Tagged: 1970s
When Harry Met Sally: Harry’s Post-College Hoodie and Jeans
Billy Crystal and Meg Ryan in When Harry Met Sally (1989)
Vitals
Billy Crystal as Harry Burns, recent college graduate
Chicago to New York City, Spring 1977
Film: When Harry Met Sally…
Release Date: July 14, 1989
Director: Rob Reiner
Costume Designer: Gloria Gresham
WARNING! Spoilers ahead!
Background
I graduated from college fifteen years ago this week, and I’m still (slightly) younger than 40-year-old Billy Crystal was when he played recent University of Chicago graduate Harry Burns in the opening scenes of When Harry Met Sally. Directed by the late Rob Reiner (a qualifier which still hurts to say), When Harry Met Sally is considered by many—including yours truly—to be one of the best romantic comedies of all time.
Ironically scored to Louis Armstrong crooning “Our Love is Here to Stay”, the movie begins with Harry kissing a girlfriend whose name he wouldn’t even remember five years later. Amanda (Michelle Nicastro) introduces Harry to her friend Sally Albright (Meg Ryan), who has agreed to drive the stranger across the country to New York, which Sally has calculated should be “an 18-hour trip with six shifts of three hours each.” Continue reading
Bobbie Jo and the Outlaw: Marjoe Gortner’s Blue Cutoff Western Shirt
Marjoe Gortner and Lynda Carter in Bobbie Jo and the Outlaw (1976)
Vitals
Marjoe Gortner as Lyle Wheeler, wannabe outlaw
New Mexico, Summer 1975
Film: Bobbie Jo and the Outlaw
Release Date: April 28, 1976
Director: Mark L. Lester
Costume Designer: Cornelia McNamara
WARNING! Spoilers ahead!
Background
People typically cite two major reasons to watch the low-budget ’70s crime flick Bobbie Jo and the Outlaw… neither of which are Marjoe Gortner’s wardrobe. Is that going to stop me from writing about it for the film’s 50th anniversary? No, of course not.
Released in Los Angeles on April 28, 1976, this was also Lynda Carter’s big-screen debut, finally hitting screens nearly six months after she became an instant sensation when Wonder Woman premiered on ABC. Made with the same exploitative “guilty pleasure” watchability that defined so much of American Independent Pictures’ contemporary output, Bobbie Jo and the Outlaw is known to many for Carter’s sole (but frequent) nude screen appearance—often in varying states of undress playing the, uh, titular Bobbie Jo Baker, who abandons her dead-end job and alcoholic mother to join the charismatic car thief Lyle Wheeler on a crime spree through the southwest. Prior to his Rocky fame, Sylvester Stallone was producers’ first choice to play Lyle until ex-child preacher Marjoe Gortner was cast.
Yep, you read that right. Continue reading
Ryan O’Neal’s Seersucker Suit in What’s Up, Doc?
Ryan O’Neal in What’s Up, Doc? (1972)
Vitals
Ryan O’Neal as Dr. Howard Bannister, awkward musicologist
San Francisco, Summer 1972
Film: What’s Up, Doc?
Release Date: March 9, 1972
Director: Peter Bogdanovich
Costume Designer: Polly Platt (uncredited)
WARNING! Spoilers ahead!
Background
The late Ryan O’Neal was born 85 years ago today on April 20, 1941. Though perhaps best known for his roles in Love Story (1970), Paper Moon (1973), Barry Lyndon (1975), or The Driver (1978), the first O’Neal performance that I ever watched was Peter Bogdanovich’s 1972 comedy What’s Up, Doc?, which Maureen Lee Lenker posited for Entertainment Weekly after his death as the actor’s strongest performance. Continue reading
Breezy: William Holden’s Shawl-Collar Cardigan
William Holden and Kay Lenz in Breezy (1973)
Vitals
William Holden as Frank Harmon, cynical realtor and “nobody’s fool”
Los Angeles, Fall 1972
Film: Breezy
Release Date: November 18, 1973
Director: Clint Eastwood
Men’s Costumer: Glenn Wright
WARNING! Spoilers ahead!
Background
Born 108 years ago on April 17, 1918, William Holden was one of the most bankable stars of the 1950s with an Oscar-winning performance in Stalag 17 (1953) as well as roles in enduring classics like Sunset Blvd. (1950), Sabrina (1954), and The Bridge on the River Kwai (1957). After his career struggled through the ’60s, Holden embarked on a comeback as grizzled outlaw leader Pike Bishop in Sam Peckinpah’s violent 1969 western The Wild Bunch, though this didn’t generate as much momentum as the now middle-aged actor had hoped as new stars like Clint Eastwood dominated the scene.
