Tagged: New York City
Dean Martin’s Matching Cabana Set in Artists and Models
Dean Martin and Dorothy Malone in Artists and Models (1955)
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Dean Martin as Rick Todd, struggling but smooth-talking painter
New York City, Summer 1955
Film: Artists and Models
Release Date: November 7, 1955
Director: Frank Tashlin
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
Iconic entertainer Dean Martin was born 108 years ago today on June 7, 1917 in Steubenville, Ohio. Born Dino Crocetti, the singer and actor remains well-known for his joint acts like the Rat Pack and a decade-long partnership with comedian Jerry Lewis.
After debuting together in Atlantic City in 1946, Martin and Lewis made a total of 16 movies together. Their 14th feature, Artists and Models, was released 70 years ago on November 7, 1955—five months to the day after Martin’s 38th birthday. Though the team would make two more movies before the dissolution of their partnership the following year, Artists and Models foreshadowed the future directions of their respective solo careers as the first of eight collaborations between Lewis and Looney Tunes director Frank Tashlin and the first of seven times that Martin would star with Shirley MacLaine.
Martin and Lewis brought their usual personas to Artists and Models as the romantic painter Rick Todd and goofy children’s author Eugene Fullstack, respectively. In her second film appearance, MacLaine co-stars as Lewis’ love interest Bessie Sparrowbush, who also helps Rick woo her friend, professional artist Abigail Parker (Dorothy Malone). Continue reading
Sweet Smell of Success – Tony Curtis’ Dark Pinstripe Suit
Tony Curtis as Sidney Falco in Sweet Smell of Success (1957)
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Tony Curtis as Sidney Falco, unscrupulous publicity agent
New York City, Fall 1956
Film: Sweet Smell of Success
Release Date: June 27, 1957
Director: Alexander Mackendrick
Costume Designer: Mary Grant
WARNING! Spoilers ahead!
Background
Today would have been the 100th birthday of prolific actor Tony Curtis.
Born Bernard Schwartz in East Harlem on June 3, 1925, Curtis was inspired by war movies made by his screen heroes Cary Grant and Tyrone Power to join the U.S. Navy, serving aboard a submarine in the Asiatic Fleet through the end of World War II.
Arriving in Hollywood after the war, the rechristened “Anthony Curtis” grew his fandom after memorable bit parts in Johnny Stool Pigeon (1949) and Winchester ’73 (1950). His career grew to being one of the biggest stars of the ’50s, including his Academy Award-nominated performance in The Defiant Ones (1958) and iconic cross-dressing role in Some Like It Hot (1959).
While the latter is one of my favorite movies, my favorite Tony Curtis performance is the shameless Sidney Falco in Sweet Smell of Success (1957), Alexander Mackendrick’s slick and satirical film noir featuring the whip-fast dialogue of Clifford Odets and Ernest Lehman’s screenplay and James Wong Howe’s atmospheric cinematography of New York City during the fabulous fifties. Curtis taps his inner Gemini to convincingly portray all aspects of Falco’s cutthroat ambition, from the wily Manhattan publicist to the subservient PR flack desperate to please the powerful columnist J.J. Hunsecker (Burt Lancaster).
Don Draper’s Gray Jacket and Striped Tie for a “Zou Bisou” Birthday Surprise
Jon Hamm and Jessica Paré on Mad Men, Episode 5.01: “A Little Kiss, Part 1”. Photo by Ron Jaffe/AMC.
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Jon Hamm as Don Draper, 40-year-old remarried ad man
New York City, June 1966
Series: Mad Men
Episode: “A Little Kiss, Part 1” (Episode 5.01)
Air Date: March 25, 2012
Director: Jennifer Getzinger
Creator: Matthew Weiner
Costume Designer: Janie Bryant
WARNING! Spoilers ahead!
Background
Mad Men‘s fifth season double-episode premiere “A Little Kiss” begins on Memorial Day 1966 and follows through the next weekend, when Don Draper’s new wife Megan (Jessica Paré) curiously decides to throw her husband a surprise 40th birthday party… despite knowing literally anything about him. Continue reading
The Freewheelin’ Bob Dylan: Timothée Chalamet in A Complete Unknown
Timothée Chalamet and Monica Barbaro in A Complete Unknown (2024). Photo by Macall Polay.
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Timothée Chalamet as Bob Dylan, folk singer-songwriter
New York City and Monterey, California, Spring to Summer 1963
Film: A Complete Unknown
Release Date: December 25, 2024
Director: James Mangold
Costume Designer: Arianne Phillips
Jacket Maker: Jimmy McBride
WARNING! Spoilers ahead!
Background
Happy 84th birthday, Bob Dylan! Born as Robert Allen Zimmerman on May 24, 1941, the iconoclastic musician’s early career was recently depicted in James Mangold’s biopic A Complete Unknown, starring Timothée Chalamet. Chalamet’s extensive work to achieve Dylan’s distinctive voice, mannerisms, and playing style resulted in a characteristically dedicated performance that earned the actor his second Academy Award nomination—one of eight total for the film, including Best Picture.
