Tagged: Check Shirt
Succession: Logan’s Navy Knit Blazer-Cardigan in “The Munsters”
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Brian Cox as Logan Roy, media mogul and domineering patriarch
New York City, Fall 2020
Series: Succession
Episode: “The Munsters” (Episode 4.01)
Air Date: March 26, 2023
Director: Mark Mylod
Creator: Jesse Armstrong
Costume Designer: Michelle Matland
Background
Succession fans welcomed the premiere of the fourth and final season on Sunday night, setting up the pieces for our final chapter with the profane and power-hungry Roy family.
As in the first episode, this installment centered around a birthday party in honor of Logan Roy (Brian Cox), the misanthropic head of the Waystar RoyCo media conglomerate. Continue reading
Michael Caine’s Thanksgiving Cardigan in Hannah and Her Sisters
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Michael Caine as Elliot, financial advisor
New York City, Thanksgiving 1985
Film: Hannah and Her Sisters
Release Date: February 7, 1986
Director: Woody Allen
Costume Designer: Jeffrey Kurland
Background
Happy Thanksgiving! Hannah and Her Sisters is one of my favorite movies to keep in my Turkey Day rotation (I know, I know, Woody Allen… And no, I’m certainly not one of the Maxes in the “Woody Underground” described in Jason Diamond’s excellent recent article for his Substack, The Melt.)
Set between three Thanksgivings, the story centers on the eponymous Hannah (Mia Farrow) and those in her orbit, including her nebbish ex-husband Mickey (Allen) and her current husband Elliot (Michael Caine), a “glorified accountant” whom we meet at the outset harboring an impossible obsession with Hannah’s sister Lee (Barbara Hershey).
“God, she’s beautiful,” Elliot’s limerence-laden narration begins over Harry James’ “I’ve Heard That Song Before,” as he continues detailing his private admiration and lust for Lee while he and Hannah host their annual Thanksgiving party. Of course, he’s concerned less about the Thanksgiving turkey than at landing himself that elusive Hershey’s kiss (do you get it please?) Continue reading
The Hot Spot: Don Johnson’s Gray Linen Jacket and Studebaker
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Don Johnson as Harry Madox, drifter and used car salesman
Texas, Summer 1990
Film: The Hot Spot
Release Date: October 12, 1990
Director: Dennis Hopper
Costume Designer: Mary Kay Stolz
Background
I’m wrapping up this summer’s #CarWeek with the under-discussed neo-noir The Hot Spot, made among the wave of sweaty erotic crime dramas of the ’80s and ’90s exemplified by movies like Body Heat through Basic Instinct.
Don Johnson was nearing the end of his star-making tenure on Miami Vice when he was tapped for The Hot Spot‘s leading role as Harry Madox, an enigmatic drifter whose arrival in the quiet Texas berg of Landers sets forth a series of events straight out of James M. Cain or Jim Thompson’s poison pen.
The Hot Spot comes by its pulp credentials honestly, adapted from Charles Williams’ 1952 novel Hell Hath No Fury and originally intended to be adapted as a Robert Mitchum vehicle in the early ’60s. Though set in the present, The Hot Spot retains much of this retro style inspired by the era of its original conception, as seen in many of the costumes and cars, most specifically Harry’s black ’59 Studebaker Silver Hawk that he drives into town. Continue reading
Justified: Raylan’s Wool Coat and Double Denim

Timothy Olyphant as Deputy U.S. Marshal Raylan Givens on Justified (Episode 6.11: “Fugitive Number One”). Photo by Prashant Gupta/FX.
Vitals
Timothy Olyphant as Raylan Givens, old-fashioned Deputy U.S. Marshal
Harlan County, Kentucky, Spring 2010 to Fall 2014
Series: Justified
Creator: Graham Yost
Costume Designers: Ane Crabtree (Season 1) & Patia Prouty (Seasons 2-6)
WARNING! Spoilers ahead!
Background
Justified is one of my favorite fall shows (despite the fact that each season originally aired in the spring), and I always like to revisit the tangled, moonshine-soaked underworld of Harlan County every autumn.
The first episode established the series-long conflict between Raylan Givens (Timothy Olyphant) and Boyd Crowder (Walton Goggins), who dug coal together in the mines of eastern Kentucky before their diverging career paths as Raylan rose through the ranks of the U.S. Marshals Service tracking down criminals like Boyd, who started the series as the explosives-loving leader of a gang of bank-robbing white supremacists.
Both Raylan and Boyd have frequently been the subjects of requests from fans of the series as the series costume designers neatly established each man’s signature style: Boyd, somewhat fussy for a country criminal, with his layered sport jackets, waistcoats with dangling pocket watch chains, and shirts buttoned to the neck; and Raylan, who blends old-fashioned cowboy aesthetics into his modern business apparel. Continue reading
Devil in a Blue Dress: Easy’s Champion Aircraft Jacket
Vitals
Denzel Washington as Ezekiel “Easy” Rawlins, laid-off aircraft mechanic and World War II veteran
Los Angeles, Summer 1948
Film: Devil in a Blue Dress
Release Date: September 29, 1995
Director: Carl Franklin
Costume Designer: Sharen Davis
WARNING! Spoilers ahead!
