Tagged: Timex analog watch
The Office: Michael Scott’s Birthday Suit
Steve Carell as Michael Scott on The Office (Episode 2.19: “Michael’s Birthday”)
Vitals
Steve Carell as Michael Scott, paper sales regional manager
Scranton, Pennsylvania, March 2006
Series: The Office
Episode: “Michael’s Birthday” (Episode 2.19)
Air Date: March 30, 2006
Director: Ken Whittingham
Creator: Greg Daniels
Costume Designer: Carey Bennett
WARNING! Spoilers ahead!
Background
Today is my b-day and people around here just go crazy for it, I don’t know why. Oh, fun fact: I share my birthday with Eva Longoria. So I’ve a perfect icebreaker if I ever meet Teri Hatcher.
Before Andy Bernard brought his Brooks Brothers-informed sense of style to Dunder Mifflin Scranton, regional manager Michael Scott probably thought himself the branch’s snappiest dresser and particularly chose his 41st birthday as the time to exhibit that. Continue reading
Burt Reynolds in Smokey and the Bandit
Burt Reynolds as the Trans Am-driving “Bandit” in Smokey and the Bandit (1977)
Vitals
Burt Reynolds as Bo “the Bandit” Darville, daredevil driver
Texarkana to Atlanta, Summer 1976
Film: Smokey and the Bandit
Release Date: May 27, 1977
Director: Hal Needham
Background
♫ You’ve heard about the legend of Jesse James and John Henry just to mention some names,
Well, there’s a truck-drivin’ legend in the South today, a man called Bandit from Atlanta, GA… ♫
After seven years of biannual Car Week features, how did it take me this long get around to what might be the most famous “car movie” of all? On a day commemorating the anniversary of American independence, it feels appropriate to celebrate Burt Reynolds bedecked in red, white, and blue (or at least red and blue) as he speeds across half the country in a muscle car, all in the name of beer… or as the Bandit himself declares:
For the money, for the glory, and for the fun… but mostly for the money.
Happy birthday, America… from Burt Reynolds and BAMF Style.
The French Connection – Popeye Doyle’s Overcoat and Gray Suit
Gene Hackman as “Popeye” Doyle in The French Connection (1971). Over his right shoulder is Eddie Egan, the real-life inspiration for the character.
Vitals
Gene Hackman as Jimmy “Popeye” Doyle, gruff NYPD narcotics detective
New York City, December 1970
Film: The French Connection
Release Date: October 9, 1971
Director: William Friedkin
Costume Designer: Joseph Fretwell III
Background
Happy birthday to Gene Hackman, born this day in 1930! This year’s Academy Award nominations were announced last week, so today’s post explores the birthday boy’s first Oscar-winning performance as NYPD narc “Popeye” Doyle in The French Connection.
Eddie Egan was a real detective with the NYPD who, with his partner Sonny Grosso, was instrumental in a 1961 investigation that dissolved a massive heroin ring. The case would form the basis of a 1969 non-fiction book by Robin Moore that was swiftly adapted into the fictionalized film The French Connection. Gene Hackman, who by now had two Oscar nominations to his credit, was tapped for the role of “Popeye” Doyle, the profane detective modeled after Egan, while Egan himself would serve as technical advisor and play the smaller role of Walt Simonson, Doyle’s supervisor. Continue reading
The French Connection – Popeye Doyle’s Light Brown Suit
Gene Hackman as “Popeye” Doyle in The French Connection (1971).
Vitals
Gene Hackman as Jimmy “Popeye” Doyle, gruff NYPD narcotics detective
Brooklyn, December 1970
Film: The French Connection
Release Date: October 9, 1971
Director: William Friedkin
Costume Designer: Joseph Fretwell III
Background
To celebrate this weekend’s Academy Awards ceremony, BAMF Style is looking at The French Connection, which took home five Oscars in 1972 including Best Picture and – for Gene Hackman’s portrayal of unorthodox narc “Popeye” Doyle – Best Actor. It was the first R-rated movie to win the coveted Best Picture award, and its gritty realism set the tone for one of the greatest decades in American filmmaking. Continue reading
Popeye Doyle’s Peacoat and Pontiac
Gene Hackman as “Popeye” Doyle in The French Connection (1971).
Vitals
Gene Hackman as Jimmy “Popeye” Doyle, rough but dedicated NYPD narcotics detective
Brooklyn, December 1970
Film: The French Connection
Release Date: October 9, 1971
Director: William Friedkin
Costume Designer: Joseph Fretwell III
Background
Car chases have been engrained in American cinema since the early days of the Keystone Kops. As the interest in cars grew, auto manufacturers began highlighting their most innovative products through on-screen action. The James Bond franchise innovated the use of car chases with Goldfinger‘s gadget-laden Aston Martin DB5 and a conveniently placed Ford Mustang convertible. The Mustang poked its head out again for the seminal chase in Bullitt as Steve McQueen faced off against a black ’68 Dodge Charger in his Mustang GT-390. After Bullitt, filmmakers began exploring the possibilities of cars on film. New, exciting cars were showcased like the new Dodge Challenger in Vanishing Point to the new Mustang Mach 1 in Diamonds are Forever.
