Tagged: 1970s
The Omen: Gregory Peck’s Charcoal Pinstripe Suit
Gregory Peck in The Omen (1976)
Vitals
Gregory Peck as Robert Thorn, American diplomat
Rome, June 6, 1970 and London, June 1975
Film: The Omen
Release Date: June 6, 1976
Director: Richard Donner
Wardrobe Supervisor: Tiny Nicholls
Tailor: H. Huntsman & Sons, London
WARNING! Spoilers ahead!
Background
The Omen was released fifty years ago today on June 6, 1976—a date intentionally selected to mirror the film’s opening on June 6th at 6 a.m., when American ambassador Robert Thorn (Gregory Peck) rushes through Rome to reach his wife Katherine (Lee Remick). Robert arrives to learn that the child Katherine has just delivered died moments after birth, but hospital chaplain Father Spiletto (Martin Benson) convinces him to secretly adopt a newborn orphan and raise the boy as their own without Katherine’s knowledge.
Unfortunately for Robert, Katherine, and the world at large, that boy is Damien—the Antichrist—but I suppose you’ll have that when someone’s birth is the infamous 6-6-6: the “Number of the Beast” described in the Book of Revelation.
Robert Wagner’s Blue Tuxedo in The Towering Inferno
Robert Wagner and Susan Flannery in The Towering Inferno (1974)
Vitals
Robert Wagner as Dan Bigelow, horny public relations agent
San Francisco, Summer 1974
Film: The Towering Inferno
Release Date: December 14, 1974
Director: John Guillermin
Costume Designer: Paul Zastupnevich
WARNING! Spoilers ahead!
Background
I recently saw a tweet clowning on Robert Wagner’s ignominious death in The Towering Inferno that again got me thinking about the style in this char-studded—er- star-studded ’70s disaster epic.
Dazed and Confused: Matthew McConaughey’s Ted Nugent T-Shirt and Peach 1970s Levi’s
Matthew McConaughey in Dazed and Confused (1993)
Vitals
Matthew McConaughey as David “Woods” Wooderson, Texas stoner
Central Texas, Spring 1976
Film: Dazed and Confused
Release Date: September 24, 1993
Director: Richard Linklater
Costume Designer: Katherine Dover
WARNING! Spoilers ahead!
Background
Alright, alright, alright…
Richard Linklater’s nostalgic coming-of-age comedy Dazed and Confused was set fifty years ago today on May 28, 1976, during the last day of school for Lee High School, outside Austin, Texas. Linklater drew from his own experiences growing up in Huntsville, even lending actual names of classmates to the characters—eventually resulting in a lawsuit that would be swiftly dismissed. Many of the ensemble cast were then little-known actors who rose to considerable stardom, including Ben Affleck, Adam Goldberg, Cole Hauser, Milla Jovovich, Nicky Katt, Jason London, Parker Posey, and Renée Zellweger, but it’s perhaps Matthew McConaughey that emerged most memorably in his breakthrough role as David “Woods” Wooderson. Continue reading
Mean Streets: De Niro’s Plaid Jacket and Dobbs Hat as Johnny Boy
Robert De Niro in Mean Streets (1973)
Vitals
Robert De Niro as Johnny Boy Civello, irresponsible mob associate
New York, Fall 1972
Film: Mean Streets
Release Date: October 14, 1973
Director: Martin Scorsese
Wardrobe Credit: Norman Salling
WARNING! Spoilers ahead!
Background
“You’ve blogged about this movie, right?” my wife asked me during her first-ever viewing of Mean Streets this weekend. When I responded that of course I have, she nodded and pointed to Robert De Niro swinging a broken pool cue in a bar full of angry mooks, adding “I can tell. This outfit is very you.” And that’s when I realized I needed to quickly rectify my BAMF Style blind spot that had so far overlooked Robert De Niro’s style as the reckless Johnny Boy in director Martin Scorsese’s breakthrough feature.
Heeding his pal John Cassavetes’ advice to make something more personal than his last film (Boxcar Bertha), Scorsese crafted Mean Streets as his own spin on I Vitelloni (1953), drawing on experiences and characters he knew growing up in New York’s Little Italy. He shot the film over 27 days in spring 1973, including seven days on location in New York City—often without permits.
