Tagged: New York City
The Awful Truth: Cary Grant’s White Tie and Tails
Vitals
Cary Grant as Jerry Warriner, witty divorcee
New York, Fall 1937
Film: The Awful Truth
Release Date: October 21, 1937
Director: Leo McCarey
Costume Designer: Robert Kalloch
WARNING! Spoilers ahead!
Background
Archibald Leach was born 117 years ago today on January 18, 1904. Though he’d established his now-iconic stage name just before his film debut in This is the Night (1932), I consider Leo McCarey’s 1937 screwball comedy The Awful Truth to be the symbolic start of Cary Grant’s screen persona as a stylish yet self-deprecating gentleman with a remarkable penchant for physical comedy as well as wit. Continue reading
Mad Men: Don Draper’s Decade of Black Tie
Vitals
Jon Hamm as Don Draper, mysterious and award-winning Madison Avenue ad man
Series: Mad Men
Creator: Matthew Weiner
Costume Designer: Janie Bryant
Background
Only three days left in 2020! The tradition of gents wearing black tie on New Year’s Eve, popularized in movies like the 1960 Rat Pack classic Ocean’s Eleven, seems to have fallen out of favor among the general population as standards of formality have decreased. However, given how excited many will be to see 2020 come to an end may herald a resurgence in dinner jackets and tuxedoes as many celebrate the new year in private.
On #MadMenMonday, we can take a few style tips from the enigmatic Don Draper on assembling a classic black tie ensemble from his half-dozen screen-worn dinner jackets. Continue reading
Donnie Brasco: Pacino’s Red Christmas Tracksuit
Vitals
Al Pacino as Benjamin “Lefty” Ruggiero, washed-up Mafia soldier
New York City, Christmas 1978
Film: Donnie Brasco
Release Date: February 28, 1997
Director: Mike Newell
Costume Designer: Aude Bronson-Howard & David C. Robinson
Background
Like The Godfather and Goodfellas, Donnie Brasco follows the tradition of great Mafia movies by featuring some Cosa Nostra Christmas celebrations. The frequency with which the holidays appear in mob cinema is no coincidence, as Catholic traditions are very important to we Italian-Americans.
Donnie Brasco features a casual Christmas on Mulberry Street, perhaps more reflective than the Phil Spector-scored Goodfellas party of how many yuletide observances will look in 2020. Continue reading
Mad Men: Burgundy Knitwear for Don Draper’s Lonely Thanksgiving
Vitals
Jon Hamm as Don Draper, lonely ad man
Greenwich Village, New York, Thanksgiving 1964
Series: Mad Men
Episode: “Public Relations” (Episode 4.01)
Air Date: July 25, 2010
Director: Phil Abraham
Creator: Matthew Weiner
Costume Designer: Janie Bryant
WARNING! Spoilers ahead!
Background
In contrast to the swaggering image he presents as an advertising hot shot, Don Draper has been reduced to a very lonely man at the start of Mad Men‘s fourth season.
Walter Matthau in The Taking of Pelham One Two Three
Vitals
Walter Matthau as Zachary Garber, New York City Transit Authority police lieutenant
New York City, December 1973
Film: The Taking of Pelham One Two Three
Release Date: October 2, 1974
Director: Joseph Sargent
Costume Designer: Anna Hill Johnstone
WARNING! Spoilers ahead!
Background
Today would have been the 100th birthday of Walter Matthau, perhaps best known to today’s audiences for his roles opposite Jack Lemmon such as The Odd Couple and the Grumpy Old Men movies, though the New York-born actor’s rich filmography expands a range of genres from westerns and war movies to comedies and crime capers. One of my favorites falls into the latter category, the action thriller The Taking of Pelham One Two Three. Continue reading
Leonardo DiCaprio’s Black Tie in The Great Gatsby
Vitals
Leonardo DiCaprio as Jay Gatsby, eagerly romantic millionaire and bootlegger
Long Island, New York, Summer 1922
Film: The Great Gatsby
Release Date: May 10, 2013
Director: Baz Luhrmann
Costume Designer: Catherine Martin
Background
On the eve of F. Scott Fitzgerald’s birthday, let’s look at the most recent major adaptation of his most famous work, The Great Gatsby. Fitz’s 1925 novel had been adapted for the big screen at least four times before Baz Luhrmann directed his colorful spectacle during the past decade.