A Complete Unknown begins in early 1961 when the young Minnesota-born troubadour arrives in New York City, seeking out his ailing idol Woody Guthrie (Scoot McNairy). As Dylan’s star power evolves among the Greenwich Village folk scene, so do his tumultuous relationships and friendships with contemporaries like Joan Baez (Monica Barbaro), Pete Seeger (Edward Norton), and Johnny Cash (Boyd Holbrook)—who had previously been the subject of the Mangold-directed 2005 biopic Walk the Line starring Joaquin Phoenix.
Adapted from Elijah Wald’s nonfiction volume Dylan Goes Electric!, the film spans these four crucial years of Dylan’s early career leading up to his controversial performance at the 1965 Newport Folk Festival, fifty years ago this summer.
Dylan’s primary motivation through A Complete Unknown is presented as total musical freedom, often at the cost of public popularity or traditional friendships. Baez and other characters bemoan their struggle to know Dylan on a deeper level; indeed, some reviewers even cited this as a flaw of the film—however, I see it as part of its overall thesis: even after a career of 60+ years and hundreds of compositions and recordings, Dylan remains the titular “complete unknown”, to borrow a lyrics from his 1965 hit “Like a Rolling Stone”. The only human connection that never frustrates the cinematic Dylan is his bond with Woody Guthrie, centered purely around music—and no doubt helped by the fact that Woody’s medical condition has rendered him all but mute, never asking Dylan anything about himself that he doesn’t want to answer.
After his self-titled first album is comprised primarily of cover songs, Dylan embraces the opportunity to make a stronger musical signature by recording more original tracks on his follow-up record, The Freewheelin’ Bob Dylan. A Complete Unknown very briefly depicts CBS staff photographer Don Hunstein’s cover photo shoot on the streets of Greenwich Village in February 1963, with a casually dressed Dylan and his then-girlfriend, Suze Rotolo—renamed at Dylan’s own request to “Sylvie Russo” (Elle Fanning) for the screen, citing that the late Ms. Rotolo was one of the few people in his life who never sought fame.
“It is one of those cultural markers that influenced the look of album covers precisely because of its casual down-home spontaneity and sensibility,” Rotolo wrote in her memoir, A Freewheelin’ Time. “Most albums were carefully staged and controlled, to terrific effect on the Blue Note jazz album covers… and to not-so-great effect on the perfectly posed and clean-cut pop and folks albums. Whoever was responsible for choosing that particular photograph for The Freewheelin’ Bob Dylan really had an eye for a new look.”
Denzel Washington as Malcolm X: Gray Suit and Astrakhan Hat for the Finale
Denzel Washington in Malcolm X (1992)
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Denzel Washington as Malcolm X, revolutionary minister and civil rights activist
New York City, February 1965
Film: Malcolm X
Release Date: November 18, 1992
Director: Spike Lee
Costume Designer: Ruth E. Carter
WARNING! Spoilers ahead!
Background
Malcolm X was born 100 years ago today on May 19, 1925 in Omaha, Nebraska. A charismatic and complex voice in the civil rights movement, he became the subject of Malcolm X, Spike Lee’s sweeping 1992 biopic starring Denzel Washington in the title role.
Washington had first portrayed Malcolm a decade earlier in Laurence Holder’s one-act play When the Chickens Come Home to Roost was always Lee’s top choice for the film. His performance earned an Academy Award nomination for Best Actor—one of two Oscar nominations for Malcolm X, the other recognizing Ruth E. Carter’s striking costume design. Continue reading
Rosemary’s Baby: John Cassavetes’ Light Blue Summer Sport Jacket
John Cassavetes and Mia Farrow in Rosemary’s Baby (1968). Photo by Paul Slade.
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John Cassavetes as Guy Woodhouse, ambitious actor
New York City, Summer 1965
Film: Rosemary’s Baby
Release Date: June 12, 1968
Director: Roman Polanski
Costume Designer: Anthea Sylbert
WARNING! Spoilers ahead!
Background
Happy Mother’s Day! In honor of one of cinema’s most infamous pregnancies, today’s post looks at the enduring style of Rosemary’s Baby—Roman Polanski’s 1968 adaptation of Ira Levin’s best-selling horror novel, which had been published less than six months before filming began.
Though the film’s fashion legacy largely belongs to Mia Farrow’s iconic pixie cut and stylish wardrobe as the titular Rosemary Woodhouse, her on-screen husband Guy—a struggling actor played by John Cassavetes—also exhibits a sharp and understated sense of style. Continue reading
Midnight Mary: Ricardo Cortez’s 1930s Tuxedo
Ricardo Cortez in Midnight Mary (1933)
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Ricardo Cortez as Leo Darcy, sociopathic gangster
New York, Spring 1933
Film: Midnight Mary
Release Date: June 30, 1933
Director: William A. Wellman
Costume Designer: Adrian (gowns)
WARNING! Spoilers ahead!
