Tagged: Sneakers
For Your Eyes Only: Topol’s Black Leather Jacket
Chaim Topol as Milos Colombo in For Your Eyes Only (1981)
Vitals
Chaim Topol as Milos Colombo, gregarious smuggler and pistachio addict
St. Cyril’s, Greece, Spring 1981
Film: For Your Eyes Only
Release Date: June 24, 1981
Director: John Glen
Costume Designer: Elizabeth Waller
Wardrobe Master: Tiny Nicholls
WARNING! Spoilers ahead!
Background
Continuing my commemoration of my favorite of Roger Moore’s James Bond adventures, For Your Eyes Only, celebrating its 40th anniversary this year, today also marks the 86th birthday of Chaim Topol. Born September 9, 1935, the Israeli actor may be best known for his memorable performance as Tevye the Dairyman in the stage and screen versions of Fiddler on the Roof, though he also has a significance for Bond fans as 007’s charismatic ally Milos Colombo in For Your Eyes Only.
Cocktail: Tom Cruise’s Spattered Pink Tropical Shirt
Tom Cruise as Brian Flanagan in Cocktail (1988)
Vitals
Tom Cruise as Brian Flanagan, ambitious tropical bartender
Ocho RIos, Jamaica, Spring 1988
Film: Cocktail
Release Date: July 29, 1988
Director: Roger Donaldson
Costume Designer: Ellen Mirojnick
Background
I will admit that I’m not the biggest fan of Cocktail, but I’ve been in a tropical mood lately so this colorful, super-’80s yarn of bartending and bonking felt like a perfect summertime post in advance of Tom Cruise’s birthday tomorrow.
By all accounts, this winner of two Razzies should have been better, and author Heywood Gould has voiced considerable disappointment that his more serious source novel underwent such commercialization that the end product was primarily a vapid celebration of Tom Cruise using the daiquiri recipe he learned at TGI Friday’s to try to get laid as much as he could.
Steve Zissou
Bill Murray in The Life Aquatic with Steve Zissou (2004)
Vitals
Bill Murray as Steve Zissou, vengeful oceanographer and documentarian
Mediterranean Sea, Fall 2003
Film: The Life Aquatic with Steve Zissou
Release Date: December 25, 2004
Director: Wes Anderson
Costume Designer: Milena Canonero
WARNING! Spoilers ahead!
Background
Much as action movies through the ’90s were often pitched as “Die Hard on a…”, the plot for Wes Anderson’s cult classic The Life Aquatic with Steve Zissou could be overly simplified as “what if Moby-Dick was about Jacques Cousteau?” though fans know there’s so much more to it than that!
With Bill Murray’s characterization weaving between homage and affectionate parody, Zissou was clearly Anderson’s ode to the iconic oceanographer and diving pioneer, right down to the red ribbed beanies worn by the crew of Zissou’s research ship Belafonte. Continue reading
Mister Rogers
Fred Rogers on the set of Mister Rogers’ Neighborhood
Vitals
Fred Rogers, America’s favorite neighbor
Pittsburgh, late 1960s through early 2000s
Series: Mister Rogers’ Neighborhood
Air Dates: February 19, 1968 through August 31, 2001
Created by: Fred Rogers
Background
I’ve written plenty about characters and figures who may have influenced my fashion sense and lifestyle, but today I want to recognize someone who (I hope!) had one of the most significant impacts on my personality during my formative years. Fred Rogers was born 93 years ago today on March 20, 1928 in Latrobe, Pennsylvania, just about an hour east of where I currently live. For more than thirty years, he celebrated acceptance, inclusiveness, curiosity, emotional intelligence, open-mindedness, and love as the warm host of the Emmy Award-winning series Mister Rogers’ Neighborhood, filmed at WQED Studios in Pittsburgh.
Robert De Niro in Midnight Run
Robert De Niro as Jack Walsh in Midnight Run (1988)
Vitals
Robert De Niro as Jack Walsh, tough bounty hunter
New York to Los Angeles, Fall 1987
Film: Midnight Run
Release Date: July 20, 1988
Director: Martin Brest
Costume Designer: Gloria Gresham
WARNING! Spoilers ahead!
Background
“This is an easy gig, it’s a midnight run for chrissakes!”