Harvey Keitel led the billing as mob associate Charlie Cappa, whose internal conflict swirls around intense Catholic guilt, his ambitions within his uncle’s organized crime family, and his self-imposed responsibility for the self-destructive Johnny Boy—whose brash attitude doesn’t endear him to the mob loan sharks who are chasing him over his increasing debts to them. Continue reading
When Harry Met Sally: Harry’s Post-College Hoodie and Jeans
Billy Crystal and Meg Ryan in When Harry Met Sally (1989)
Vitals
Billy Crystal as Harry Burns, recent college graduate
Chicago to New York City, Spring 1977
Film: When Harry Met Sally…
Release Date: July 14, 1989
Director: Rob Reiner
Costume Designer: Gloria Gresham
WARNING! Spoilers ahead!
Background
I graduated from college fifteen years ago this week, and I’m still (slightly) younger than 40-year-old Billy Crystal was when he played recent University of Chicago graduate Harry Burns in the opening scenes of When Harry Met Sally. Directed by the late Rob Reiner (a qualifier which still hurts to say), When Harry Met Sally is considered by many—including yours truly—to be one of the best romantic comedies of all time.
Ironically scored to Louis Armstrong crooning “Our Love is Here to Stay”, the movie begins with Harry kissing a girlfriend whose name he wouldn’t even remember five years later. Amanda (Michelle Nicastro) introduces Harry to her friend Sally Albright (Meg Ryan), who has agreed to drive the stranger across the country to New York, which Sally has calculated should be “an 18-hour trip with six shifts of three hours each.” Continue reading
Bobbie Jo and the Outlaw: Marjoe Gortner’s Blue Cutoff Western Shirt
Marjoe Gortner and Lynda Carter in Bobbie Jo and the Outlaw (1976)
Vitals
Marjoe Gortner as Lyle Wheeler, wannabe outlaw
New Mexico, Summer 1975
Film: Bobbie Jo and the Outlaw
Release Date: April 28, 1976
Director: Mark L. Lester
Costume Designer: Cornelia McNamara
WARNING! Spoilers ahead!
Background
People typically cite two major reasons to watch the low-budget ’70s crime flick Bobbie Jo and the Outlaw… neither of which are Marjoe Gortner’s wardrobe. Is that going to stop me from writing about it for the film’s 50th anniversary? No, of course not.
Released in Los Angeles on April 28, 1976, this was also Lynda Carter’s big-screen debut, finally hitting screens nearly six months after she became an instant sensation when Wonder Woman premiered on ABC. Made with the same exploitative “guilty pleasure” watchability that defined so much of American Independent Pictures’ contemporary output, Bobbie Jo and the Outlaw is known to many for Carter’s sole (but frequent) nude screen appearance—often in varying states of undress playing the, uh, titular Bobbie Jo Baker, who abandons her dead-end job and alcoholic mother to join the charismatic car thief Lyle Wheeler on a crime spree through the southwest. Prior to his Rocky fame, Sylvester Stallone was producers’ first choice to play Lyle until ex-child preacher Marjoe Gortner was cast.
Yep, you read that right. Continue reading
Ryan O’Neal’s Seersucker Suit in What’s Up, Doc?
Ryan O’Neal in What’s Up, Doc? (1972)
Vitals
Ryan O’Neal as Dr. Howard Bannister, awkward musicologist
San Francisco, Summer 1972
Film: What’s Up, Doc?
Release Date: March 9, 1972
Director: Peter Bogdanovich
Costume Designer: Polly Platt (uncredited)
WARNING! Spoilers ahead!
Background
The late Ryan O’Neal was born 85 years ago today on April 20, 1941. Though perhaps best known for his roles in Love Story (1970), Paper Moon (1973), Barry Lyndon (1975), or The Driver (1978), the first O’Neal performance that I ever watched was Peter Bogdanovich’s 1972 comedy What’s Up, Doc?, which Maureen Lee Lenker posited for Entertainment Weekly after his death as the actor’s strongest performance. Continue reading
Breezy: William Holden’s Shawl-Collar Cardigan
William Holden and Kay Lenz in Breezy (1973)
Vitals
William Holden as Frank Harmon, cynical realtor and “nobody’s fool”
Los Angeles, Fall 1972
Film: Breezy
Release Date: November 18, 1973
Director: Clint Eastwood
Men’s Costumer: Glenn Wright
WARNING! Spoilers ahead!
