Tagged: Smith & Wesson Model 36
The Nice Guys: Russell Crowe’s Blue ’70s Leather Jacket
Russell Crowe as Jackson Healy in The Nice Guys (2016)
Vitals
Russell Crowe as Jackson Healy, unlicensed private detective
Los Angeles, Fall 1977
Film: The Nice Guys
Release Date: May 20, 2016
Director: Shane Black
Costume Designer: Kym Barrett
WARNING! Spoilers ahead!
Background
I was pleased to again join my friends Pete Brooker and Ken Stauffer on another episode of Pete’s podcast From Tailors With Love, this time discussing the fun ’70s style of Shane Black’s action comedy The Nice Guys.
For those unfamiliar, the “nice guys” in question are Russell Crowe and Ryan Gosling, bringing back Black’s signature buddy comedy style in a big way as competing private eyes Jackson Healy and Holland March, respectively.
The older and worldlier yet paunchier Jack is more an enforcer than investigator, balancing his limb-breaking toughness with at least some remaining scruples, particularly when compared to the younger and less experienced Holly, who’s not above taking a case agreeing to help an aging woman track down her “missing” husband… whose ashes rest in an urn just a few feet away from them.
Like Crowe’s star-making turn almost twenty years earlier, The Nice Guys’ conspiratorial heartbeat is driven by Kim Basinger’s role at the intersection of corruption and porn in the City of Angels forty years prior, but the villains’ overcomplicated scheme are certainly secondary to the comedic chemistry between Crowe and Gosling, whom I—and Crowe himself—would love to see re-team for a follow-up… and with a built-in sequel title like The Nicer Guys, what’s stopping them? Continue reading
Goodfellas: Tommy’s Gray Suit for Mob Mayhem and Mom Visits
Joe Pesci as Tommy DeVito in Goodfellas (1990)
Vitals
Joe Pesci as Tommy DeVito, volatile and violent Mafia associate
New York, Spring 1970
Film: Goodfellas
Release Date: September 19, 1990
Director: Martin Scorsese
Costume Designer: Richard Bruno
WARNING! Spoilers ahead!
Background
Happy Mother’s Day! One of my favorite cinematic sequences depicting the relationship between a son and his mother comes by way of my favorite movie, in which master auteur Martin Scorsese cast his own mother Catherine as the charming Mrs. DeVito, mother to the psychotic gangster Tommy (Joe Pesci) who brings his cohorts Henry (Ray Liotta) and Jimmy (Robert De Niro) seeking a shovel in a covert night-time stop to fetch a shovel… only to be sweet-talked into an early breakfast.
Catherine Scorsese endearingly embodies the familiar archetype of the aging Italian-American matriarch with her plastic-covered furniture, the gift to effortlessly slip between American English and Italian dialects, and the fierce desire to feed her children and their friends… regardless of whether they’re hungry or not. Continue reading
Joaquin Phoenix as Joker
Joaquin Phoenix as Arthur Fleck in Joker (2019)
Vitals
Joaquin Phoenix as Arthur Fleck, aka “Joker”, disturbed and disgraced ex-party clown
Gotham City, Fall 1981
Film: Joker
Release Date: October 4, 2019
Director: Todd Phillips
Costume Designer: Mark Bridges
Background
Could there be a more appropriate character to focus on for April Fool’s Day than the Joker?
When I was growing up, the only two actors who had prominently portrayed Gotham City’s psychopathic prankster were Cesar Romero in the classic ’60s series and Jack Nicholson, who received top billing despite not playing the title role in Tim Burton’s 1989 Batman. Since then, we’ve seen a handful of actors cycle through the iconic role, beginning with Heath Ledger in The Dark Knight (2008), a few appearances by Ben Affleck and Jared Leto, and most recently a smaller part performed by Barry Keoghan in The Batman (2022).
Joaquin Phoenix received the Academy Award for Best Actor for his performance in the eponymous role in Joker, a reimagined origin story that pays significant homage to Martin Scorsese’s character studies like Taxi Driver (1976) and The King of Comedy (1983)—both starring Robert De Niro, who would appear in Joker—as well as twists of social commentary and themes from Death Wish (1973) and Fight Club (1999).
Many loved it and many hated it, but there’s little doubting Phoenix’s effectiveness intensity chronicling the troubled Arthur Fleck’s transformation from a desperate wannabe stand-up comedian who feels let down by society into a chaotic killer who unintentionally inspires anarchic revolution and class warfare. Continue reading
The Nice Guys: Ryan Gosling’s ’70s Sportswear
Ryan Gosling as Holland March in The Nice Guys (2016)
Vitals
Ryan Gosling as Holland March, unscrupulous private detective and single dad
Los Angeles, Fall 1977
Film: The Nice Guys
Release Date: May 20, 2016
Director: Shane Black
Costume Designer: Kym Barrett
WARNING! Spoilers ahead!
Background
Released five years ago this, week, The Nice Guys has been long overdue for some appreciation on here for its depiction of disco-era style and refreshing sense of humor.
The Nice Guys was directed and co-written by action cinema vet Shane Black, who explained to IndieWire that he wanted to make a playful tribute to the hardboiled detective thrillers he had grown up, choosing the ’70s to capitalize on the exuberance of the era and the “sense that we are all in it together… instead of all this divisiveness that we see now.” Anthony Bagarozzi, who co-wrote the script with Black, explained the irony of its title to Variety: “You know they’re two not-very-nice guys. One breaks arms for a living and the other cons old ladies out of money. It was literally the two worst people that we could think of and then trying to make that fun.”