Bounty hunter Jack Walsh has withstood plenty of action and abuse tracking down fugitives for bail bondsman Eddie Moscone (Joe Pantoliano), but the inherent danger of bringing in Jonathan “The Duke” Mardukas (Charles Grodin), an accountant in the crosshairs of the Mafia, has Jack demanding $100,000 for the job. A pro, Jack has an easy enough time finding the Duke in New York, but bringing him back to L.A. and his hundred-grand payday brings a fresh set of challenges between the Duke’s reluctance to fly, the interference of the FBI, a rival bounty hunter sabotaging him at each step, and—oh!—a couple of deadly doofuses sent by the mob to whack the Duke… and anyone who gets in their way.
The Big Lebowski: The Dude’s Robe
Jeff Bridges as “The Dude” in The Big Lebowski (1998)
Vitals
Jeff Bridges as Jeffrey “The Dude” Lebowski, laidback stoner and bowler
Los Angeles, Fall 1991
Film: The Big Lebowski
Release Date: March 6, 1998
Director: Joel Coen & Ethan Coen
Costume Designer: Mary Zophres
Background
To commemorate the day that The Big Lebowski was released in 1998, March 6 is considered the high holy day of Dudeism, an “ancient” religious philosophy that touts itself as “the slowest-growing religion in the world” and inspired by the easygoing, non-judgmental attitude of The Dude himself.
We meet The Dude during a late-night Ralph’s run to pick up some much-needed half-and-half for his beloved White Russians, dressed in a soft robe, plaid shorts, sandals and sunglasses, a laidback loungewear ensemble emblematic of the unofficial wardrobe of Dudeists. Continue reading
Magnum, P.I.: Cream V-Neck Cable-Knit Sweater
Tom Selleck as Thomas Magnum on Magnum, P.I. (Episode 1.14: “Adelaide”)
Vitals
Tom Selleck as Thomas Magnum, private investigator and former Navy SEAL
Hawaii, Summer 1981
Series: Magnum, P.I.
Episodes:
– “No Need to Know” (Episode 1.05, dir. Lawrence Doheny, aired 1/8/1981)
– “The Ugliest Dog in Hawaii” (Episode 1.08, dir. Lawrence Doheny, aired 1/29/1981)
– “Adelaide” (Episode 1.14, dir. Lawrence Doheny, aired 3/19/1981)
– “Beauty Knows No Pain” (Episode 1.18, dir. Ray Austin, aired 4/16/1981)
– “Tropical Madness” (Episode 2.07, dir. Lawrence Doheny, aired 11/12/1981)
Creator: Donald P. Bellisario & Glen Larson
Costume Designer: Charles Waldo (credited with first season only)
Costume Supervisor: James Gilmore
WARNING! Spoilers ahead!
Background
We all love Magnum, P.I., don’t we, folks? I’ll be transparent, I was hoping that I would have had enough of the series screencapped so that I could gift BAMF Style readers on the national observance of Selleck’s Birthday with a rundown of that iconic red “jungle bird” shirt that, if I’m not mistaken, was the most frequently worn—and prominently featured—of Tom’s tropical-printed Aloha shirts.
Though armed with the entire series on Blu-ray, my digital rewatch was stalled in the middle of the third season (blame the untimely death of my computer-friendly Blu-ray player and Amazon Prime for removing the show last summer), but the good news is that Tom sported enough stylish looks by that point that I should have plenty of Magnum fodder on hand to tide us over until I’m able to complete the series. (The bad news? Still nothing for those fans of Magnum’s Pepsi bezel Rolex.)
I considered the half-measure of featuring his black-and-neon version of the “jungle bird” shirt, but—given that Selleck’s January 29 birthday falls during #SweaterWeather for many of us in the Northern Hemisphere—it felt like the right time to divert from those famous Aloha shirts and summer-weight polos to focus on Magnum’s more winter-friendly knitwear. Continue reading
A Magnum, P.I. Christmas: The Burgundy Rugby Shirt
Tom Selleck as Thomas Magnum on Magnum, P.I. (Episode 1.18: “Beauty Knows No Pain”)
Vitals
Tom Selleck as Thomas Magnum, private investigator and former Navy SEAL
Hawaii, Christmas 1980 to Summer 1981
Series: Magnum, P.I.