Mad Men: Stan Rizzo’s Mustard Plaid Sport Jackets
Vitals
Jay R. Ferguson as Stan Rizzo, maverick advertising agency art director
New York City, Summer 1965 through Spring 1968
Series: Mad Men
Episodes:
– “Chinese Wall” (Episode 4.11), dir. Phil Abraham, aired 10/3/2010
– “A Little Kiss, Part 1” (Episode 5.01), dir. Jennifer Getzinger, aired 3/25/2012
– “Mystery Date” (Episode 5.04), dir. Matt Shakman, aired 4/8/2012
– “Far Away Places” (Episode 5.06), dir. Scott Hornbacher, aired 4/22/2012
– “Lady Lazarus” (Episode 5.08), dir. Phil Abraham, aired 5/6/2012
– “The Phantom” (Episode 5.13), dir. Matthew Weiner, aired 6/10/2012
– “To Have and to Hold” (Episode 6.04), dir. Michael Uppendahl, aired 4/21/2013
Creator: Matthew Weiner
Costume Designer: Janie Bryant
WARNING! Spoilers ahead!
Background
Anyone who has been a regular BAMF Style reader or Instagram follower knows that I have a fascination with these random observances—particularly those food-related ones—that dot the calendar, typically of unconfirmed origins but celebrating everything from root beer floats (August 6) to ranch dressing (March 10, as I once commemorated with Gene Hackman’s ranch suit in Prime Cut.)
Thus, you’ve probably already deduced—with an audible groan, no doubt—that today is National Mustard Day, commemorated the first Saturday in August. Continue reading
Rear Window: James Stewart’s Pajamas
Vitals
James Stewart as L.B. “Jeff” Jefferies, bored photographer
New York City, Summer 1954
Film: Rear Window
Release Date: September 1, 1954
Director: Alfred Hitchcock
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
April 16 is celebrated as National Wear Your Pajamas to Work Day, an observance that many would have considered unthinkable until the spread of the coronavirus pandemic last month found many around the world working from home for the first time, finding comfort in their lounge-wear while struggling with unfamiliar teleconferencing software. The idea of being confined to one’s home in pajamas while a growing terror lurks outside brought one movie to mind: Alfred Hitchcock’s damn-near-perfect thriller Rear Window.
Continue reading
Goodfellas: Tommy’s “Funny” Gray Silk Suit
Vitals
Joe Pesci as Tommy DeVito, volatile and violent Mafia associate
Brooklyn, New York, Summer 1963
Film: Goodfellas
Release Date: September 19, 1990
Director: Martin Scorsese
Costume Designer: Richard Bruno
Background
You mean, let me understand this cause, ya know maybe it’s me, I’m a little fucked up maybe, but I’m funny how, I mean funny like I’m a clown, I amuse you? I make you laugh, I’m here to fuckin’ amuse you? What do you mean funny, funny how? How am I funny?
Well, Tommy, it is April Fool’s Day. Continue reading
Three Days of the Condor: Joubert’s Trench Coat
Vitals
Max von Sydow as G. Joubert, French Alsatian contract assassin
New York City and Washington, D.C., Winter 1975
Film: Three Days of the Condor
Release Date: September 24, 1975
Director: Sydney Pollack
Costume Designer: Joseph G. Aulisi
WARNING! Spoilers ahead!
Background
You may be walking, maybe the first sunny day of the spring, and a car will slow beside you, and a door will open, and someone you know – maybe even trust – will get out of the car, and he will smile a becoming smile… but he will leave open the door of the car and offer to give you a lift.
Happy Spring to my BAMF Style readers in the Northern Hemisphere! Among the many screen credits of the late Max von Sydow, who died at the age of 90 earlier this month, was the taciturn professional assassin known as G. Joubert in the ’70s espionage thriller Three Days of the Condor.