Background
Like a man told me once: you step out of your door in the morning, and you are already in trouble. The only question is are you on top of that trouble or not?
With its dark themes and moral questions, film noir emerged as a cinematic sanctum for depicting the struggles of returning World War II veterans. Movies like Crossfire (1947), Act of Violence (1948), and Thieves’ Highway (1949) showcased the psyche of servicemen who had been to hell and back, depicting them not solely as one-dimensional heroes but as three-dimensional humans whose postwar life requires them to come to terms not just with the trauma encountered overseas but also the impact of returning to a changed home. (I recommend reading more about the connection between veterans and noir in James Barber’s recent article “How the Struggles of WWII Veterans Came to Life in Film Noir” for Military.com.)
Protagonists made cynical by their experiences continued as a theme through the development of neo-noir, whether that’s J.J. Gittes trying to put Chinatown out of his mind or Easy Rawlins, whose lifetime has seen his mother’s early death, his father forced to leave, racial inequities, the scars of wartime service, and—where we find him at the start of Devil in a Blue Dress—just having lost his job at the Champion Aircraft assembly plant. Continue reading
The Shining — Jack’s Gray Tweed Interview Sport Jacket
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Jack Nicholson as Jack Torrance, former teacher, aspiring writer, and potential hotel caretaker
Silver Creek, Colorado, Fall 1979
Film: The Shining
Release Date: May 23, 1980
Director: Stanley Kubrick
Costume Designer: Milena Canonero
WARNING! Spoilers ahead!
Background
Want to inject some Halloween spirit into your office attire this week without sending your co-workers into a panic? Take seasonal inspiration from Jack Torrance’s tweed jacket and tie as he successfully interviewed for the job of caretaker of the Overlook Hotel in Stanley Kubrick’s adaptation of Stephen King’s The Shining.
La Piscine: Alain Delon’s Windowpane Shirts and Autumn-Ready Storm Rider
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Alain Delon as Jean-Paul Leroy, moody ad agency writer on vacation
French Riviera, Summer 1968
Film: The Swimming Pool
(French title: La Piscine)
Release Date: January 3, 1969
Director: Jacques Deray
Costume Designer: André Courrèges
WARNING! Spoilers ahead!
Background
“Actually, I don’t care much for summer,” the glamorous sun-kissed socialite Marianne (Romy Schneider) explains, clarifying “just the in-between seasons.” As tomorrow marks the first day of autumn in the Northern Hemisphere, start finding your style for this transitional “in-between” season! Continue reading
Justified: Raylan’s Florida Gators T-shirt
Vitals
Timothy Olyphant as Raylan Givens, old-fashioned Deputy U.S. Marshal
Harlan County, Kentucky, Spring 2010
Series: Justified
Episode: “Hatless” (Episode 1.09)
Air Date: May 11, 2010
Director: Peter Werner
Creator: Graham Yost
Costume Designer: Ane Crabtree
Background
Today marks the return of college football season, so I wanted to look at how a BAMF Style favorite incorporated some team pride into an off-duty look. The ninth episode of Justified begins with Raylan Givens drinking away his suspension from the U.S. Marshals Service, or as he calls it, “a well-earned vacation.” Continue reading
Blow: Manhattan Beach, 1968
Vitals
Johnny Depp as George Jung, burgeoning pot dealer
Manhattan Beach, California, Summer 1968
Film: Blow
Release Date: April 6, 2001
Director: Ted Demme
Costume Designer: Mark Bridges
Background
Blow presents the story of real-life drug smuggler George Jung (1942-2021), presented not unlike Goodfellas: beginning in media res at a crucial turning point in our anti-hero protagonist’s life, reaching back into his childhood, and then following his criminal career over the ’60s, ’70s, and ’80s until it descends into a cocaine-fueled nightmare of betrayals and bad hair, all set to a packed soundtrack of hits and deep cuts from the era.
After meeting the adolescent George, raised by an attentive Ray Liotta and a neglectful Rachel Griffiths, we skip ahead to young adulthood as a twentysomething George and his oversized pal Tuna (Ethan Suplee) as they relocate across the country from Massachusetts to Manhattan Beach:
I moved to California in the summer of 1968 with the Tuna. We had $300 and a black TR3. There sure was nothin’ like this back home. It was paradise… and everyone was getting stoned.
Targets: Boris Karloff in Tweed
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Boris Karloff as Byron Orlok, aging horror actor
Los Angeles, Summer 1967
Film: Targets
Release Date: August 15, 1968
Director: Peter Bogdanovich
Production and Costume Design: Polly Platt
WARNING! Spoilers ahead!
Background
“Everybody’s dead… I feel like a dinosaur,” former horror icon Byron Orlok describes himself in a candid moment with Sammy Michaels (Peter Bogdanovich), an ambitious director and screenwriter played by Targets‘ own director and co-writer himself. Bogdanovich had written Orlok as a thinly disguised version of Boris Karloff, the elder statesman of horror cinema who was pushing 80 at the time of the film’s production. An embittered Byron shares with Sammy that his old-fashioned cinematic monsters—i.e. Frankenstein’s monster—are hardly the stuff to scare contemporary audiences as the local news horrifying enough with tales of senseless murder and random violence.