ affectionate satire of Alfred Hitchcock’s films—crafted with the Master of Suspense’s own endorsement. (Following a private screening, Hitchcock’s only criticism was that Brooks used three too many shower rings in a parody of Psycho‘s famous “shower scene”; the director later sent a congratulatory case of wine to Brooks, noting that the movie itself was “splendid!”)
Kris Kristofferson’s Western Trucker Gear in Convoy
Kris Kristofferson as “Rubber Duck” in Convoy (1978)
Vitals
Kris Kristofferson as Martin “Rubber Duck” Penwald, maverick trucker
Arizona to New Mexico, Summer 1978
Film: Convoy
Release Date: June 28, 1978
Director: Sam Peckinpah
Costumers: Carol James & Kent James
WARNING! Spoilers ahead!
Background
Today would have been the 90th birthday of the late Kris Kristofferson, likely best known as a pioneering singer-songwriter in the 1970s “outlaw country” movement alongside friends and fellow “Highwaymen” Johnny Cash, Waylon Jennings, and Willie Nelson. After writing and recording hits like “Me and Bobby McGee” and “Sunday Mornin’ Comin’ Down”, Kristofferson embarked on an acting career that began with Dennis Hopper’s offbeat The Last Movie (1971), his titular starring role in Cisco Pike (1972), and his first collaborations with director Sam Peckinpah in Pat Garrett and Billy the Kid (1973) and a more limited role in Bring Me the Head of Alfredo Garcia (1974). Following Kristofferson’s string in more romantic roles, Peckinpah again tapped him to play an adventurous anti-hero as the trucker Martin “Rubber Duck” Penwald in Convoy (1978). Continue reading
The Rockford Files: Jim’s Beige Safari-style Fishing Jacket
James Garner as Jim Rockford in a promotional photo for The Rockford Files (1974-1980)
Vitals
James Garner as Jim Rockford, wisecracking private detective and ex-convict
Los Angeles to Las Vegas, Summer 1974
Series: The Rockford Files
Episodes:
– “Backlash of the Hunter” (Pilot episode, dir. Richard T. Heffron, aired 3/27/1974)
– “In Pursuit of Carol Thorne” (Episode 1.10, dir. Charles S. Dubin, aired 11/8/1974)
Creator: Roy Huggins & Stephen J. Cannell
Costume Designer: Charles Waldo
Background
Our first scene with James Garner’s titular Malibu-based private eye on The Rockford Files catches Jim Rockford after fishing with his father, Joseph “Rocky” Rockford (played by Robert Donley in the pilot, before he would be recast with Noah Beery Jr.). Rocky accompanies his son back to his trailer parked at Paradise Cove, where Jim’s lovely new prospective client Sara Butler (Lindsay Wagner) awaits him. Jim leads Sara into his “cheap, tax-deductible, earthquake-proof” office, where he introduces his now-iconic fee of:
$200 a day, plus expenses.
Writing a check (dated June 6, 1974, precisely dating the setting), Sara then hires Jim to look into his father’s under-investigated murder two months later. In the tradition of great detective fiction, the complexities of the case deepen while Rockford gets knocked around by a few heavies before knocking boots with the gorgeous femme fatale. A break in the case sends Jim and Sara speeding east across the Mojave Desert in his famous bronze Pontiac, resulting in a gunfight with Rockford’s unregistered cookie jar gat.
Since June 18th is annually recognized as National Go Fishing Day, let’s look at how Jim Rockford dressed for that day of fishing in his introductory scene. Continue reading
Casino: Joe Pesci’s Gray Birdseye Blazer
Joe Pesci in Casino (1995)
Vitals
Joe Pesci as Nicky Santoro, sadistic mobster
Las Vegas, Spring 1973 to Fall 1980
Film: Casino
Release Date: November 22, 1995
Director: Martin Scorsese
Costume Design: Rita Ryack & John A. Dunn
WARNING! Spoilers ahead!
Background
After multiple requests to expand my sartorial focus on Casino from Robert De Niro’s colorful tailoring as Ace Rothstein to Joe Pesci’s mobbed-up fits, today’s post finally zeroes in on Pesci’s style as the volatile Nicky Santoro. Continue reading
The Omen: Gregory Peck’s Charcoal Pinstripe Suit
Gregory Peck in The Omen (1976)
Vitals
Gregory Peck as Robert Thorn, American diplomat
Rome, June 6, 1970 and London, June 1975
Film: The Omen
Release Date: June 6, 1976
Director: Richard Donner
Wardrobe Supervisor: Tiny Nicholls
Tailor: H. Huntsman & Sons, London
WARNING! Spoilers ahead!