The two actors’ paths would cross by 1972, when Holden was so grateful to be approached for the lead in Eastwood’s upcoming film Breezy that he agreed to star at no salary—accepting only a cut of the profits. (When there turned out to be no profits, even against Breezy‘s modest budget under a million dollars, SAG compelled Eastwood to pay Holden $4,000.)
Eastwood’s friend and frequent collaborator Jo Heims penned Breezy as an age-gap romance with equal parts tenderness and wit. This may strike viewers as a surprisingly sensitive story for Eastwood to direct at this stage in his career, at the time best known for acting in Westerns, war films, and hard-boiled crime stories like Dirty Harry (1971), and with only two directorial credits before it. It’s to Clint’s credit that he not only accepted the assignment to challenge his contemporary screen image but also willingly stepped off screen—save for a brief cameo at Fisherman’s Village—and cast the more age-appropriate Holden in the leading role of the disillusioned divorcee Frank Harmon.
“You know, I’ve been that guy,” Holden reportedly told Eastwood after he was cast. “Yeah, I thought so,” Eastwood replied. Continue reading
Tommy Lee Jones in Jackson County Jail
Tommy Lee Jones in Jackson County Jail (1976)
Vitals
Tommy Lee Jones as Coley Blake, laconic career criminal
Southwestern United States, Summer 1976
Film: Jackson County Jail
Release Date: April 11, 1976
Director: Michael Miller
Costume Designer: Cornelia McNamara
WARNING! Spoilers ahead!
Background
The grindhouse cult classic Jackson County Jail was released fifty years ago today, starring Tommy Lee Jones, Yvette Mimieux, and the late Robert Carradine, who died earlier this year at age 71. While hardly the best known of any of its stars’ filmographies, Jackson County Jail developed a cult following in the decades since its 1976 release—including by director Quentin Tarantino, who screened it for his inaugural film festival in Austin.
The movie follows advertising executive Dinah Hunter (Mimieux), driving across the country to take a new job in New York after leaving her deadbeat husband back in L.A. Her troubles begin early after the hitchhiking hustler Bobby Ray (Carradine) and his pregnant, pill-popping girlfriend Lola (Nancy Noble) steal her AMC Pacer at gunpoint, leaving her stranded in the titular Jackson County—likely somewhere in the southwest, between Arizona, New Mexico, Nevada, and Utah.
She seeks help from local bartender Dan Oldum (Britt Leach), but this also demolishes her luck as the creepy taxidermist Dan tries to sexually assault her… resulting in her arrest when a good ol’ boy deputy happens into the bar. Dinah is placed into a cell opposite to the taciturn Texan crook Coley Blake (Jones), who recently capped his extensive rap sheet by reportedly killing a man who caught him stealing melons. Continue reading
Ben Gazzara’s Navy Suit for The Killing of a Chinese Bookie
Ben Gazzara in The Killing of a Chinese Bookie (1976)
Vitals
Ben Gazzara as Cosmo Vitelli, strip club owner and emcee
Los Angeles, Fall 1975
Film: The Killing of a Chinese Bookie
Release Date: February 15, 1976
Director: John Cassavetes
Wardrobe Credit: Mary Herne
WARNING! Spoilers ahead!
Background
John Cassavetes re-teamed with his friend and frequent collaborator Ben Gazzara for The Killing of a Chinese Bookie, a gritty neo-noir originally released 50 years ago today on February 15, 1976. The original cut ran over two hours, but feedback from audience—and Gazzara himself—resulted in Cassavetes recutting it down to a tighter 108-minute version that was re-released in 1978, maintaining its tone and ambiguously bleak ending.
“My name, if you don’t know it by now, is Cosmo Vitelli, and I own this joint,” Gazzara’s scrappy cabaret owner announces to his audience. “You know, they say everything is sex; sex is everything. Here at the Crazy Horse West, we give you a lot more than that.” Continue reading
Leslie Nielsen’s Pinstripe Suit as Dr. Rumack in Airplane!
Leslie Nielsen as Dr. Rumack in Airplane! (1980)
Vitals
Leslie Nielsen as Dr. Rumack, serious physician
In the air between Los Angeles and Chicago, Spring 1980
Film: Airplane!
Release Date: July 2, 1980
Directed by: Jim Abrahams, David Zucker, and Jerry Zucker
Costume Designer: Rosanna Norton
WARNING! Spoilers ahead!
Background
Born 100 years ago today on February 11, 1926, the legendary Leslie Nielsen finally found the role that unlocked his straight-faced superpower, launching his beloved comedic second act in Hollywood history in Airplane! as Dr. Rumack, a man so serious that irony simply bounces off him.