For The French Connection, William Friedkin’s 1971 film based on Robin Moore’s book about intrepid NYPD cops Eddie Egan and Sonny Grosso, the car chase formula was injected with something new. Rather than the super-cool hero coolly chasing a villain in his super-cool car, the film places its ragged protagonist off-duty cop in an ordinary sedan commandeered from a civilian. Not only that, but this villain isn’t in a car; rather, he has hijacked an elevated train as Popeye is forced to race the train to each stop. Continue reading
Dirty Harry’s Brown Suit
Clint Eastwood in the climactic scene of Dirty Harry (1971).
After stuffing our faces and stomachs during the Thanksgiving holiday this weekend, it’s certainly appropriate that you’d want to return to work feeling like a badass. That’s what Clint Eastwood is here for.
Vitals
Clint Eastwood as Insp. Harry Callahan, frustrated San Francisco inspector
San Francisco, Summer 1971
Film: Dirty Harry
Release Date: December 23, 1971
Director: Don Siegel
Wardrobe Department: Glenn Wright
Background
Having established his central look earlier in the film as a sport coat and slacks (gray herringbone and brown plaid), Dirty Harry throws a lateral for the final confrontation against the brutal “Scorpio Killer” by wearing a sharp, slim cut brown three-piece suit.
A brown 3-piece suit is a very traditional look, but the fit and styling of Harry’s suit is very contemporary and fashion-forward for 1971. The traditional suiting makes sense for Harry, a contrast to the more liberal film cops like Bullitt and their more fashionable wardrobes. While not outfitted in a frock coat and striped cravat, Harry still looks more old-fashioned next to Bullitt in his shooting jacket and polo neck jumper. Continue reading
Dirty Harry’s Brown Plaid Sportcoat
Clint Eastwood as Insp. “Dirty Harry” Callahan in Dirty Harry (1971).
Vitals
Clint Eastwood as Insp. Harry Callahan, renegade San Francisco inspector
San Francisco, Summer 1971
Film: Dirty Harry
Release Date: December 23, 1971
Director: Don Siegel
Wardrobe Department: Glenn Wright
Background
As mentioned in the previous Dirty Harry post, many travelers are fooled into thinking that San Francisco’s climate is reflective of California as immortalized by the Beach Boys. Instead, the city enjoys cooler Mediterranean-style weather with dry summers and mild winters.
Travelers unaware of the fact that they’ll be enjoying a summer with evenings that can dip into the 40s (Fahrenheit) are easily spotted by their brightly-colored hoodies emblazened with the name “SAN FRANCISCO” on the front, newly purchased from an enterprising street vendor rightly taking advantage of ill-informed tourists.
Harry Callahan defines his distinctive look in the early scenes of Dirty Harry, putting a patterned sportcoat over a sweater vest and tie, matching it all with a pair of comfortable and casual slacks. While the look may suggest “I failed as a writer and settled as a science teacher”, Eastwood’s gritty gaze and the .44 Magnum in his holster say different. Continue reading
Dirty Harry’s Herringbone Tweed and Red Sweater Vest
Clint Eastwood in one of his most iconic roles, Dirty Harry (1971)
Vitals
Clint Eastwood as Insp. Harry Callahan, renegade San Francisco inspector
San Francisco, Summer 1971
Film: Dirty Harry
Release Date: December 23, 1971
Director: Don Siegel
Wardrobe Credit: Glenn Wright
Background
Voted the “Greatest Movie Badass of All-Time” in a 2009 poll for MTV News, the character of Harry Callahan was originally much different. Although still a tough cop chasing a serial killer with a .44 Magnum, the role was originally envisioned as an older New York City policeman that was gunned down by a sniper during the finale. Offered first to Frank Sinatra, whose wrist injury from The Manchurian Candidate prevented him from firing the .44, then to John Wayne, who refused to accept one of Sinatra’s rejected roles and later proved his regret by starring in McQ, Clint Eastwood was finally offered the role.
One of my first posts was about a similar San Francisco inspector who plays by his own rules. However, Bullitt and Dirty Harry are two very different policemen: both have their own methods and are disliked by superiors, but where Bullitt is more free-wheeling and liberal, Callahan is shoot-first, ask-later and considerably anti-crime.
This change is reflected in their wardrobes as well. Bullitt prefers a casual look, layering a raincoat over a tweed jacket and jumper. Callahan, the more conservative cop, also wears a tweed jacket but with a necktie and sweater vest. Continue reading