Background
When Midnight Mary was streaming on the Criterion Channel last year, I was impressed not just by the well-tailored costumes worn by its male characters on both sides of the law but also the amount of dialogue within this 74-minute pre-Code classic dedicated to discussing menswear, whether that’s a a lawyer’s butler modeling his new dressing gown or an underworld mook fishing for positive feedback about his new tuxedo only to receive conflicting criticism about the length of his jacket.
The movie centers around the titular Mary Martin (Loretta Young), whose hard life as an orphaned young girl led to her acquaintanceship with the smooth-talking gangster Leo Darcy (Ricardo Cortez) by her late teens. One of the most popular actors of pre-Code Hollywood, Cortez died 48 years ago today on April 28, 1977. Continue reading
The Panic in Needle Park: Al Pacino’s Deck Jacket and Layers
Al Pacino and Kitty Winn in The Panic in Needle Park (1971)
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Al Pacino as Bobby, desperate drug addict
New York City, Fall 1970
Film: The Panic in Needle Park
Release Date: July 13, 1971
Director: Jerry Schatzberg
Costume Designer: Jo Ynocencio
WARNING! Spoilers ahead!
Background
On Al Pacino’s 85th birthday, let’s look back at the Manhattan-born actor’s first leading screen role that launched his prolific career.
Born April 25, 1940, Pacino studied acting through the ’60s at the HB Studio and Actors Studio, which led to a handful of acclaimed stage roles. His manager, Martin Bregman, then helped him land what would become his breakout film performance as hustler and heroin addict Bobby in The Panic in Needle Park, directed by Bregman’s fellow client Jerry Schatzberg, a photographer who had just completed his directorial debut Puzzle of a Downfall Child.
“I had made my theater bones playing these types of street characters, so I was grateful to have that choice for a first film,” Pacino later recalled in his 2024 memoir Sonny Boy. “The Panic in Needle Park turned out to be a showcase for me. It’s still lauded today, and Jerry Schatzberg did such a magnificent job.”
Written by John Didion and John Gregory Dunne, The Panic in Needle Park centers around Bobby and his girlfriend Helen (Kitty Winn), navigating their worsening heroin addictions among a network of fellow junkies whose presence in a section of New York’s Upper West Side resulted in the titular “Needle Park” nickname. Continue reading
The Gambler: James Caan’s Tan Cardigan
James Caan as Axel Freed in The Gambler (1974)
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James Caan as Axel Freed, gambling-addicted English professor
New York City, Fall 1973
Film: The Gambler
Release Date: October 2, 1974
Director: Karel Reisz
Costume Designer: Albert Wolsky
WARNING! Spoilers ahead!
Background
Today’s post honors the late James Caan, born 85 years ago on March 26, 1940. Just after his star-making performance in The Godfather, Caan starred as Axel Freed in The Gambler (1974), the eponymous English professor whose crippling addiction lands him deep in debt.
Axel’s struggle to climb out of the $44,000 hole he’s dug for himself is central to the film. Early on, Axel joins his mother at the beach where, upon learning of the extent of his debt, she bemoans her failure in raising a son “with the morals of a snail.” As Axel spirals further, he seeks out ways to cover the debt, meeting with his girlfriend Billie (Lauren Hutton) before attempting a desperate plan to hustle cash. Continue reading
John Cazale in Dog Day Afternoon
John Cazale as Sal in Dog Day Afternoon (1975)
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John Cazale as Sal Naturile, desperate bank robber and ex-convict
Brooklyn, Summer 1972
Film: Dog Day Afternoon
Release Date: September 21, 1975
Director: Sidney Lumet
Costume Designer: Anna Hill Johnstone
WARNING! Spoilers ahead!
Background
On August 22, 1972, an attempted bank robbery in Brooklyn became a media circus as dozens of police and spectators surrounded the Gravesend branch of the Chase Manhattan Bank where armed bandits John “Sonny” Wojtowicz and Salvatore “Sal” Naturile spent nearly 14 hours holed up with the handful of bank employees they held hostage. The stranger-than-fiction story was the basis for P.F. Kluge and Thomas Moore’s Life feature “The Boys in the Bank”, which was then adapted by screenwriter Frank Pierson and director Sidney Lumet into Dog Day Afternoon, starring Al Pacino and John Cazale as Sonny and Sal, respectively.
Before he died of lung cancer 47 years ago today on March 13, 1978, Cazale’s brief but brilliant screen career was batting a thousand. He had memorably co-starred in The Godfather, The Godfather Part II, The Conversation, Dog Day Afternoon, and The Deer Hunter—all of which were nominated for the Academy Award for Best Picture. Despite his contemporary acclaim and generational influence, Cazale’s sole screen award recognition was a Golden Globe nomination for his tragicomic and characteristically intense performance in Dog Day Afternoon. Continue reading
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