Dr. Rumack: Can you fly this plane and land it?
Ted: Surely you can’t be serious.
Dr. Rumack: I am serious. And don’t call me Shirley.
Aside from a lighthearted guest spot on the first season of M*A*S*H, the Canadian-born Nielsen’s comic potential generally sat idle on the runway until the madcap ZAZ crew cast him as the deadpan Dr. Rumack, followed by his enduring role as the bumbling detective Frank Drebin—first in the short-lived TV series Police Squad!, followed by its far more successful film continuation The Naked Gun and its two sequels.
Adapted nearly word-for-word (no, really) from the 1957 drama Zero Hour, Airplane! primarily parodies the disaster subgenre that dominated ’70s cinema like Airport, though it found fodder in everything from From Here to Eternity to Saturday Night Fever. Star-crossed ex-lovers Ted Striker (Robert Hays) and Elaine Dickinson (Julie Hagerty) are our leads, but Nielsen hijacks the movie the moment he’s introduced as the doctor tapped with treating any of the passengers and crew aboard Trans American Flight 209 from LAX to Chicago who made the sorry decision of choosing fish for dinner, prompting a food poisoning epidemic rivaling even the revulsion of an Anita Bryant concert. Continue reading
Taxi Driver: Travis Bickle’s M-65 Field Jacket
Robert De Niro as Travis Bickle in Taxi Driver (1976)
Vitals
Robert De Niro as Travis Bickle, disturbed taxi driver and Vietnam War veteran
New York City, Spring to Summer 1976
Film: Taxi Driver
Release Date: February 9, 1976
Director: Martin Scorsese
Costume Designer: Ruth Morley
WARNING! Spoilers ahead!
Background
Martin Scorsese’s violent meditation on loneliness, Taxi Driver, was released 50 years ago today on February 9, 1976—one day after its New York City premiere. Fresh off of his Academy Award win for The Godfather Part II, Robert De Niro received a second career nomination for his portrayal of “God’s lonely man” Travis Bickle, a troubled Marine Corps veteran who combats his insomnia by driving a taxi through the decaying streets of 1970s New York.
After his poorly conceived attempts to woo a sophisticated political campaign volunteer are understandably rejected, Travis refocuses his attention on the pre-teen prostitute Iris (Jodie Foster), whom he attempts to dissuade from her current profession. Meanwhile, Travis’ paranoia grows to the point that he drops just under a thousand dollars on a quartet of handguns that range in power and concealment—his scattered plans ranging from political assassination to a brothel massacre, all the while practicing his heavily armed bravado in his disorganiz-ized home:
“You talkin’ to me?”
Sean Connery’s Sheepskin Coat and Plaid Suit in The Offence
Sean Connery in The Offence (1973)
Vitals
Sean Connery as Detective Sergeant “Johnny” Johnson, jaded police detective
Berkshire, England, Spring 1972
Film: The Offence
Release Date: January 11, 1973
Director: Sidney Lumet
Costume Designer: Evangeline Harrison
WARNING! Spoilers ahead!
Background
Sean Connery and director Sidney Lumet’s third of five cinematic collaborations, The Offence, was released on this day in 1973. Adapted by John Hopkins from his own stage play This Story of Yours, the film was the first of two projects that United Artists agreed to finance through Connery’s production company Tantallon Films in exchange for the star returning to play James Bond in Diamonds are Forever.
As his first post-Bond film, Big Tam specifically chose The Offence to demonstrate his range and expand his screen image beyond the 007 persona, resulting in perhaps one of his greatest performances. Continue reading
Chilly Scenes of Winter: John Heard’s Moth-eaten Maroon Sweater
John Heard in Chilly Scenes of Winter (1979)
Vitals
John Heard as Charles Richardson, obsessive state analyst
Salt Lake City, Winter 1979/80
Film: Chilly Scenes of Winter
Release Date: October 19, 1979
Director: Joan Micklin Silver
Costume Designer: Rosanna Norton
WARNING! Spoilers ahead!
Background
The wintry weather this first full week of the year feels appropriate to slip into John Heard’s deceptively cozy wardrobe in Joan Micklin Silver’s 1979 comedy Chilly Scenes of Winter. Originally marketed by United Artists as a zany, lighthearted rom-com that the studio re-titled Head Over Heels (much to its cast and crew’s dismay), Chilly Scenes of Winter is actually an all-too-real exploration of the depths to which a seemingly sane person can fall when tortured by their concept of love.
Heard plays Charles Richardson, a seemingly normal Utah State Department of Development report analyst who begins dating his colleague Laura (Mary Beth Hurt), only to grow increasingly and desperately obsessed with winning back her affection after she ends their relationship. Continue reading
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