The Irishman: De Niro’s Brown Fleck Suit
Robert De Niro as Frank Sheeran in The Irishman (2019)
Vitals
Robert De Niro as Frank “the Irishman” Sheeran, tough Mafia enforcer
Philadelphia to Chicago, Spring 1960
Film: The Irishman
Release Date: November 1, 2019
Director: Martin Scorsese
Costume Design: Sandy Powell & Christopher Peterson
Tailor: Leonard Logsdail
Background
I heard you paint houses.
After years of proving himself as an enforcer to Mafia families around Philadelphia and northeast Pennsylvania, former truck driver Frank Sheeran (Robert De Niro) gets the phone call of his life when controversial labor leader Jimmy Hoffa (Al Pacino) gets in touch with him for a “situation… that needs to be attended to.”
Black Christmas (1974): John Saxon as Lt. Fuller
John Saxon as Lt. Ken Fuller in Black Christmas (1974)
Vitals
John Saxon as Ken Fuller, intrepid police lieutenant
Toronto…or some small American college town near the Canadian border, Christmas 1973
Film: Black Christmas
(U.S. title: Silent Night, Evil Night)
Release Date: October 11, 1974
Director: Bob Clark
Wardrobe Credit: Debi Weldon
Background
The second remake of Bob Clark’s cult holiday horror classic, Black Christmas, was released in theaters today, more than 45 years after the original starring Olivia Hussey, Keir Dullea, Margot Kidder, and John Saxon as police lieutenant Ken Fuller. Continue reading
The Irishman: De Niro’s Brown Leather Jacket
Robert De Niro as Frank Sheeran in The Irishman (2019)
Vitals
Robert De Niro as Frank “the Irishman” Sheeran, tough truck driver-turned-Mafia enforcer
Philadelphia, winter 1956 through spring 1961
Film: The Irishman
Release Date: November 1, 2019
Director: Martin Scorsese
Costume Design: Sandy Powell & Christopher Peterson
Background
Martin Scorsese’s latest crime epic, The Irishman, has been the subject of several requests since it was released on Netflix at the beginning of November. With one of my favorite directors helming some of my favorite actors in a subject and setting that held personal interest for me, The Irishman had been eagerly anticipated by me since the project was first announced… though I admit that I did have some hesitations about the running time and the advanced ages of all involved. As it turns out, the very factors I was most concerned about are what arguably contributed to the film being a modern masterpiece.
Tony Soprano’s Brown Tattersall Sportcoat
James Gandolfini as Tony Soprano on The Sopranos (Episode 6.11: “Cold Stones”)
Vitals
James Gandolfini as Tony Soprano, New Jersey mob boss
New Jersey, Fall 2007
Series: The Sopranos
Episodes:
– “Moe n’ Joe” (Episode 6.10, dir. Steve Shill, aired May 14, 2006)
– “Cold Stones” (Episode 6.11, dir. Tim Van Patten, aired May 21, 2006)
– “Walk Like a Man” (Episode 6.17, dir. Terence Winter, aired May 6, 2007)
– “The Second Coming” (Episode 6.19, dir. Tim Van Patten, aired May 20, 2007)
Creator: David Chase
Costume Designer: Juliet Polcsa
WARNING! Spoilers (and a rather graphic screenshot) ahead! Continue reading
Tony Montana’s Chalkstripe Showdown Suit in Scarface
Al Pacino as Tony Montana in Scarface (1983).
Vitals
Al Pacino as Tony Montana, impulsive and hotheaded cocaine kingpin
New York City to Miami, Fall 1983
Film: Scarface
Release Date: December 9, 1983
Director: Brian De Palma
Costume Designer: Patricia Norris
Tailor: Tommy Velasco
Background
Even if you’re one of the 0.5% of the population who hasn’t seen Scarface, you’ve seen this suit and you know this scene. You’ve seen it on t-shirts, dorm room posters, memes, and anywhere that pop culture will allow it. The scene has become legendary over the last three decades as one of the greatest movie gunfights in history for many reasons: an unhinged Al Pacino who may or may not have been pretending to be high, an endless mob of cartel gunmen each meeting their fate at the end of his AR-15, and – of course:
Say hello to my little friend!
Scarface: Tony’s Tan Suit and Cadillac
Al Pacino stands next to a bright ’63 Caddy convertible as Tony Montana in Scarface (1983).
Vitals
Al Pacino as Tony Montana, hotheaded Cuban-American cocaine dealer
Miami, August 1981
Film: Scarface
Release Date: December 9, 1983
Director: Brian De Palma
Costume Designer: Patricia Norris
Background
BAMF Style is continuing Car Week with the second grand American convertible from the automotive golden era – the 1963 Cadillac Series 62 owned by Tony Montana in 1983’s Scarface. Ironically, we first see this Caddy while Tony is actually shopping for a different luxury car, the silver 1979 Porsche 928 4.5L that he adds to his growing collection.
The ’63 Caddy convertible is clearly Tony’s favorite, though, driving it to show off his status even though Elvira pointedly tells him:
It looks like somebody’s nightmare.