Background
Born 108 years ago on April 17, 1918, William Holden was one of the most bankable stars of the 1950s with an Oscar-winning performance in Stalag 17 (1953) as well as roles in enduring classics like Sunset Blvd. (1950), Sabrina (1954), and The Bridge on the River Kwai (1957). After his career struggled through the ’60s, Holden embarked on a comeback as grizzled outlaw leader Pike Bishop in Sam Peckinpah’s violent 1969 western The Wild Bunch, though this didn’t generate as much momentum as the now middle-aged actor had hoped as new stars like Clint Eastwood dominated the scene.
The two actors’ paths would cross by 1972, when Holden was so grateful to be approached for the lead in Eastwood’s upcoming film Breezy that he agreed to star at no salary—accepting only a cut of the profits. (When there turned out to be no profits, even against Breezy‘s modest budget under a million dollars, SAG compelled Eastwood to pay Holden $4,000.)
Eastwood’s friend and frequent collaborator Jo Heims penned Breezy as an age-gap romance with equal parts tenderness and wit. This may strike viewers as a surprisingly sensitive story for Eastwood to direct at this stage in his career, at the time best known for acting in Westerns, war films, and hard-boiled crime stories like Dirty Harry (1971), and with only two directorial credits before it. It’s to Clint’s credit that he not only accepted the assignment to challenge his contemporary screen image but also willingly stepped off screen—save for a brief cameo at Fisherman’s Village—and cast the more age-appropriate Holden in the leading role of the disillusioned divorcee Frank Harmon.
“You know, I’ve been that guy,” Holden reportedly told Eastwood after he was cast. “Yeah, I thought so,” Eastwood replied. Continue reading
Tommy Lee Jones in Jackson County Jail
Tommy Lee Jones in Jackson County Jail (1976)
Vitals
Tommy Lee Jones as Coley Blake, laconic career criminal
Southwestern United States, Summer 1976
Film: Jackson County Jail
Release Date: April 11, 1976
Director: Michael Miller
Costume Designer: Cornelia McNamara
WARNING! Spoilers ahead!
Background
The grindhouse cult classic Jackson County Jail was released fifty years ago today, starring Tommy Lee Jones, Yvette Mimieux, and the late Robert Carradine, who died earlier this year at age 71. While hardly the best known of any of its stars’ filmographies, Jackson County Jail developed a cult following in the decades since its 1976 release—including by director Quentin Tarantino, who screened it for his inaugural film festival in Austin.
The movie follows advertising executive Dinah Hunter (Mimieux), driving across the country to take a new job in New York after leaving her deadbeat husband back in L.A. Her troubles begin early after the hitchhiking hustler Bobby Ray (Carradine) and his pregnant, pill-popping girlfriend Lola (Nancy Noble) steal her AMC Pacer at gunpoint, leaving her stranded in the titular Jackson County—likely somewhere in the southwest, between Arizona, New Mexico, Nevada, and Utah.
She seeks help from local bartender Dan Oldum (Britt Leach), but this also demolishes her luck as the creepy taxidermist Dan tries to sexually assault her… resulting in her arrest when a good ol’ boy deputy happens into the bar. Dinah is placed into a cell opposite to the taciturn Texan crook Coley Blake (Jones), who recently capped his extensive rap sheet by reportedly killing a man who caught him stealing melons. Continue reading
Ben Gazzara’s Navy Suit for The Killing of a Chinese Bookie
Ben Gazzara in The Killing of a Chinese Bookie (1976)
Vitals
Ben Gazzara as Cosmo Vitelli, strip club owner and emcee
Los Angeles, Fall 1975
Film: The Killing of a Chinese Bookie
Release Date: February 15, 1976
Director: John Cassavetes
Wardrobe Credit: Mary Herne
WARNING! Spoilers ahead!
Background
John Cassavetes re-teamed with his friend and frequent collaborator Ben Gazzara for The Killing of a Chinese Bookie, a gritty neo-noir originally released 50 years ago today on February 15, 1976. The original cut ran over two hours, but feedback from audience—and Gazzara himself—resulted in Cassavetes recutting it down to a tighter 108-minute version that was re-released in 1978, maintaining its tone and ambiguously bleak ending.
“My name, if you don’t know it by now, is Cosmo Vitelli, and I own this joint,” Gazzara’s scrappy cabaret owner announces to his audience. “You know, they say everything is sex; sex is everything. Here at the Crazy Horse West, we give you a lot more than that.” Continue reading
You must be logged in to post a comment.