Background
The Omen was released fifty years ago today on June 6, 1976—a date intentionally selected to mirror the film’s opening on June 6th at 6 a.m., when American ambassador Robert Thorn (Gregory Peck) rushes through Rome to reach his wife Katherine (Lee Remick). Robert arrives to learn that the child Katherine has just delivered died moments after birth, but hospital chaplain Father Spiletto (Martin Benson) convinces him to secretly adopt a newborn orphan and raise the boy as their own without Katherine’s knowledge.
Unfortunately for Robert, Katherine, and the world at large, that boy is Damien—the Antichrist—but I suppose you’ll have that when someone’s birth is the infamous 6-6-6: the “Number of the Beast” described in the Book of Revelation.
Robert Wagner’s Blue Tuxedo in The Towering Inferno
Robert Wagner and Susan Flannery in The Towering Inferno (1974)
Vitals
Robert Wagner as Dan Bigelow, horny public relations agent
San Francisco, Summer 1974
Film: The Towering Inferno
Release Date: December 14, 1974
Director: John Guillermin
Costume Designer: Paul Zastupnevich
WARNING! Spoilers ahead!
Background
I recently saw a tweet clowning on Robert Wagner’s ignominious death in The Towering Inferno that again got me thinking about the style in this char-studded—er- star-studded ’70s disaster epic.
Dazed and Confused: Matthew McConaughey’s Ted Nugent T-Shirt and Peach 1970s Levi’s
Matthew McConaughey in Dazed and Confused (1993)
Vitals
Matthew McConaughey as David “Woods” Wooderson, Texas stoner
Central Texas, Spring 1976
Film: Dazed and Confused
Release Date: September 24, 1993
Director: Richard Linklater
Costume Designer: Katherine Dover
WARNING! Spoilers ahead!
Background
Alright, alright, alright…
Richard Linklater’s nostalgic coming-of-age comedy Dazed and Confused was set fifty years ago today on May 28, 1976, during the last day of school for Lee High School, outside Austin, Texas. Linklater drew from his own experiences growing up in Huntsville, even lending actual names of classmates to the characters—eventually resulting in a lawsuit that would be swiftly dismissed. Many of the ensemble cast were then little-known actors who rose to considerable stardom, including Ben Affleck, Adam Goldberg, Cole Hauser, Milla Jovovich, Nicky Katt, Jason London, Parker Posey, and Renée Zellweger, but it’s perhaps Matthew McConaughey that emerged most memorably in his breakthrough role as David “Woods” Wooderson. Continue reading
Mean Streets: De Niro’s Plaid Jacket and Dobbs Hat as Johnny Boy
Robert De Niro in Mean Streets (1973)
Vitals
Robert De Niro as Johnny Boy Civello, irresponsible mob associate
New York, Fall 1972
Film: Mean Streets
Release Date: October 14, 1973
Director: Martin Scorsese
Wardrobe Credit: Norman Salling
WARNING! Spoilers ahead!
Background
“You’ve blogged about this movie, right?” my wife asked me during her first-ever viewing of Mean Streets this weekend. When I responded that of course I have, she nodded and pointed to Robert De Niro swinging a broken pool cue in a bar full of angry mooks, adding “I can tell. This outfit is very you.” And that’s when I realized I needed to quickly rectify my BAMF Style blind spot that had so far overlooked Robert De Niro’s style as the reckless Johnny Boy in director Martin Scorsese’s breakthrough feature.
Heeding his pal John Cassavetes’ advice to make something more personal than his last film (Boxcar Bertha), Scorsese crafted Mean Streets as his own spin on I Vitelloni (1953), drawing on experiences and characters he knew growing up in New York’s Little Italy. He shot the film over 27 days in spring 1973, including seven days on location in New York City—often without permits.
Harvey Keitel led the billing as mob associate Charlie Cappa, whose internal conflict swirls around intense Catholic guilt, his ambitions within his uncle’s organized crime family, and his self-imposed responsibility for the self-destructive Johnny Boy—whose brash attitude doesn’t endear him to the mob loan sharks who are chasing him over his increasing debts to them. Continue reading
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