Episodes:
– “Thank Heaven for Little Girls and Big Ones Too” (Episode 1.04, dir. Bruce Seth Green, aired 12/25/1980)
– “Lest We Forget” (Episode 1.10, dir. Lawrence Doheny, aired 2/12/1981)
– “Beauty Knows No Pain” (Episode 1.18, dir. Ray Austin, aired 4/16/1981)
– “Dead Man’s Channel” (Episode 2.02, dir. Ray Austin, aired 10/15/1981)
Creator: Donald P. Bellisario & Glen Larson
Costume Designer: Charles Waldo (credited with first season only)
Costume Supervisor: James Gilmore
WARNING! Spoilers ahead!
Background
In perhaps an early Christmas gift to the TV-watching world, Magnum, P.I. debuted on CBS forty years ago tonight on December 11, 1980, when the two-parter “Don’t Eat the Snow in Hawaii” introduced us to a charming, bewhiskered private investigator living the dream life on a Hawaiian estate with a sleek red Ferrari and a full closet of Aloha shirts at his disposal.
Four episodes in, Magnum, P.I. aired its first holiday-set episode when “Thank Heaven for Little Girls and Big Ones Too” aired on Christmas night, 1980. The series would revisit the holidays once more during the fourth season’s more festively titled “Operation: Silent Night”, though Magnum spends most of the episode clad in his drab tank top and bush shirt rather than the more colorful, creative outfit he wears while spending the holidays foiled by schoolteacher Linda Booton (Katherine Cannon) and her larcenous young wards.
Tom Selleck and Katherine Cannon in Magnum, P.I.‘s first season Christmas-set episode “Thank Heaven for Little Girls and Big Ones Too”.
With just two weeks to go to Christmas on this #AlohaFriday, I wanted to wish BAMF Style readers a happy holiday season by delving into a yuletide-themed episode from one of my favorite series!
The Graduate: Ben’s Beige Windbreaker and Alfa Romeo
Dustin Hoffman as Benjamin Braddock in The Graduate (1967)
Vitals
Dustin Hoffman as Benjamin Braddock, nervous and aimless college graduate
Los Angeles, Summer to Fall 1967
Film: The Graduate
Release Date: December 22, 1967
Director: Mike Nichols
Costume Designer: Patricia Zipprodt
WARNING! Spoilers ahead!
Background
Like Casablanca, Citizen Kane, Thelma & Louise, and The Sopranos, I felt like I had seen or heard about the famous ending of The Graduate in depth before actually seeing the movie itself. Given that the iconic movie is over 50 years old, I hope I wouldn’t invite too much ire by discussing its famous ending openly in discussing Benjamin Braddock’s style as he desperately races through southern California in the hopes of halting Elaine Robinson’s wedding to the dreaded Makeout King.
Having recently gotten engaged myself (yay!), it felt appropriate to end this installment of #CarWeek with the cherry red Alfa Romeo that factored so significantly in Benjamin’s life following his graduation, whether it it was on his burlesque-and-burgers date with the bright-eyed Elaine (Katharine Ross), furtive assignations with her mother (Anne Bancroft), or on his gas-guzzling dash to get him to the church on time scored by Simon & Garfunkel’s enduring folk banger “Mrs. Robinson”. Continue reading
Goodfellas: Henry’s Adidas Tracksuit in Prison
Ray Liotta as Henry Hill in Goodfellas (1990)
Vitals
Ray Liotta as Henry Hill, imprisoned New York mob associate
United States Penitentiary, Lewisburg, Fall 1975
Film: Goodfellas
Release Date: September 19, 1990
Director: Martin Scorsese
Costume Designer: Richard Bruno
Background
As an Italian-American with no known organized crime affiliations, I was always drawn to Goodfellas for how much I could resonate with the prominence of food—particularly Italian food—throughout my life, such as large family dinners with heaping portions of delicious pasta, sauce, and meats, usually with Dean Martin or Tony Bennett crooning from the hi-fi in the corner. In the spirit of that most relatable element from my favorite movie, I wish you all a Happy National Pasta Day! (And for those outside the United States, let’s all come together to celebrate World Pasta Day a week from now on October 25.)
Last month, as I was rounding up my 30 favorite style moments for Goodfellas‘ 30th anniversary, I realized it had been almost four years since I last explored any of Ray Liotta’s mobbed-up threads as famous turncoat Henry Hill. When I saw back-to-back celebrations of the Italian culinary tradition in October, I knew it was time to explore one of the most famous scenes from Martin Scorsese’s magnum opus.